Second paragraph of third chapter:
The major engagements of the medieval period are. however, those of defenders against invaders. Most of them were fought in an attempt to prevent further Norman penetration of the country. The fact that the Irish succeeded in preventing the Normans from completely overrunning the country was due not only to their stout resistance, but also to the isolation of the invaders from their homeland and the impossibility of gaining sufficient reinforcements to maintain and consolidate their position. Additionally, the importation by the Irish of Scots mercenary soldiers called gallowglas (from gall óglach – foreign warrior) from the thirteenth century onwards, was to strengthen their resistance considerably. At first confined to Ulster, galloglas later spread throughout Ireland in the service of the great families. These mercenaries prolonged the life of the independent Gaelic kingdoms for more than two centuries after the defeat of Edward Bruce (14). Four centuries after the conquest the O’Neills and O’Donnells were still ruling most of Ulster according to the customs of their ancestors. It was not until their defeat in the Nine Years War (15) in 1603, that all of Gaelic Ireland finally fell to the invaders.
Here are the two maps, by W.H. Bromage, referred to above. I will have a lot more to say about the artist below.
I have known Ruth Dudley Edwards since 1989 or so; she was at school with one of my aunts, as it turns out, and her father was the historian Robin Dudley Edwards. I regret to say that I have stopped following her on social media; she is entitled to express her hardline conservative views, but I do not feel compelled to read them.
This book dates from half a century ago, when the world was a different place and Irish history was a different discipline. It’s a breezy summary of the main points of Irish history to date, concentrating on the medieval and early modern periods, and the maps, even though they would have been a bit old-fashioned even in 1973, illustrate the narrative.
But there are some odd omissions. After independence, Northern Ireland largely disappears from the narrative. (It gets seven pages in the second last chapter, and the Troubles get one line.) From my political perspective, it would have been interesting to see more mapping of election results across the whole period. The chapter on social change completely misses the elephant in the room, the role of the Catholic church in society.
There is a much newer edition, published in 2005 with contributions from Bridget Hourican, where I believe that these issues have all been addressed. I see reviewers complaining, however, that Bromage’s maps were retained despite not really being with the Zeitgeist; as I said, they look old-fashioned for 1973, let alone 2005 (or 2024). But you can get it here.
This was the non-fiction book that had lingered longest unread on my shelves. Next on that pile is Bee Quest, by Dave Goulson.
W.H. Bromage, who drew the maps, is credited with the illustrations for a number of similar books of the period, mostly published by Methuen, some by pretty big names: The Archaeology of Crete: an Introduction, by John D. Pendlebury (1939); The War in Burma, by Roy McKelvie (1948); Introducing Spain, by Cedric Salter (1954); In Search of London, by H.V. Morton (1956); An Atlas of World Affairs, by Andrew Boyd (1957); Frontiers and Wars, by Winston S. Churchill (1962); Pan-Africanism, by Colin Legum (1962); Survey of the Moon, by Patrick Moore (1963); The Sword-Bearers: Supreme Command in the First World War, by Corelli Barnett (1963); The American West, by John A. Hawgood (1967); An Atlas of African Affairs, by Andrew Boyd and Patrick van Rensburg (1970); and The Steel Bonnets: The Story of the Anglo-Scottish Border Reivers, by George MacDonald Fraser (1971). An Atlas of Irish History (1973) is the last book that I have found which credits him.
Roy McKelvie, writing in 1948, describes him as “Mr W.H. Bromage of the News Chronicle“. I’ve found a number of maps of the changing front lines of WW2 published by the News Chronicle and credited to “William Bromage”…
…and also a rather nice illustrated text of the Geneva Declaration on the Rights of the Child, signed by Eisenhower, Montgomery and Churchill and dated 1945.
A William Bromage is also credited with the maps in Small Boat Through France (1964) and Small Boat on the Thames (1966), both by Roger Pilkington. This must be the same person. That’s literally the only other certain information I have about him. Illustrating fourteen books in 34 years would hardly make you a living, so he must have been full-time with the News Chronicle until it was absorbed by the Daily Mail in 1960, and maybe stayed on after that.
Ancestry.com gives me half a dozen people called W.H. Bromage, with the W.H. short for “William Henry” in all cases, born in England in the first two decades of the twentieth century. The surname is concentrated in Herefordshire, Worcestershire and Warwickshire. He could, of course, easily have been born somewhere else entirely. I find a Detroit journalist of that name in the 1920s and 1930s, who could conceivably be the same person though it’s a bit of a shift. I also find a San Francisco journalist of the same name in the 1890s, and a reference in 1919 to “the renowned Anglo-Catholic artist, W.H. Bromage”, but neither of these can have been illustrating An Atlas of Irish History in 1973.
It is frustrating that I know almost nothing else about Bromage: he was clearly a man of talent, who captured the market in drawing maps for books about history and current affairs. It could be that this is a problem of Internet research, and that if I had access to a decent reference library in the UK I would find his biographical details really quickly. Or not; you never know what will survive.