I don’t think I have written here before about my love of the 2013 film Good Vibrations, starring Richard Dormer as Terri Hooley, and pre-Doctor Who Jodie Whittaker as his first wife Ruth Carr (in reality a significant cultural figure in her own right, who is only in the film as the protagonist’s love interest). The film is the story of how one idealistic man kept music, especially punk, alive in the worst years of the Troubles, and finally made it big with The Undertones’ classic Teenage Kicks. In case you need to get a taste of it, here’s the trailer:
I confess part of the sentimental attachment for me is that I went to see a special showing of the film in mid-2014 at the Northern Ireland representation in Brussels, with Andy Carling, a good friend who sadly died a few years later. We both cried at the crucial scene where The Undertones turn up in the studio to record their hit, and my eyes well up every time I think of it.
Hooleygan: Music, Mayhem, Good Vibrations is the ghost-written autobiography of Terri Hooley on which the film is very loosely based. The second paragraph of the third chapter:
One by one, all the weird and wonderful clubs that I had loved when I was a teenager began to disappear. As people retreated into their own areas there was little need for the Fiesta Ballroom, the Plaza or Betty Staff’s and they soon closed. Belfast became a ghost town.
As a Belfast kid in the 1970s and 1980s, I was not into the contemporary music scene at all; the City of Belfast Youth Orchestra was more my gig. But I do remember the cut-out of Elvis outside the Good Vibrations music shop on Great Victoria Street, and the cool kids at school were into Stiff Little Fingers. Otherwise I was surprised by the lack of crossover between my own lived Belfast experience and Terri Hooley’s world of gigs, girls, business and bankruptcy. I was well aware that I was not one of the cool kids, and this book confirms it.
The book is gorgeously illustrated, with many black-and-white photos, posters, ticket stubs, record sleeves and other souvenirs from the era. It’s an important reminder that history is not just words on paper, but images and sounds as well, if you can gather them for your archive. And it’s also a reminder that while the grim politics and violence were playing out in front of the world’s cameras, there was something much more joyous happening behind the scenes.
As for the text… well, it’s obviously been organised by Richard Sullivan as co-writer, but you do get the sense of a man sitting down in the bar next to you and spilling his life story, good, bad and ugly. Hooley’s passion for music is admirable and the driving force of his life; he has been unlucky in business and not always lucky in love. Some of his life decisions have been, er, wiser than others. The book gives a raw picture of him and his time and place. You can get it here (at a price).
