The Rebel and Phoenix Awards

Last week I got sucked into an internet slapfight on the naming of a science fiction award. This was sparked by the news on File 770 that at last weekend’s DeepSouthCon, the Phoenix Award, for the professional (writer, editor or artist) who has done the most for Southern Fandom, and the Rebel Award, for the fan who has done the most for Southern Fandom, were both presented. (Photo from ceremony on Facebook)

The name of the latter award jumped out at me. It’s kind of difficult to see the word ‘Rebel’ being used for a celebration relating to those who live in the former Confederacy, and not draw the obvious conclusion. I therefore asked,

The Rebel Award presumably commemorates the defenders of slavery?

This provoked a defensive and vituperative set of responses, mainly from a former winner of the Rebel Award, which really failed to convince me (and other commenters) that the name of the award was intended to have any other meaning than commemorating the defenders of slavery. (Although the case for changing its name was none the less conceded as having been made.)

During the discussion, my attention was drawn to a flier for DeepSouthCon III, held in the centenary year of 1965, where the Rebel Award was presented for the first time. The flier informs us that:

Any of the Trufen wishing to pay in Confederate money should apply to the Chairman for conversion rates between real money and that of the USA.

Ha ha, very funny.

Here is the membership badge for that DeepSouthCon III in 1965 (which by the way had only 19 attendees, so numbering the badges up to 74 was optimistic):

I think it is fair to say that there is a pictorial element of this badge which weakens the assertion that no reference to the defenders of slavery was intended, and I said so, provoking another vituperative response:

…even as late as the mid-1980s that flag was a key design feature of the paint scheme of the General Lee, the automobile that was an iconic image of the popular CBS prime time television show The Dukes of Hazard. It was after that when the flag became hijacked by racist white supremicists as their totem.

If it was only after The Dukes of Hazzard that the flag was hijacked by racist white supremacists, who was using it between 1861-1865? (Actually a question with a slightly more complex answer than might first appear, but not by very much.) And let’s not forget the Dixiecrats who won four states in the 1948 presidential election on an explicitly racist white supremacist platform, under this flag – and held their founding convention in Birmingham, Alabama, just seventeen years before DeepSouthCon III.

And as for The Dukes of Hazzard themselves, hmm, what was the name of that car again? General who? What was he fighting for, and in which army?

See also an interesting 2015 retrospective piece on The Dukes of Hazzard from Time, which points out that:

You can’t feature the flag of Dixie and not be about the South and race, like it or not, even if only by passively feeding into the argument that the flag is only about family pride, good ol’ boys and good ol’ times.

The debate (such as it was) was terminated by the appearance in the discussion of the Administrator of the Southern Fandom Confederation, who actually administers the Rebel and Phoenix Awards:

Anyways, here’s my thoughts on the Rebel award name. I think it is clear that the name is meant to reference Confederate iconography. It’s paired with the Phoenix award, which is another common Confederate symbol. It was adopted during the centenary of the Civil War and during the Civil Rights movement when southern states started really leaning into the Lost Cause as a reaction to the gains made by blacks. I cannot claim to know the hearts and minds of the people who made these decisions more than a decade before I was born. But I think it’s unavoidable that this was an influence on their thinking. It may have meant pride in their heritage to them. But Confederate iconography and Lost Cause propaganda is harmful and has always been, even if not everyone realizes that.

I appreciate her honesty about what the name of the award clearly meant and means, and actually I did not expect to see the question extended to the Phoenix Award as well. It’s easy to see how the iconography of the phoenix could tie into the narrative of the Lost Cause, but I found it surprisingly difficult to identify real-world examples of this (internet searches kept bringing me instead to the handful of Confederate monuments near Phoenix, Arizona). However, I’m also certain that the Southern Fandom Confederation has done more research on this question than I have, so I will take their word for it.

I wish the Administrator and her colleagues well in the search for new and more acceptable names for the awards. For the other participants in the debate, perhaps a reminder that “Shut up, you fugghead!” isn’t the clincher argument that some of you seem to think it is. There are actually some interesting things to be said about how the Rebel Award came into existence, but you chose not to make those points, and I’m not going to make them here either.

Hugh Carswell: Belfast’s first science fiction fan

I’m browsing Then, Rob Hansen’s comprehensive analysis of the early history of UK science fiction, and came across the interesting fact that in 1935, one Hugh C. Carswell was appointed as Director of the Belfast chapter of the Science Fiction League, created by Hugo Gernsback for readers of his magazine Wonder Stories. Hansen then reports that this chapter ‘collapsed’ in around May 1937, when Hugh Carswell joined the RAF. Quite possibly there were no other actual members. In any case, Hugh Carswell is the first identifiable participant in science fiction fandom from Northern Ireland (I originally thought he might be the first from the whole of Ireland, but Fitz-Gerald P. Grattan (1913-1993) was writing to Astounding in 1931) and in the UK, the Belfast chapter of the SFL was preceded only by Leeds.

I wondered what else might be traceable about Carswell. From the genealogy sites, it was fairly straightforward to find his vital statistics: Hugh Crawford Carswell, born in Belfast in 1919, died in Waterford in 1985, married to Alice Kervick of Waterford (1916-1990) in Weston-super-Mare in 1946. His address in Belfast was 6 Selina Street, one of the tangle of streets at the bottom of the Grosvenor Road which was demolished to build the Westlink. His appointment as Director of the Belfast chapter of the SFL would have been shortly before his 16th birthday, and his gafiation around the time of his 18th.

Selina Street marked in red, between Elizabeth Street and Dickson Street.
The same area on a modern map. Selina Street is mostly under the Westlink, just north of the Grosvenor Road exit.

Hugh’s father John Carswell (1890-1944) was born in 12 North Queen Place, another vanished street which was just around the corner from Selina Street. (It seems to have been between Stanley Street and Willow Street.) The family are recorded as Church of Ireland in the 1900 census. John’s father, Hugh’s grandfather, Henry Carswell (1858-1906) was born in England; his profession is given as “labourer” in the census. John’s mother, Hugh’s grandmother Sarah nee Veighey (1857-1945) was born in Co Armagh.

Hugh’s mother Elizabeth / Lizzy nee Crawford (1891-1967) was born in Hutchinson Street, between Selina Street and North Queen Place. The family are recorded as Presbyterians. Her father Thomas Crawford (1864-1931) was born in County Down; his profession is given as “brass fitter”. Lizzy’s mother, Hugh’s grandmother Jane nee Moore (1866-1917) was born in County Antrim, which could mean Lisburn or Ballycastle or anywhere in between.

John and Lizzy married at St John’s Church (Church of Ireland) on the Malone Road in Belfast on 5 September 1911; he was 21 and she was 20. It’s an interesting choice of venue; St John’s is a good hour’s walk from central Belfast, and even in these benighted days I count a dozen Church of Ireland churches closer to their birth places than St John’s. His profession is given as Lance Corporal in the 2nd Royal Irish Rifles, based in Dover, so he had a nice shiny uniform. They seem to have had six sons between 1912 and 1924, Hugh being the third, and then a daughter in 1927.

John Carswell is recorded as living in Selina Street in the various online street directories for 1924, where he is described as a labourer, and for 1932, 1939 and 1943, where he is described as a grocer. After his death, Mrs E. Carswell (ie Lizzie) is also described as a grocer in 1951 and 1960. Initially they lived at 8 Selina Street, but later acquired number 6 as well; my guess would be that number 8 was the grocery shop and number 6 the residence.

Hugh made the newspapers in January 1936 when he passed the examination for Aircraft Apprentice with the RAF, though it looks like this didn’t impede his fannish activity for another year. A Facebook comment by Des Carswell, one of his five sons, says, “He was later transferred to South Africa where he trained as a pilot with the RAF and was responsible for flight testing of aircraft that his Squadron assembled in South Africa for operation duties in that theatre.”

He goes on, “Hugh returned to the U.K. in 1946 initially stationed at St. Eval before be transferred to 202 Squadron in Aldergrove outside Belfast where he undertook flying duties carrying out weather flight testing in Handley Page Halifax aircraft as a Sargent Pilot. On retirement from the RAF Hugh continued to work with the services until his retirement in 1979.”

There’s a bit more to say about the end of the story, but I’ll get to that later. Worth noting here that the new tech Air Force is exactly the branch of the services that you might expect a teenage science fiction reader to be drawn to in the 1930s.

(One minor discrepant detail: Hugh’s grandson says that he was based in north Africa, not South Africa, during the war, and indeed northern Africa seems more likely, given that the RAF was very active in that campaign and that South Africa had its own air force. He may of course have done both.)

I had had better luck at a distance of two seas and ninety years than James White, who in 1952 found Hugh Carswell’s own copy of Wonder Stories in a Belfast bookshop, and, as recounted by Walt Willis, decided to track him down at his Selina Street address. (See Fantastic Worlds v.1 no. 1, 1952, reprinted in The Willis Papers (1959) pages 8-10).

The address was one of a long row of identical houses in a working-class street. The door was opened by a middle-aged woman with a truculent expression.
“Mr. Carswell?” asked James, politely.
She gave him a suspicious look and would probably have slammed the door in his face if it hadn’t been for the fact that James is roughly a mile high and wears heavy round glasses which make him look like an electronic brain in its walking-out clothes. She contented herself with gradually reducing the width of the aperture until she was in danger of cutting her head off.
“Which Mr. Carswell?” she asked warily.
“Hugh,” said James.
She reddened, insulted. “What do you mean, me?” she enquired angrily. She was hurt.
”Not you,” said James hastily. He gave her an aspirate to remove the pain. “Hhhhugh. Hugh Carswell.”
Malevolently she seized her opportunity for further obstruction. “Which Hugh Carswell?”
Now, I have the type of mind that mentally falls off every bridge before I come to it. If I had been going to make this call of James’s, I would have cased the joint first. I would have looked up the house in the street directory to make sure the Carswells were still there after 17 years. Then I would have looked up the Register of Electors to see the names of all the people in the house who were of voting age. Finally I would have walked past the house a few times and then had a pint in the nearest pub and seen what dirt I could dig up. Such intelligent preparation and brilliant detective work wouldn’t have made the slightest difference, of course, but it would have been fun.
“Er…..the one who’s interested in science fiction,”, said James at last.
The woman looked at him blankly. It seemed to come naturally to her. Obviously, she was waiting for him to say something intelligible. She didn’t seem to think there was much hope.
“Signs fixin’?” she asked. “What signs?”

Hoffman’s cartoon of James White in Selina Street.

I don’t find any other Hughs in the immediate Carswell family, so either the lady was being even more annoying to James White than he realised, or he was making that detail up for entertainment. Personally I suspect the latter. I can also believe that as a relatively recent widow, she could get snappish when a stranger asked where Mr Carswell was. At least, I assume that White met Lizzie, who would have been 63 in 1952; Hugh’s sister Pauline does not appear to have ever married, so was probably still living with her widowed mother, but she was only 24 in 1952, which doesn’t really fit White’s description.

By his own account, White then became alarmed by the presence of sinister men who appeared to be monitoring his presence, so he left the scene rapidly, having first established that all of Hugh’s old magazines had been thrown away the previous summer by his mother.

To bring the story brutally forward by another twenty years, Hugh’s grandson, the Irish Times journalist Simon Carswell, gives some more context to the later part of his grandpartents’ lives in a moving (but graphically illustrated) piece on the 1972 bombing of the Abercorn bar in central Belfast:

One night in September 1973, a loyalist gunman fired six shots through the front window of the home of my grandparents – my Waterford Catholic grandmother Alice Carswell (nee Kervick) and my Protestant-born Catholic convert grandfather Hugh Carswell, better known as Paddy.

Their Catholic house on the predominantly Protestant Cregagh estate had been attacked several times before because of the family’s religion, but the gun attack was the final straw. Nobody was hurt, but the message was clear: it was time to get out.

My uncle Hilary remembers seeing the flashes of the gunshots from an upstairs bedroom and pulling his brother Dick to the ground. The family has photographs of the bullet-holes, including one snap of my cousin Jaimie, then a toddler, with his finger in one of the holes.

The day after the attack, the Irish News newspaper carried a brief, two-paragraph article about the shooting at the bottom of its front page. Within weeks, the Carswells had packed up and relocated to Catholic west Belfast.

“At that stage, there were 12 Catholic families living in the Cregagh estate. That was all that was left. And then there were 11,” says Hilary Carswell.

The fact that Hugh had converted to Catholicism is a new and interesting detail. The Catholic Church, especially in Ireland, perhaps even more so in Northern Ireland, was very demanding of couples in mixed marriages in those days. As it happens, both of my own grandmothers, brought up as Protestants, converted to Catholicism to marry my grandfathers.

By 1973, Selina Street, North Queen Place and Hutchinson Street had all disappeared under the developers’ bulldozers, but Hugh still took his family back to West Belfast when crisis struck, before heading permanently to the Republic where he and Alice lived out their days. His RAF service record, which had not helped him in Cregagh, won’t have helped much in West Belfast either.

I checked in with Simon Carswell, who was only vaguely aware of his grandfather’s interest in science fiction. He wrote to me:

I remember him as a really clever and fascinating man. He repaired and flew Hurricane fighter planes for the RAF in north Africa during the Second World War and I recall him being interested in technology and innovation, and taking an interest in US television programmes about the future so this fits with his interest as a boy in science fiction.

He was a brilliant Grandad who took a great interest in his grandchildren. He died far too young at the age of 65. He had been in poor health from malaria that he contracted in north Africa, which was not helped by a hardened smoking habit. He was much loved and is much missed by his family, even 40 years after his death. Our memories of Grandad remain as vivid today. I hope he is up there reading science fiction novels, comics and books, and pondering what the future might bring to us down here.

Coming full circle, I am tremendously grateful to Hugh’s son Paul Carswell for sharing this photograph of Hugh with his mother Lizzie and their dogs, one of whom was named Rex, at the door of their Selina Street house. From Hugh’s apparent age, it was taken just a couple of years before he became Northern Ireland’s first known science fiction fan.

2024, according to Science Fiction

As in previous years, I’ve searched for SF set in the year to come so that we will be forewarned of what lies in wait for us. (This has not always proved to be an accurate guide: cf 2020.) This is a relatively thin year, to be honest, but I have a dozen or so film, TV, books and a video game, all set in the year 2024. Here is my complete compilation:

I should add that I have a cutoff of twenty years earlier, so I’m not counting anything released or published since 2004 here. This does lead to a couple of gaps…

Most notoriously, Star Trek: The Next Generation predicted Irish reunification in 2024, in the episode “The High Ground”. The scene was cut when the story was first shown on British TV, and the whole episode was skipped when the series was first shown on Irish TV.

Anyway, chronologically the first is Beyond the Time Barrier, a 1960 film produced by and starring Robert Clarke, a USAF test pilot who discovers that he has flown into a dystopian future, the year 2024, where a cosmic plague has devastated humanity and the sterile remnants cower underground. Our hero is asked to breed with the only young woman who remains fertile. I will leave it to your imagination to guess what happens next.

In a 1964 episode of TV show The Outer Limits “The Invisible Enemy”, the first humans to land on Mars in 2021 mysteriously disappear; three years later, a rescue mission captained by Adam West (better known as Batman) comes to investigate and finds a breathable atmosphere and sand monsters.

Harlan Ellison’s notorious dystopia, A Boy and his Dog (novella 1969, film 1975) is definitely set in 2024 – the original novella says that it is 76 years after 1948, and the film bigs up the date in promotional posters, indeed 2024 is part of the title in some translations. Again our protagonist is invited to breed with one of the few remaining fertile women after the apocalypse; she does not get a happy ending.

Norman Macrae, the deputy chief editor of the Economist, published The 2024 Report: A Concise History of the Future, 1974-2024 in 1984. (And seems to have produced a revised edition called The 2025 Report the following year; see here.) He forecast the fall of the Berlin Wall and of Communism in the late 1980s, an a boom in technology leading to the withering away of the state and a new era of enlightened discourse. If only. (You can get it here, at a price.

Highlander II: The Quickening (1991) is set in 2024; yet another dystopia in which humanity has screwed up the atmosphere and our hero needs to put things right. It is the sequel to a much better film from five years earlier. As someone very wise once put it, there should have been only one!

Also from 1991, in Allen Steele’s novel Lunar Descent the workers on an industrial colony on the Moon go on strike to hit back at management. Like The Moon is a Harsh Mistress, but more genuinely left-wing. You can get it here.

And again from 1991, the anime Silent Möbius: The Motion Picture is mainly set in 2028 but starts with a flashback to 2024 where the policewoman hero first encounters the monster at the core of the plot.

Octavia E. Butler’s classic Parable of the Sower (1993) is, I’m afraid, yet another dystopia where society is collapsing due to climate change and growing inequality. Butler’s teenage protagonist revives her community through a new religion. The story starts in 2024. The graphic novel version won the Hugo in 2021. (You can get the novel here and the graphic version here.)

In 1995, Star Trek Deep Space Nine visited 2024 California in the two-part story “Past Tense”. It turns out that the time-slipped crew have arrived on the eve of historically notorious riots in a deeply divided society. (Incidentally although I’m enjoying Season 2 of Star Trek: Picard, also set in California in 2024, it fails my twenty-years-ago threshold.)

In 2001, the cartoonist Ted Hall published 2024, a graphic novel updating Orwell’s 1984. The economy is run by megacorporations that exploit ethnic tensions in trade wars; the protagonists are named Winston and Julia; news and history are easily revised digitally, and shopping and pornography substitute for social interaction and passion. (According to the review in Publishers Weekly.) You can get it here.

I promised a game, and here it is: Jet Set Radio Future, made by Sega for the Xbox in 2002, features kids with rocket-powered rolling skates zooming around Tokyo.

We’ve had Star Trek twice, and I’m glad to say that we can also have some Doctor Who. Last chronologically before my 20-year cutoff. The Eighth Doctor novel Emotional Chemistry by Simon A. Forward takes place in three timelines: 1812, the 21st century and the 51st century. The back cover makes it clear that the 21st century action is set in 2024, mostly in Russia. You can get it here (at a price).

Finally, and more optimistically, the protagonist of the 1999 film The Thirteenth Floor, having endured awful scenarios in virtual versions of 1999 and 1937, wakes up to discover that it’s 2024 and actually everything is OK.

Dystopias and more positive high-tech futures are finely balanced here – I count six of each, with maybe an extra dystopia if we are allowed to take the two versions of A Boy and his Dog separately. It could go either way, folks; let’s be careful this year!

Eastercon 2022: Reclamation

Back in January 2020, before the world ended, I was attending a planning meeting for the bid to host the 2024 WorldCon in Glasgow, when two of the committee literally grabbed me and said they needed a word. One of them was Phil Dyson, and he revealed that he and his team were planning to bid for the 2022 Eastercon, the UK’s National Science Fiction Convention; and that they were formally inviting me to be the Fan Guest of Honour.

I was stunned into silence. (A rare occurrence.) If you look at the list of Guests of Honour for previous Eastercons, there are some pretty prestigious names there as both pro and fan guests, including some who I have slavishly admired since my teenage years. At the same time, I am very aware that you and I could easily name at least a dozen people who have put more years and work into fandom than I have, who have not yet been recognised in that way. So I had a really vivid moment of impostor syndrome.

And yet, it did not take me many seconds to say yes to Phil. I came late to Eastercon – my first was as recently as 2012 – but I have loved the atmosphere each time I attended in person, and felt more and more that this is an accepting community; my tribe. I accepted Phil’s proposal, and he looked relieved. So that was January 2020.

And then, as you know. the world ended.

The 2020 Eastercon, ConCentric, which would have been in Birmingham, was simply cancelled in all respects apart from an online bid session, at which the 2021 team presented their plans – and were given the community’s approval to proceed – and Phil presented his intention to bid for 2022, but declared that it was too early to seek formal approval. Eastercons do not reveal their Guests of Honour until they have won the selection vote. I was in the tantalising situation where I had hoped that the 2022 committee would go public, but of course they decided not to.

The 2021 Eastercon, Confusion, took place entirely virtually. This had its pluses and minuses (as reported in detail by Jo van Ekeren). The biggest plus was that at least it actually happened, and from my spare bedroom in Belgium I moderated one panel, spoke on two others and participated in several more. In particular, I learned a lot about Chinese SF from a panel about Jin Yong. The downside was that the technology was raw; many of the early panels and discussions were not streamed live, and the organisers seemed disturbingly nonchalant about the negative experiences of some participants.

There was, again, a bid session, held virtually. The 2021 team asked for another chance in 2023, and a challenger arose and advocated instead that the 2023 decision should be postponed. The session agreed. It also agreed, with little dissent, to approve Phil’s bid for the 2022 Eastercon, to be called “Reclamation”. At that point my own involvement became public, and so were my fellow Guests of Honour: Zen Cho, Mary Robinette Kowal and Philip Reeve. People in general were very kind about this, and if there was a negative comment on my role, I missed it completely. (If you did see any such thing, don’t feel that you need to enlighten me.)

Zen Cho had unfortunately had to withdraw for family reasons, but I’m glad to say that she will be one of the Guests of Honour at next year’s Eastercon instead. My father and both of her parents were born in what is now Malaysia, which is probably three more Malaysian-born GoH parents than in the previous history of Eastercon.

By the time the announcement was made, I had rather unexpectedly taken on the role of WSFS Division Head for the 2021 WorldCon, DisCon III to be held in Washington DC. I relinquished that role in late June, and shortly thereafter the Chair of the convention also resigned, to be replaced by one Mary Robinette Kowal, my fellow Eastercon 2022 Guest of Honour. The first thing I said to her when I saw her last weekend was to apologise for my role in thrusting that particular burden on her shoulders. I will not report her response.

Anyway, time passed, the plague receded to an extent, and last Thursday I set off to Heathrow (after a couple of days working in London), arriving in time for a lovely dinner with my wife and son and the Committee (and, in theory, the other Guests of Honour; but they all arrived on Friday).

Zen’s replacement was Tasha Suri, whose work I’m ashamed to say I was unfamiliar with, though in my 2020 Hugo administration role I had sent her a finalist pin for being on the inaugural Astounding Award ballot. Tasha was a bit distracted by domestic events during the weekend, but I instinctively liked her as a person and have now bought some of her work to enjoy.

As mentioned above, I knew Mary Robinette best of the other GoHs. We had some good rehashing of recent events, which again will not be further reported. She and Ian Whates did a breezy and enjoyable BSFA Awards ceremony. (Though I had only voted for one winner.) Her interests are gratifyingly eclectic, and I hoped but failed to go to a couple of her panels on historical topics. She flew out a little early to go to Kjell Lindgren’s next space launch.

Philip Reeve was a real discovery. Famous for Mortal Engines, of course, the only other book of his that I had read was a Fourth Doctor / Leela story from 2013 which I greatly enjoyed. Anne, F and I dined with him in the hotel on the Saturday and then took him out with a larger group including Mary Robinette on the Sunday. A charming, modest and reserved chap, who I hope we will see again.

Phil Dyson introduces the Guests of Honour – me, Tasha Suri, Philip Reeve and Mary Robinette Kowal

Badly backlit after-dinner photo on Sunday night

Apart from the opening and closing ceremonies, I had four panels, a Kaffeeklatsch and a formal stage interview during the weekend. When I say I had four panels, one of them was simply introducing Wendy Aldiss presenting her lovely book, My Father’s Things, in a discussion with Brian Aldiss’s publisher Scott Pack, and then sitting back in the audience and enjoying the illustrated narration.

The other three were two on politics and one on Doctor Who, which seems about right. They were front-loaded so that on Sunday all I had to worry about was the GoH interview, or so I thought. My Kaffeeklatsch was first thing on Saturday, and only two people came, both of whom I already knew well (Hi, Shana! Hi, Colette!); I wonder if there would have been more if it had been scheduled after my GoH interview rather than before?

All praise to Vincent Doherty, who carefully managed a delightful interview, much of which was summarised by the BSFA scribe Emily (click on the tweet for her full account):

These were the slides that Vince assembled from the photos I had sent in advance:

Two other things happened on the Sunday. The first was the hotly contested bid for the 2023 Eastercon, where I was called in to read aloud the (newly finalised) rules. The choice between the two contenders was resolved by a lobby vote, with each of the two bids assigned a door and supporters asked to leave the room by one or the other. Virtual votes, and votes from the less mobile, were tallied in parallel and added in. The winning bid had almost exactly 60% of support, which is comfortable but not crushing. Apparently this was the closest vote since the revolutionary year of 1989.

The other significant thing on Sunday was the new Doctor Who episode, a swashbuckling bit of Chinese pirate fun along with Sea Devils. (They call humans “Land Parasites”.) I won’t analyse it in depth, yet; I loved the deepening of the Doctor / Yasmin relationship and I loved even more the imminent return of Tegan and Ace.

Incidentally, and I should have posted this in February, I got a pic with Mandip Gill, who plays Yasmin, at Gallifrey One in February, and the green-screen effect means that the Tardis appears to be visible through my torso. They offered me another photo-op, but I quite like it.

Yesterday was much more relaxed, for me anyway. I attended the live recording of the Octothorpe podcast, where I was roundly mocked for predicting that they would win a BSFA Award, my attempts at camouflage proving strangely ineffective. (Note F, sitting beside me, wishing he was anywhere else.)

My attempt to hide from the scorn of Octothorpe

It was fantastic to be back with real people again, and I loved seeing all of you. You made my family very welcome as well, and that makes a big difference. Many thanks to Phil and all of his committee, and congratulations to James Shields on winning the Doc Weir Award. And I do hope to come again next year, though it does depend a bit on the venue.

A number of people inevitably came away with COVID as a souvenir of the convention. So far the numbers seem to be barely into double figures, out of 700 attendees, and I myself have tested negative. (Having caught my own dose at Novacon in November.) Fingers crossed that nobody is too badly affected.

Fannish friends will forgive my closing with our dear H, our guest for many Christmases, who cycled many miles to come and see us on Friday evening and Saturday morning. I hope that it will not be too long before we see any of you again.