The Ghost Brigades, by John Scalzi

Second paragraph of third chapter:

“This is it,” agreed Wilson, who moved over to a monitor that would momentarily display the body’s vital signs. “Were you ever a father, Colonel?”

This is the second in the Old Man’s War sequence; older readers may remember that a certain amount of controversy was generated twenty years ago by my review of Old Man’s War itself, which provoked a reply from Scalzi, a rejoinder from me and a further reply from Scalzi. We are friends now.

The whole series was part of this year’s Hugo Packet (and indeed won the award for Best Series), so I will work through those volumes that I have not read. This is the second in the sequence; the premise is that the human federation is able to clone a bad guy, but in the process a new consciousness is inserted onto the clone, who gradually becomes aware that he’s not just an ordinary cloned soldier but has a special relationship to the overall military situation, and also has a connection with the original chap from whom his DNA was obtained.

I thought it was OK. It teeters on the edge of too many coincidences, and of wondering what on earth are the Earth forces doing. It is much more obvious than in the previous book that the humans are not necessarily the good guys. There are moments of intense emotional significance which are well-judged. I still feel that there’s too much similarity of tone between the characters, but I suspect that now that I’m looking for that in each of Scalzi’s books, I am finding it. Anyway, I will go on with the series.

If you didn’t download this year’s Hugo packet, you can get The Ghost Brigades here.

This was my top unread sf book and my top unread book acquired this year. Next on those piles respectively are Little Thieves by Margaret Owen and Palestine by Joe Sacco.

A Nation Once Again, by Paul Howard

Second paragraph of third chapter:

It was my third day in the job. I was sitting with the rest of the staff around a table in the second-floor boardroom, where I was being briefed ahead of my first meeting with the Northern Advisory Council that afternoon.

Paul Howard is the creator of Ross O’Carroll Kelly, a one-joke satirical column which has run in the Sunday Tribune and Irish Times since 1998 and has turned into a series of novels as well. Here he turns his gaze to Irish reunification, imagining a secret office of the Department for Foreign Affairs which has been planning for the great day since the 1950s.

The former head of the department (who refuses to go away) is an Irish version of Gary Oldman’s Jackson Lamb from Slow Horses; the Northerners are all stereotypes; the Southerners are mostly stereotypes; there’s even a stereotypical Australian academic; there is a late effort to insert an emotional dimension by resurrecting the protagonist’s love life; in general it’s about as good a book as you’d expect. If you like the Ross O’Carroll Kelly stuff, you’ll like this. (I think I’ve made my own position clear.)

At the same time, maybe it’s not such a bad way of gently unpacking some of the issues around reunification for a Southern readership that may not have given it much thought.

You can get A Nation Once Again here.

Two books I didn’t finish: Midaq Alley, and Star Trek and Sacred Ground

Two books that I didn’t finish for different reasons.

Midaq Alley is by Naguib Mahfouz, the next in my series of Nobel Prize winners for Literature who were not white men (a list that has recently increased by one). The second paragraph of its third chapter (in the original Arabic formatting) is:

واحسرتاه كيف تدعين القمل يرعى هذا الشعر الجميل!“What a pity! Imagine letting lice live in such lovely hair!”
translated by Trevor Le Gassick

I gave it 100 pages, but I was rather repelled by how horrible the characters were and by the toxic masculinity of the authorial voice, so I’m afraid I gave up.

You can get Midaq Alley here. Next on my Nobel laureates list is July’s People, by Nadine Gordimer.

The third chapter of Star Trek and Sacred Ground: Explorations of Star Trek, Religion and American Culture, eds. Jennifer E. Porter and Darcee L. McLaren, is “Classtic Star Trek and the Death of God: A Case Study of ‘Who Mourns for Adonais'” by Robert Asa. Its second paragraph is:

Star Trek certainly was “far out” for the times, both literally and figuratively. Not only did the events of the show take place in outer space, strange creatures appeared who taxed the credulity of the average television viewer. While Americans were anticipating a manned landing on the moon by the end of the decade, only the visionaries dreamed of actually exploring other worlds. Science fiction television and films were largely confined to the B-movie category, known for their bad scripts, bad set, and bad acting. Children and teenagers might be entertained by it, but no one with mental images of the theatrical Buck Rogers or the televised Lost in Space could begin to take science fiction seriously as commentary on anything except the prevalence of mindless bad taste.

Again, I gave this 1999 collection of academic essays 100 pages before coming to the conclusion that I do not really know or care enough about Star Trek, or about popular religion in America, to get much out of it. You can get Star Trek and Sacred Ground here.

This was the non-fiction book that had lingered longest on my shelves (an Eastercon 2023 purchase). Next on that pile is Paul: The Pagans’ Apostle, by Paula Fredriksen.

Raising Hare, by Chloe Dalton

Second paragraph of third chapter:

I found in those books countless descriptions of how to hunt, kill or cook a hare, but not a word on how to raise them. I turned the pages quickly past endless colour reproductions of the still-life paintings featuring dead hares hanging upside down from hooks or slung across tables, their back legs tied with rope and blood pooling beneath their heads, which grace the walls of our galleries and museums. The meat of a single hare is sufficient to satisfy six to eight people, I read. The recipes, many of them ancient, included ‘hare in worts’ (meaning leaf vegetables); hare ‘with blood and bread’, seasoned with pepper and ale; hare with beer and chestnuts; hare with chocolate; hare stew; and lievre à la royale – hare fit for a king. Reportedly first prepared for Louis XIV and described as one of the ‘jewels’ of French haute cuisine, the recipe requires that the animal is boned, stuffed with foie gras, truffles and the meat of its own legs, and served with a red wine sauce fortified with blood. To read these violent accounts in the leveret’s vicinity felt like a form of betrayal.

It is only a few months since I read H is for Hawk, by Helen Macdonald, also an account of a human getting to know and become intimate with an animal, while the human world of the author is in flux – Macdonald is processing grief at the death of their father, Dalton is coping with the pandemic lockdowns. They are very different books though. While Macdonald is telling the story of domesticating a wild animal, Dalton allows the hare that she rescues to grow up and raise its own young alongside her, without constraining it in any way, and I must admit it did make me question how humane falconry can be considered to be.

I also realised how little I know about hares. I’m very familiar with rabbits, both from real life and from literature; I had not taken in that hares basically nest in quiet spots in the open country, and lead largely solitary lives apart from the requirements of breeding. One of the weird bits of hare biology is that doe can be have two different pregnancies simultaneously, so that when one set of leverets is born she may still be carrying their younger siblings.

An intense study of any relationship can be compelling reading, if it is well written – and this is. There’s something particularly fascinating about getting to know a creature whose motivations we can only guess at, especially if it allows us to share a bit of its world. Dalton experiences a new awareness of the natural world around her by observing the hare’s behaviour. This is movingly shadowed against the pandemic when a lot of us found ourselves spending more time with our neighbourhood.

Personally I don’t think I have ever seen a wild hare. (The so-called “Belgian hare” is a very big “fancy” domestic rabbit, as is the Flemish giant.) I’ll keep a closer eye out now.

You can get Raising Hare here.

This was my top unread non-fiction book. Next on that pile is Agathe Christie, by Lucy Worsley.

Agents, Adepts and Apprentices, by Kathryn Sullivan

Second paragraph of third story (“Lonely”):

Marian stood in the dusty gravel road and listened to the advantages of renting one of his cottages with a slightly growing trace of boredom. What had she expected? When she’d felt that faint probe at her mind last night, she’d instantly thought of another esper, one unknown to her. But after a morning of searching in the direction from which the probe had stemmed and finding nothing but mind-blind people, she was ready to give up.

I know Kathryn well from Gallifrey One (though we first met on a Worldcon Doctor Who panel in 2005). She kindly gave me this collection of her stories a few years back. There are 22 of them in 240 pages; they are mostly very short, mostly previously published in fanzines between 1981 and 2014 (with two new for this 2017 volume), mostly fantasy, and mostly with female protagonists. Many of them are linked in particular sequences; some of them are standalone. I have a feeling that some of them have emerged from role-playing games (I have not checked with the author). They’re all good yarns – even the very shortest are more than just a vignette. Worth a look.

You can get Agents, Adepts and Apprentices here.

Shamefully, this was the SF book that had lingered longest unread on my shelves. Next is British Summertime, by Paul Cornell (also acquired at Gallifrey One in 2023.)

Patchwork: A Graphic Biography of Jane Austen, by Kate Evans

Second frame of third chapter:

This is rather a delight. Kate Evans takes the well-known facts of Jane Austen’s life, providing copious footnotes explaining her sources and admitting where she has embellished or speculated, and has produced a beautiful exploration of Austen’s works, life and world. In particular she goes into the difficult process of getting the great novels written and published.

I also enjoyed Claire Tomalin’s biography when I read it in 2014, but different aspects struck me in Patchwork: women’s desperate economic dependence on marriage, whether their own or their relatives’; the instability of constantly moving home; the dependence of English wealth on colonial exploitation; all gorgeously illustrated in a kind of water-colour style.

Heretical to say, I’m not actually such a huge fan of Jane Austen. But this is a lovely book. You can get Patchwork here.

This was my top unread comic in English. Next on that pile is Palestine, by Joe Sacco.

Rory O’Kelly – An investigation into the events of 4 March 1977, by the Independent Commission for Reconciliation & Information Recovery

Second section of third chapter:

3.2 The chapter opens by describing our engagement with the family as the case has progressed. It also outlines the family’s reasons for contacting the Commission and provides an overview of the questions they asked us to answer.

I haven’t been following closely the twists and turns of the various legislation and institutions set up to deal with the legacy of the Troubles, but this report, released last month, caught my attention and I found it a quick if disturbing read. Rory O’Kelly, aged 59 (the same age that I am now) was shot dead by the IRA one day in 1977 while enjoying a drink with two old friends in Coalisland, Co. Tyrone. He had grown up there, but had moved to Bangor, Co. Down, in 1973 when he started working for the Director of Public Prosecutions. He was the only member of staff of the DPP’s office to be killed during the entire run of the Troubles.

He left a widow and five children. They were not informed about the inquest held into his death in November 1977. When the Historical Enquiries Team (HET) picked up the case in 2011, its efforts to contact the family failed. The new Independent Commission for Reconciliation & Information Recovery picked up the case at the request of one of Rory O’Kelly’s sons, and was able to brief him verbally on its findings before he died last year.

The findings are not spectacular. This was one more murder among dozens. The police investigation quickly ran into the sand. The gunman, clearly seen by the barman and by O’Kelly’s friends, was not masked, presumably because he was not local. Two men were arrested on the day, but both were released without charge and the Commission thinks it unlikely that they were involved in any way, so does not identify them. The gun was used in several other shooting incidents, and was found by the British Army in 1984 (in the possession of an IRA man they had just killed).

And that’s about it. You can get the full report here. But it’s more than the O’Kelly family got at the time, or for almost half a century afterwards, and the capstone is a moving personal statement from Rory O’Kelly’s daughter. She describes the moment when the Commission briefed her and her brother on their findings:

I had no idea of what was in store for us when the two-hour meeting started. I soon became aware that something sacred and transformative was happening. Everyone present was transported fifty years back to the hour and place of our father’s death, had become a spectator of that momentous event. By the end, [we] had moved into a space of serenity and light, all anger taken away. 

…

Truth takes precedence and nothing short of the Truth in full will work. Truth is the foundation for real forgiveness and a lasting reconciliation. 

There are too many families like the O’Kellys who are still waiting for truth.

I have to pick up on one historical point. The report states that:

1.9 In the early 1960s Rory sought election to Westminster, before becoming the successful election agent of his friend, Austin Currie. Later, Rory and Sarah [his wife], committed believers in constitutional change, became founding members of Austin’s Social Democratic Labour Party (SDLP).

The first sentence cannot be fully accurate. The first Westminster election in the 1960s was on 15 October 1964, and Rory O’Kelly was not a candidate; and it took place after the 30 May 1964 East Tyrone by-election for the Northern Ireland House of Commons (ie Stormont), which Austin Currie won. On top of that I have seen newspaper reports that Rory O’Kelly was actually at one point a rival to Austin Currie for the Nationalist nomination for the 1964 East Tyrone by-election.

This of course isn’t at all inconsistent with his being a friend of Currie’s, let alone with his throwing his weight behind Currie once the nomination had been decided. Perhaps O’Kelly had also put his hat informally in the ring for a Westminster nomination, for either Fermanagh and South Tyrone or Mid Ulster, without the media becoming aware of it. The Commission’s reporting here is based on the sixty-years-later recollections of O’Kelly’s daughter, and she can be forgiven for not keeping precise track.

Marple: Twelve New Mysteries, by Lucy Foley et al

Second paragraph of third story (“Miss Marple Takes Manharttan”, by Alyssa Cole):

Despite being warned against such a circumstance by her nephew, Raymond West, and his wife, Joan, who had flown her out to the United States with them, she was standing alone.

Twelve new Miss Marple stories by writers of varying degrees of fame, including Naomi Alderman and Val McDermid. Some of them take Miss Marple out of her comfort zone, not always successfully; I really enjoyed Naomi Alderman’s Dorothy L. Sayers pastiche, which I read conveniently just before my own college reunion a couple of weeks ago; Jean Kwok’s locked door mystery set on a liner en route to Hong Kong was also memorable, as was Ruth Ware’s Christmas mystery. I didn’t hate any of them, and it’s a nice homage to the Queen of Crime and her most memorable woman character. You can get Marple here.

The Fondación Joan Miró, and The Long Journey of Joan Miró, by Gemma Ballard and Marta Altés

I was in Barcelona three weeks ago to celebrate my mother’s significant birthday, with my brother and sister, and the unexpected big hit of the trip was the Fondación Joan Miró museum, up at Montjuïc.

We went to the Picasso museum downtown the day before, and the contrast between the two is striking; the Fondación Miró is on a hillside, cooled by light breezes, rather than glowering in a city-centre palace, and also Miró just comes across as a happier and nicer person than Picasso. His art is great and I particularly love his sculptures.

Miró, phone home?

We all loaded up with souvenirs from the museum shop, and one of mine was this lovely little picture book about Miró’s life, written by Gemma Gallardo, illustrated by Marta Altés and translated by Deborah Bonner. This is the third of the double-spread pages.

Left:
After spending day after day sitting in an office, Miró ended up getting ill. The only solution was for him to move to the family’s farm in Mont-roig de Camp and be close to nature, which he loved so much.
Right:
That was how he finally managed to convince his family that the only thing he could really do was devote all his time to painting.

It has only 32 pages, but it is very sweet and intended to enthuse younger (and older) readers with the urge to express themselves in art. The Spanish Civil war is efficiently dealt with on one page, and the Second World War on another. You won’t learn a lot from it, but you will smile. You can get The Long Journey of Joan Miró here.

Seasons of Glass and Iron, by Amal El-Mohtar; and Every Heart a Doorway, by Seanan McGuire

2017 was my first year running the Hugo Awards, and we had two winners that had already won the Nebula in their categories earlier that year.

The second paragraph of rhe third section of “Seasons of Glass and Iron”, which won in the Best Short Story category, is:

She sits at the forest’s edge and watches the light change.

Hugo statistics:

I myself voted for “That Game We Played During the War”, by Carrie Vaughan, which got the most first preferences on the final ballot but lost out big time on transfers.

Coming back to “Seasons of Glass and Iron”, it took me a couple of reads to really appreciate it, but having taken the time to sit down and concentrate on it, I find it really charming and clever. It’s explicitly a fairy tale combining elements of two different Norwegian folk tales, about young women who are each under a different curse and whose love finds a way of breaking the enchantments. It’s short but powerful, and I think on reflection the voters got it right. You can read the story in full here.

Two other stories were on both ballots, “A Fist of Permutations in Lightning and Wildflowers” by Alyssa Wong and “Our Talons Can Crush Galaxies” by Brooke Bolander. The other Hugo finalists were “The City Born Great” by N.K. Jemisin, “That Game We Played During the War” by Carrie Vaugh and the dismal “An Unimaginable Light” by John C. Wright. The other Nebula finalists were “Sabbath Wine” by Barbara Krasnoff, “Things With Beards” by Sam J. Miller, “This Is Not a Wardrobe Door” by A. Merc Rustad and “Welcome to the Medical Clinic at the Interplanetary Relay Station │ Hours Since the Last Patient Death: 0” by Caroline M. Yoachim.

The second paragraph of the third chapter of Every Heart a Doorway, which won in the Best Novella category, is:

Then the eight-year-old walked into the room.

It was comprehensively ahead at all stages both for nominations and for the final ballot, and got my own vote, even ahead of Lois McMaster Bujold.

I wrote at the time:

I am on record as having bounced pretty thoroughly off Seanan McGuire’s work before (and likewise bounced off the October Daye books on the Best Series ballot), but this one worked very well for me – a brilliant story of a school for children who have had otherworldly excursions, and a detective story.

Nine years on, McGuire’s writing still generally fails to win me over, but once again I was gripped by this particular story, which combines all kinds of 21st century angst with an exploration of ancient and modern legends. I have enjoyed the one or two that I had read from later in the sequence as well.

Three other novellas were on both ballots, The Ballad of Black Tom by Victor Lavalle, The Dream-Quest of Vellitt Boe by Kij Johnson and A Taste of Honey by Kai Ashante Wilson. The Hugo ballot also included Penric and the Shaman by Lois McMaster Bujold and This Census-Taker by China Mieville (which I bounced off). The Nebula ballot also included Runtime by S.B. Divya and “The Liar” by John P. Murphy.

The winners of the Best Novel award that year were The Obelisk Gate, by N. K. Jemisin, for the Hugo and All the Birds in the Sky, by Charlie Jane Anders, for the Nebula. The winners for Best Novelette were “The Tomato Thief”, by Ursula Vernon, for the Hugo and “The Long Fall Up”, by William Ledbetter for the Nebula.

Both the Hugo for Best Dramatic Presentation, Long Form, and SFWA’s Ray Bradbury Award went to Arrival, which is indeed a tremendous film, though I don’t seem to have written it up here, I guess because I was the Hugo administrator.

Next in this sequence is the most recent occasion on which three of the four traditional fiction categories went to the same works in both Hugo and Nebula – “Welcome to your Authentic Indian Experience™,” by Rebecca Roanhorse, All Systems Red, by Martha Wells and The Stone Sky, by N.K. Jemisin. I didn’t love any of these on first reading; let’s see if time has mellowed me (as it did with “Seasons of Glass and Iron”).

An Adventure in Space and Time, by David Rolinson

Second paragraph of third chapter:

Those plurals are more accurate because Doctor Who will be a series of serials, and each serial will be a new adventure, but the phrase ‘an adventure in space and time’ is more evocative: today, it reads like a mission statement. The phrase is characteristic of what Brian J. Robb called the ‘emphasis […] on mystery’ in the first Radio Times coverage of the series.⁷ The aforementioned teaser cover line gave Doctor Who less prominence than a front cover photograph; Donald Wilson, the Head of Serials, expressed concern to the Radio Times editor that their decision not to promote Doctor Who in that way despite earlier plans was indicative of a ‘lack of confidence’ in the programme: after all, Radio Times was then an in-house BBC publication. Wilson thought the programme ‘an absolute knock-out’ that ‘will run and run’.⁸ An Adventure in Space and Time does not depict Wilson, but it does depict characters facing a perceived lack of confidence. However, the phrase ‘an adventure in space and time’ would appear regularly in Radio Times listings as Doctor Who indeed ran and ran.
⁷  Robb, Brian J., ‘Those Radio Times’, DWM #167, p16.
⁸  Quoted in Howe, David J., Mark Stammers and Stephen James Walker, Doctor Who: The Handbook – The First Doctor, p231.

This is a book about the 2013 drama-documentary An Adventure in Space and Time, about the origins of Doctor Who. Back when it was first shown, I wrote:

By the way – wasn’t An Adventure in Space and Time really fantastic? One of those bits of Whoviana that you could safely show to a non-fan and expect them to get the appeal of the show. Sure, it’s a shame that David Whitaker got merged with other characters, and that we did not see Hartnell actually acting at the height of his powers, but the story was at least as much about what the show did to Hartnell than what he did to it. I watched it at [Charlie and Feorag’s], and then came home and watched it again with Anne and F on Friday.

I have rewatched it once or twice since, so didn’t go back to it for this writing, though now that I have read David Rolinson’s analysis I think I might give it another whirl.

David Rolinson’s book is one of the great Black Archives, even if it’s not formally in the Black Archive series (which are restricted to TV episodes of Doctor Who). It’s a loving analysis of where the series came from, where An Adventure in Space and Time came from, analysis of the form of drama-documentaries, analysis of the content in terms of what parts are factual, what are invented, what is in-between; there is a lot of reflection on the nature of television, of story-telling, of telling stories about telling stories, of the side references to other parts of the wider Doctor Who story. I was going to write that it’s not quite a shot-by-shot analysis of the play, but actually in places it is exactly that.

But on top of that, the book brings a fannish joy to bear. We can admit that the thing we love has flaws, but we still love it. Rolinson takes glee in each of the small moments of triumph, and in the bigger triumph that the whole thing adds up to. And it’s objectively a good piece of art – if got shortlisted for the BAFTA and Hugo Awards that year. (Beaten for the Hugo by a Game of Thrones episode that also starred David Bradley.) My favourite Black Archives are the ones that look at something I already liked and give me more reasons to like it, and this is definitely in that category (even if not, formally, a Black Archive).

Enough for now; if you enjoyed the show, get this and enjoy it some more. You can get An Adventure in Space and Time here.

Christopher Priest: The Interaction, ed. Andrew M. Butler

Second paragraph of third chapter (an interview with Priest himself):

I was born on Bastille Day, 1943, so I must have been conceived at the end of October 1942. (My parents’ wedding anniversary is 31st October, which probably explains a lot.)

As stated here over the years, I was a friend and a fan of Christopher Priest (see here, here and here), but for some reason I had not got around to buying the book of essays about his world produced for Interaction, the 2005 Worldcon, at which he was a Guest of Honour. But I put that right at Eastercon a few years ago and have now got around to reading it.

There are a dozen essays in the 160 pages of the book, and I know the authors of about half of them. It’s interesting that the writers, who were no doubt given specific and different briefs, keep coming back to the same works and themes (and this was before the film adaptation of The Prestige came out): binaries, negotiated realities, the nature of fiction. The one book of his that I have not read that seems particularly interesting is The Quiet Woman.

There are a couple of rogue chapters which look at his work outside the well-known run of novels – one on his criticism (often trenchant), and one on the book adaptation of David Cronenburg’s film eXistenZ. I don’t know if it was widely known in 2005 that he had also written the novelisations of Mona Lisa and Short Circuit; it would have been interesting to contrast the three adaptations.

One other point that I would have liked to see explored is Priest’s screen writing. The story of his two failed Doctor Who stories is well known; less well known, he did get a small number of scripts produced, listed on IMDB – though admittedly only two of these were before 2005, “Treason”, a 1981 episode of Into the Labyrinth and Love: The Watched in 1984, both of them for younger viewers (who one doesn’t think of as the target audience for Priest’s prose). You can watch the Into the Labyrinth episode below. It stars Pamela Salem and Ron Moody as the baddies.

I was puzzled by the order of the chapters, and would perhaps have put the interview either immediately after the introduction or at the end, and similarly I might have put the chapters on the novelisation and on non-fiction together at the end, so that all the chapters on the novels were together. I know that these things are often pulled together in haste.

Anyway, you can get Christopher Priest: The Interaction here (at a price).

This was the shortest book that I acquired in 2023 and had not yet read. Next on that pile is Lost, Found, Remembered, by Lyra McKee.

Silent Earth: Averting the Insect Apocalypse, by Dave Goulson

Second paragraph of third chapter:

Of late, I have tried to turn the question around. Why should the existence of slugs or midges need to be justified, either for what they do for us, or for what they do for the ecosystem? Does there have to be ‘a point’ to slugs?

A passionate book, making the case that the population of insects in our world has declined catastrophically in recent years, and that this is a potential cause of ecological catastrophe for all of us. It’s also a loving exploration of the different varieties of insect and how they contribute to making our lives possible. Each chapter is preceded by a profile of a particularly interesting insect; and there are a lot of those.

One of his data points was particularly telling for me – I am old enough to remember that when we went on long summer drives when I was a child, the car windscreen would be liberally covered with the smashed remains of insects before the morning was out. That just doesn’t happen any more, not because the insects have got better at avoiding cars (or vice versa), but because there are far fewer of them.

So yeah, we have a problem here, and although the international community is paying attention to biodiversity as a whole, Goulson makes a strong case that insects are particularly important and also particularly endangered. Recommended. You can get Silent Earth here.

This was my top unread book acquired in 2023. Next on that pile is Garden Jungle, by the same author.

Charles Darwin and the Silurian Survival, by L.D. Lapinski; and Bloodtide, by Jonathan Morris

Second paragraph of third chapter of Charles Darwin and the Silurian Survival:

‘Is – is something the matter, Doctor?’ Darwin asked, his enthusiastic expression creasing into one of concern.

This is one of a recent series of books where the Doctor encounters a famous person from history and has an adventure with them, the first one that I have read (the others involve Frida Kahlo, Shirley Jackson and Fela Kuti). I have to say that I was not tremendously satisfied. It probably doesn’t help that my PhD supervisor was an expert on Charles Darwin, so I cut the author a lot less slack than most readers perhaps would.

But this story is the fruit of minimal research; the islands are jungle-covered, uninhabited volcanoes, rather the contested and partly colonised territory of history, and Darwin’s actual identity makes little impact on the plot; it might as well have been Captain Fitzroy who has the adventure with the Tenth Doctor. And the cover features Darwin in the famous photograph taken of him in 1868, a third of a century after he visited the Galapagos Islands in 1835.

I do have one of the other books in the series, but this wasn’t a brilliant start. You can get Charles Darwin and the Silurian Survival here.

Really, the Doctor and Charles Darwin meeting the Silurians on the Galapagos Islands is such an obvious idea that it had already been done much better twenty-five years ago by Big Finish, in the 2001 Sixth Doctor audio Bloodtide by Jonathan Morris. I listened to it in 2007, and wrote then:

Glorious, glorious: Sixth Doctor and Evelyn meet up with Charles Darwin and Captain Fitzroy on the Galapagos Islands, and – how utterly appropriate – meet up with the Silurians. No doubt the play’s account of Darwin’s inner dialogue with himself, as brilliantly portrayed by Miles Richardson, would fail to pass muster with real experts (such as my PhD supervisor) but you don’t expect utter historical accuracy in something like this. Evelyn and Six continue to be a great pairing, and the Silurians with their inner conflicts and betrayals make a great story. Loved it.

I listened to it again in order to write this. A two hour full-cast drama is a very different format from a 100-page novella, but I stand by my assessment that this is much the better work. As well as the points I made first time round, I note that there is a direct connection drawn between Darwin’s experience with the Silurians and the theories that he later developed; and the colonialism of the humans towards the island is reflected in the colonialism of the Silurians to the humans.

Though I was amused that “Governor Lawson” is depicted in the play by Julian Harries with a strong Suffolk accent – in real life, he was the Vice-Governor rather than the Governor (though Darwin might not have realised the distinction) and more importantly he was born in Norway and a naturalised American citizen, who probably never set foot in Suffolk in his life. The Latino accents put on by the all-English cast are also regrettable – Big Finish is doing better than that these days.

You can get Bloodtide here.

For those of us who were around at the time, the unforgettable fictional depiction of Darwin in the Galapagos Islands was the 1978 BBC series, The Voyage of Charles Darwin, with the superb tension between Malcolm Stoddard as the title character and Andrew Burt as Fitzroy. The Galapagos story is told in the second last of the seven episodes, which at present you can watch here:

Léopoldville 60, by Patrick Weber, Baudouin Deville and Bérengère Marquebreucq

Second frame of third page:

Next in the sequence of graphic novels about the mid-20th century life of Kathleen Van Overstraeten, a young Belgian woman who we last saw smiling in Sourire 58 (and previously surviving Nazi occupation in Bruxelles 43). She (along with most readers, including me) receives some vivid lessons about the sudden end of Belgian rule in the Congo, as seen by a flight attendant whose friend in Léopoldville has a Congolese boyfriend.

The move to independence happened very quickly. In January 1960, the white folks were confidently talking about a transition period of thirty years; but in fact Belgium handed over sovereignty only a few months later at the end of June. The winds of change, as MacMillan said, were blowing, and the Belgians faced a choice between a quick retreat with little dignity or a military defeat with even less, and wisely chose the former.

The success of the book is the vivid depiction of Léopoldville (now Kinshasa) itself by artists Baudouin Deville and Bérengère Marquebreucq. They’ve clearly put hours of research into the available archival material to show a time and a place that were about to change utterly.

Weber does his best to explore the complexities of race and power in late stage colonial Congo, but has chosen to tell the story largely from the perspective of the white folks whose lives were disrupted by change, which perhaps is not the most important of the stories that could be told. (It is striking that only one of the twelve people depicted on the front cover is African.) There is also a political subplot, which is a fairly standard thriller involving (of course) the Americans.

It was a big deal for Belgium at the time. Almost 35,000 people are known to have taken hastily arranged Sabena flights from Congo to Belgium in July 1960, rather than stay in the suddenly independent new state. The vicious exploitation of the country and its resources and people in the earlier period is not really mentioned, and we get hints of the coming troubles in Katanga but little more than that. So I was left admiring the art but feeling that the storytelling was incomplete.

You can get Léopoldville 60 here. Next up is Berlin 1961.

September Books

Non-fiction 10 (YTD 66)
Holy Resilience: The Bible’s Traumatic Origins, by David M. Carr
Sunak at 10: The Last Conservative Prime Minister?, by Anthony Seldon and Tom Everton
The Owned Continent, by Dave Keating
Letters of Edward FitzGerald to Fanny Kemble (1871-1883) (did not finish)
Silent Earth, by Dave Goulson
Christopher Priest: The Interaction, ed. Andrew M. Butler
An Adventure in Space and Time, by David Robinson
Rory O’Kelly – An investigation into the events of 4 March 1977, by the Independent
Commission for Reconciliation & Information Recovery
Raising Hare, by Chloe Dalton
Star Trek and Sacred Ground: Explorations of Star Trek, Religion and American Culture, eds. Jennifer E. Porter and Darcee L. McLaren (did not finish)

Non-genre 4 (YTD 37)
Kristin Lavransdatter II: The Wife, by Sigrid Undset
Marple, by Lucy Foley et al
Midaq Alley, by Naguib Mahfouz (did not finish)
A Nation Once Again, by Paul Howard

SF 5 (YTD 70)
Blake’s 7: Aftermath, by Tony Atwood
”Seasons of Glass and Iron”, by Amal el-Mohtar
Every Heart A Doorway, by Seanan McGuire
Agents, Adepts and Apprentices, by Kathryn Sullivan
The Ghost Brigades, by John Scalzi 

Doctor Who 2 (YTD 54)
Fear Itself, by Nick Wallace
Charles Darwin and the Silurian Survival, by L.D. Lapinski

Comics 4 (YTD 27) 
Gods and Monsters: Sutekh and Omega, by Ian Winterton, Mark Griffiths et al
Léopoldville 60, by Patrick Weber, Baudouin Deville and Bérengère Marquebreucq
The Long Journey of Joan Miró, by Gemma Ballard and Marta Altés
Patchwork: A Graphic Biography of Jane Austen, by Kate Evans

~5,900 pages (YTD 62,600)
10/25 (YTD 94/259) by non-male writers (Dalton, Porter/McLaren, Undset, Foley and others, el-Mohtar, Macguire, Sullivan, Lapinski, Ballard/Altès, Evans)
2/25(YTD 26/259) by writers of colour (Mahfouz, el-Mohtar)
4 out of 25 reread (Blake’s 7: Aftermath, “Seasons of Glass and Iron”, Every Heart a Doorway, Fear Itself)
181 books currently tagged unread, down 6 from last month, down 24 from September 2025. 

Reading now
Wench, by Erynne Rivers
Wifedom: Mrs Orwell’s Invisible Life, by Anna Funder
Garden Jungle, by Dave Goulson

Coming soon (perhaps)

Gods and Monsters, Phase Two, ed. Gareth Kavanagh
The Cabinet of Light, by Daniel O’Mahony
Doctor Who: Death in the Stars: A Melanie Bush Mystery, by Bonnie Langford
Doctor Who – Frontios, by Christopher H. Bidmead
Frontios, by Paul Driscoll

Lost, Found, Remembered, by Lyra McKee
British Summertime, by Paul Cornell
Paul: The Pagans’ Apostle, by Paula Fredriksen
The Shadow Glass, by Josh Winning

All That We See or Seem, by Ken Liu
Little Thieves, by Margaret Owen
Jingo, by Terry Pratchett
“Welcome to your Authentic Indian Experience™”, by Rebecca Roanhorse
Blood Meridian, by Cormac McCarthy
Agatha Christie, by Lucy Worsley
July’s People, by Nadine Gordimer
Septology, by Jon Fosse
Real Tigers, by Mick Herron
Les Reines de sang – Tseu Hi, La Dame dragon, by Philippe Nihoul
Palestine, by Joe Sacco
The Human Division, by John Scalzi

Letters of Edward FitzGerald to Fanny Kemble (1871-1883)

Second paragraph of third letter (written November 1871):

And what will you say when I tell you that I can hardly pity one who suffers from Gout; though I would undoubtedly prefer that you should be free from that, or any other ailment.  But I have always heard that Gout exempts one from many other miseries which Flesh is heir to: at any rate, it almost always leaves the Head clear: and that is so much!  My Mother, who suffered a good deal, used often to say how she was kept awake of nights by the Pain in her feet, or hands, but felt so clear aloft that she made Night pass even agreeably away with her reflections and recollections

Fascinated as I am by Fanny Kemble (1809-1893), I picked this up from Project Gutenberg to get a sense of her from her friend, Edward Fitzgerald (1809-1883), who had had a big publishing hit in the 1860s with The Rubáiyát of Omar Khayyám and was now living in comfort in Suffolk. I got fifty pages into it and have put it aside; I wanted to hear her voice rather than his, and while there’s nothing objectionable about him, there’s nothing terribly interesting either.

Though I did smile at this 1873 account of a letter gone astray:

Some while ago Carlyle sent me a Letter from an American gentleman named Norton (once of the N. American Review, C. says, and a most amiable, intelligent Gentleman)—whose Letter enclosed one from Ruskin, which had been entrusted to another American Gentleman named Burne Jones—who kept it in a Desk ten years, and at last forwarded it as aforesaid—to me!  The Note (of Ruskin’s) is about one of the Persian Translations: almost childish, as that Man of Genius is apt to be in his Likes as well as Dislikes.  I dare say he has forgotten all about Translator and Original long before this. 

“Carlyle” is presumably Thomas Carlyle (1795-1881); “Norton” is definitely Charles Eliot Norton (1827-1908); “Ruskin” is of course John Ruskin (1819-1900); and “Burne Jones” must surely be the decidedly non-American Edward Burne-Jones (1833-1898), though it seems odd that Fitzgerald had not heard of him – he was already pretty well known by 1873.

Anyway you can get it for free here.

Fear Itself, by Nick Wallace

Second paragraph of third chapter:

Case in point: today’s activities. Seven days out from Mars on an Earth Forces’ personnel carrier. As transportation went, the Pegasus was better than most. They had a cabin and hot food. Recreational facilities were minimal – it was a military vessel, after all – but there was an observation lounge where you could quietly stargaze.

A Past Doctor Adventure reviving the great Eighth Doctor partnership with Fitz and Anji, in a near future where the Doctor and Fitz are involved with a grand space disaster and Anji settles down and gets married before being sucked once again into adventure. I confess that I did not follow it perfectly; there are two parallel timelines and it took me a while to work out what was happening when (maybe that’s just me). Still, there are some gutsy revelations at the end and I enjoyed the return to the old days. You may be able to get Fear Itself here.

Blake’s 7: Afterlife, by Tony Attwood

Second paragraph of third chapter:

Vila knew with a distressing certainty that Servalan had started the questioning with him because he was the one most likely to blurt out the truth. She had not threatened him. She had shown no anger, nor had she even suggested she was in a hurry. But then the questioning had only been going on for ten minutes, and after the first fifteen seconds Vila had told most of the truth. At the same time it had not escaped his thoughts that although Orac had given the advice to surrender it had singularly failed to inform Avon how to arrange the escape in two days’ time. The galaxy was, he decided, making less sense every day.

I had read this book years ago – maybe not quite as soon as it came out in 1984, the week after my 17th birthday, but certainly before I had left Cambridge in 1990. Like the other Blake’s 7 books, I picked it up at Gallifrey One, appropriately enough, my previous copy being long lost. Tony Attwood also wrote Turlough and the Earthlink Dilemma, the first in a forgotten series of three 1980s Doctor Who spinoff novels.

The premise here is that Vila and Avon both survived the massacre on Gauda Prime, Vila by ducking in time and Avon because he was captured and then abandoned. They reunite under the guidance of the glamorous Korell, who may or may not be a double agent for Servalan, and make their way back to both Terminal and Earth to attack the Federation where it hurts. It’s not particularly epic – one other member of the Seven reappears and then gets killed rather abruptly – but it satisfies the itch to know what might have come next if any of them had survived. If you really want more Blake’s 7, I refer you to the Big Finish audios.

Una McCormack asks if I am going to read Paul Darrow’s novel about Avon’s early life next. The answer is yes.

You can get Blake’s 7: Afterlife here (for a considerable higher price than I paid for it).

Kristin Lavransdatter II: The Wife, by Sigrid Undset

Second paragraph of third chapter:

Det var slik at han tok seg mer nær av dette ille varsel enn hustruen kunne vite. Han hadde skrytt så meget av sin festemø, helt siden hans frender hadde hentet ham jaord på Jørundgaard. Det var det siste han hadde villet, at noen skulle tro, han regnet henne eller hennes frender for ringere enn sine egne folk. Nei, alle skulle vite at han holdt det for en heder og en opreisning, da Lavrans Bjørgulfsøn festet ham sin datter. Nå ville folk si han hadde vel ikke regnet møen for stort mer enn et bondebarn, når han hadde turdet krenke hennes far slik at han sov med datteren, før hun var blitt ham gitt til ekte. I sitt bryllup hadde Erlend trengt heftig inn på sin kones foreldre, til sommeren måtte de endelig komme til Husaby og se hvordan han hadde det. Både hadde han gjerne villet vise dem, at det var ikke til små kår han førte deres datter inn. Men han hadde også gledet seg til at fare omkring og syne seg i følge med disse vakre og staselige svigerforeldre; han skjønte at Lavrans og Ragnfrid kunde hevde seg mellom de fremste, hvor de så kom hen. Og han hadde trodd, siden den gangen han var på Jørundgaard, da kirken brente, at Lavrans tross alt ikke likte ham så ilde. Nå var det lite rimelig at gjensynet mellom ham og hans konefrender skulle bli til hygge for noen av parterne.As it turned out, he took this act of fate more to heart than his wife could know. He had boasted so much of his betrothed, ever since his kinsmen had won Lavrans’s assent at Jørundgaard. This was the last thing Erlend had wanted—for anyone to believe that he considered her or her kinsmen to be lesser than his own people. No, everyone must know that he held it to be an honor and a distinction when Lavrans Bjørgulfsøn betrothed him to his daughter. Now people would say that Erlend had not considered the maiden much more than a peasant child, since he had dared to offend her father in such a manner, by sleeping with the daughter before she had been given to him in marriage. At his wedding, Erlend had urged his wife’s parents to come to Husaby in the summer to see how things were on his estate. He wanted to show them that it was not to paltry circumstances that he had brought their daughter. But he had also looked forward to traveling around and being seen in the company of these gracious and dignified in-laws; he realized that Lavrans and Ragnfrid could hold their own among the most esteemed of people, wherever they might go. And ever since the time when he was at Jørundgaard and the church burned down, Erlend had thought that Lavrans was rather fond of him, in spite of everything. Now it was unlikely that the reunion between Erlend and his wife’s kinsmen would be pleasant for either party.
translated by Tiina Nunnally

Having very much enjoyed the first volume of Kirstin Lavransdatter, and with the sunk cost of having bought all three in one volume anyway, I came to the second volume with reasonable expectations; which were met. Kirstin has married the rather irresponsible Erlend, already pregnant with the first of their seven sons together, and manages the demands of motherhood and dealing with Erlend’s somewhat irresponsible approach to life and to managing the family’s finances and other commitments, all against the backdrop of the chilly Norwegian climate.

The book then takes a sharp twist when Erlend is arrested on (entirely reasonable) suspicion of plotting a coup d’état to overthrow King Magnus. Kirstin is thrown onto her own wits and needs support from both her father Lavrans and her ex-lover Simon to ensure her own safety and try to prevent Erlend’s execution. The vividly described landscape turns into a well-sketched set of characters interacting because their very lives depend on it.

Glad that I persevered with this. One more volume to go.

You can get Kristin Lavransdatter II: The Wife here.

This was my top unread book by a woman. Next in that pile is Little Thieves by Margaret Owen.

The Owned Continent, by Dave Keating

Second paragraph of third chapter:

Hollywood’s hold over Europe was just the beginning. Next, American music started dominating European charts. Then, American TV shows took over European screens. In the early days of the Internet, narratives set by American news media took over Europe’s editorial offices. And over the past decade, social media has spread the American culture wars to the far corners of this continent. With each passing year, the US cultural hold over this continent has grown. Hollywood rolled into Europe in the 1920s like a snowball at the top of a mountain, and now that snowball has become an avalanche.

I’ve known Dave Keating for a long time, and have heard him speak about this book a couple of times. Although originally American, he has become a passionate advocate of the European ideal, and here he not only diagnoses the malign consequences of American domination of Europe, he offers policy solutions to overcome it.

He starts very strongly, by pointing out how American domination of popular culture – film, television and popular music – has crushed the ability of Europeans to compete. Part of this is the natural gravitational effect of art produced by a large, linguistically homogenous market, but he also shows how American policies, both of the government and of the entertainment industry, have contributed to an externally dominated popular culture in Europe. (Oddly enough I felt some resonance with the observations of George Bilainkin about Penang, Malaysia in 1929-30.)

He then goes on to the economic dimension, with subsections on tech and energy policy. He is deeply sceptical of the Turnberry agreement between the EU and US. Looking at the comparative results gained by Canada and China from standing up to the Trump administration’s bullying more firmly than the EU did, it’s not hard to see his point. I have friends who are tech and energy experts who could probably have written books at least as long as this about their respective domains, but Keating sensibly covers them off in a chapter each.

Thirdly, the military / security dimension, where his analysis is that Europe has willingly become a US security protectorate with NATO as the key instrument of it. Here for once I feel that events are moving ahead of Keating’s analysis. A lot of American-based analysts do not comprehend just how seismic Trump’s threats of annexation to Canada and Greenland have been to European perceptions of the USA as a friendly actor. The Ukraine war has also played an important role here. Keating points out that the old European Defence Community treaty, rejected by France in 1954, remains on the table. I would be a bit surprised if future security arrangements go down that particular route, but it’s good to think creatively.

Finally, he has a number of firm policy proposals, most of which are eminently sensible. Picking on the one that doesn’t work for me, I am still not entirely convinced by calls (including his) for a more federal Europe. I want to see a way of convincing the smaller member states, and their people, that pooling sovereignty with their neighbours, especially their larger neighbours, is a win-win situation, and I haven’t seen that argument yet from the federalist side. But the rest is sound enough.

Anyway, this is a good, passionate and largely convincing analysis of what’s up and more importantly what’s down with the EU-US relationship. You can get The Owned Continent here.

Sunak at 10: The Last Conservative Prime Minister?, by Anthony Seldon and Tom Egerton

Second paragraph of third chapter:

The episode [Gavin Williamson’s resignation] revealed from the outset quite how thin the ice was. Over twelve years of government a sizeable arsenal of unexploded bombs had accumulated beneath the surface, each threatening the new government’s shaky footing. Would these explosive scandals provide the finishing blow to Sunak’s nascent rule? Still fresh in everyone’s minds were the scandals that rocked Major’s government, still more Johnson’s. Hence Sunak’s and LBS’s [Liam Booth-Smith’s] ardent wish to bid goodbye to all that. ‘Ending the madness’ was the order of the day.

I enjoyed Seldon’s co-written demolition of Boris Johnson’s premiership, and also his similar hatchet job on Liz Truss (with reservations), so thought that I would give this a try too. Rishi Sunak was dragged rather unwillingly into the role of Prime Minister, not actually confirming to family and supporters that he wanted the job until the morning of 22 October 2022, two days after Truss had resigned and two days before he was elected leader of the Conservatives.

In fairness, he took the job very seriously once he got it, but Seldon and Egerton keep coming back to the rushed startup as a key problem for the Sunak administration. They treat it as a combination of unavoidable circumstance and Truss’ (entirely understandable) desire to get out of the door quickly once she had been shown it. However I think this was Sunak’s first serious mistake (of many); he had the same information as the rest of us, and could see that Truss’s government spent half of its duration on life support, and should have been prepared.

There are over 600 pages in the book, which I think is more than the subject deserves. I got it really to see if Seldon’s Truss book’s weird claims that she had inspired the Windsor Framework (which she actually detests) were given any further support, but apart from an unsupported throwaway remark or two, they are not. The account of the Windsor Framework is forensic but limited; it concentrates almost entirely on the palace politics at the Downing Street and Westminster end, with some small space for the local dynamics in Northern Ireland and even less for the, er, EU, and gives little indication that the authors actually understand the substance of the problem. This is not especially fair on their own sources, Sunak’s advisors, who clearly had a very good understanding of Northern Ireland.

That said, I agree with the authors that the Windsor Framework is one of Sunak’s (few) real achievements as Prime Minister, and more importantly that it’s difficult to see any of the alternative Tory leaders having achieved it. Johnson and Truss were already committed to blowing up the relationship with the EU rather than enforce the Protocol that Johnson himself had negotiated. I cannot really see Jeremy Hunt, Michael Gove or Penny Mordaunt (the other alternative Tory leaders in 2022, had Sunak not been available or not lasted) having either the necessary brains or the necessary character for it either. (See here for a sympathetic portrait of Mordaunt by Iain Dale, not that it matters now.)

Seldon and Egerton also see Sunak’s support of Ukraine as one of his key achievements. Myself, I think that any of the alternative leaders – Hunt, Gove, Mordaunt – would have followed exactly the same policy as Sunak on Ukraine, as indeed Johnson, Truss and Starmer actually did, and Burnham is doing, and it’s very difficult to point to one thing Sunak did that they would not have done.

The other big story of the book is the migration issue. One of Sunak’s (many, entirely avoidable) mistakes was to choose “Stop the boats” as one of his five key pledges, as unpacked by Rachel Cunliffe in August 2023. It was unachievable and he must have known that it was unachievable. Admittedly Sunak had a difficult legacy – Johnson had taken a strong line rhetorically against migration but in fact had facilitated it by his actual policies, so Sunak started with a in-built credibility problem.

There was then a tension between the performatively vicious side of the party (Braverman and Jenrick, both of whom have since joined Reform) and those who actually cared about not breaking the law (less vocal but as it turned out more influential). Even Seldon and Egerton, who generally boost Sunak, admit that he failed on this one, though they don’t follow through to speculate on what could have constituted success. There seems to have been no reflection on what a results-based policy would look like (and there still hasn’t been),

Sunak’s decision to go for a July election is excused by most (but not all) of those around him as the least worst of three bad options, the other two being May and November. I tend to agree. The particular consideration I hadn’t realised was that he (or rather his key advisers) hoped to outflank Nigel Farage, who was personally not ready for an election, and whose initial response (before his sponsors thought better of it) was that he would sit this one out. It was a rational choice on Sunak’s part, though it did not really work.

There is some half-hearted analysis of the extent to which Sunak was to blame for the disastrous election result. But really it came down to the destruction of their own party’s credibility in government by Johnson and Truss, which gives rise to the book’s sub-title asking if Sunak will turn out to have been the last prime minister from the Conservative Party; the precedent of the Canadian Progressive Conservatives in the 1990s is mentioned (they were outflanked by a more right-wing party, called Reform, which they later merged with). Sunak bears some but not much blame for Johnson’s failures, and none for Truss’s. (Unless you think that he did not try hard enough to defeat her in the summer leadership election, but it’s clear that he lost because Tory members preferred a white woman to an Asian man.)

For the Conservatives to win in 2024 would have required not only the steady leadership that Sunak was able to provide, but an external shock of the kind that Donald Trump provided to the Canadian Liberals in early 2025, or an implosion of the Labour Party bigger than 1983 or 2019. Whatever the wider impact of Tory policies on biodiversity may have been, Sunak is not really to blame for the shortage of black swans.

Still, looking at the polls I was interested to note that the Conservatives started the campaign at an average of 23.5% and actually got 23.7% in the election, while Labour fell from a 45% average to 33.7%. The big gainers were of course Reform (from 9% to 14.3%) and the Lib Dems (from 10% to 12.2%). Sunak deserves credit for stemming the drain of votes from his own party. Awful as the 2024 result was, it could (and maybe should!) have been even worse.

In general I hesitate to recommend this book. It is too closely concerned with the kitchen politics of 10 Downing Street while being rather hazy on the big policy picture in the most important issues, and a bit too uncritically rooted in its own sources (interviews with Sunak’s team, and the Chief Whip’s published memoirs). But it’s a compelling insider account of the slow-motion car crash that was the Sunak government, and gets you inside the heads of the driver and his crew. You can get Sunak at 10 here.

Gods and Monsters: Sutekh and Omega, by Ian Winterton, Mark Griffiths et al

Second frame of third page of first story:

Second frame of third page of second story:

First in a series from Cutaway Comics, who are looking at extended stories of some of the Doctor Who characters who have been neglected by other writers. This is a combination of two (largely) unconnected stories, setting up for a later encounter: “Sutekh: The Heretic” is the tale of how Sutekh tried to conquer and destroy worlds and was brought to heel by his sister-wife and the other Osirans, and “Omega: Eltralla” has interacting with a human colony ship which has somehow got into his black hole, to the detriment of the later. (NB it’s not totally clear what the titles of the stories are, but I have done my best.) The art is good and the stories competent. You can get it here.

Holy Resilience: The Bible’s Traumatic Origins, by David M. Carr

Second paragraph of third chapter:

Judean answers, diverse as they were, emphasized the specialness of Jerusalem. Of course, ideas about Jerusalem’s specialness were not new. From the founding of the Davidic monarchy onward, kings had insisted that God dwelled in and would protect the royal city, often termed Zion in hymns still preserved in the Psalter. But this ancient “Zion theology” took a new turn during the reign of King Hezekiah. It became the main way Judeans explained the mysterious fact of their survival.

One of Anne’s theology books, looking at the writing of the Bible through the lens of trauma and suffering. When I was doing my Religious Education O-Level (for which I received the lowest mark of any subject) we had a module on ‘Suffering, Death and the Afterlife’, from a Catholic perspective of course, with almost no overlap with this book apart from the ‘Suffering Servant’ sections of Isaiah, so this was all new to me.

Carr makes a very powerful case for the centrality of the experiences of the exile to Babylon (in 720 BCE) and the destruction of the Temple (in 586 BCE) in the history of gathering together the scriptures that became the Old Testament, or at least the prophets and historical books. I had read some of the historical background in Barton’s A History of the Bible, but this set it out in a broader context, and also looks at the emotional complexity of the writers’ historical situations. It was fascinating stuff, and of course you can read forward from it to the events of today with little difficulty.

I was less convinced by his argument that the New Testament can be seen more clearly through a similar lens. His case is that the brutal execution of Jesus as a criminal was a traumatic historical event that early Christians needed to respond to; but it seems to me that, apart from the small number of survivors in Jerusalem itself, there would not have been many early Christians who had personal knowledge of it, whereas the depredations of the Babylonians and Assyrians between them affected every single Jewish family of the time. His extension of the argument to include Paul, who never met Jesus and did not become a Christian until several years after Jesus died, was even less convincing.

However, even that section has some interesting nuggets, so the whole book is recommended if you are into that sort of thing. You can get Holy Resilience here.

This was the non-fiction book that had lingered longest on my unread shelves. Next, not unrelatedly, is Paul: The Pagans’ Apostle, by Paula Fredriksen.

Upon a White Horse, by Peter Ross

Second paragraph of third chapter:

It was Jennifer Wexler, the English Heritage historian, who had said so. We were sitting in the café at Stonehenge. Christmas songs were playing: Mariah Carey, The Pogues. I wrote down her words and they came back to me when, a few days later, I visited the hill for myself.

This is a lovely book about exploring ancient monuments – mainly megalithic, but also Roman era – across England, Scotland, Wales and both parts of Ireland. All the favourites are here: Stonehenge, Silbury Hill, the Uffington White Horse, the Cerne Abbas Giant, the Boa Island Janus, Sutton Hoo, the Antonine and Hadrian’s Walls, Claudia Severa, the felled tree of Sycamore Gap. Ross finds archaeologists, druids, enthusiasts, writers, everyone who is moved by the ancient in different ways.

I had not realised that there are people who are building new megalithic-style graves, both for their own families and as a commercial proposition for those who want their cremains to be stored in the old way. (There is a sign up at Sycamore Gap asking people not to scatter human ashes on or around the stump.) One feels that in a society where it has become more difficult to talk about death, the ancient ways may offer a way into that dialogue.

It’s a subject that I love anyway, but I found Ross’s writing lucid and humane, full in on the detail but keeping the connection to the people who are doing today’s research and the long-dead people who they are researching. It has inspired me to make sure that I go to Boa Island next time I am within reach, and to just look around with more open eyes when I am in the relevant parts of the world. Really good book. You can get Upon a White Horse here.

The Day of the Jackal, by Frederick Forsyth

Second paragraph of third chapter:

From one end of the country to the other banks were held up with pistols, sawn-off shotguns and submachine guns on an almost daily basis. Smash and grab raids at jewellers’ shops became so common throughout that period that local police forces had hardly finished taking depositions from the shaking and often bleeding jewellers and their assistants than they were called away to another similar case within their own manor.

I was inspired to re-read this by delving into Hurd and Osmond’s Send Him Victorious, published four years earlier but with certain similarities. It remains a classic read. Even though the reader of 1972 knew (the reader of 2026 may have forgotten) that General de Gaulle was not actually assassinated in 1963, it is a tremendous ride as the Jackal prepares and implements his plan, while the French and British authorities are perpetually a step behind. There are some good bits set in a very seedy Brussels as well. (Moved to a more picturesque Genoa for the film, I think.)

Forsyth’s very tight writing, based on the true crime journalism which he had also practiced, keeps the pace going very well up to the explosive finale. Incidental characters are sketched (admittedly sometimes caricatured) economically yet vividly. There is no mystery about what is going on, and no real mystery about what will happen at the end, but we still race through the pages to find out.

There are two significant women in the story, the Baroness and Jacqueline, both of whom are there for sex and playing a small role in the development of the plot. There is reference to the wars of Africa and conflict in the Caribbean, and to the Corsican mafia. The bad guys are the colonial reactionaries, but the good guys are the conservative rulers of France and Britain – de Gaulle and MacMillan (who both make personal appearances).

On re-reading, I did note that the authorities spend quite a long time chasing the wrong trail until they hit the right one, taking a step (checking recent British passport applications) that really should have been taken much earlier; and that the reactionary Algerian OAS have a number of lucky breaks (and one very unlucky one). But you don’t write great stories about normal events, and this is a pretty good story. You can get The Day of the Jackal here.

Vos en Haas op zoek naar koek, by Sylvia Vanden Heede, illustrated by Thé Thong-Khing

Third page:

Fox rings Owl’s doorbell.
Owl is Fox and Hare’s neighbour.
He lives in a hole in the tree.
‘Hello Fox,’ says Owl.
‘Hell Owl,’ says Fox. ‘Do you have any cake?‘
‘No, I’m sorry,’ says Owl.
‘I do have sugar. Is that any good?’
Fox shakes his head.
He doesn’t want sugar.
He wants cake.

I picked this up in the doctor’s waiting room. It did not take me long to read. The title is “Fox and Hare are looking for cake’, but in fact it is poor Fox alone, ignored by Hare who is reading a book, who is obsessed with cake and goes all around the forest looking for it. (In my limited experience, forests are not the best places to find cake.) But all is well – when Fox returns home dejectedly, it turns out – SPOILER – that Hare’s book was actually a cook-book, and he and Owl have been baking while Fox was out. So there is a happy ending.

You can get Vos en Haas op zoek naar koek here.

The three Blake’s 7 novelisations

Second paragraph of third chapter of Blake’s 7: Their First Adventure:

Not a moment too soon, Vila Restal told himself, as the man’s eyelids fluttered and he started to come round. Affecting a look of concern, Vila lightly slapped the man’s face, leaning over him in the manner of an anxious friend.

Second paragraph of third chapter of Blake’s 7: Project Avalon:

Cally’s head was held rigidly in position so that she could only stare straight up into the pitch blackness. She was aware of movement, of murmuring voices. A face loomed over her, garish shadows thrown upwards making a black slash of the mouth, the nostrils broad and flared, and a single slitted eye gazing down. The eye regarded her as it might a specimen in a test-tube, then looked away into the outer darkness.

Second paragraph of third chapter of Blake’s 7: Scorpio Attack:

He didn’t reckon much to the ship. An obsolete class of cargo freighter by the look of it, and judging by the fixtures and fittings long overdue for the breaker’s yard. But if-what was the name he’d seen on the peeling hull? Scorpio? – if Scorpio had brought Dorian to the planet, presumably she could lift them off it. Yesterday wouldn’t be too soon for him.

I picked these up at Gallifrey One, a few years back. There’s no need to write too much about them. The first two are novelisations of four episodes each from the first series of Blake’s 7; the third covers three episodes of the fourth series. (What has happened to Blake, Jenna, Gan and the Liberator in the meantime is not explained.) Hoyle, who wrote some memorable stuff in his own right, hasn’t tried too hard for innovation here, simply turning the TV scripts into fairly vivid – though very male gaze-y – prose. In the days before home video, this was the closest we could get to re-experiencing the stories as broadcast, and I must admit it brought back a smile or two.

The books are not difficult to acquire. You can get Their First Adventure here, Project Avalon here and Scorpio Attack (a bit rarer) here.

Blake’s Seven: Scorpio Attack was both the shortest unread book that I acquired in 2023, and the sf book that had lingered longest unread on my shelves. Next on those piles respectively are Christopher Priest: The Interaction, ed. Andrew M. Butler, and Agents, Adepts and Apprentices, by Kathryn Sullivan.

Inspector Imanishi Investigates, by Seichō Matsumoto

Second paragraph of third chapter:

An assistant professor of philosophy and a professor of history sat drinking in a corner booth. Two groups of executives were at other booths. It was still rather quiet. Most of the hostesses were sitting with one of these three groups. The executives told risqué stories while the professors complained about university life.

(I can’t locate the Japanese original text.)

Recommended to me by a friend with excellent taste, this is a detective story set very firmly in Japan in 1960. A dead man is found beaten to death near a railway station. Tracing his history is almost a map of Japanese society’s evolution over the previous fifteen years, with the contrast between the old ways and new forms of culture and technology, a political and judicial system struggling to make the adaptation, regions of the same country that know little of each other, and a partnership between an old and a young detective to solve what seems an unsolvable crime.

A crucial (and late) plot point depends on the Osaka fire raids of March 1945, in which almost 4,000 people died and nearly 700 were declared missing. The writing skips quickly over the devastation, but the reader of 1960 would not have needed much reminding of it.

The resolution comes quite close to being science fictional, but I think stays just about on the other side of the fence.

A thought-provoking procedural. You can get Inspector Imanishi Investigates here.

This was my top unread book by a non-white author. Next up is All That We See or Seem, by Ken Liu.

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Racebook: A Personal History of the Internet, by Tochi Onyebuchi

Second paragraph of third chapter:

Our host turns red at that last part. Looney Tunes smoke whistles out of his head. Then @DashieGames is a normal human male again.

A fixup collection of essays about being black online in the age of Black Lives Matter and COVID, not to mention all the other racist violence taking place in the USA. I have known the author since we were both on Livejournal twenty years ago (I almost get mentioned at one point when he writes about writing about the Balkans) and have enjoyed his fiction a lot; I’m not however much of a gamer, so some of the core elements of his human experience somewhat passed me by. But this is a good, hard, emotional expression of what it means to be visible in cyberspace, in times like these. You can get Racebook here.

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