Second paragraph of third chapter:
The year of 1966 would be a causal one for rock music and popular culture as a whole. The Beatles released Revolver – an album filled with exotic sounds that reflected the group’s LSD experiences – Cream, rock’s first so-called super-group, began inventing heavy metal; while Jimi Hendrix wowed London’s clubland with his dazzling, pyrotechnic approach to playing the electric guitar. In London, a collision of fashion, art and music was slowly taking effect, and would peak during the following year’s so-called Summer of Love.
Inspired to get this by the V&A exhibition a few years back. Starts with an in-depth account of the Live 8 reunion, which I read while rewatching the actual event. It’s more comprehensive and detailed than Nick Mason’s book, but less funny; it does address some points that Mason doesn’t, notably how the band handled rapidly becoming rich but also looking at the importance of the Cambridge roots (which Mason wasn’t part of) and the art that went with the albums and concerts (which Mason wasn’t as interested in). Very detailed, but didn’t quite sing to me. You can get it here.
This was my top unread book acquired in 2019. Next on that pile is The Harp and the Blade, by John Myers Myers.