Voting in this year’s Hugos closes on 8 August! Go do it!
1) My top vote in this category goes to Sophie Burnham, author of the one novel I had not previously read, Sargassa. The second paragraph of its third chapter is:
The long stretch of summer was just beginning, and already burdened by an oppressive heat that stuck heavy on his skin and clothes. His stepmother Naevia had taken to winding herself in cool strips of linen soaked in water and aloe before hiding in the tiled bathhouse with his little sister Selah, who was six at the time and still too little to be very interesting. And though she’d expressly forbidden him from going out into the sun, Naevia wasn’t his mima, and Arran had slipped away to join the other boys from his elementary in the shallows that ran along the lush private shores of Luxana’s Arborem district.
I thought this was excellent. We start off in an alternate timeline where an extension of the Roman Empire survives in North America, and we have young people involved with deadly palace politics and incipient revolution. I was really enjoying that, and then the writer puts an extra twist on the situation just after the three-quarter mark which made me enjoy it even more. The sequel was also in the Hugo packet, and I’ll read it in due course, but the first was enough for me to determine my vote for Burnham. You can get Sargassa here.
2) Antonia Hodgson, represented by her novel The Raven Scholar, which I already wrote up. Second paragraph of third chapter:
Today, Bersun was plainly dressed. An iron band for a crown, stamped with an ∞ – sacred symbol of the Eternal Path. His black tunic was slashed with five scarlet claw marks, a reversal of his bodyguards’ uniform. He wore chain mail beneath his tunic, and a longsword at his belt. Orrun was at peace, the rebellion a long-faded scar. But Bersun was a warrior to the bone. Even now, after more than two decades on the throne, he looked more natural dressed as one.
Hodgson is apparently already well known as a writer of eighteenth-century crime novels; this is her first fantasy, set in a world (or at least a country) where eight totemic elemental animals (including the titular Raven) dominate human culture, and the new king is determined in a series of Hunger Games-style trials. It’s an intricate and well constructed plot, as leading characters turn out to be completely different to who we thought they were, and indeed the game plan of the bad guys turns out to be completely different to what it looked like. I found the brutal violence a bit ick though. You can get The Raven Scholar here.
3) Kamilah Cole, represented by her novel So Let Them Burn, which I read last year. Second paragraph of third chapter:
Dinner had been served. Usually, her parents would wait for the whole family to be home before even setting the table, but not when she was here. When Aveline Renard Castell, the gods-blessed ruler of San Irie, arrived in Deadegg to visit the Vincent family, they brought out the good plates and their best manners. Which was annoying, because she was, well, the absolute worst.
Story of magically gifted teenage girl military leaders, which interestingly is a sequel to an unpublished adventure but works regardless. Lots of high politics and dragons. You can get it here.
4) Jared Pechaček, represented by his novel The West Passage, which I read last year. Second paragraph of third chapter:
Pell had always liked the refectory, with the quiet, half- conscious liking one feels for something one has known since childhood. A clerestory of tiny square windows ran along the eastern wall, letting in morning sunlight and evening breezes. Vast old tapestries covered the stone walls. Their rich colors had dimmed, many were moth- eaten, and some had fallen, but the stories and strange figures they held made her feel as if she were a creature of legend herself. Bats roosted in the south rafters, pigeons flew in and out, and ivy curled in at the windows, but even in its state of decay the refectory held some clear beauty quite separate from the ancient chaos of the rest of the palace.
A nicely worked out secondary world with some odd dynastic quirks. You can get it here.
5) H.H. Pak, represented by her story “Never Eaten Vegetables”, which is a Best Novelette finalist this year. Second paragraph of third section:
“Hello,” says the frog.
Generation starship with all kinds of issues between bottled brains and AIs. Some cute stuff but felt it wasn’t fully under control.
6) Molly O’Neill, represented by an extract from her novel Greenteeth. Second paragraph of third chapter:
I was stiff from my sleep and wanted to get up. I coughed loudly and rustled the reeds and branches of my nest more than I usually do. I didn’t want to startle her but Temperance stayed still, her chin resting on her knees. Her face was perfectly blank and pale, devoid of any expression, even when I scuttled past her to dangle my feet in the water. I looked back at her and tried to smile without showing any of my teeth. This was difficult to manage and a few of the first row popped out. I gave up and stopped smiling.
Clunky prose, doesn’t get the intersection between modern characterization and ancient lore, too much “look what a cute idea”!
That’s it for my Hugo votes this year, at least the ones I am making public. Happy voting, all!
2026 Hugos: Novella | Novelette | Short Story | Dramatic Presentation, Short Form | Professional Artist | Poem | Astounding Award
Best Novel: The Incandescent | Shroud | The Raven Scholar | The Everlasting | Death of the Author | A Drop of Corruption, and my votes
Best Graphic Story or Comic: The Invisible Parade | three more finalists | A Wizard of Earthsea, and my votes
Best Related Work: Colourfields | The Cuddled Little Vice | Inventing the Renaissance | Positive Obsession, and my votes
Lodestar: Holy Terrors | Coffeeshop in an Alternate Universe | Among Ghosts | They Bloom at Night | Oathbound | Sunrise on the Reaping, and my votes
Where to get them | Goodreads/Librarything/StoryGraph stats