See here for methodology. Books are disqualified if less than 50% of them is set in Somalia (including Somaliland).
These numbers are crunched by hand, not by AI.
Title
Author
Goodreads raters
LibraryThing owners
Black Hawk Down: A Story of Modern War
Mark Bowden
68,067
4,798
A House in the Sky
Amanda Lindhout
70,898
1,187
Teaching My Mother How to Give Birth
Warsan Shire
21,170
513
In the Company of Heroes: The Personal Story Behind Black Hawk Down
Michael J. Durant
5,877
533
Bless the Daughter Raised by a Voice in Her Head
Warsan Shire
9,123
239
Desert Dawn
Waris Dirie
4,340
468
Call Me American: A Memoir
Abdi Nor Iftin
4,561
233
The Orchard of Lost Souls
Nadifa Mohamed
1,822
216
I’m going to start providing summaries of the winning books (should probably have done that much sooner). Black Hawk Down, published in 1999, is about the unsuccessful 1993 US military raid in Mogadishu to try and capture a local warlord. It was later adapted into a film directed by Ridley Scott.
It’s a bit unfortunate that three of the top four books, including the top two, are about violent foreign experiences of Somalia rather than giving voice to the people themselves, and I also freely admit that I’ve stretched a point with Warsan Shire’s two poetry collections – on a quick scan, they did seem to be well grounded in Somalia as a location, but I did not go through and tally pages. The Orchard of Lost Souls represents Somaliland here; hopefully some day we’ll be able to tally it separately.
I disqualified ten books. Ayaan Hirsi Ali leaves Somalia early in her autobiography, Infidel, and does not return; the second volume of her autobiography, Nomad has her travelling further afield. Desert Flower, Waris Dine’s better known book, is mostly set in the UK. When Stars Are Scattered, by Victoria Jamieson, and City of Thorns, by Ben Rawlence, are mostly in Kenya. Don’t Tell Me You’re Afraid, by Giuseppe Catozzella, is about the refugee experience en route to Europe. Djibouti, by Elmore Leonard, is mostly set in, er, Djibouti. Nadifa Mohamed’s The Fortune Men is mainly set in the UK, and her Black Mamba Boy is mostly in Yemen. Ilhan Omar’s This Is What America Looks Like is more about her life in the USA than her life before.
Next up: Senegal, Romania, Guatemala and the Netherlands.
Non-fiction 9 (YTD 53) The Devil’s Chord, by Dale Smith The Bone Woman: A Forensic Anthropologist’s Search for Truth in the Mass Graves of Rwanda, Bosnia, Croatia, and Kosovo, by Clea Koff Colourfields: Writing About Writing About Science Fiction, by Paul Kincaid Agent of Death: Memoirs of an Executioner, by Robert Greene Elliott The Dream House, by Lee Berridge My Secret Brexit Diary: A Glorious Illusion, by Michel Barnier A Tall Man In A Low Land: Some Time Among the Belgians, by Harry Pearson Irish Conflict in Comics, by James Bacon @Wouters Wondere Wereld, by Guy Gilias
Non-genre 3 (YTD 25) The Five Red Herrings, by Dorothy L. Sayers Old Babes in the Wood, by Margaret Atwood Black Mountain and other stories, by Gerry Adams (did not finish)
(Counting Old Babes in the Wood as non-genre, though there are several stories that are clearly sf.)
8,600 pages (YTD 55,400) 15/32 (YTD 92/219) by non-male writers (Koff, Sayers, Atwood, Williams, Gilbert, Tesh, Lucas, Whiteley, North, Giddings, Jikiemi-Pearson, Nothomb, McCormack, Smith, Cloonan/Lotay) 2/32 (YTD 27/219) by non-white writers (Koff, Jikiemi-Pearson) 4/32 reread (The Five Red Herrings, Voyage to Venus, Feet of Clay, Deadfall) 209 books currently tagged unread, up 2 from last month thanks to summer acquisitions, down 91 from August 2024.
Reading now Prophet Song, by Paul Lynch
Coming soon (perhaps) The School of Death, by Robbie Morrison et al Ghost Devices, by Simon Bucher-Jones Omega, by Mark Griffiths and John Ridgway Doctor Who: Lux, by James Goss Musings on Mothering, ed. by Teika Bellamy Science(ish): The Peculiar Science Behind the Movies, by Rick Edwards Mother Ross: An Irish Amazon, by G.R. Lloyd Het Zoet Water door de eeuwen heen, by Jean Binon ‘Salem’s Lot, by Stephen King Annie Bot, by Sierra Greer Final Cut, by Charles Burns “Two Hearts”, by Peter S. Beagle Histoire de Jérusalem, by Vincent Lemire The Years, by Annie Ernaux The House of Doors, by Tan Twan Eng Silence: A Christian History, by Diarmaid MacCulloch The Letters of J. R. R. Tolkien: Revised and Expanded Edition East of Eden, by John Steinbeck Thief of Time, by Terry Pratchett Amongst Our Weapons, by Ben Aaronovitch An Experiment with Time, by J. W Dunne Camp Damascus, by Chuck Tingle
I’m browsing Then, Rob Hansen’s comprehensive analysis of the early history of UK science fiction, and came across the interesting fact that in 1935, one Hugh C. Carswell was appointed as Director of the Belfast chapter of the Science Fiction League, created by Hugo Gernsback for readers of his magazine Wonder Stories. Hansen then reports that this chapter ‘collapsed’ in around May 1937, when Hugh Carswell joined the RAF. Quite possibly there were no other actual members. In any case, Hugh Carswell is the first identifiable participant in science fiction fandom from Northern Ireland (I originally thought he might be the first from the whole of Ireland, but Fitz-Gerald P. Grattan (1913-1993) was writing to Astounding in 1931) and in the UK, the Belfast chapter of the SFL was preceded only by Leeds.
I wondered what else might be traceable about Carswell. From the genealogy sites, it was fairly straightforward to find his vital statistics: Hugh Crawford Carswell, born in Belfast in 1919, died in Waterford in 1985, married to Alice Kervick of Waterford (1916-1990) in Weston-super-Mare in 1946. His address in Belfast was 6 Selina Street, one of the tangle of streets at the bottom of the Grosvenor Road which was demolished to build the Westlink. His appointment as Director of the Belfast chapter of the SFL would have been shortly before his 16th birthday, and his gafiation around the time of his 18th.
Selina Street marked in red, between Elizabeth Street and Dickson Street.The same area on a modern map. Selina Street is mostly under the Westlink, just north of the Grosvenor Road exit.
Hugh’s father John Carswell (1890-1944) was born in 12 North Queen Place, another vanished street which was just around the corner from Selina Street. (It seems to have been between Stanley Street and Willow Street.) The family are recorded as Church of Ireland in the 1900 census. John’s father, Hugh’s grandfather, Henry Carswell (1858-1906) was born in England; his profession is given as “labourer” in the census. John’s mother, Hugh’s grandmother Sarah nee Veighey (1857-1945) was born in Co Armagh.
Hugh’s mother Elizabeth / Lizzy nee Crawford (1891-1967) was born in Hutchinson Street, between Selina Street and North Queen Place. The family are recorded as Presbyterians. Her father Thomas Crawford (1864-1931) was born in County Down; his profession is given as “brass fitter”. Lizzy’s mother, Hugh’s grandmother Jane nee Moore (1866-1917) was born in County Antrim, which could mean Lisburn or Ballycastle or anywhere in between.
John and Lizzy married at St John’s Church (Church of Ireland) on the Malone Road in Belfast on 5 September 1911; he was 21 and she was 20. It’s an interesting choice of venue; St John’s is a good hour’s walk from central Belfast, and even in these benighted days I count a dozen Church of Ireland churches closer to their birth places than St John’s. His profession is given as Lance Corporal in the 2nd Royal Irish Rifles, based in Dover, so he had a nice shiny uniform. They seem to have had six sons between 1912 and 1924, Hugh being the third, and then a daughter in 1927.
John Carswell is recorded as living in Selina Street in the various online street directories for 1924, where he is described as a labourer, and for 1932, 1939 and 1943, where he is described as a grocer. After his death, Mrs E. Carswell (ie Lizzie) is also described as a grocer in 1951 and 1960. Initially they lived at 8 Selina Street, but later acquired number 6 as well; my guess would be that number 8 was the grocery shop and number 6 the residence.
Hugh made the newspapers in January 1936 when he passed the examination for Aircraft Apprentice with the RAF, though it looks like this didn’t impede his fannish activity for another year. A Facebook comment by Des Carswell, one of his five sons, says, “He was later transferred to South Africa where he trained as a pilot with the RAF and was responsible for flight testing of aircraft that his Squadron assembled in South Africa for operation duties in that theatre.”
He goes on, “Hugh returned to the U.K. in 1946 initially stationed at St. Eval before be transferred to 202 Squadron in Aldergrove outside Belfast where he undertook flying duties carrying out weather flight testing in Handley Page Halifax aircraft as a Sargent Pilot. On retirement from the RAF Hugh continued to work with the services until his retirement in 1979.”
There’s a bit more to say about the end of the story, but I’ll get to that later. Worth noting here that the new tech Air Force is exactly the branch of the services that you might expect a teenage science fiction reader to be drawn to in the 1930s.
(One minor discrepant detail: Hugh’s grandson says that he was based in north Africa, not South Africa, during the war, and indeed northern Africa seems more likely, given that the RAF was very active in that campaign and that South Africa had its own air force. He may of course have done both.)
I had had better luck at a distance of two seas and ninety years than James White, who in 1952 found Hugh Carswell’s own copy of Wonder Stories in a Belfast bookshop, and, as recounted by Walt Willis, decided to track him down at his Selina Street address. (See Fantastic Worlds v.1 no. 1, 1952, reprinted in The Willis Papers (1959) pages 8-10).
The address was one of a long row of identical houses in a working-class street. The door was opened by a middle-aged woman with a truculent expression. “Mr. Carswell?” asked James, politely. She gave him a suspicious look and would probably have slammed the door in his face if it hadn’t been for the fact that James is roughly a mile high and wears heavy round glasses which make him look like an electronic brain in its walking-out clothes. She contented herself with gradually reducing the width of the aperture until she was in danger of cutting her head off. “Which Mr. Carswell?” she asked warily. “Hugh,” said James. She reddened, insulted. “What do you mean, me?” she enquired angrily. She was hurt. ”Not you,” said James hastily. He gave her an aspirate to remove the pain. “Hhhhugh. Hugh Carswell.” Malevolently she seized her opportunity for further obstruction. “Which Hugh Carswell?” Now, I have the type of mind that mentally falls off every bridge before I come to it. If I had been going to make this call of James’s, I would have cased the joint first. I would have looked up the house in the street directory to make sure the Carswells were still there after 17 years. Then I would have looked up the Register of Electors to see the names of all the people in the house who were of voting age. Finally I would have walked past the house a few times and then had a pint in the nearest pub and seen what dirt I could dig up. Such intelligent preparation and brilliant detective work wouldn’t have made the slightest difference, of course, but it would have been fun. “Er…..the one who’s interested in science fiction,”, said James at last. The woman looked at him blankly. It seemed to come naturally to her. Obviously, she was waiting for him to say something intelligible. She didn’t seem to think there was much hope. “Signs fixin’?” she asked. “What signs?”
Hoffman’s cartoon of James White in Selina Street.
I don’t find any other Hughs in the immediate Carswell family, so either the lady was being even more annoying to James White than he realised, or he was making that detail up for entertainment. Personally I suspect the latter. I can also believe that as a relatively recent widow, she could get snappish when a stranger asked where Mr Carswell was. At least, I assume that White met Lizzie, who would have been 63 in 1952; Hugh’s sister Pauline does not appear to have ever married, so was probably still living with her widowed mother, but she was only 24 in 1952, which doesn’t really fit White’s description.
By his own account, White then became alarmed by the presence of sinister men who appeared to be monitoring his presence, so he left the scene rapidly, having first established that all of Hugh’s old magazines had been thrown away the previous summer by his mother.
One night in September 1973, a loyalist gunman fired six shots through the front window of the home of my grandparents – my Waterford Catholic grandmother Alice Carswell (nee Kervick) and my Protestant-born Catholic convert grandfather Hugh Carswell, better known as Paddy.
Their Catholic house on the predominantly Protestant Cregagh estate had been attacked several times before because of the family’s religion, but the gun attack was the final straw. Nobody was hurt, but the message was clear: it was time to get out.
My uncle Hilary remembers seeing the flashes of the gunshots from an upstairs bedroom and pulling his brother Dick to the ground. The family has photographs of the bullet-holes, including one snap of my cousin Jaimie, then a toddler, with his finger in one of the holes.
The day after the attack, the Irish News newspaper carried a brief, two-paragraph article about the shooting at the bottom of its front page. Within weeks, the Carswells had packed up and relocated to Catholic west Belfast.
“At that stage, there were 12 Catholic families living in the Cregagh estate. That was all that was left. And then there were 11,” says Hilary Carswell.
The fact that Hugh had converted to Catholicism is a new and interesting detail. The Catholic Church, especially in Ireland, perhaps even more so in Northern Ireland, was very demanding of couples in mixed marriages in those days. As it happens, both of my own grandmothers, brought up as Protestants, converted to Catholicism to marry my grandfathers.
By 1973, Selina Street, North Queen Place and Hutchinson Street had all disappeared under the developers’ bulldozers, but Hugh still took his family back to West Belfast when crisis struck, before heading permanently to the Republic where he and Alice lived out their days. His RAF service record, which had not helped him in Cregagh, won’t have helped much in West Belfast either.
I checked in with Simon Carswell, who was only vaguely aware of his grandfather’s interest in science fiction. He wrote to me:
I remember him as a really clever and fascinating man. He repaired and flew Hurricane fighter planes for the RAF in north Africa during the Second World War and I recall him being interested in technology and innovation, and taking an interest in US television programmes about the future so this fits with his interest as a boy in science fiction.
He was a brilliant Grandad who took a great interest in his grandchildren. He died far too young at the age of 65. He had been in poor health from malaria that he contracted in north Africa, which was not helped by a hardened smoking habit. He was much loved and is much missed by his family, even 40 years after his death. Our memories of Grandad remain as vivid today. I hope he is up there reading science fiction novels, comics and books, and pondering what the future might bring to us down here.
Coming full circle, I am tremendously grateful to Hugh’s son Paul Carswell for sharing this photograph of Hugh with his mother Lizzie and their dogs, one of whom was named Rex, at the door of their Selina Street house. From Hugh’s apparent age, it was taken just a couple of years before he became Northern Ireland’s first known science fiction fan.
Wilson As on the peaks of some high mountaintop the south wind, Notus, pours a fog so thick that nobody can see beyond a stone’s throw- unwelcome to the shepherds, but for thieves better than night—so rose the cloud of dust beneath their feet-they hurtled at such speed across the plain.
Chapman And as, upon a hill’s steep tops, the south wind pours a cloud, To shepherds thankless, but by thieves that love the night, allow’d, A darkness letting down, that blinds a stone’s cast off men’s eyes; Such darkness from the Greeks’ swift feet (made all of dust) did rise.
Graves Sheep-stealers love the cloud That hangs on every hill Better than night’s black shroud; They can do what they will: For they go wandering free (Long may the south wind last!) Where shepherds cannot see Beyond a short stone-cast. Much the same obscurity resulted from great clouds of dust which rose as the Trojan [sic] forces advanced at a double across the plain.
I preferred The Iliad somehow to The Odyssey. There is a wider range of characters, a broader range of settings, a continuing tension between the battlefields of Troy and the realm of the gods. Indeed, I found the continuing interference by rival divine authorities in human affairs strongly reminiscent of the Balkan / Levantine instinct for explaining contemporary human politics by conspiracy theory, resorting to unseen, unaccountable forces to explain what is going on. […]
Non-robot women get rather a raw deal in the Iliad. The quarrel between Achilles and the rest of the Greeks starts with a dispute over who gets to keep the captive women Briseis and Chryseis. In the funeral games for Patroclus, Ajax and Odysseus wrestle for a prize of a woman who is not named but is skilled in all domestic matters (Edited to add: she is worth four large oxen). Actually she is the consolation prize for the loser: the winner gets a nice big cauldron. (I am not making this up.) The match is declared a draw and Ajax and Odysseus are told by Achilles to split the prizes, but we are not told how they manage this (and perhaps we are better off not knowing).
Having said which, the goddesses Thetis, Athena, Hera and indeed the Trojan women, Hecuba and Andromache (and to an extent Helen) are all interesting characters in their own rights; as are most of the men, several of whom (this is hardly a spoiler) get horribly killed off during the conflict.
I was fascinated by the continuous tension between praise and horror of combat. It’s clear to me that Homer’s articulation of the warrior’s code of honour lies rhetorically behind an awful lot of subsequent eras’ jingoism and exhortation of young men to die stupidly. The battle scenes are pretty gory and get a bit repetitive, but there are moments of real power. Yet at the same time he is clear about the other side: moves towards peace-making are clearly a Good Thing, though torpedoed by human incompetence and divine malice; the last chapter has grieving Priam confronting Achilles over the body of his son Hector.
On this reading, I found The Iliad less attractive than The Odyssey. The sheer grind of ongoing combat is far too familiar from the daily news, and although the gore is sometimes cartoonishly described, it’s difficult to take light-heartedly, along with the casual treatment of women as property – poor Briseis in particular! I also noted that a lot of the warriors are described as sons out of wedlock, which makes me wonder about the obligations of paternity and marriage at the time. And it’s very long, and even then doesn’t actually reach the conclusion which we all know is coming. But Wilson’s translation is fluid without being florid, and very comprehensible.
In my previous review I commented on the golden fembots in Book 18. I am very happy with Wilson’s translation here:
Slaves hurried to assist their lord. They were made all of gold, but looked like living women. They had a consciousness inside their hearts, and strength and voices. They had learned their skills from deathless gods.
As I said before, these surely must be the earliest robots in literature?
Anyway, it took me a month to read, a Book at a time, and I think I would recommend it despite my reservations. You can get The Iliad here.
Once upon a time a long way from Croydon, a child was born, the fifty-fifth child to be born that year in the North Zone in BC-ville. The Nativity Robots decanted her from the amniotic chambers and, with huge smiles upon their chests, duly proclaimed her Sasha 55.
When I watched the TV episode earlier this year, I wrote:
Something didn’t quite gel for me with the first episode, The Robot Revolution. Partly that the plotline wasn’t all that original, but somehow it felt like actors on a set in a way that even early 60s Who didn’t. I was watching it on a cramped screen in a B&B with ants in the floorcracks, so it may not have been the best circumstances, but it really felt like spectacle was being prioritised, and it was one of the weirder introductions for a new companion even by New Who standards.
I am glad to report that I liked Una McCormack’s novelization much more than the TV story; we get a lot more of Belinda’s background and a lot more of poor Sasha 55, and a very good sense of the world of Missbelindachandra as a more-or-less functioning society. It really rounds off the corners of what felt like a slightly hasty TV production. Well worth adding to the shelves. You can get Doctor Who: The Robot Revolution here.
Current The Principle of Moments, by Esmie Jikiemi-Pearson Old Babes in the Wood, by Margaret Atwood Irish Conflict in Comics, by James Bacon
Last books finished My Secret Brexit Diary: A Glorious Illusion, by Michel Barnier The Women Could Fly, by Megan Giddings London Centric: Tales of Future London, ed. Ian Whates Somna: a bedtime story, by Becky Cloonan and Tula Lotay The Five Red Herrings, by Dorothy L. Sayers A Tall Man In A Low Land: Some Time Among the Belgians, by Harry Pearson
Next books The School of Death, by Robbie Morrison et al Black Mountain, by Gerry Adams Prophet Song, by Paul Lynch
At the end of my list of books acquired in 2020 are these three from the Sir Julius Vogel Award packet; none of them particularly grabbed me, I’m afraid.
Second paragraph of third chapter of Ringlet and the Day the Oceans Stopped:
What had happened? She’d left Ninky’s (at least she thought she had) and the Number Three had been carrying her forwards (at least she thought it was) and then there’d been someone … a merwoman who had asked in a concerned voice where she was headed … and without even waiting for her reply had taken her by the hand … dangerous, the oceans after dark, murmured the stranger … for one so young … and she’d felt relieved, rescued even, from untold horrors, as they sped forwards together.
Yet another fantasy that failed to grab me in the first fifty pages, so I put it down (well, closed the ebook file with no intention of reopening it). Derivative world-building, and uncertainty on my part as to whether it is aimed at a YA audience or not. You can get Ringlet and the Day the Oceans Stopped here.
(Nice cover though.)
Second paragraph of third chapter of Light in my Blood:
Jack could still see the bioluminescent glow of the strange trees and flowers, the soft backlit atmosphere. Every glimmer. Every shimmer. The smell of Juliper and Bluebells as yet clung to the back of his nostrils.
I quite liked this to begin with – it’s a portal fantasy with teenagers from our world (from an anonymous suburban English-speaking country) becoming enmeshed in the magical and dynastic feuding of the world of Nön while navigating their own emotional connections, and even though it is the second of a series, I found it easy enough to get into and read it all.
But I rather went off it at the end; the continuing drip of minor but annoying typographic errors started getting to me; then there is a sudden yet inevitable betrayal; and then it turns out that we are left on a cliff-hanger to try and get us to buy the next book and find out what happens. I probably won’t. You can get Light in My Blood here.
Second paragraph of third chapter of The Crawling Wood:
“You still feeling good about this gig?” he asked Gaz with a tilt of his head. Gaz shrugged a single time, quiet.
These were the very last unread books that I had acquired in 2020, only four months after I finished the last unread book that I had acquired in 2019. I have been deliberately accelerating in recent times (also I have been merciless about putting aside New Zealand fantasies that didn’t grab me).
That takes me to the fairly small pile of unread books acquired in 2021; I have hopes of finishing them this calendar year. (The 2022 pile is much bigger though.) The 2021 books will start with:
The Dream House, by Lee Berridge (shortest)
London Centric: Tales of Future London, ed. Ian Whates (unread sf book longest on my shelves)
A Tall Man in a Low Land: Some Time Among the Belgians, by Harry Pearson (top unread book on LibraryThing, also unread non-fiction book longest on my shelves)
Black Mountain, by Gerry Adams (unread non-genre fiction book longest on my shelves)
There will be a bit of a gap as I deal with the holiday backlog.
Kenning was right underneath their new visitor. What was she doing?
Emily Tesh again shows her extraordinary versatility, with a story of a queer teacher in charge of safeguarding vulnerable pupils at a magical boarding school against dark forces while securing her own back against bureaucratic enemies. This is contemporary Britain, but with demons and a professional structure for the magically talented people who control them; it’s also a Britain where our friends class and race are alive and well, especially in a school where some of the scholarship pupils are also orphans. There’s cracking emotional chemistry as well between Sapphire Walden, the damaged but still idealistic protagonist, and her love interests; and finely observed dynamics of how a small group of gifted teenagers interact with the outside world.
It’s brilliant stuff, and really it makes you realize how few of the well-known magic school stories, from Roke to Hogwarts to the Scholomance, tell the story from the viewpoint of the teachers rather than the pupils. (There’s Unseen University in Discworld, but it’s a third-level institution rather than school and it also seems to have very few students.) Of course there’s always mileage in a rite-of-passage story, but the children’s point of view sees only the part of the educational iceberg that is above the surface. If you see what I mean.
The robarman, Charlie X, at the Witch and Whirlwind was keeping them nicely supplied with drink, so who could complain? And – she smiled at this – she had neatly convinced Professor Shingbourne that none of them needed to be in class until one thirty tomorrow afternoon. As her class automatically followed his, she could have a lie in until about three.
A curious Bernice Summerfield novel in that she’s not in it much; the real protagonist is her ex-husband Jason Kane, who gets mixed up in an archaeological dig gone wrong and also discovers the amnesiac Chris Cwej, a companion from the Seventh Doctor New Adventures novels. There’s also a planet which has got out of place, and Benny trying to work out what is happening at long distance (as are we all). Solid stuff; I see some rave reviews and some very negative, but I was simply satisfied. You can get Deadfall here.
Reading Forrest Reid’s autobiography, I was intrigued by his mention of his early education at “Miss Grant’s School” in Belfast, before he went on to Inst. Miss Grant was based at 9 Fitzwilliam St, opposite the location of the Institute of Irish Studies when I was a Fellow there in the mid 1990s.
The only other person I could find who had been a pupil at Miss Hardy’s was someone I had never heard of, Alice Everett, daughter of the Professor of Natural Philosophy at Queen’s College Belfast (as it then was). Her story is fascinating. She started studying at Queen’s too, and got first place in her first-year examinations in 1884, but did not get the prize because the university would not award it to a woman. She then studied maths at Cambridge from 1886 to 1889 and passed the Tripos, but was not awarded a degree, because Cambridge did not award degrees to women until 1928.
She was the first woman to work at the Royal Greenwich Observatory, and then moved to Potsdam where she became the first woman to work at an observatory in Germany. After a year in Vassar College, she became fed up with the lack of career prospects for a woman in astronomy and moved back to London to help her retired father with his research on optics.
Thanks to the First World War, she got hired by the National Physical Laboratory’s optics section in 1917 and worked there until she retired in 1925. She was probably present at the demonstration of the first television image by John Logie Baird in January 1926, and applied jointly with him for a relating to television optics in 1933. She was one of the founders of the Television Society, now the Royal Television Society. She was granted a £100 civil list pension in recognition of her work on television in 1938 – better late than never, I suppose – and died in 1949.
I literally wrote my PhD thesis on Irish science at the time she was active, and I cannot remember having heard of her.
“Observing is, then, the part of the work you like best?” said I.
“Oh, yes,” responded Miss Everett with enthusiasm. “You feel that you really are an astronomer then, doing practical business. Besides, there is a certain charm about having the handling of a fine and powerful instrument. I scarcely know why it is, but I find the hours fly when I am observing, though the old hands say it grows very monotonous in the course of years. In winter, though the roof is partly open and the dome kept at the temperature of the outer air, we are too actively employed to feel the cold much, unless it be windy. In summer, though, perhaps, the irregular hours may prove trying in time, the quiet, fresh night is much pleasanter than the hot and dusty London day. Towards dawn it is quite interesting to observe what a difference the dim light makes in the aspect of the earth.”
Alice Everett is labelled as being second from the left on the back row. Only two of the women in the middle row are named. For some reason, the one on the left is not, but the evidence is clear – she was Florence “Flora” Hamilton (1862-1908), who did not live to an old age but is remembered as being the mother of C.S. Lewis.
See here for methodology. Books are disqualified if less than 50% of them is set in Chile.
These numbers are crunched by hand, not by AI.
Title
Author
Goodreads raters
LibraryThing owners
The House of the Spirits
Isabel Allende
305,449
14,895
Twenty Love Poems and a Song of Despair
Pablo Neruda
79,849
4,108
Violeta
Isabel Allende
101,789
1,330
Of Love and Shadows
Isabel Allende
36,211
3,327
Inés of My Soul
Isabel Allende
32,358
2,778
Maya’s Notebook
Isabel Allende
32,002
1,246
My Invented Country: A Nostalgic Journey Through Chile
Isabel Allende
11,999
2,589
100 Love Sonnets
Pablo Neruda
18,311
1,695
There’s a very clear winner here, and equally clear domination of the list by a single author – and that doesn’t include the books by Isabel Allende that I disqualified because as far as I could tell there was not sufficient Chile-based content; they were Daughter of Fortune, Eva Luna, Paula, A Long Petal of the Sea, Portrait in Sepia, City of the Beasts, The Stories of Eva Luna, In the Midst of Winter and The Infinite Plan.
I disqualified another six, which I think all have Chilean authors but are not set there. Roberto Bolaño may be Chilean, but his two best known books, 2666 and The Savage Detectives, are set in Mexico. When We Cease to Understand the World, by Benjamín Labatut, is about scientists globally. I credited In Patagonia, by Bruce Chatwin, to Argentina a while back. Luis Sepúlveda’s The Old Man Who Read Love Stories is explicitly set in Ecuador, and his The Story of a Seagull and the Cat Who Taught Her to Fly sounds like it could be set anywhere with seagulls.
I admit I’ve stretched a point with a couple of those that I allowed onto the list: I suspect that Neruda’s poetry is not full of explicit geographical references, but it can hardly be set anywhere other than Chile; and I gave Maya’s Notebook the benefit of the doubt as the framing narrative is definitely in Chile even if most of the book is flashbacks.
That was unexpectedly tough, and I think they will get tougher as I go on. Next up are Somalia, Senegal, Romania and Guatemala.
This year’s Hugo ceremony was held last weekend, a couple of hours after I returned home from a thirty-hour journey by land and sea from Ireland, so for the first time in many years I did not watch it live. I did groggily come to, just as the Best Novel announcement was being made at the end of the ceremony, and checking the winners I see that I voted for three of the twenty-one, which is about my average.
The biggest surprise – and a very pleasant one – was Emily Tesh and Rebecca Fraimow winning Best Fancast, by a single vote as it turns out. I was also frankly glad that voters decided to turn the page on Chengdu, and gave the Best Related Work award to an academic critique of the genre (for the first time since 2018) and Best Fan Writer to Abigail Nussbaum.
Having missed the ceremony meant that I missed the grotesque mishandling of the names of finalists and winners perpetrated by the hosts, Nisi Shawl and K. Tempest Bradford, including simply omitting to read out the name of one of the finalists. (It is worth noting that K. Tempest Bradford was one of those who rightly expressed rage at George R.R. Martin’s mangling of finalist names at the infamous 2020 Hugo ceremony. Nisi Shawl has apologised to one of the finalists. Nothing so far from Bradford or from the convention itself.)
I’m familiar with the glitches that can happen in Hugo ceremonies. In 2019, the auto-captioning did such a bad job of transcribing Ada Palmer’s impassioned presentation of what turned out to be the last Campbell Award that it had to be turned off for the rest of the ceremony. In Glasgow last year, a video presentation of one category simply didn’t work, and more seriously, the Chinese text on the finalist slides was transformed to gobbledygook at a late stage in the process and nobody caught it on time. These things can happen, unfortunately.
And bigger mistakes have been made. The 2020 Hugo disaster has already been mentioned. I was in the room for the dreadful 2012 BSFA ceremony. And there is also the classic example of something that may have seemed like a good idea when the organisers had had a few drinks after a planning meeting, but went down like a lead balloon in practice, the hoax awards announcement at the 2016 Angouleme comics festival. However that also means that lessons have been learned, or should have been.
The 2025 Hugo ceremony has been described in detail by several people who were there, including Cora Buhlert who was a finalist and was participating virtually, and Grigory Lukin who was not a finalist but was physically in the room. I won’t go into the gory details, but I do see a lot of people jumping up and down in various channels proposing solutions to make this sort of mistake less likely in future.
Folks, this is a solved problem.
When compiling the ballot announcement this year and last year, we in the then Hugo team made sure to get and use the correct pronunciations of finalist names and titles and we used them in the final ballot announcement. Last year, when there were a lot of Chinese finalists, I did the ballot announcement along with Sophia Xue, a Chinese writer and fan; this year I did it with Cassidy who was then the WSFS division head.
In 2024 we then used those recordings on the night of the ceremony too, precisely to avoid the risks of asking presenters to work their way through the list. Where I knew there was a potential problem, I made sure that the card with the winner’s name included pronunciation instructions, and if possible I took the presenter through the pronunciation in advance.
I can’t claim sole or even much credit for this. The template for getting the Hugo ceremony right was set by Mary Robinette Kowal when she took over as chair of Discon 3 in 2021. There is absolutely no reason that that could not have been done this year as well. When I resigned as Hugo Administrator in May, I passed along all the information about pronunciations in good order. But it seemed that the singing of a song at the 2025 ceremony had been rehearsed more than the presentations, despite the obvious fact that the presentations are what the ceremony is actually about.
Responsibility for this mistake lies with the convention leadership and the hosts, and not with the WSFS / Hugo team. Cassidy and I, along with Esther MacCallum-Stewart, resigned from the Hugo team in May; I simply got tired of fighting all the time. All sympathy and strength to the remaining team members, who kept plugging away, but I am absolutely certain that their efforts to make things go better were stymied.
I’m not planning to be involved with the Hugos again for the next few years, but I wish the best of luck to those who are, especially when it comes to seeing your team’s hard work celebrated at the ceremony. No innovative solutions are needed; just common sense, and putting in the work in advance. As Flanders and Swann sang, if you practice beforehand, it ruins the fun; but the Hugo ceremony can be a career-changing moment for the winners, and that needs to be treated seriously by the organisers. And this year, they didn’t do that.
I encountered Rachael Smith in 2016, when I bought her early House Party from her at a Brussels Comic Con, and I have known Paul Cornell for decades. Here the two combine their talents for a story of a murder at a convention for cryptos and mythical creatures, solved by plucky heroine Lyndsay Grockle who is getting over a breakup and has been left in charge of the convention hotel for the weekend. Paul Cornell’s humane text combines with Rachael Smith’s unambiguous ligne claire style to make a short sweet tale. I got an advance copy – it will be published next month, and then you will be able to get Who Killed Nessie? here.
A tale of two parts, a one-shot by George Mann with a twist punchline that you can see coming from a mile off (apology for spoilers, but you probably weren’t going to read it anyway):
And a much better four-parter by Robbie Morrison, picking up the story of the sun-like Hyperion creatures from Fractures, featuring also a heroic fireman and a very venal (“I for one welcome…” politician. I felt that the art sometimes din’t quite get the Doctor and Clara, but otherwise quite enjoyed it.
Current The Women Could Fly, by Megan Giddings London Centric: Tales of Future London, ed. Ian Whates The Principle of Moments, by Esmie Jikiemi-Pearson
Last books finished Voyage to Venus, by C.S. Lewis The Bone Woman: A Forensic Anthropologist’s Search for Truth in the Mass Graves of Rwanda, Bosnia, Croatia, and Kosovo, by Clea Koff Colourfields: Writing About Writing About Science Fiction, by Paul Kincaid Agent of Death: Memoirs of an Executioner, by Robert Greene Elliott Inferno, by Gary Russell and John Ridgway Three Eight One, by Aliya Whiteley Feet of Clay, by Terry Pratchett False Value, by Ben Aaronovitch The Dream House, by Lee Berridge The Last Song of Penelope, by Claire North
There’s nothing like 24 hours on a ferry with patchy WiFi to boost your reading tally for the week. (And the month, come to that.)
Next books Black Mountain, by Gerry Adams Old Babes in the Wood, by Margaret Atwood Prophet Song, by Paul Lynch
At his next visit, to the motor agency for which Victor Magill acted as representative, he drew almost as complete a blank. It was true that he did not expect to learn much. But as a matter of routine, it was necessary to see everyone who might in any way throw light on the case.
One of the very few novels with a Northern Ireland setting between 1921 and 1968 (see also: Odd Man Out, and er I think that’s it from my own reading in the last twenty-five years or so), this is a murder mystery published and set in 1930, in which an Ulster industrialist disappears on his way home after a long absence, and is soon found murdered. The Norn Iron bits are pretty much restricted to the East Antrim coast, though there are some nice bits of local colour, and there is also much exploration of the Scottish train line to Stranraer and the northwest English and southwest Scottish coasts.
The solution depends rather on an improbable set of motivations for the killing, and also an equally improbably carefully calculated set of timings for journeys by train, car and boat, to the point that the suspension of my disbelief became a bit eroded. But this was the high period of Agatha Christie and Dorothy L. Sayers, and I guess it was what the market expected of a detective story. (There is even a reference to Hercule Poirot in the novel.)
I had read elsewhere that this book rather whitewashed the new-ish devolved Northern Ireland government, given the author’s Ulster Protestant background. (Stormont itself was still being built in 1930.) I did not find this charge firmly substantiated. True, there’s no reflection at all about the sectarian basis of the statelet; but as I said earlier, the Norn Iron settings are mostly along the coast Carrickfergus and Ballygalley Head, with a couple of excursions to Cave Hill and into central Belfast, and one to Bangor, which doesn’t really take you into contested territory. (The victim is reportedly seen on Sandy Row, which is described as ‘more or less working class’.)
On the other hand, I got a sense that the author felt the smallness of the interlocking circles of government and industry in the province could be a problem rather than a solution. And as for Dublin,
He [Inspector French] had not been over since the troubles [ie 1920-22] and he was impressed by the air of smartness and prosperity which the city wore. It seemed cleaner than before and the new buildings made O’Connell Street a really imposing thoroughfare.
Not exactly the sentiments of a raving Unionist!
The plot of the book has a couple of eerie similarities with the real-life murder of Patricia Curran twenty-two years later, the victim being from a prominent local family, the body found in the grounds of their East Antrim home, and a close relative suspected of the crime. The differences are fairly significant too of course, and I suspect it’s unlikely that the 1952 murderer, whoever that was, took any inspiration from Crofts.
These are the things the poets say she shall dream of.
Second of Claire North’s excellent Penelope trilogy, this time narrated by the goddess Aphrodite, with our heroine still waiting for her husband (who is dallying far away with the nymph Calypso), and also dealing with the desperately ill Orestes and the greedy Menelaus, kings of adjoining cities on the mainland whose quarrel is being played out in Ithaca. There is also a locked-room murder mystery for Penelope to solve, with the help of Helen who is vividly sketched as a character.
I was reading this at the same time as Emily Wilson’s translation of The Iliad (review coming soon) but actually my mind kept turning to Roger Lancelyn Green’s The Luck of Troy, told from the point of view of Nicostratus, Helen’s son by Menelaus who accompanied her to Troy at the start of the war. Nicostratus is a key character here as well, but North has him as Menelaus’ illegitimate son, full of resentment and an all round bad guy who is at the centre of the murder mystery. North’s characterization is very memorable, even of names who have been talked about for millennia.
‘You look tired, my love.’ Her voice was warm with concern. ‘You should take time to rest for a while – the world won’t stop turning while you sleep.’
Conclusion to Cooper’s Master trilogy, in which she successfully shifts the focus so that the Bad Guy protagonist and his cute sidekick, pursued separately by the forces of order, now engage our sympathy, and the society with which they are in conflict reveals its flaws so that we realise the Bad Guy may not have been so bad after all; meanwhile both are at the mercy of super-powerful supernatural forces. Dramatic and well-executed conclusion to an enjoyable series. You can get The Master here.
This was my top unread book acquired in 2022. Next on that pile is The Bone Woman, by Clea Koff.
Apples Are from Kazakhstan: The Land that Disappeared
Christopher Robbins
1,309
264
A Shadow Intelligence
Oliver Harris
1,821
84
The Dead Lake
Hamid Ismailov
959
112
The Faculty of Useless Knowledge
Yury Dombrovsky
376
186
I was a bit surprised by the winner this time, but it is indeed firmly set in Kazakhstan, so it matches my criterion. It’s really unusual for such a well-known book to have more LibraryThing owners than Goodreads raters – the ratio is usually more like 10 or 20 to 1 in favour of GR. It’s also getting increasingly rare that I have read the top book in the list – the last one was Sri Lanka a month ago, the one before that was Saudi Arabia in April.
There is a distinct lack of Kazakh writers on this list. Chingiz Aitmatoc is Kyrgyz, and Hamis Ismailov is Uzbek (though born in what is now Kyrgyzstan). The top Kazakh writer from my survey was some way below my threshold; it is Mukhamet Shayakhmetov, whose best known book is The Silent Steppe.
I’m a little uncertain about a couple of these. Half a World Away starts in the USA, and A Shadow Intelligence in the UK. But my assessment from what I could fins about them online is that probably more than 50% is set in Kazakhstan in both cases.
I disqualified ten books this time. The top book that I disqualified just has one character from Kazakhstan, and as far as I can tell isn’t set there at all; it is The Zahir by Paulo Coelho. Most of the others cover Kazakhstan as part of Central Asia, of the old Mongol Empire, or indeed the whole post-Soviet region. They were The Silk Roads, by Peter Frankopan; Bones of the Hills, by Conn Iggulden; The New Silk Roads, by Peter Frankopan; Sovietistan, by Erika Fatland; The Lost Heart of Asia, by Colin Thubron (which I have read); The Border, by Erika Flatland; On the Trail of Genghis Khan, by Tim Cope; The Catch Me if You Can, by Jessica Nabongo; and
The Tombs by Clive Cussler and The Good Angel of Death, by Andreï Kourkov, both have their protagonists on odysseys that end up in Kazakhstan, much more than half way through the book. Jamilia, by Chingiz Aitmatov, is set in Kyrgyzstan, but I think some taggers are confused about the difference. (I don’t think any of Ken MacLeod’s books qualifies either, and anyway GR and LT users have not tagged them.)
Coming next: Chile, Somalia, Senegal and then our first European country for a while, Romania.
Jebediah Cole came mostly from a place of fiction; imagination touched by the hand of experience, and peppered with a dash of wistful desire. A pastiche of the many strange and dodgy people Maurice once had the misfortune to know. An ex-armed-forces, ex-law-enforcement, leather-faced, battle-worn bounty hunter; he was a solid, deliberate, hulk of a man. Despite his rough edges, arrogance, and sexist attitude — and the fact that he was really little more than a walking cliché —his readers seemed to find the bloke endearing. His fans clamoured to hear more.
I’ve been zooming through my stash of New Zealand fantasy books acquired in 2020 with some disappointment at the rather unoriginal generic secondary world settings, but this one made me sit up and pay attention: these are almost all tales of fantastic intrusion, where the normal world of Wellington, which is realized in rich detail, becomes the unwilling host of something or some things more weird and awful. Most of the stories are very short (thirteen of them in 180 pages), so each basically represents one idea developed as far as it will go. There are a few recurrent themes – manipulative older men, ex-boyfriends named Joshua – but overall I was impressed by the number of different twists that Wood was able to put on a basic structure. Rather a delight. You can get Dark Winds Over Wellington here.
(Posting this early so that New Zealanders will see it.)
This was the shortest unread book of those I had acquired in 2020. Next on that pile, indeed on all three of my 2020 piles, is Ringlet and the Day the Oceans Stopped, by Felicity Williams.
Michael [Troughton], however, was to see very little of his father as he grew up. While he was still a baby, Patrick set up a second home in south London, near Kew, with his girlfriend Ethel ‘Bunny’ Nuens. Patrick and Bunny would go on to have three children together, but Patrick and his wife Margaret never announced a separation. The couple kept up the pretence that they still had a normal marriage. Patrick’s long absences from the family home were explained away as his having to work away from home, due to the nature of the acting profession. When Patrick’s mother died twenty-four years later, in 1979, she was still unaware of the separation. Patrick and his original family had kept up the façade by visiting her every Christmas Day and pretending that nothing had happened. She never knew she had three more grandchildren.
This is a nice chunky book about the history of Doctor Who, from 1963 to 2024, by the author of the book about Watling Street which I enjoyed a few years ago. It takes an interesting approach: a chapter per Doctor (two for the First and Fourth Doctors), looking very much at the story behind the scenes, why particular decisions were made, why particular people were hired and fired, and treating the sixty years of the show as a whole, single phenomenon to be explained as a whole.
A lot of the material was familiar (indeed the Second Doctor chapter seemed very familiar to me, though others seemed more original). I wished also that a bit more space had been given to the spinoff series (sadly neither The Curse of Fatal Death nor The Scream of the Shalka is mentioned), and to the comics, books and audios (and indeed games); although the TV series is by definition the core, there’s a lot more Whoniverse out there.
(Also, it is not entirely Higgs’ fault, but I cannot completely forgive him for inspiring me to seek out Jon Pertwee’s two scenes in the 1977 sex comedy Adventures of a Private Eye. I urge you not to look for them. Some things are better left in well-deserved obscurity.)
However, Higgs brings a lot of good stuff here. His analysis of how the show got created in the first place in 1962-63 is one of the best of the many that I have read, bringing in some new facts and circumstantial material. I think he is also right to split the First and Fourth Doctor eras; the case for treating Four/Hinchcliffe distinctly from Four/Williams+JNT is fairy obvious, but I have long felt that there’s a similar case for One/Lambert and One/Wiles+Lloyd, and Higgs just does it effortlessly.
It also feels to me like it’s fairly rare to take the holistic approach and treat Old Who just the same as New Who (and the Movie). Even within Old Who, we tend to treat the so-called black-and-white era separately from the color era. But in principle, there’s no reason not to apply the same analytical approach to all of it, and Higgs demonstrates that such an approach can be successful.
A particular sub theme that I will have to think about is Higgs’ insistence that some key stories should be seen as direct reflections of what was happening in the production history of the show at the time. So, the two trials of the Doctor in The War Games and in Season 23 reflect the pressures of potential cancellation of the entire show (as does The Greatest Show in the Galaxy). This only gets you so far, but it does get you a certain distance.
In the end, Higgs is entitled to write the book he wanted to write, which is not completely the book I wanted to read, but is certainly close enough to it to make this very worthwhile. It’s only just out, folks, so you may not have seen much hype around it – well worth getting, and I will nominate it for the BSFA Non-Fiction award next year. You can get Exterminate/Regenerate here.
Three more of the books that I had not got around to from the 2020 Sir Julius Vogel packet. One OK, two less so.
Second paragraph of third chapter of We All Fall:
Luca was there, waiting for me after not being able to talk last night. He grinned as he saw me, and I smiled, happy to have the distraction.
I thought this was OK. A short, effective story about a girl growing up in a circus family, getting to grips with disability, same-sex love and the paranormal stuff that seems to be happening around her. You can get We All Fall here.
Second paragraph of third chapter of Tyrelia:
The Golden City was the capital of Medar and home to the Master. It was a conical mountain surrounded entirely by a moat and a tall, gleaming white wall. The only way in was via the drawbridge to the single gateway. The dwellings within the city were perched one above the other on the steep hillside, like decorations on an elaborate cake. Narrow roads wound their way between them. All the houses were whitewashed, with terracotta tiled roofs, and many had pots of brightly coloured geraniums hanging from the windowsills. The Master’s mansion, shrouded in cloud, crowned the city. It was said that it was covered in glittering gold.
This on the other hand failed to engage me and I put it down after fifty pages. The fourteen-year-old heroine is sent on a quest by rather nonchalant elders, and finds herself in a land of plenty which is obviously going to turn out as something more sinister. Possibly didn’t help that it’s the second book in a trilogy where I have not read the first. You can get Tyrelia here.
Second paragraph of third chapter of Dragon Rift:
Ezaara was lost for words. Her mind spun. Roberto was captive. Surely Zens would kill him.
This is the third volume in a series of six, and I don’t think the other five would have helped convince me; it’s a world which is a knock-off of Pern with a few imports from Middle Earth, and lost me rather with the super-effective magical healing ointments. I just about managed fifty pages, but no more. You can get Dragon Rift here.
These three had all bubbled to the top of my rapidly dwindling stacks of books acquired in 2020. We All Fall was the shortest unread book acquired in that year, Tyrelia was the SF book that had lingered longest unread on my shelves and Dragon Rift was the most popular unread book acquired in 2020. The next shortest is Dark Winds Over Wellington, by TL Wood; the next on the other two piles is Ringlet and the Day the Oceans Stopped, by Felicity Williams.
It was towards the end of my business career that The Kingdom of Twilight appeared, and an early result was that I learned of the existence in Belfast of a very minor echo of the Dublin literary and dramatic movement. The Ulster Literary Theatre had been founded, and had produced two plays-The Reformers, by David Parkhill, and Brian of Banba, by Bulmer Hobson. The experiment was written up in the columns of The Whig by [J.W.] Good, and in another paper, The Evening Telegraph, by Rathcol (W. B. Reynolds). Moreover, in imitation of Yeats’s magazine Samhain, a literary quarterly called Ulad had been Started, under the joint editorship of Reynolds and Parkhill, and it was from the former that I received a note asking me to call upon him.
This is the second volume of Belfast-born writer Forrest Reid’s autobiography, published in 1940, fourteen years after Apostate, the first volume. I did not find Private Road as interesting; a lot of it is about the back-story behind each of Reid’s novels (more than a dozen at that stage), and as I haven’t read any of them, I did not learn much. There are however some interesting chapters about his education, at Inst and then at Christ’s, Cambridge, and about the rather small circle of literary enthusiasts in Belfast in the early 1900s; and there’s also a rather moving chapter about his love for his dogs and cats (in that order).
Reid does not seem to have had a long-term romantic partner, though it’s fairly clear what was going on with his series of male house-mates; there are a few women in the narrative (and I’m glad to see that he stayed in touch with his nurse Emma) but it’s mostly a story of men talking to men. Or not talking – an early dramatic moment is his friendship with Henry James, cut short when James apparently was mortally offended by Reid’s dedication to him of his very gay second novel, The Garden God.
I think that if I were going to make a serious effort to get into Reid’s fiction, and the circles he moved in, this would be a really interesting book, and I wonder if someone enterprising might produce an annotated version; but unlike with Apostate, I am not particularly interested in taking that on myself.
Current Colourfields, by Paul Kincaid Voyage to Venus, by C.S. Lewis The Bone Woman: A Forensic Anthropologist’s Search for Truth in the Mass Graves of Rwanda, Bosnia, Croatia, and Kosovo, by Clea Koff
Last books finished Deadfall, by Gary Russell Light in My Blood, by Jean Gilbert & William Dresden The Incandescent, by Emily Tesh Doctor Who: The Robot Revolution, by Una McCormack The Crawling Wood, by Casey Lucas (did not finish) The Iliad, by Homer, tr. Emily Wilson The Devil’s Chord, by Dale Smith
Next books The Dream House, by Lee Berridge Feet of Clay, by Terry Pratchett False Value, by Ben Aaronovitch
In the future, there are many stories of those who go back. Those who go back to find a better time, and those who go back to change their own time. They go back to kill or to save, or for one to achieve the other. These stories centre on particular points in history, feature moral dilemmas and unintended consequences.
Brief but efficiently chilling story of a 1930s murder victim in Wellington, New Zealand, who comes back in three different alternative supernatural ways. One of the Sir Julius Vogel packet from 2020, which contains my dwindling pile of unread books acquired that year. You can get From a Shadow Grave here.
Second paragraph of third story (“The Fish Bowl”):
She did not have strong feelings about Puan Lai, but she liked the house. Between the entrance and living room there was an expanse of cool, white marble floor that would have been a hallway in a normal house. Puan Lai had dug out a hole in the floor and filled it with water. The pond was rectangular, like a swimming pool, but the water was green, swarming with koi and goldfish.
This is a tremendous collection of short stories by Zen Cho, including “If At First You Don’t Succeed, Try, Try Again” which won the Hugo in 2019 (one of my years). They are all in the fantasy vein with some of them slipping towards horror. They all feature Malaysian culture, especially Malaysian Chinese culture, which is a particular point of interest for me as I get on with editing my grandmother’s memoirs of her time living and loving in Penang. Some are set in Malaysia, some in England, some elsewhere entirely. The ones I liked most were “House of Aunts”, a story of an undead teenager and her older (much older) relatives; “Prudence and the Dragon”, about an unlikely love story; and the Hugo-winning “If At First You Don’t Succeed, Try, Try Again”, another unlikely love story. But they are all excellent. You can get Spirits Abroad here.
Two more stories from the New Zealand pile, which I’ll deal with quickly.
Second sentence of third section of Ventiforms:
Pilot’s seat was a misnomer, really. Tailé just sat. Surprise flew herself. There was a bit of shaking, but Tailé was still able to eat her wrap as they descended. It was good, the eggplant tasted fresh, and the sauce was divine. She complimented the ship on it.
Very short piece about a mother looking for her lost son, and some memorably unusual aliens. Decent world-building for the length. You can get Ventiforms here.
Was my shortest unread book acquired in 2020 (and turned out to be even shorter than I thought). Next on that pile is We All Fall by Helen Vivienne Fletcher.
Second paragraph of third chapter of The Blacksmith:
“Ah, hell, Granny, what’d I do now?”
Third in a fantasy trilogy. I found it very clunky; a world with placenames partly borrowed from Britain and partly made up, with apparently normal Christianity and magic coexisting, and leaden exposition. You can get The Blacksmith here.
Was the SF book that had lingered longest unread on my shelves. Next on that pile is Tyrelia, by S R Manssen.
And it just … kept … going. A howl of deep, horrible agony, a soul-shredding pain.
A Fifteenth Doctor novel set during his travels with Belinda, probably between Lux and The Interstellar Song Contest, with the Doctor and Belinda exploring a world where a dying sentient spaceship’s screams are disrupting the mental state of everyone withing range, most notably the descendants of the original crew who live in Sevateem-like conditions. It’s a fairly standard plot, but what I like is that we get a lot more characterisation of Belinda than we did onscreen; one of the things I didn’t like about the most recent season was that we didn’t really get to know her, and Fergesen has done well by her in this story. Not a book for non-Whovians, but a pleasing extra for fans, especially younger fans. You can get Spectral Scream here.
See here for methodology. Books are disqualified if less than 50% of them is set in Chad.
These numbers are crunched by hand, not by AI.
Title
Author
Goodreads raters
LibraryThing owners
The Roots of Heaven
Romain Gary
2,653
526
Rain School
James Rumford
803
472
Told by Starlight in Chad
Joseph Brahim Seid
160
36
African Rice Heart
Emily Star Wilkens
72
10
To Catch a Dictator: The Pursuit and Trial of Hissène Habré
Reed Brody
55
10
The Trial of Hissène Habré: How the People of Chad Brought a Tyrant to Justice
Celeste Hicks
18
6
France’s Wars in Chad: Military Intervention and Decolonization in Africa
Nathaniel K. Powell
7
5
The Plagues of Friendship
Sem Miantoloum Beasnael
4
4
This was unusually tough. Several users of both Goodreads and LibraryThing have used the “chad” tag for a lot of their books which have absolutely nothing to do with the country, and it must therefore refer to something else. Several political analyses had a handful of owners on LibraryThing, but none on Goodreads. This is the first time that I’ve had to go down to single figures on either system. I’m not going to list the disqualified books because there are too many of them and most of them are completely irrelevant.
Today’s winner was famously adapted into a 1958 film starring Errol Flynn, and it sounds interesting enough to track down. Two Chadian writers appear in today’s list. As well as the non-fiction, there’s also a high-scoring children’s book and a missionary testimony. But I think that all in all, Chad is the most literarily obscure country I have yet covered. I am sure that there will be more.
He arrived at the clockmaker’s tree shortly after dawn.
As will be apparent, I’m working through the material given to us as part of the Hugo and Sir Julius Vogel voter packets as I reach the end of my stack of (mostly electronic) books acquired in 2020. This popped up as part of the Hugo submission of Diana Pho for Best Editor, Long Form, along with nine other books, and I think it’s the last of them.
This started off really well; a fantasy secondary world (which doesn’t always float my boat) where the protagonist, a young magical warrior who is also the queen’s secret lover, starts to find out more about how it all functions. It’s the third book in a trilogy, which often means a harsh did-not-finish for me, but it worked well at first – I believe that the three books have different protagonists, so the plots are not too intertwined.
And then in the last quarter or so, it simply lost me. We shifted to a confusing landscape with confusing characters, where we found out confusing things about our unreliable protagonist. It was disappointing after what I felt was a strong start. Maybe I lost energy and it’s on me. Anyway, you can get Tides of the Titans here.
This was both my top unread book acquired in 2020, and the sf book that had lingered longest on my shelves. Next on those piles are From a Shadow Grave, by Andi Buchanan, and The Blacksmith, by Barbara Howe.