March 2025 books

Non-fiction 4 (YTD 18)
A Christmas Carol, by Jaime Beckwith and Leslie Grace McMurtry
Track Changes, by Abigail Nussbaum
Speculative Whiteness: Science Fiction and the Alt-Right, by Jordan S. Carroll
A History of the Bible: The Book and Its Faiths, by John Barton

Non-genre 3 (YTD 13)
The Research Magnificent, by H.G. Wells
The Friend Zone Experiment, by Zen Cho
Bealby, by H.G. Wells

Plays 1 (YTD 1)
The Dramatic Works of Denis Johnston, vol 3: Radio and Television Plays

Poetry 1 (YTD 1)
Calypso, by Oliver K. Langmead

SF 8 (YTD 28)
Men at Arms, by Terry Pratchett
The Butcher of the Forest, by Premee Mohamed
Heavenly Tyrant, by Xiran Jay Zhao (did not finish)
Lies Sleeping, by Ben Aaronovitch
A Christmas Carol, by Charles Dickens
The Undying Fire, by H.G. Wells
A Sorceress Comes to Call, by T. Kingfisher
The Practice, the Horizon and the Chain, by Sofia Samatar

Doctor Who 1 (YTD 7)
Oh No It Isn’t!, by Paul Cornell

Comics 4 (YTD 8)
Sky Jacks!, by Andy Diggle, Eddie Robson and Andy Kuhn
The Child of Time, by Jonathan Morris, Dan McDaid, Mike Collins, Roger Langridge and Rob Davis
Star Trek: Lower Decks – Warp Your Own Way, by Ryan North and Chris Fenoglio
We Called Them Giants, by Kieron Gillen, Stephanie Hans and Clayton Cowell

6,400 pages (YTD 19,400)
8/22 (YTD 26/76) by non-male writers (McMurtry, Nussbaum, Cho, Mohamed, Zhao, “Kingfisher”, Samatar, Hans)
4/22 (YTD 11/76) by non-white writers (Cho, Mohamed, Zhao, Samatar)
3/22 rereads (Men At Arms, A Christmas Carol, Oh No It Isn’t!)
232 books currently tagged unread, down 1 from last month, down 99 from March 2024.

Reading now

The Mysterious Island, by Jules Verne
Joan and Peter, by H.G. Wells
Sheine Lende, by Darcie Little Badger

Coming soon (perhaps)

Dead Man’s Hand, by Tony Lee et al
Dragon’s Wrath, by Justin Richards
Heroes and Monsters Collection, by Justin Richards et al
Doctor Who: Silver Nemesis, by Kevin Clarke
Silver Nemesis, by James Cooray Smith

The Vetting, by Michael Cassutt
Ganny Knits a Spaceship, by David Gerrold
A Short History of Brexit, by Kevin O’Rourke
All American Boys, An Insider’s Look at the U.S. Space Program, by Walter Cunningham

The Vegetarian, by Kang Han
Cutting for Stone, by Abraham Verghese
Paladin of Souls, by Lois McMaster Bujold
Nine Lives, by William Dalrymple
City of Last Chances, by Adrian Tchaikovsky
Footnotes in Gaza, by Joe Sacco

Free: Coming of Age at the End of History, by Lea Ypi
The Burgundians: A Vanished Empire, by Bart van Loo
Ancient Paths, by Graham Robb
Métal Hurlant Vol. 1: Le Futur c’est déjà demain, by Mathieu Bablet et al
Voyage to Venus, by C.S. Lewis

Feet of Clay, by Terry Pratchett
False Value, by Ben Aaronovitch
Prophet Song, by Paul Lynch
Elder Race, by Adrian Tchaikovsky

The best known books set in each country: Malaysia

See here for methodology. Books are disqualified if less than 50% of them is set in Malaysia.

TitleAuthorGoodreads
raters
LibraryThing
owners
The Night TigerYangsze Choo63,9901,437
The Ghost BrideYangsze Choo35,7941,708
The Garden of Evening MistsTan Twan Eng28,1451,730
The Gift of RainTan Twan Eng17,2111,215
Billion Dollar Whale: The Man Who Fooled Wall Street, Hollywood, and the WorldTom Wright and Bradley Hope36,267547
The House of DoorsTan Twan Eng 18,160539
The Storm We MadeVanessa Chan 19,635354
Black Water SisterZen Cho 10,481647

I have not actually been to Malaysia, but it is where my father was born, so I was interested to see where this analysis brought me. In fact there are an unusually high number of Malaysian writers on the list – better yet, three of them are fantasy novels, including this week’s winner, The Night Tiger. And I am very glad to see Zen Cho make an appearance.

I disqualified nine books, all for the usual reason but all in different ways. In some of these cases I guess that GR and LT users are using the tag ‘malaysia’ because of the origin of the author rather than the setting of the book, in others it must simply be geographical confusion. Crazy Rich Asians, by Kevin Kwan, is mostly set in Singapore. The island in Lord Jim, by Joseph Conrad, is clearly in what’s now Indonesia (as discussed). Daughter of the Moon Goddess, by Sue Lynn Tan, is set in a fantasy China. A Town Like Alice, by Nevil Shute, has many memorable sections in Malaysia, but in the end it is about Australia. The Glass Palace, by Amitav Ghosh, is set all over the region. Nothing But Blackened Teeth, by Cassandra Khaw, is set in Japan. Old Filth, by Jane Gardam, is set in England and India more than Malaysia. What My Bones Know, by Stephanie Foo, is set in the USA. And Sorcerer to the Crown, again by Zen Cho, is set in a fantasy UK.

Next up: Mozambique, Ghana, Peru and Saudi Arabia.

Asia: India | China | Indonesia | Pakistan | Bangladesh (revised) | Russia | Japan | Philippines (revised) | Vietnam | Iran | Türkiye | Thailand | Myanmar | South Korea | Iraq | Afghanistan | Yemen | Uzbekistan | Malaysia | Saudi Arabia | Nepal | North Korea | Syria | Sri Lanka | Taiwan | Kazakhstan | Cambodia | Jordan | UAE | Tajikistan
Americas: USA | Brazil (revised) | Mexico | Colombia | Argentina | Canada | Peru | Venezuela | Guatemala | Ecuador | Bolivia | Haiti | Dominican Republic | Honduras | Cuba
Africa: Nigeria | Ethiopia (revised) | Egypt | DR Congo | Tanzania | South Africa | Kenya | Sudan | Uganda | Algeria | Morocco | Angola | Mozambique | Ghana | Madagascar | Côte d’Ivoire | Cameroon | Niger | Mali | Burkina Faso | Malawi | Zambia | Chad | Somalia | Senegal | Zimbabwe | Guinea | Benin | Rwanda | Burundi | Tunisia | South Sudan
Europe: Russia | Türkiye | Germany | France | UK | Italy | Spain | Poland | Ukraine | Romania | Netherlands | Belgium | Sweden | Czechia | Azerbaijan | Portugal | Greece
Oceania: Australia | Papua New Guinea

The Dramatic Works of Denis Johnston, vol 3: Radio and Television Plays

Opening of third play (“Great Parliamentarians: Lord Palmerston”):

ANNOUNCER. ‘Great Parliamentarians’. We now present as the next in this series, a radio biography of Lord Palmerston, written and produced by Denis Johnston. (Fade in music) The scene opens in the Balkans where a British resident will tell of a dramatic incident in which he took part.
(Peak music and then fade out.)
BRIDGEMAN. We called it Wallachia in those days. But now it has some new fangled title and a king of its own no less! (He laughs to himself) One evening – I think it was in 1849 – I was standing outside my warehouse looking across the brown swirling waters of the Danube at a boat crossing over from the further shore. Close by me, my little step-daughter was playing on the rough wooden pier that juts out into the stream and always seemed to me to be on the point of being swept away by the current.
(Fade in distant drumming.)
BRIDGEMAN. Eliza, come away from there!
CHILD (aged about 12). Papa, Hëren sie die Trummele?
BRIDGEMAN. Speak English, my child. Do you wish to forget your native tongue?
CHILD. I hear drums, Papa.
BRIDGEMAN. It is the Turks over the river in Widin.

(Linguistic note: “Hëren sie die Trummele?” is pretty bad German. “Hören Sie die Trommeln?” would be grammatically correct, but a child speaking to her father would be much more likely to say “Hörst du die Trommeln?”)

Denis Johnston (1901-1984) has gone out of fashion now; the only play of his that I have seen on stage was “Strange Occurrence on Ireland’s Eye” in the early 1990s. His daughter Jennifer, who died only last month, had much more staying power with the Zeitgeist.

This book is the third of three volumes of his collected plays, devoted to his work for radio and television. It includes a biographical note and some fascinating essays about the early days of TV drama, when the producer could see only one other camera besides the one that was actively recording (or indeed broadcasting) and the art of cutting between shots was unknown. On a related point, it was not at all obvious that reporters doing outside broadcast should simply hold a microphone and speak into it – much fruitless effort went into managing booms in windy conditions, and in other inhospitable situations.

As well as the essays on TV drama, there are seven radio plays here, five TV plays and two theatre scripts that escaped the previous volumes. I got the book ages ago because my great-grandfather, James Stewart, is credited as one of the bit players in the very first of the radio plays, “Lillibulero”, an account of the siege of Derry in 1688-89, broadcast in 1938. One of the actors brought over from England to narrate the story was 19-year-old Jon Pertwee, his first broadcast job. It’s dramatic stuff; I managed to get hold of a recording and it carries itself well, 87 years on. Unfortunately I am not sure which of the voices is my great-grandfather’s. (Jon Pertwee, even at 19, is unmissable.)

It’s the best of the radio plays. The others are a farce about working in radio drama which I have to hope was funnier on air than it is on the page; a biography of Lord Palmerston which can’t quite decide if it is being funny; a play about the German high command in the first world war which tries to be funny about an awful subject; another funny historical about Lady Blessington where it’s clear that Micheál Mac Liammóir stole the show as her camp lover the Comte d’Orsay; a rather mean-spirited portrait of the novelist Amanda McKittrick Ros, who had only recently died; and a dramatisation of Frank O’Connor’s short story “In The Train” which prompted me to go and re-read the original text, which is better.

The TV plays are more satisfying. There’s a strong start with The Parnell Commission, which succeeds in being didactic and dramatic at the same time; a biographical play about Jonathan Swift; a skit set in the early Irish Free State; a satirical take on the IRA’s 1950s Border Campaign; and an effective story about an 1871 murder in County Tyrone.

The two theatre scripts in an appendix are Blind Man’s Bluff, a comedic adaptation of Die Blinde Gottin (The Blind Goddess) by Ernst Toller, which actually has the same punchline as “Strange Occurrence on Ireland’s Eye”, and a four page skit called Riders to the Sidhe, whose title pretty much says it all.

It’s very much work of its time – even the plays set in the nineteenth century have a slightly tired mid twentieth century feel about them. It’s also pretty long, at 516 pages. But I was glad to work through it. You can get it here.

This was the very last unread book that I had acquired in 2019 which is not by H.G. Wells. Next on the Wells list is Bealby.

The Fifth Traveller, by Philip Lawrence

I slightly regretted my decision to get into the Big Finish First Doctor stories when the last one I tried turned out to be rather a dud. But this is much better, a story of the Doctor, Ian, Barbara, Vicki and Jospa landing on a very alien planet with vividly realised aliens, and also the question of just how many people are in the Tardis crew. It’s a concept that was also visited in the Buffy episode Superstar and the Torchwood episode Adam (and the Torchwood novel Border Princes), but I think we have a new twist here – rather than having a strange new character intruding on our heroes’ regular setup, we have both a strange new character and a strange new world, and this being a Big Finish audio which was released more than fifty years after the TV stories with which it is in continuity sequence, we listeners don’t quite know what to make of it at first. On top of that, as I said, the aliens are very alien and well depicted; and it’s William Russell’s second last audio performance, as both Ian and the Doctor, recorded shortly before his 90th birthday. James Joyce (no relation) is suitably suave as the extra companion Jospa, and Kate Byers as the lead alien. You can get it here.

Lies Sleeping, by Ben Aaronovitch

Second paragraph of third chapter:

‘We didn’t find a phone,’ I said, although it was true I hadn’t thought of that.

Tremendously executed climax to the arc of stories about occult London police detective Peter Grant, and his adversary the Faceless Man, with loving detail to the history and geography of London and the river spirits who sometimes ally with us mortals. The frustrations of working in the fictional bureaucracy of the magical side of the Met is also well imagined. I wasn’t so wowed by the previous book in the sequence but definitely enjoyed this. Two more to go (at least, two more that I have left over from a previous Hugo packet). You can get it here.

Wednesday reading

Current
The Mysterious Island, by Jules Verne
A History of the Bible: The Book and Its Faiths, by John Barton
Joan and Peter, by H.G. Wells
A Sorceress Comes to Call, by T. Kingfisher

Last books finished
Star Trek: Lower Decks – Warp Your Own Way, by Ryan North et al
The Undying Fire, by H.G. Wells
Calypso, by Oliver K. Langmead 

Next books
Dead Man’s Hand, by Tony Lee et al
The Vetting, by Michael Cassutt
The Vegetarian, by Kang Han

Oh No It Isn’t!, by Paul Cornell (and Jacqueline Rayner)

Second paragraph of third chapter:

Professor Bernice Surprise Summerfield woke up, stretched, and sang a single pure note. The stretch had brought on the singing. It was all because of the look of the day. Sunlight was dap­pling through leaves above her. Birds were cheeping. The air smelt of a summer morning.

The first of the Bernice Summerfield spinoff novels, adapted to become the first Big Finish audio. Bernice, settling into her new job as a professor of archæology, finds herself sucked into a world where she and her colleagues are transformed into pantomime characters, and facing down the alien Grel. (Facts! Good facts!) It’s actually rather well done – the concept risks being either too twee or too clever for its own good, but Paul Cornell bends the rules of narrative here just enough to get away with it. You can get it here.

The audio adaptation – from 27 years ago, good heavens! – is particularly memorable for Nicholas Courtney’s performance as Wolsey, Bernice’s cat, though everyone is good including Alastair Lock as the Grel. I listened to it just after re-reading the book, so can’t really tell how well it stands on its own. You can still get it here.

On my first encounter with the Grel of the Whoniverse (which was actually in the Sixth Doctor audio The Doomwood Conspiracy), I confusedly assumed that they were the same as the Grell, a D&D creature that I remember from White Dwarf #27 back in 1981 (actually invented by Ian Livingstone in WD #12, two years earlier). But the D&D Grell, with two ‘l’s, are disembodied hovering brains with a beak and barbed tentacles, while the DW Grel, with one ‘l’, are humanoids with squid-like faces. You’re welcome.

The Friend Zone Experiment, by Zen Cho

Second paragraph of third chapter:

He hadn’t come for Alicia’s company, any more than he’d come for the exhibition itself. The name Dior meant as little to him as, he supposed, Shostakovich or Britten would to someone who didn’t care about classical music.

I know Zen of course both as a friend (I believe that we are the only Eastercon Guests of Honour with parents born in Malaysia) and for her intriguing fantasy novels and shorter fiction; I believe that this is her first venture into contemporary romance, a genre which is sometimes taken less seriously than it should be.

Renee Goh gets dumped by her pop star boyfriend on page 6, and bumps unexpectedly into her ex Ket Siong on page 26, and despite Renee’s experimental attempts to keep Ket Siong in the Friend Zone, we basically know where they will have got to by the end on page 341. I really enjoyed the ride; human beings are complex creatures, capable of misunderstanding their own best interests and getting confused about the signals they receive from others, and it’s entertaining (occasionally painful) to read.

As well as being a good empowering love story, with the dynastic intricacies of the Malaysian business community’s presence in London as backdrop, there is a grim subplot involving a massive political corruption scandal and human rights abuse, which peripherally touches both our lovers and also the Bad Boy rival for Renee’s affections. Renee manages to triumph here too, thanks to her ability to think outside the box, though it has an impact on her relations with her own family.

I am interested that the last Asian romance novel I read, Those Pricey Thakur Girls, also had a really grim political subplot underlying the girl-meets-boy main current. I don’t know how common this is for romance novels.

Anyway, this is a good one, and you can get it here.

The best known books set in each country: Uzbekistan

Earlier posts this week because I am travelling in Asia.

See here for methodology. This has been an unusual case, the first time (but probably not not the last) that I have closed the list at five, rather than my usual eight, because I have disqualified ten books for being less than 50% set in the target country and I don’t have time or energy to keep going.

TitleAuthorGoodreads
raters
LibraryThing
owners
Cancer WardAleksandr Solzhenitsyn17,2943,750
SamarkandAmin Maalouf 30,0771,533
Moon Over SamarkandMuḥammad al-Mansī Qandīl13,93333
The Baburnama: Memoirs of Babur, Prince and EmperorZahir ud-Din Muhammad Babur746476
Chasing the Sea: Lost Among the Ghosts of Empire in Central AsiaTom Bissell707239

The winner is one of the great Soviet-era novels, and I wonder to what extent the Tashkent setting comes through.

I confess that I am not 100% certain about Amin Maalouf’s Samarkand, but what I’ve seen online gives me a reasonable case to include it.

The usual ratios between Goodreads and LibraryThing users barely apply here. Moon Over Samarkand, a great Arabic novel which is partly set in Egypt but mostly (as far as I can tell) in Samarkand, has more than 400 times as many readers on GR as on LT.

On the other hand, the Memoirs of Babur, founder of the Mughal dynasty, have more than 60% as many LT readers as GR readers, which I think is a record. It doesn’t actually include all that much about his conquest of India, and concentrates on his early career in the future Uzbekistan.

There are many many books about Central Asia, but Chasing the Sea seems to be unusually Uzbekistan-heavy for that sub-genre.

The books I disqualified, in order, were:

  • The Silk Roads, by Peter Frankopan
  • Bones of the Hills, by Conn Iggulden
  • The Great Game, by Peter Hopkirk
  • Imperium, by Ryszard Kapuściński
  • The Possessed, by Elif Batuman
  • Shadow of the Silk Road, by Colin Thubron
  • The Blackbird Girls, by Anne Blankman
  • Sovietistan, by Erika Fatland
  • The Lost Heart of Asia, by Colin Thubron
  • Foreign Devils on the Silk Road, by Peter Hopkirk
  • Tamerlane, by Justin Marozzi

Next up: Malaysia, Mozambique, Ghana and Peru.

Asia: India | China | Indonesia | Pakistan | Bangladesh (revised) | Russia | Japan | Philippines (revised) | Vietnam | Iran | Türkiye | Thailand | Myanmar | South Korea | Iraq | Afghanistan | Yemen | Uzbekistan | Malaysia | Saudi Arabia | Nepal | North Korea | Syria | Sri Lanka | Taiwan | Kazakhstan | Cambodia | Jordan | UAE | Tajikistan
Americas: USA | Brazil (revised) | Mexico | Colombia | Argentina | Canada | Peru | Venezuela | Guatemala | Ecuador | Bolivia | Haiti | Dominican Republic | Honduras | Cuba
Africa: Nigeria | Ethiopia (revised) | Egypt | DR Congo | Tanzania | South Africa | Kenya | Sudan | Uganda | Algeria | Morocco | Angola | Mozambique | Ghana | Madagascar | Côte d’Ivoire | Cameroon | Niger | Mali | Burkina Faso | Malawi | Zambia | Chad | Somalia | Senegal | Zimbabwe | Guinea | Benin | Rwanda | Burundi | Tunisia | South Sudan
Europe: Russia | Türkiye | Germany | France | UK | Italy | Spain | Poland | Ukraine | Romania | Netherlands | Belgium | Sweden | Czechia | Azerbaijan | Portugal | Greece
Oceania: Australia | Papua New Guinea

Nebula and BSFA shortlists – Goodreads and LibraryThing stats

It’s shortlist time again! Just to remind you, the GR and LT stats are a guide to how well a book has permeated the general market, but may not have much congruence with the respective voter bases of the two awards.

Nebula Awards

Best NovelGRLT
A Sorceress Comes to CallT. Kingfisher29,8244.098624.15
The Book of LoveKelly Link7,6993.494163.73
Someone You Can Build a Nest InJohn Wiswell9,1823.993063.94
RakesfallVajra Chandrasekera7133.401033.44
AsunderKerstin Hall9694.21664.08
Sleeping Worlds Have No MemoryYaroslav Barsukov1064.40114.67

T. Kingfisher way ahead of the rest here, with John Wiswell second on Goodreads but Kelly Link second on LibraryThing. Yaroslav Barsukov’s readers are less numerous, but very enthusiastic.

Best NovellaGRLT
The Butcher of the ForestPremee Mohamed5,7563.892063.8
The Tusks of ExtinctionRay Nayler4,7103.821753.82
The Practice, the Horizon, and the ChainSofia Samatar1,7373.831173.75
Lost Ark DreamingSuyi Davies Okungbowa1,0703.67724.04
CountessSuzan Palumbo4043.63382.83
The Dragonfly GambitA.D. Sui1614.27143.63

Quite close between the top two here.

Andre Norton AwardGRLT
MoonstormYoon Ha Lee3583.54613.63
PuzzleheartJenn Reese3803.73204.5
Benny Ramírez and the Nearly DepartedJosé Pablo Iriarte1194.53124
BraidedLeah Cypess624.2144
DaydreamerRob Cameron404.305
The Young Necromancer’s Guide to GhostsVanessa Ricci-Thode104.0034

Jenn Reese leads on Goodreads, but Yoon Ha Lee is quite far ahead on LibraryThing, with none of these being super hits on either system.

BSFA Awards

Shorter FictionGRLT
Saturation Point Adrian Tchaikovsky1,7193.85453.5
Navigational EntanglementsAliette de Bodard5273.91663.68
Charlie SaysNeil Williamson294.4134
What Happened at the Pony ClubFiona Moore

Aliette de Bodard ahead on LT, but Adrian Tchaikovsky further ahead on GR.

NovelGRLT
Alien ClayAdrian Tchaikovsky8,0484.032673.89
CalypsoOliver K Langmead4793.61483.64
Three Eight OneAliya Whiteley2313.36323.5
Rabbit in the MoonFiona Moore64.175

Clear leader here.

Fiction for Younger ReadersGRLT
Somewhere Beyond the SeaT J Klune108,1714.191,0194.21
Doctor Who: CagedUna McCormack1743.58163.5
Benny Ramirez and the Nearly DepartedJose Pablo Iriarte1194.53124
Rebel DawnAnn Sei Lin594.192

Somewhere Beyond the Sea has far more Goodreads raters, and also more LibraryThing owners, than any other book on either set of shortlists. In fact I think it may have more GR fans than every other book in this post added together.

CollectionsGRLT
Convergence ProblemsWole Talabi2274.11294
Nova Scotia Vol 2Neil Williamson and Andrew Wilson74.296
Schrodinger’s Wife (And Other Possiblities)Pippa Goldschmidt114.363
Fight Like a Girl 2Roz Clarke and Joanne Hall104.6
Human ResourcesFiona Moore154
Punks4Palestine: An Anthology of Hopeful SciFi for an Uncertain FutureJasen Bacon

Only one of these has had much impact in the GR / LT market.

Long Non-FictionGRLT
Track ChangesAbigail Nussbaum84.57
Spec Fic for Newbies Vol 2Tiffani Angus and Val Nolan64.544
The Book BlindersJohn Clute343
Keith Roberts’s Pavane: A Critical Companion Paul Kincaid
JG Ballard’s Crash: A Critical CompanionPaul March Russell

I suspect that there were more BSFA members voting for some of these than there are people logging them on either GR or LT.

Sky Jacks!, by Andy Diggle, Eddie Robson and Andy Kuhn

Second frame of third part:

Clara (in her first appearance in comics) falls through what appears to be a black hole, into a pocket universe where there are lots of stranded airmen and the like, and eventually the Doctor as well. The big reveal of What Is Really Going On is well done. The art seemed to me not to capture the Doctor and Clara terribly well, but is fine on the big sweeeps of scenery.

There’s also a short story about alien mind control through getting everyone on earth to wear an electronic fez, but they are rescued by Eleven, Amy and Rory, which is dire as you would expect.

You can get it here.

The Research Magnificent, by H.G. Wells

Second paragraph of third chapter:

White had not read the book of Tobit for many years, and what he was really thinking of was not that ancient story at all, but Botticelli’s picture, that picture of the sunlit morning of life. When you say ” Tobias” that is what most intelligent people will recall. Perhaps you will remember how gaily and confidently the young man strides along with the armoured angel by his side. Absurdly enough, Benham and his dream of high aristocracy reminded White of that. . . .

Not far to go in my foolish effort to read all of Wells’ fiction. This one is generally awful. (Adam Roberts didn’t like it much either.) Benham, the protagonist, decides to make his life goal the ‘Research Magnificent’ on how to live a noble and aristocratic life; he does this from a position of immense wealth and privilege; he marries a teenager and it doesn’t work out; and he gets killed in a political riot in South Africa. There are many many tedious speeches about politics and personal vision.

There are however one or two good lines. When Benham meets his first lover:

There was in particular Mrs. Skelmersdale, a very pretty little widow with hazel eyes, black hair, a mobile mouth, and a pathetic history, who talked of old music to him and took him to a Dolmetsch concert in Clifford’s Inn, and expanded that common interest to a general participation in his indefinite outlook. She advised him about his probable politics — everybody did that — but when he broke through his usual reserve and suggested views of his own, she was extraordinarily sympathetic. She was so sympathetic and in such a caressing way that she created a temporary belief in her understanding, and it was quite imperceptibly that he was drawn into the discussion of modern ethical problems. She herself was a rather stimulating instance of modern ethical problems. She told him something of her own story, and then their common topics narrowed down very abruptly. He found he could help her in several ways.

I don’t think I have seen much innuendo from Wells, but that did make me chuckle.

A bit later, the protagonist and his young bride go on a disastrous honeymoon in the Balkans, taking in various places which I know from a century or so later. One passage here puzzled me. The couple are stuck in Monastir (now Bitola) in (North) Macedonia, and Benham has fallen ill with measles. After they find a doctor,

The Benhams went as soon as possible down to Smyrna and thence by way of Uskub tortuously back to Italy.

I was really puzzled by this. Uskub is now Skopje, and these days to get there from Bitola you go by the highland road through Prilep before joining the main Vardar Valley route at Gradsko or Veles; it’s 173 km according to Google. This would take you nowhere near the Aegean port of Smyrna, which is now Izmir in Turkey, 1000 km by road from either Bitola or Skopje.

I raised this question on social media, and a couple of people pointed out that ‘Smyrna’ here is obviously a mistake for ‘Salonica’, ie Thessaloniki in Greece. Back in the day, the old Via Egnatia would have taken you easily there from Bitola, and the railway back up north to Skopje had been built in 1873. Full credit to the several people who tried to convince me of a plausible route from Bitola to Izmir to Skopje, but I don’t think that’s what Wells meant.

Just a few more books acquired in 2019 to go now. The next by Wells is Bealby, but before that I have volume 3 of the Collected Dramatic Works of Denis Johnston.

Leaving X / Twitter

I’m leaving X/Twitter. The reasons for this include that it is an increasingly unpleasant user experience, as the algorithm serves up rage-bait and viciously nasty responses; that my posts are not getting the traction that they used to, and Bluesky is much better from that point of view; and that I don’t want to add further value to a platform that is helping its owner to become richer and more powerful especially considering the purposes for which that power is being used.

I have disabled auto-tweeting of blog posts from here; I have deleted a few future Tweets that I had queued up in Buffer. I will still check in occasionally, but not daily.

Be seeing you on Bluesky, LinkedIn, Facebook (for the time being) and here. It was fun! Until it wasn’t.

Wednesday reading

Current
The Mysterious Island, by Jules Verne
The Undying Fire, by H.G. Wells
A History of the Bible: The Book and Its Faiths, by John Barton

Last books finished
The Dramatic Works of Denis Johnston, vol 3: Radio and Television Plays
A Christmas Carol, by Jaime Beckwith and Leslie Grace McMurtry
A Christmas Carol, by Charles Dickens
Bealby, by H.G. Wells
Track Changes, by Abigail Nussbaum

Next books
Peter and Joan, by H.G. Wells
The Vegetarian, by Kang Han
Cutting for Stone, by Abraham Verghese

Men at Arms, by Terry Pratchett

Second paragraph of third section:

He became aware of what seemed to be thoughts in his head. They went something like this:

The second of the City Watch subsequence in the Discworld series. As I work through the Pratchett novels in order of popularity, I suspect that I’m going to find that I’ve already read all the really good ones, and although Men at Arms is funny and passionate, the two most overt bits of satire somewhat miss the mark, or perhaps have aged less well since 1993 than some of PTerry’s other work.

His spoofing of affirmative action surely came from a place of love and respect, but it lands rather awkwardly in a 2025 where the US government is stripping away DEI policies to the cheers of conservative forces at home and abroad. (Also, stupid people are not always automatically funny.)

And the idea that society faces utter collapse if fire-arms are to be allowed to exist at all, well, yes, one can see the point and the target, but it’s a bit heavy-handed; it’s effectively finger-wagging at the Americans for allowing their country to get so screwed up by the supposed Second Amendment rights. Sure, that’s not all it is; there’s also a bit of the loss of innocence of embracing any new technology, though later Discworld books are more enthusiastic about the embracing.

Anyway, still a good read, if not quite as superlative as some of the others in the series. You can get it here.

Next up: Feet of Clay.

The Colour of Magic | The Light Fantastic | Equal Rites | Mort | Sourcery | Wyrd Sisters | Pyramids | Guards! Guards! | Eric | Moving Pictures | Reaper Man | Witches Abroad | Small Gods | Lords and Ladies | Men at Arms | Soul Music | Interesting Times | Maskerade | Feet of Clay | Hogfather | Jingo | The Last Continent | Carpe Jugulum | The Fifth Elephant | The Truth | Thief of Time | The Last Hero | The Amazing Maurice and His Educated Rodents | Night Watch | The Wee Free Men | Monstrous Regiment | A Hat Full of Sky | Going Postal | Thud! | Wintersmith | Making Money | Unseen Academicals | I Shall Wear Midnight | Snuff | Raising Steam | The Shepherd’s Crown

Interesting books about Ireland that I have read in the last year

Lá fhéile Pádraig sona dhaoibh!

Fiction

Helen Waddell

Northern Ireland

Modern Ireland

Eighteenth century Ireland

Sixteenth and seventeenth century Ireland

My favourites of these are the two autobiographical books about Belfast, Belfast: The Story of a City and its People, by Feargal Cochrane (which you can get here) and Fifty Years On, by Malachi O’Doherty (which you can get here). A Brilliant Void, edited by Jack Fennell, is very interesting on an underexplored part of Irish culture (and you can get it here).

The best known books set in each country: Ukraine

See here for methodology. My rule is to exclude books of which less than 50%, as far as I can tell, is actually set in the target country, but for Ukraine this is trickier than in some cases, so I may have made a couple of wrong calls here.

TitleAuthorGoodreads
raters
LibraryThing
owners
Everything is IlluminatedJonathan Safran Foer 181,99114,539
The MittenJan Brett93,41610,761
The Diamond EyeKate Quinn 170,1571,425
Midnight in Chernobyl: The Untold Story of the World’s Greatest Nuclear DisasterAdam Higginbotham 57,6252,324
Death and the PenguinAndrey Kurkov 20,0562,116
The Last Green ValleyMark T. Sullivan 65,498431
The FixerBernard Malamud11,6752,374
The White GuardMikhail Bulgakov 15,4521,528

Shamefully, I have not read any of these. When I looked at this less systematically back in 2015, I got the same answer, Everything is Illuminated way out in front, followed by Jan Brett’s version of The Mitten.

I excluded The Master and Margarita, by Mikhail Bulgakov, which is definitely set in Russia; Dead Souls, by Nikolai Gogol, which is generally understood to be set in Russia; A Short History of Tractors in Ukrainian, by Marina Lewycka, which is set in England; Voices from Chernobyl, by Svetlana Alexievich, which is about the impact of Chernobyl in Belarus; and Bloodlands, by Timothy Snyder, which as far as I can tell concentrates on Poland.

I’m not 100% sure about The Last Green Valley, which is about Volksdeutsche fleeing Ukraine at the end of the Second World War, but it seems from online sources that it takes them a long time to get out, so I’ve counted it in.

The top Ukrainian writers on the list are Andrey Kurkov and Mikhail Bulgakov.

The Diamond Eye and The Last Green Valley both have strikingly impressive Goodreads ratings compared to their LibraryThing standing. Usually books have around ten times more readers on GR than LT, give or take; these two score over a hundred times higher on GR. My interpretation is that they (successfully) marketed themselves to Goodreads users.

Coming next: Uzbekistan, Malaysia, Mozambique and Ghana.

Asia: India | China | Indonesia | Pakistan | Bangladesh (revised) | Russia | Japan | Philippines (revised) | Vietnam | Iran | Türkiye | Thailand | Myanmar | South Korea | Iraq | Afghanistan | Yemen | Uzbekistan | Malaysia | Saudi Arabia | Nepal | North Korea | Syria | Sri Lanka | Taiwan | Kazakhstan | Cambodia | Jordan | UAE | Tajikistan
Americas: USA | Brazil (revised) | Mexico | Colombia | Argentina | Canada | Peru | Venezuela | Guatemala | Ecuador | Bolivia | Haiti | Dominican Republic | Honduras | Cuba
Africa: Nigeria | Ethiopia (revised) | Egypt | DR Congo | Tanzania | South Africa | Kenya | Sudan | Uganda | Algeria | Morocco | Angola | Mozambique | Ghana | Madagascar | Côte d’Ivoire | Cameroon | Niger | Mali | Burkina Faso | Malawi | Zambia | Chad | Somalia | Senegal | Zimbabwe | Guinea | Benin | Rwanda | Burundi | Tunisia | South Sudan
Europe: Russia | Türkiye | Germany | France | UK | Italy | Spain | Poland | Ukraine | Romania | Netherlands | Belgium | Sweden | Czechia | Azerbaijan | Portugal | Greece
Oceania: Australia | Papua New Guinea

From Narnia to a Space Odyssey: Stories, Letters, and Commentary By and About C.S. Lewis and Arthur C. Clarke, ed. Ryder W. Miller

Second paragraph of third chapter:

But Clarke was also a famous visionary linked with developments in space exploration, and he explored the role and potentials of technology. He has been one of our guides to the grand adventure of space exploration, one who could write a story and one with wit, but also one who could bring clarity to the explication of complicated scientific issues.

I skimmed this book when writing up Childhood’s End and then came back to it a couple of days later. It has three parts: 1) an analytical introduction, including short profiles of Lewis and Clarke and a preface by Clarke himself; 2) the actual correspondence between Lewis and Clarke, which consists of fifteen letters over the years between 1936 and 1954, some of them very short; and 3) stories and essays by the two writers, three by Lewis and eight by Clarke. The publication history is rather droll, but Miller isn’t a terribly deep analyst and he makes a number of obvious mistakes in reading Lewis’s handwriting; also the first of the stories included, “Ministering Angels” by Lewis, is just repulsive (a sex worker and a feminist go to Mars). The primary non-fiction material is welcome, but the rest a bit superfluous.

Good Vibrations, and Hooleygan: Music, Mayhem, Good Vibrations, by Terri Hooley and Richard Sullivan

I don’t think I have written here before about my love of the 2013 film Good Vibrations, starring Richard Dormer as Terri Hooley, and pre-Doctor Who Jodie Whittaker as his first wife Ruth Carr (in reality a significant cultural figure in her own right, who is only in the film as the protagonist’s love interest). The film is the story of how one idealistic man kept music, especially punk, alive in the worst years of the Troubles, and finally made it big with The Undertones’ classic Teenage Kicks. In case you need to get a taste of it, here’s the trailer:

I confess part of the sentimental attachment for me is that I went to see a special showing of the film in mid-2014 at the Northern Ireland representation in Brussels, with Andy Carling, a good friend who sadly died a few years later. We both cried at the crucial scene where The Undertones turn up in the studio to record their hit, and my eyes well up every time I think of it.

Hooleygan: Music, Mayhem, Good Vibrations is the ghost-written autobiography of Terri Hooley on which the film is very loosely based. The second paragraph of the third chapter:

One by one, all the weird and wonderful clubs that I had loved when I was a teenager began to disappear. As people retreated into their own areas there was little need for the Fiesta Ballroom, the Plaza or Betty Staff’s and they soon closed. Belfast became a ghost town.

As a Belfast kid in the 1970s and 1980s, I was not into the contemporary music scene at all; the City of Belfast Youth Orchestra was more my gig. But I do remember the cut-out of Elvis outside the Good Vibrations music shop on Great Victoria Street, and the cool kids at school were into Stiff Little Fingers. Otherwise I was surprised by the lack of crossover between my own lived Belfast experience and Terri Hooley’s world of gigs, girls, business and bankruptcy. I was well aware that I was not one of the cool kids, and this book confirms it.

The book is gorgeously illustrated, with many black-and-white photos, posters, ticket stubs, record sleeves and other souvenirs from the era. It’s an important reminder that history is not just words on paper, but images and sounds as well, if you can gather them for your archive. And it’s also a reminder that while the grim politics and violence were playing out in front of the world’s cameras, there was something much more joyous happening behind the scenes.

As for the text… well, it’s obviously been organised by Richard Sullivan as co-writer, but you do get the sense of a man sitting down in the bar next to you and spilling his life story, good, bad and ugly. Hooley’s passion for music is admirable and the driving force of his life; he has been unlucky in business and not always lucky in love. Some of his life decisions have been, er, wiser than others. The book gives a raw picture of him and his time and place. You can get it here (at a price).

The Queen’s Gambit, series and book by Walter Tevis

Five years behind everyone else, we recently watched the Netflix The Queen’s Gambit, starring Anya Taylor-Joy as fictional 1960s chess prodigy Beth Harmon, and hugely enjoyed it.

It’s not just the superb performances of Anya Taylor-Joy and the rest of the cast (including Thomas Brodie-Sangster, briefly on Doctor Who on TV and less briefly on Game of Thrones); it’s the amazing use of interior sets in Berlin, and exteriors there and in Toronto, to look like a dozen major cities worldwide, from Mexico to Moscow. One really felt a (totally confected) sense of time and place.

I know that everyone else watched it during the first lockdown, and you were all quite right to do so.

Back in 2005 I read a book by Walter Tevis whose protagonist has extraordinary talents but descends into addiction, particularly to alcohol, and which was then adapted very successfully for the screen: The Man Who Fell to Earth, remembered mainly for the film version starring David Bowie. At this distance I don’t remember much about it, except that it’s pretty depressing, as the alien hero ends up as a crushed victim of cruel humanity.

The Queen’s Gambit is more optimistic. The second paragraph of its third chapter is:

“Yes, ma’am.” Beth was seated in the straight-backed chair in front of Mrs. Deardorff’s desk. Fergussen had come and taken her from study hall. It was eleven in the morning. She had not been in this office for over three years.

It would have been very easy to slip into the rabbit hole of chess jargon and make it substitute for telling a story, but Tevis manages to make the chess serve the plot, and we’re in no doubt that it’s a story about a person rather than a game. Here’s a list of differences between the novel and the TV show, of which I think the most important is that Beth in the novel is not as pretty as Anya Taylor-Joy – young Beth sees herself as ugly, though Jolene tells her when they reunite that “You ain’t ugly anymore anyhow.” That of course is one of the demands of the screen format – you have to cast attractive stars and make them look pretty, unlike on the printed page. (Also in the book, Beth doesn’t get seduced by a sexy woman in Paris, she just gets outplayed by Borgov; but that makes for less exciting television.)

Otherwise I was rather impressed by how the series stayed true to the narrative arc of the book, and enjoyed the book as much as I did the show, which was a lot. You can get it here.

One of my personal minor historical fixations is the famous round-robin tournament in April 1979 where the unrated Garry Kasparov, who turned 16 during the event, won against 15 international grand masters including former world champion Tigran Petrosian. (The USSR had sent Kasparov by mistake, under the impression that it was a youth tournament.) The event was held in Banja Luka, then in Yugoslavia, where I later lived for fifteen months in 1997-98, and I have always wondered exactly where the venue was. Here’s an interview with Kasparov, showing a nice picture of him playing Petrosian, but without enough clues to show which building it is in. It could possibly be the Banski Dvor, which was the major cultural venue at the time.

Wednesday reading

Current
The Dramatic Works of Denis Johnston, vol 3: Radio and Television Plays
A Christmas Carol, by Jaime Beckwith and Leslie Grace McMurtry
Track Changes, by Abigail Nussbaum

Last books finished
Oh No It Isn’t!, by Paul Cornell
The Friend Zone Experiment, by Zen Cho
Heavenly Tyrant, by Xiran Jay Zhao (did not finish)
The Child of Time, by Jonathan Morris et al
Lies Sleeping, by Ben Aaronovitch

Next books
Bealby, by H.G. Wells
A History of the Bible: The Book and Its Faiths, by Dr John Barton
The Mysterious Island, by Jules Verne

DallerGut Dream Department Store: The Dream You Ordered is Sold Out, by Miye Lee

Second paragraph of third chapter:

24시간 열려 있는 가게의 특성상 모든 직원은 정해진 시간에 교대 형식으로 근무하고 있었다. 그 때문에 일찍 들어가 봐야 할 일도 없었다. 페니는 좀 더 햇살 아래서 여유를 만끽하기로 했다. 거리의 중심에서 위용을 뽐내고 있는 5층짜리 목조 건물. ‘꿈 백화점’. 역시 놀면서 바라보는 가게의 모습이 훨씬 더 근사했다.All employees at the DallerGut Dream Department Store have their shifts carefully assigned to them so the store can be run twenty-four seven unless they sell out of dreams. There is no point in coming in early. Penny decides to enjoy the sun outside. She looks up at the five-storey building towering over the centre of the city. The DallerGut Dream Department Store. The sight of it is indeed a marvel to behold when not at work. But her rest doesn’t last long.

I got this for Anne a couple of Christmases ago, but I don’t think it is terribly deep; it’s a whimsical set of stories about people working in a department store that happens to sell dreams, and Santa Claus is one of the characters. I can see how some people might get very invested in it, but it wasn’t for me. You can get it here.

This was my top unread book by a non-white author. Next on that pile is another (and I suspect better) book by a Korean author, The Vegetarian by Han Kang.

The Americans who married C.S. Lewis and Arthur C. Clarke; and Childhood’s End

In C.S. Lewis’s earliest surviving letter to Joy Davidman Gresham, dated 22 December 1953, he wrote:

Dear Joy–

As far as I can remember you were non-committal about Childhood’s End: I suppose you were afraid that you might raise my expectations too high and lead to disappointment. If that was your aim, it has succeeded, for I came to it expecting nothing in particular and have been thoroughly bowled over. It is quite out of range of the common space-and-time writers…

[three paragraphs of substantial analysis follow]

And now, what do you think? Do you agree that it is AN ABSOLUTE CORKER?

…It is a strange comment on our age that such a book lies hid in a hideous paper-backed edition, wholly unnoticed by the cognoscenti, while any ‘realistic’ drivel about some neurotic in a London flat–something that needs no real invention at all, something that any educated man could write if he chose, may get seriously reviewed and mentioned in serious books–as if it really mattered. I wonder how long this tyranny will last? Twenty years ago I felt no doubt that I should live to see it all break up and great literature return: but here I am, losing teeth and hair, and still no break in the clouds.

One of many interesting things about this is that Joy actually knew Arthur C. Clarke, and other London science fiction writers such as Sam “John Christopher” Youd, long before she knew C.S. Lewis; her previous husband, William Lindsay Gresham, knew Martin Gardner, Frederik Pohl and Robert A. Heinlein, and Joy herself was a regular attender of the science fiction meetups at the White Horse Tavern which is how she knew Clarke.

She showed Lewis’s letter to Clarke, and (needless to say) he was thrilled, and fired off an enthusiastic reply. An exchange of views between Lewis and Clarke began, though there was no real meeting of minds. Clarke himself wrote in a preface to the published correspondence:

As far as I can recall, Lewis and I met only once. The encounter took place at Oxford in the well-known pub, the Eastgate. I was accompanied by my fellow Interplanetarian, Val Cleaver, and Lewis brought along a friend whose name I didn’t catch. Needless to say, neither side converted the other, and we refused to abandon our diabolical schemes of interplanetary conquest. But a fine time was had by all, and when, some hours later, we emerged a little unsteadily from the Eastgate, Dr. Lewis’s parting words were: “I’m sure you’re very wicked people—but how dull it would be if everyone was good.”

C.S. Lewis’s friend? It was another Oxford don, one J.R.R. Tolkien, who I met again some years later at a lunch in London. My only recollection of that occasion is Tolkien pointing to his diminutive publisher and whispering to me: “Now you see where I got the idea of the Hobbits?”

Perhaps one reason why our correspondence was virtually non-existent in later years was that I was in indirect touch with Lewis all the time through Joy Gresham. Every week we London science fiction writers, editors and publishers met in the White Horse tavern—the scarcely disguised background of my Tales of the White Hart. It was Joy who sent Lewis Childhood’s End—I don’t know whether she did it on her own volition, but can well believe I did a certain amount of arm-twisting.

I was very fond of Joy, one of the most charming and intelligent people I’ve ever known. Her ultimate marriage to C.S. Lewis was a great surprise to everyone. Its tragic outcome has been dramatized in the play, Shadowlands, and was described by Lewis himself in A Grief Observed, which I have never had the heart to read.

(I’ve now also read the correspondence between them, and will write that up in a couple of days.)

As well as seeing the TV play Shadowlands when it was first broadcast in 1985, I actually saw it on stage in London in 1990, with Nigel Hawthorne as C.S. Lewis, Jane Lapotaire as Joy and Geoffrey Toone as Lewis’ brother Warren. I can still count the number of West End shows I have been to on the fingers of both hands, and this was definitely in the top three.

Childhood’s End was Clarke’s fifth novel, after Against the Fall of Night, Prelude to Space, The Sands of Mars and Islands in the Sky. It’s in a completely different league to the others, and indeed to most science fiction of the day; and it’s impossible that Joy could not have recognised this. So it’s entirely plausible that Lewis’s guess was right, and she did deliberately underplay her enthusiasm for Childhood’s End to him, partly out of concern that he might not like it and partly in hope that he would be pleasantly surprised when he did.

It is an interesting coincidence that within a couple of years of each other, both Arthur C. Clarke and C.S. Lewis married much younger American women. While thinking about what I was going to write here, I looked a bit more into Clarke’s own brief marriage to Marilyn Torgeson née Mayfield, which almost precisely coincided with the finalisation and publication of Childhood’s End in 1953 – the first edition is dedicated “To Marilyn, who let me read the proofs on our honeymoon.” (You will probably not find this in your edition of the book.)

The received wisdom is that when they met in March 1953, Marilyn was 22, divorced and had a son by her previous marriage. However, the data I have gleaned on Ancestry.com suggests a more complex backstory, as follows:

  • 28 April 1931: born as Marilyn Martin Mayfield to David Alexander Mayfield jr (1901-1997) and Nellie Lee Martin (1907-1932) in Jacksonville, Florida. She had one older brother, David Alexander Mayfield III (1928-2008).
  • 1932 (precise date unknown): death of Marilyn’s mother.
  • 1933: father remarries to Erma E. Myers, née Eleazer (1908-1964), from South Carolina.
  • 12 August 1948: Marilyn, age 17, marries 19-year-old Robert Ives Brooks (1919-2011) in Jacksonville, which is where both were born.
  • 24 May 1949: Marilyn, now 18, marries 21-year-old Edwin Torgeson (1927-2003) in Los Angeles. He was born in New York. Presumably her first marriage had been formally dissolved; available records are incomplete.
  • 1950: Edwin and Marilyn Torgeson are recorded as living together in Jacksonville in a city directory.
  • 24 April 1950: the federal census records Edwin as living in Alachua, Florida, 120 km / 70 miles from Jacksonville. His marital status is given as “Separated”.
  • 25 March 1951: Marilyn gives birth to Philip Alexander Torgeson (1951-2005), who lives all his life in Jacksonville (and did not marry, as far as I can tell).
  • 21 February 1953: Edwin Torgeson remarries in Los Angeles to Mary Jane Highfield (1930-2008). They have one son.
  • 28 May 1953: Marilyn meets 35-year-old Arthur C. Clarke (1917-2008) a month after her 22nd birthday. She is working at the Ocean Reef Harbor Club in Key Largo, Florida.
  • 15 June 1953: Marilyn and Arthur marry in New York, and she moves to London with him, leaving her son in the care of the Torgesons.
  • August 1953: Childhood’s End is published, and rapidly becomes a huge success. As previously noted, it is dedicated “To Marilyn, who let me read the proofs on our honeymoon.”
  • Late 1953: the Clarkes’ marriage does not work out.
  • December 1953: Marilyn returns to Florida.
  • January 1954: Arthur visits Marilyn in Florida to agree the terms of their separation.
  • February 1955: publication of Arthur’s next novel, Earthlight. This time the dedication is “To Val/who massacred the second draft/And Bernie who slaughtered the third—/but particularly to Marilyn who spent the advance before I got to Chapter 2.”
  • 1956: Arthur moves permanently to Sri Lanka, where he later develops a relationship with Leslie Ekanayake (1947-77).
  • December 1964: Marilyn and Arthur’s divorce is formalised. Neither married again.
  • 24 June 1991: Marilyn dies aged 60 in Jacksonville, still using the surname “Clarke” after almost forty years.
  • 19 March 2008: Arthur C. Clarke dies aged 90 in Sri Lanka.

Clarke’s authorised biographies say that Marilyn had one previous marriage and a child at the time that they met, but in fact, as far as I can tell, she had been married twice. I note that her son was born eleven months after Edwin was recorded in the census as ‘separated’, though it’s also clear that Edwin exercised paternal rights and treated Philip as his child. It’s not really anyone else’s business, of course.

So, coming back to Childhood’s End for myself, I had read it a couple of times previously but needed to be reminded of it. (I’m a bit ashamed to realise that the last time I name-checked Clarke’s best books in a blog post here, I forgot about it.) It was a happy return.

To get one thing out of the way, here’s the second paragraph of the third chapter:

This was another of those restless nights when his brain went on turning like a machine whose governor had failed. He knew better than to woo sleep any further, and reluctantly climbed out of bed. Throwing on his dressing gown, he strolled out on to the roof garden of his modest flat. There was not one of his direct subordinates who did not possess much more luxurious quarters, but this place was ample for Stormgren’s needs. He had reached the position where neither personal possessions nor official ceremony could add anything to his stature.

Many of Clarke’s books explore, with some fascination, the world of metaphysics and the spirit, and I think Childhood’s End sets the tone for that exploration. It’s a book that is ahead of its time, sowing the seeds for the hippy era a decade in the future, with the whole of humanity being prepared by for a massive shift of consciousness, into transcendence – but overseen by the alien Overlords who force the people of Earth to give up childish things like war and religion. It feeds directly into the climax of 2001. Yes, it’s a clunky 1950s story in form and style, but not in content.

It’s also got the closest examination of human relationships that I can think of in any of Clarke’s works. I wouldn’t go so far as to say that the women (or indeed the men) are particularly memorable, but the book shows a sympathy for emotional and family life that is unusual both for sf of that time and for Clarke’s work as a whole. We know that he did not meet Marilyn until the book was almost finished, but I surmise that he was emotionally ready for a committed relationship, and she happened to be in the right place at the right time. (Though unfortunately they turned out to be the wrong people for each other.)

You can get it here.

So, this was the top book on my shelves which I had not already reviewed online. Appropriately enough, the next is Voyage to Venus, by C.S. Lewis.

The Best Known Books Set in Each Country: Angola

See here for methodology. I am excluding books of which less than 50%, as far as I can tell, is actually set in Angola.

TitleAuthorGoodreads
raters
LibraryThing
owners
A General Theory of OblivionJosé Eduardo Agualusa8,003475
Nzingha: Warrior Queen of Matamba, Angola, Africa, 1595Patricia C. McKissack3,641988
Another Day of LifeRyszard Kapuściński5,650581
The Book of ChameleonsJosé Eduardo Agualusa4,820513
The Land at the End of the WorldAntónio Lobo Antunes3,076450
MayombePepetela2,393134
Transparent CityOndjaki1,398113
The Society of Reluctant DreamersJosé Eduardo Agualusa1,316116

The top books for Angola are the least well known of any country so far that I have covered. Bangladesh is in the same ball-park, but clearly ahead of Angola. Three of the books on my list, including the winner, are by José Eduardo Agualusa, who sounds like a very interesting writer.

I disqualified only three books. The Last Train to Zona Verde, by Paul Theroux, is set in South Afrtica and Namibia as well as Angola, and reaches Angola a few pages after the half-way point, so just misses my 50% criterion. O Filho de Mil Homens, by Valter hugo mãe (which doesn’t seem to have been translated into English; note the author’s unorthodox capitalisation) appears to be set entirely in Portugal, though the author is originally from Angola. The Return, by Dulce Maria Cardoso, is about the experience of the Portuguese settlers who evacuated in 1975, so most of it is in Portugal, though Angola flavours the whole book.

Coming next: Ukraine, Uzbekistan, Malaysia and Mozambique.

Asia: India | China | Indonesia | Pakistan | Bangladesh (revised) | Russia | Japan | Philippines (revised) | Vietnam | Iran | Türkiye | Thailand | Myanmar | South Korea | Iraq | Afghanistan | Yemen | Uzbekistan | Malaysia | Saudi Arabia | Nepal | North Korea | Syria | Sri Lanka | Taiwan | Kazakhstan | Cambodia | Jordan | UAE | Tajikistan
Americas: USA | Brazil (revised) | Mexico | Colombia | Argentina | Canada | Peru | Venezuela | Guatemala | Ecuador | Bolivia | Haiti | Dominican Republic | Honduras | Cuba
Africa: Nigeria | Ethiopia (revised) | Egypt | DR Congo | Tanzania | South Africa | Kenya | Sudan | Uganda | Algeria | Morocco | Angola | Mozambique | Ghana | Madagascar | Côte d’Ivoire | Cameroon | Niger | Mali | Burkina Faso | Malawi | Zambia | Chad | Somalia | Senegal | Zimbabwe | Guinea | Benin | Rwanda | Burundi | Tunisia | South Sudan
Europe: Russia | Türkiye | Germany | France | UK | Italy | Spain | Poland | Ukraine | Romania | Netherlands | Belgium | Sweden | Czechia | Azerbaijan | Portugal | Greece
Oceania: Australia | Papua New Guinea

The Age of Endurance, by Nick Wallace

A two-hour Big Finish audio from 2013, featuring William Russell as Ian (and also playing the Doctor) and Carole Ann Ford as Susan, set during the original first season of Who. Also brings in Jemma Powell as Barbara, but doesn’t give her much to do. Unfortunately it’s not all that good; a helping-the-rebellion plot which is spread too thin, no particularly memorable lines or unusual soundscapes. Big Finish usually much better than this, alas. You can get it here.

The Secret Places of the Heart, by H.G. Wells

Second paragraph of third chapter:

Both men were considerably reassured when at last they set eyes on each other again. Indeed each was surprised to find something almost agreeable in the appearance of the other. Dr. Martineau at once perceived that the fierceness of Sir Richmond was nothing more than the fierceness of an overwrought man, and Sir Richmond realized at a glance that the curiosity of Dr. Martineau’s bearing had in it nothing personal or base; it was just the fine alertness of the scientific mind.

I’m trawling through the bottom end of H.G. Wells’ novels, and this one is not particularly good. The protagonist (rather obviously Wells himself) goes on a road trip with his psychiatrist to try and sort out his feelings about his wife (Jane Wells) and his lover (Rebecca West), and while exploring the West of England he meets a charming American (Margaret Sanger) with whom he eventually starts an affair. The book is rather short but seemed to go on for ever. In some of his other novels, Wells captures emotion and love rather well, but not here. The ending is particularly weak. Adam Roberts thinks much the same as me (for once) but at much greater length.

There are some rather good descriptions of Avebury, Stonehenge and other tourist attractions, which are among the book’s redeeming features, and the protagonist has a very silly Fawlty moment of beating up his car after it has broken down. But you can really skip this. Otherwise, get it here.

This was top of my rapidly dwindling pile of books by H.G. Wells. Next up there is The Research Magnificent, which I do not promise to read through to the end – it has almost 800 pages and is probably as bad as this one.

Eastern Nights – and Flights: A Record of Oriental Adventure, by Alan Bott

Living in Paris in the spring of 1925, my grandmother, Dorothy Hibbard, went to stay in the French countryside with her artist friend Jan Juta and his sister, Réné Hansard (born Henrietta Irene Louise Juta).

Rene invited me to go to stay at her little Provencale farm, Lou Miracle, at Mougins. Alan Bott was also there, an English writer who was helping Rene with some of her writing – at least that’s what I wrote to Papa. Alan had been in the R.A.F. and had been shot down in Palestine and made prisoner by the Turks; he wrote a book about it, Eastern Flights, which I still have, though only in a paper-back. At Rene’s I walked a lot while the others were working, and I did some work myself, though not much, I think. I also fell more or less in love with Alan.

By her account, she and Alan Bott saw a lot of each other, in Paris and in England, over the next year and a half, until they had a furious row when she wouldn’t wait for him while he was interviewing Rudyard Kipling, probably in September 1926. Less than a year later, she met and married my grandfather. Insert your own alternative history of my family here…

Alan Bott (1893-1952) is best remembered these days as the founder of Pan Books, the main paperback publishing rival to Penguin, and the first to publish James Bond, Modesty Blaise, and a bit later (long after he had died) The Hitch-hiker’s Guide to the Galaxy. He married Josephine Blumenfeld in 1930, and they had three children, the youngest of whom died in 2018.

However, he was also a British airman ace in the First World War, and shot down three German aircraft in France in September 1916 and then two more in the Sinai in April 1918, before being himself shot down and captured by Ottoman forces later that month. His book Eastern Nights – and Flights: A Record of Oriental Adventure is a record of his captivity and ultimate escape. The second paragraph of its third chapter is:

“For a walk. I was upset by the air raid. My head has been very bad since the smash, and sometimes I don’t know what I’m doing. But I’m better now, and I give my word of honour that I will stay quietly in bed. Only say nothing to the Turks.”

It’s a thrilling tale, as Bott along with other Allied prisoners is transported from Palestine, to Damascus, to a dreadful prisoner-of-war camp in Afion-kara-Hissar in Anatolia, to Constantinople where, after some time faking mental illness, he escapes on a Ukrainian steamer to Odessa, and makes his way from there to Varna in Bulgaria, finally arriving at Thessalonica just as the Armistice is declared. The cultural history of the First World War, in the UK anyway, tends to concentrate on the Western Front, and it’s a useful reminder that there was a lot more going on elsewhere.

It’s also a healthy reminder that transport around that region, even in the late days of the war, was in some ways much easier in 1918 than it would be today. Bott’s observations on the cultural differences among the various cultures through which he travels are somewhat bigoted (there’s a horrible anti-Semitic passage about the Jews of Odessa) but still vivid and interesting. His favourite city is Damascus, which chimes with what I have heard from other Syria experts.

The whole book is online at Project Gutenberg, and you’ll read it very quickly, if you want. I do note that although my grandmother says that she had a copy, she doesn’t say whether or not she had actually read it.

Five Ways to Forgiveness, by Ursula K. Le Guin

Second paragraph of third story (“A Man of the People”:

His name was Mattinyehedarheddyuragamuruskets Havzhiva. The word havzhiva means “ringed pebble,” a small stone with a quartz inclusion running through it that shows as a stripe round it. The people of Stse are particular about stones and names. Boys of the Sky, the Other Sky, and the Static Interference lineages are traditionally given the names of stones or desirable manly qualities such as courage, patience, and grace. The Yehedarhed family were traditionalists, strong on family and lineage. “If you know who your people are, you know who you are,” said Havzhiva’s father, Granite. A kind, quiet man who took his paternal responsibility seriously, he spoke often in sayings.

I don’t think I had previously heard of this Ursula Le Guin collection, first published as Four Ways to Forgiveness in 1995, and then republished in 2017, with a fifth story added. I found it tremendous stuff. It’s set on a twin planet system, whose inhabitants are divided into slaves (“assets”) and owners, but whose unjust and evil social structures are being shaken to the roots by their integration into the Ekumen, her future universe of planetary civilisations (including Earth) linked by common ancestry.

Le Guin was of course fascinated by revolution and social justice, and those themes are prominent in most of these stories and present in all. But she uses the narrative format to paint a very convincing picture of the twin societies and the problems of adaptation, and the reactions of extremists on both sides. You don’t have to look vey far or very hard to see which parts of our own contemporary world she may have had in mind, but the worlds of Werel and Teowe are their own places too.

Two of the five stories in particular stood out for me. The second one, “Forgiveness Day”, has an Ekumen ambassador finding herself caught up in revolutionary violence and being unpredictably changed as a result. The fourth, “A Woman’s Liberation”, follows the life story of a woman slave who is freed, but finds it difficult to keep her freedom. The five stories are linked by a common setting and shared characters, but they don’t follow sequentially from each other; this doesn’t always work for me, but it did here.

Anyway, I’m glad to have discovered an excellent book by a favourite author which I didn’t previously know about. You can get it here.

Wednesday reading

Current
The Friend Zone Experiment, by Zen Cho
Oh No It Isn’t!, by Paul Cornell
Lies Sleeping, by Ben Aaronovitch
The Dramatic Works of Denis Johnston, vol 3: Radio and Television Plays

Last books finished
From Narnia to a Space Odyssey: Stories, Letters, and Commentary By and About C.S. Lewis and Arthur C. Clarke, ed. Ryder W. Miller
The Tainted Cup, by Robert Jackson Bennett
Men at Arms, by Terry Pratchett
The Research Magnificent, by H.G. Wells
Sky Jacks!, by Andy Diggle, Eddie Robson and Andy Kuhn
The Butcher of the Forest, by Premee Mohamed

Next books
The Child of Time, by Jonathan Morris et al
Bealby, by H.G. Wells
A History of the Bible: The Book and Its Faiths, by Dr John Barton

“Hell is the Absence of God”, by Ted Chiang

“Hell is the Absence of God” won both the 2002 Hugo and the 2002 Nebula for Best Novelette.

Second paragraph of third section:

What people assumed about Neil had in fact happened to Janice. When Janice’s mother was eight months pregnant with her, she lost control of the car she was driving and collided with a telephone pole during a sudden hailstorm, fists of ice dropping out of a clear blue sky and littering the road like a spill of giant ball bearings. She was sitting in her car, shaken but unhurt, when she saw a knot of silver flames—later identified as the angel Bardiel—float across the sky. The sight petrified her, but not so much that she didn’t notice the peculiar settling sensation in her womb. A subsequent ultrasound revealed that the unborn Janice Reilly no longer had legs; flipperlike feet grew directly from her hip sockets.

Back in 2006, I wrote of this story:

“Hell Is the Absence of God” is a story set in a world very like ours, but where there is no doubt about whether angels, Heaven and Hell are all real. This does raise an interesting question as to whether it can be counted as fantasy or science fiction; Chiang himself is clear that he sees the work as fantasy, but as Jeremy Smith and Niall Harrison [dead link] have argued, apart from the supernatural premise, the world he has created is a pretty mechanistic one, with angels behaving like natural forces (what an earlier age termed “acts of God”); there is no means of mediating with them. (There is, however, a possibility of interaction directly with God, which must surely undermine the classification of the story as science fiction rather than fantasy.)

But the story is not about God or angels. It is about what it is like to be human in this world, and in particular on the nature of devotion and religion when faith is no longer an issue. Only those who love God can go to Heaven; Hell, however, is not a place of torment, but simply somewhere “not physically worse than the mortal plane”, occasionally visible below our own world, characterised by (as we are told in the story’s title) the absence of God.

This is not a story about Christianity, not even about evangelical Christianity, though a lot of people have made that mistake (including me when I first read it, and the writer of the blurb for one of the collections it has been published in). Explicitly, Christ is not mentioned anywhere in the text. Implicitly, faith as such has been taken out of the equation by the empirical and undeniable proofs of God’s existence. There are no unbelievers in Chiang’s world. There are, however, people who are not religious. 

Some readers didn’t get this crucial point, including John C. Wright on the Amazon site, who calls it “trite antichristian propaganda” and William December Starr on usenet [dead link], who described is as “just yet another “God’s a jerk” story, big deal”. (Elf Sternberg has repeatedly praised it for much the same reasons, suggesting that Chiang is telling exactly the same story here as C.S. Lewis in The Great Divorce, but from a different perspective.) I find it rather interesting that those readers who react to the story as thin anti-Christian propaganda tend to also describe themselves as non-believers. I haven’t yet found a Christian writer who had the same reaction, though it will be interesting to see what Mirtika Schulz’s group  [dead link] makes of it when they get there. (Kathy Wang  [dead link] actually thought it a pro-Christian, proselytising story at first, though realised her mistake on further reading.) My suspicion is that for most believers, and for some non-believers (and perhaps for anyone who is interested in exploring the spectrum of opinion between Richard Dawkins and Billy Graham, rather than pledging their allegiance to one side or the other), Chiang’s thought-experiment is in fact an interesting one. 

It is made more interesting by the style of narrative – tight third-person, but with no direct speech at all. It gives the story some of the qualities of a documentary: it is as if the camera focusses on each person individually, and then moves on. There are three main characters: Neil Fisk, introduced in the first sentence, whose wife is killed by an angelic visitation and whose quest to become devoted to God in order to join her in heaven is the core of the plot; Janice Reilly, disabled and then cured, whose career as a motivational speaker is bound up with Neil’s quest; and Ethan Mead, whose quest for meaning in the world is perhaps meant to be closest to the experience of the reader. Through the characters, Chiang also explores grief  [dead link] and disability  [dead link], both of which are of course key elements in the eternal question of why a loving God allows bad things to happen in the world. Again, Chiang is not trying to answer this question himself, but he is exploring how people do answer it, in a world where “God doesn’t exist” is not an option. He is also by his own account, if to a very small extent, exploring the role of God.

Chiang has in fact written up the roots of this story, in an afterword in his Stories of Your Life and Others collection. He mentions briefly Gregory Widen’s film, The Prophecy, and the work of modern mystic Annie Dillard, but then goes on to devote two paragraphs (out of four in the short piece) to the Book of Job.

For me, one of the unsatisfying things about the Book of Job is that, in the end, God rewards Job. Leave aside the question of whether new children can compensate for the loss of his original ones. Why does God restore Job’s fortunes at all? Why the happy ending? One of the basic message of the book is that virtue isn’t always rewarded; bad things happen to good people. Job ultimately accepts this, demonstrating virtue, and is subsequently rewarded. Doesn’t this undercut the message?

It seems to me that the Book of Job lacks the courage of its convictions. If the author were really committed to the idea that virtue isn’t always rewarded, shouldn’t the book have ended with Job still bereft of everything?

The Book of Job is one of the most interesting and puzzling parts of the Bible (and, according to one reference work I consulted, the one book whose text is most corrupt). Job, an upright and honest man, is inflicted with tremendous suffering by Satan as part of a wager with God (Satan betting that suffering will make Job turn against God). Much poetry ensues, Job’s friends attempting to persuade him that his suffering is just punishment for something, Job himself asserts his own righteousness, and then God Himself appears in a whirlwind; Job is overwhelmed by the divine presence, and the book ends as Chiang describes it.

Apologists for the Book of Job can of course mutter that the original text may well have concluded without this disappointing and inconsistent happy ending. The prose narrative of verses 7-17 of the last chapter has the feel of being by a different hand to most of the rest of the book (perhaps the two introductory chapters are from the same source or a similar one). But Chiang is right. The text we have is the one we have, not what one might wish it to be, and the ending is inconsistent. His choice of ending for his story – where Neil Fisk is, as we would see it, unfairly damned by God, is a direct response to the climax of the Biblical story, where Job is, as Chiang sees it, unfairly saved. 

In a different year, one could imagine that the Hugo and/or Nebula might have gone either to a traditional hard sf story like Allen Steele’s tale of the one man who wakes up on a starship where everyone else is asleep in cold storage, or to Charles Stross’ vibrant vision of the the founder of a post-Singularity, post-human dynasty. I think it would have had a good chance of winning anyway – I tipped it for the Hugo myself, and scoffed at those who felt it was unworthy of the Nebula. But (I owe this point to Glenn Gillette [dead link]) in the months after September 2001, Chiang’s tale of humans trying to come to terms with tragedy and disaster happened to hit the Zeitgeist in a way that (I hope) he never anticipated, and this must have made a difference with the voters of both SFWA and Worldcon.

Nineteen years on, I agree with myself and I don’t have much to add. I think the story remains a really good thought experiment, emotionally charged yet sparsely written, with perhaps some understated rage at an irrationally cruel world and its creator.

One point I should have made is that the angels, who are impersonal forces of disruption and often destruction, are given names by the human onlookers to their passage, even though there is no hint that they actually have any personalities or intelligence, exactly as we give names to hurricanes. It raises the question, to what extent do we really know anything, let alone control it, by giving it a name?

I have it in the collection Stories of your Life and Others, which you can get here (also for sale under the variant title Arrival). Back in the days of FictionWise, you could get it separately, but that’s long gone now.

Other novelettes on final ballot for both Hugo and Nebula: “The Days Between”, by Allen Steele and “Lobsters”, by Charles Stross.

Other novelettes on final ballot for Hugo: “Undone”, by James Patrick Kelly and “The Return of Spring”, by Shane Tourtellotte.

Other novelettes on final ballot for Nebula: “The Pagodas of Ciboure”, by M. Shayne Bell; “The Ferryman’s Wife”, by Richard Bowes; and “Madonna of the Maquiladora”, by Gregory Frost.

Other winners of 2002 Hugos: American Gods, by Neil Gaiman (best novel); “Fast Times at Fairmont High”, by Vernor Vinge (best novella); “The Dog Said Bow-Wow” by Michael Swanwick (best short story); The Lord of the Rings: The Fellowship of the Ring (dramatic presentation).

Other winners of 2002 Nebulas: American Gods, by Neil Gaiman (best novel); “Bronte’s Egg”, by Richard Chwedyk (best novella); “Creature”, by Carol Emshwiller (best short story); The Lord of the Rings: The Fellowship of the Ring (dramatic presentation).

Normally I’m reviewing joint Hugo and Nebula winners from the same year together, but I don’t feel like revisiting American Gods right now. For the same reason, I’m going to skip Coraline, which won both the 2003 Hugo and the 2003 Nebula for Best Novella, and will go on to Paladin of Souls, by Lois McMaster Bujold, for my next write-up in this sequence.