Read Catherine Kellogg’s explanation, which includes helpful icons to let you know if the author is a character and if the plot is self-contradicting. Then the usual: bold if you’ve read it, italic if you started it, struck through if you hated it.
Donald Antrim’s "The Hundred Brothers"
Margaret Atwood’s "The Blind Assassin"
Paul Auster’s New York Trilogy
Nicholson Baker’s "The Mezzanine"
J.G. Ballard’s "The Atrocity Exhibition"
John Barth’s "Giles Goat-Boy"
Donald Barthelme’s "60 Stories"
John Berger’s "G"
Thomas Bernhard’s "The Loser"
Roberto Bolaño’s "2666"
Jorge Luis Borges’ "Labyrinths"
William S. Burroughs’ "Naked Lunch"
Robert Burton’s "Anatomy of Melancholy"
Italo Calvino’s "If on a Winter’s Night a Traveler"
Julio Cortazar’s "Hopscotch"
Robert Coover’s "The Universal Baseball Association, Henry J. Waugh, Proprietor"
Stanley Crawford’s "Log of the S.S. Mrs. Unguentine"
Mark Danielewski’s "House of Leaves"
Don Delillo’s "Great Jones Street"
Philip K. Dick’s "The Man in the High Castle"
E.L. Doctorow’s "City of God"
Geoff Dyer’s "Out of Sheer Rage: Wrestling With D. H. Lawrence"
Umberto Eco’s "The Mysterious Flame of Queen Loana"
Dave Eggers’ "A Heartbreaking Work of Staggering Genius"
Steve Erickson’s "Tours of the Black Clock"
Percival Everett’s "I Am Not Sidney Poitier"
William Faulkner’s "Absalom! Absalom!"
Jonathan Safran Foer’s "Everything Is Illuminated"
William Gaddis’ "JR"
William Gass’ "The Tunnel"
John Hawkes’ "The Lime Twig"
Nathaniel Hawthorne’s "The Scarlet Letter"
Aleksandar Hemon’s "The Lazarus Project"
Michael Herr’s "Dispatches"
Shelley Jackson’s "Skin"
Franz Kafka’s "Metamorphosis"
Milan Kundera’s "The Book of Laughter and Forgetting"
Jonathan Lethem’s "Motherless Brooklyn"
Ben Marcus’ "Notable American Women"
David Markson’s "Wittgenstein’s Mistress"
Tom McCarthy’s "Remainder"
Joseph McElroy’s "Women and Men"
Steven Millhauser’s "Edwin Mullhouse"
Haruki Murakami’s "The Wind-Up Bird Chronicle"
Vladimir Nabokov’s "Pale Fire"
Flann O’Brien’s "At Swim-Two-Birds"
Tim O’Brien’s "The Things They Carried"
Harvey Pekar’s "American Splendor"
Thomas Pynchon’s "Gravity’s Rainbow"
Philip Roth’s "The Counterlife"
W.G. Sebald’s "The Rings of Saturn"
William Shakespeare’s "Hamlet"
Gilbert Sorrentino’s "Mulligan Stew"
Christopher Sorrentino’s "Trance"
Art Spiegelman’s Maus I & II
Laurence Stern’s "The Life and Opinions of Tristram Shandy"
Scarlett Thomas’ "PopCo"
Kurt Vonnegut’s "Slaughterhouse Five"
David Foster Wallace’s "Infinite Jest"
Colson Whitehead’s "John Henry Days"
Oooh.
(Thinks furiously.)
I can’t think of a setup which makes it sensible for us to pick you up from and return you to Stansted, since we’re booked into Heathrow for Thursday through to Tuesday and any possible flight cost difference would be eaten by the extra nights in hotels, but if it were to happen, we’d be very happy to do so.
We’d love to see you either way.