October Books 18) A Doll’s House, by Henrik Ibsen

One of those classics which one really ought to see on stage, but can try to get to grips with by reading the script. A rather good psychological study of a woman who is stuck in a bad marriage, infantilised by society, but doesn’t actually realise what is going on until she is confronted with her husband’s readiness to dump her to avoid scandal – at which point she suddenly (and perhaps a little unrealistically) catches herself on. Today (I hope) the situation itself would seem rather unrealistic, but I can see how it might have shocked the audience of 1879.

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