Second paragraph of third section:
It didn’t work out that way. For one thing, I overslept and felt terrible when I got up. I had forgotten what a long, sleepless journey can do to your system. For the past five years I had done less and less traveling, and I was getting soft. For another thing, the rain had changed to sleet during the night and was driving down in freezing gusts. The wind was blowing briskly from the east, in off the sea. Bill and I sat at the battered wooden table in the farm kitchen, while Mrs. Trevelyan pushed bacon, eggs, homemade sausage, bread and hot sweet tea into me until I showed signs of life. She was a spry, red-cheeked lady in her middle sixties, and if she was surprised that Bill had finally brought someone else with him to explore Little House, she hid it well.
When I was doing my first run through stories that won both the Hugo and Nebula in 2004, I wrote:
Back in the summer of 1991 I was finishing up my M Phil in Cambridge, and dropped in one day on my supervisor, who at the time was the curator of the history of science museum. He welcomed me into his office, shuffled through some papers with strange cylindrical diagrams on them, and flourished them at me: “These,” he said, “are Charles Babbage’s original blueprints for the Difference Engine.” He had a tendency to do that. I remember one seminar on Newton where he brought in an authentic 17th-century widget, “just like Newton would have had”, and showed the original owner’s notes of how it had been used, almost casually indicating at the end that the original owner in this case had in fact been Isaac Newton. We would occasionally see the current Lucasian Professor, a post previously held by Babbage and Newton, trundling through the cobbled streets in his battery-driven wheelchair.
Babbage was all the rage in those days, it being the bicentenary of his birth, and with no less than three sf novels published the previous year in which Babbage’s difference engine was actually built (Michael Flynn’s In the Country of the Blind, S.M. Stirling’s The Stone Dogs, and William Gibson & Bruce Sterling’s The Difference Engine), and thus the computer was brought into being a century and a half before Bill Gates. Apart from those three novels and Sheffield’s novelette, which is dated as having been finished on December 31, 1991, there aren’t many stories with that theme, though steampunk as a genre keeps on going. In all three of those novels, the difference engine is at least partly responsible for revolutionising society.
Sheffield, however, takes it in a different direction: what if it were simply built in 1850 as a project of an eccentric couple in the farther flung reaches of the British Empire, and then forgotten? His unnamed narrator and his old New Zealander friend Bill Rigley team up to find out the truth behind the manuscripts located on a farm at the back end of nowhere. In fact, the largest surviving fragment of Babbage’s analytical engine was indeed discovered, along with various papers now in the Wanganui Museum, on a farm in New Zealand in the late 1970s by Garry Tee, to whom “Georgia On My Mind” is dedicated and who “is no more Bill Rigley than I [Charles Sheffield] am the narrator of this story.” However, in our timeline the Babbage material reached New Zealand via Australia in the hands of Babbage’s son and grandson when they emigrated, rather than being constructed from scratch.
Tee made his real-life discovery about the time that Charles Sheffield’s first wife died, in 1977, and the narrator of “Georgia on My Mind” has had a similar recent loss. The theme of nostalgia and loss runs strongly and powerfully through the story, permeating the excitement of the two friends as they look through the papers of Luke and Louisa Derwent from over a century before. Anyone who has ever been bereaved will sympathise with the narrator’s sharp intake of breath as a picture of Louisa reminds him of his dead wife. The setting of New Zealand is also richly portrayed, in the days before Peter Jackson made it as iconic as it now has become. And so we are not really prepared for what happens next.
It seems that the Derwents – a married couple, exiled from England because they were also, scandalously, half-brother and half-sister – had made contact with aliens – or at least intelligent non-humans – on Macquarie Island. One last letter written in 1855 reveals that Luke and the dying Louisa set off to the permanent base of the “heteromorphs”; there is just about enough information in the manuscripts to enable the identification of the site of that permanent base as being South Georgia, in the Atlantic Ocean. (The story’s title has nothing to do with the U.S. state of Georgia, let alone the former Soviet Republic of the same name, where I will be this time next week as I write these words.)
And so, just as the Derwents’ story finishes with preparation for a long and dangerous journey, “Georgia On My Mind” ends with our narrator and Bill Rigley preparing to follow the Derwents to South Georgia. But they will not be alone; word has leaked out, and a host of people from MIT, Livermore and the hard science fiction community are rumoured to also be converging on the island. For some readers, this somewhat recursive twist at the end spoils the story. Not for me. I read it as a tribute, 14 years on, to the support Sheffield drew from his professional and literary colleagues at the time of his bereavement, and a good end to a story whose plot was never intended to be fully resolved.
I should say that Garry Tee of the University of Auckland, on whom the character of Bill Rigley is based, found this review soon after I had posted it in 2004 and we maintained a friendly correspondence until he retired in 2018. If he is still around, he will turn 92 next month, so I do not feel offended that I have not heard from him in a while.
Edited to add, June 2024: Nigel Rowe emailed me to say that in fact Gary Tee died on 18 February 2024, only a few days after I had published this blog post. He was 91. There are two lovely obituaries here and here. Thank you, Gary, for your friendly correspondence with a random chap on the other side of the world.
Coming back to it two decades later, I still loved this story for bringing me back to my history of science days, the most intellectually interesting work I have ever done in my life. I wondered also if E.J. Swift was slightly inspired by it for The Coral Bones. And I think we can all do with a hidden history occasionally.
Bechdel fail, I’m afraid; the two women characters are Mrs Trevelyan and Louisa Derwent, who live more than a century apart.
The story has not been reprinted in English since 1998, in The New Hugo Winners, Volume IV where I first encountered it. You can also get it in:
- Nebula Awards 29, ed. Pamela Sargent
- Georgia on My Mind and Other Places, by Charles Sheffield
- The Best New SF #8, ed. Gardner Dozois
- Analog January 1993 (which also included Hugo-wining novella “Death on the Nile” by Connie Willis)
“Georgia on my Mind” won the Hugo and Nebula Awards for Best Novelette presented in 1994 for work published in 1993. “The Franchise” by John Kessel was also on both final ballots. The Nebula ballot also included two other Hugo winners due to varying year / word count qualifications.
The other Hugos in the written categories went to Green Mars by Kim Stanley Robinson (Novel), “Down in the Bottomlands” by Harry Turtledove (Novella) and “Death on the Nile” by Connie Willis (Short Story). The Best Dramatic Presentation Hugo went to Jurassic Park. The other Nebula winners were Red Mars by Kim Stanley Robinson (Novel), “The Night We Buried Road Dog” by Jack Cady (Novella) and “Graves” by Joe Haldeman (Short Story).
Next up in this sequence: “Seven Views of Olduvai Gorge” by Mike Resnick.
