Ernest Wante’s paintings in the Church of St Boniface, Ixelles

Yesterday I found myself lunching (for the second time in a few days) at one of my favourite Thai restaurants, La Deuxième Élément in Ixelles, and after lunch I spotted that the Church of St Boniface, which looms over the square, was open. One of the cultural loose ends that I have been thinking about chasing for a while is a report in Dutch Wikipedia that the church contains some of the work of fin-de-siècle artist Jean Mayné, so I seized the chance to go in and have a look.

There are four large paintings on the ends of the transepts in the church, and another in the Lady Chapel, all sadly somewhat dingy and in need of restoration. (Which may be tricky, as they are canvas glued to the wall.) The altarpiece is also flanked by two painted wooden panels which looked like they might be by the same hand.

Frustratingly, the church has a mini-exhibition about the stained glass windows, which have recently been restored, but there was nothing about the paintings or the altarpiece – nor are they mentioned in the bilingual leaflet you can get online, though I found an older pamphlet with more info.

I took photos of them all, hoping that they might turn out to be obscure works by Jean Mayné. But a bit more research this morning revealed that they are actually by a different fin-de-siècle artist, Ernest Wante, who was much more into religious art. Next time you are enjoying La Deuxième Élément’s yummy Keng Kaï Noh Maï (my personal favourite), do take a moment afterwards to pop across the road and look around.

(Also – it became clear in my research that the St Boniface here is the 13th-century Brussels bishop, not the 8th century martyr.)

Jesus heals the paralytic (1923). Strictly speaking this should be an indoor scene. Note the chap brandishing his crutches in joy, though the guy in front of him with a walking stick seems less sure.
“Suffer little children to come unto me” (1923). Interestingly multi-ethnic crowd. The young woman at the front looks to me like she is wearing a fin-de-siècle dress.
The Adoration of the Shepherds (1910). Accompanied by angelic choir, sheep, ox, ass and goat. When I went back for another look I realised that someone has squiggled over the baby with green felt tip pen.
Shows how St Boniface tested out a supposed fragment of the True Cross at the abbey of Hooidonk, by seeing if it sank in water. It did, and started shedding drops of blood. Boniface actually recorded this himself. (1909)
The angels come to help St Boniface serve Mass. Oddly enough he didn’t leave us personal documentation of this incident.
The Wedding at Cana (altarpiece, 1910)
Doubting Thomas (altarpiece, 1910)

The stained glass windows looked interesting too, but I was in a bit of a rush to get back to the office and will have to return for another look. And I’m still wondering about the rumoured work of Jean Mayné. Maybe it was just a mistake by whoever wrote the Wikipedia entry.

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