July Books 33) The Divine Comedy, by Dante Alighieri

This has been on my to-read list for a while. I read Carlyle’s 1849 translation of Inferno many years ago, but this is the 1814 blank verse version by H.F. Cary, in a bargain edition which also includes Doré’s famous engravings of five decades later. Unfortunately it has no footnotes at all, and I think I will need to get another version with more explanatory matter; too much of the text simply sailed over my head.

It is none the less a tremendous literary achievement – to merge Judeo-Christian and classical mythologies, and recent (for 1300) European history, into a fairly seamless world; to construct mappable spaces of Hell, Purgatory and Heaven; and to come out of all this with a reasoned but impassioned emphasis on Love as the driving force behind God and the universe – all these are remarkable things.

I can see why Inferno is the most popular of the three – evil is always more interesting than good or repentance. Oddly enough, though, the one moment when the narrative really grabbed me was towards the end of Purgatorio, when Virgil hands over the role of guide to Beatrice. I don’t know if this is a general finding, or something to do with the translation, or just the mood I was in at the time.

Anyway, I now have a good sense of the overall shape of the story, and will look out for an edition which gives me more explanation of the details.

One thought on “July Books 33) The Divine Comedy, by Dante Alighieri

  1. the absence of traditional conflict was part of the premise: that completely obliterating traditional economies might radically change the MO of human aggression. In the Garden of Eden, where everything is given unto us, we’ll still squabble but on a smaller scale. Wherever there’s humanity, there’s inhumanity, but carefully tailored to match the supply-demand equation of the war machine.

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