War Childhood: From Sarajevo to Syria, Memories of Life and Hope, by Jasminko Halilović

Second paragraph of third section:

My “before the war” is in those photographs. Photographs in front of the tree to celebrate the last prewar New Year, photographs with favourite toys, photographs from kindergarten…

When I went back to Bosnia in 2019, my very last stop was the War Childhood Museum, which had been recommended by a couple of people. This book is essentially a collection of very short reminiscences gathered via Twitter (back in the olden days) from people who were children during the siege of Sarajevo, answering the question ‘Šta je za tebe djetinjstvo u ratu?’ – ‘What was war childhood for you?’ This is topped by the author’s own story of his childhood in the besieged city, and tailed by some photographs of toys and other artefacts donated to the museum, and the story of how the museum was set up.

It’s grim stuff. You can fit a lot of pathos into 140 characters, and there must be more than two thousand tweets archived here. Some of the children’s experiences are very Bosnia-specific – for instance, the horrible tinned meat supplied as humanitarian aid, some of which was rumoured to be left over from the Vietnam War twenty years earlier.

But a lot of it is universal for children in conflict zones – the violent deaths of siblings, schoolfriends and parents; the shortage of entertainment and safe places to play; the rarity of sweets, candy and chocolate; the smells.

At the time I bought the book, conflict was raging in Syria; since then we’ve had Ukraine and Gaza, not to mention the less reported wars in Africa. Whatever view one may have of the politics behind these situations, it’s important to be reminded of the real human horror of living under fire and constant threat of death, and that ordinary people cannot and must not be blamed when their home becomes a war zone.

A sobering read. You can get it here.

Eight Cousins, by Louisa May Alcott

Second paragraph of third chapter:

The sun was shining, and Rose opened her window to let in the soft May air fresh from the sea. As she leaned over her little balcony, watching an early bird get the worm, and wondering how she should like Uncle Alec, she saw a man leap the garden wall and come whistling up the path. At first she thought it was some trespasser, but a second look showed her that it was her uncle returning from an early dip into the sea. She had hardly dared to look at him the night before, because whenever she tried to do so she always found a pair of keen blue eyes looking at her. Now she could take a good stare at him as he lingered along, looking about him as if glad to see the old place again.

This turned out to be the best known book published in 1875 among today’s readers, by a long way, with Anthony Trollope’s The Way We Live Now some way behind in second place and then The Adolescent / Подросток by Dostoevsky (well ahead of the rest of the field).

I tried Little Women almost twenty years ago, and didn’t really get on with it; I found Eight Cousins even less to my taste. Orphaned Rose is sent to live with her great-aunts (one of whom is amusingly morbid) and her uncle near Boston; she finds herself thrown in with seven boy cousins all of roughly her age (thirteen) and below.

It’s all wholesome stuff. Rose is nice to the servant girl. When one of the cousins is seriously ill, she gets the others to be nice to him. Her uncle discourages her from ambitions of actually studying medicine at college, but gives her just enough (unspecified) information about human anatomy to be useful.

There are no doubt important things being said here about the status of girls and women in 1870s Massachusetts, and people who are more interested in that than I am will find the book more interesting than I did, and can get it here.

Louisa May Alcott probably knew my great-great-grandfather, William Charlton Hibbard, who was fifteen years older and lived in the same suburb of Boston. Both were definitely directly influenced by the radical Unitarian minister, Theodore Parker, who was the pastor of Hibbard’s local church in West Roxbury from 1837 until he resigned in 1846 and set up his own congregation with the help of Amos Bronson Alcott, Louisa’s father.

This was my top unread book by a woman, and my top unread non-genre fiction book. Next on those piles respectively are The Vegetarian, by Han Kang, and Cutting for Stone, by Abraham Verghese.

The best known books set in each country: Morocco

See here for methodology. I am excluding books of which less than 50%, as far as I can tell, is actually set in Morocco. (It doesn’t help that Morocco is illegally occupying the country immediately to its south.)

TitleAuthorGoodreads
raters
LibraryThing
owners
The Sheltering SkyPaul Bowles 29,4994,508
The Time in BetweenMaría Dueñas 47,8941,992
Stolen Lives: Twenty Years in a Desert JailMalika Oufkir24,2652,103
Destination UnknownAgatha Christie 16,2972,394
TangerineChristine Mangan 33,388935
Who Is Maud Dixon?Alexandra Andrews 39,137651
Garment of Shadows Laurie R. King 10,2591,039
This Blinding Absence of LightTahar Ben Jelloun 13,106569

It’s interesting that the only two books on the list by Moroccan writers (Stolen Lives and This Blinding Absence of Light) are about being imprisoned in the same jail at the same time, though one is autobiography and the other fiction.

There are several of these that I’m not completely certain about, either because (eg The Sheltering Sky) it’s not 100% clear that the North African setting is Morocco, or because (eg The Time In Between) it’s not 100% clear to me that the Moroccan setting amounts to more than half of the book, but in those cases and a couple of others, I gave the one on the list the benefit of the doubt.

I excluded the top four books which came up in my calculations, and another two lower down. Top was Paulo Coelho’s The Alchemist, where it’s not clear that the desert setting is in Morocco; then Less by Andrew Sean Greer, which is about a man who goes around the world and visits Morocco; then Chanson Douce / The Perfect Nanny / Lullaby, by Leïla Slimani, set in Paris; then King of the Wind: The Story of the Godolphin Arabian, by Marguerite Henry, which is about a horse that actually (as far as I can see) spends most of its life outside Morocco.

The other two books that I disqualified ranked between Who Is Maud Dixon? and Garment of Shadows, both by Leïla Lamani (as opposed to Laila Slimani): The Other Americans and The Moor’s Account, both of which are set in the Americas.

Coming next: Angola, Ukraine, Uzbekistan and Malaysia.

Asia: India | China | Indonesia | Pakistan | Bangladesh (revised) | Russia | Japan | Philippines (revised) | Vietnam | Iran | Türkiye | Thailand | Myanmar | South Korea | Iraq | Afghanistan | Yemen | Uzbekistan | Malaysia | Saudi Arabia | Nepal | North Korea | Syria | Sri Lanka | Taiwan | Kazakhstan | Cambodia | Jordan | UAE | Tajikistan | Israel
Americas: USA | Brazil (revised) | Mexico | Colombia | Argentina | Canada | Peru | Venezuela | Guatemala | Ecuador | Bolivia | Haiti | Dominican Republic | Honduras | Cuba
Africa: Nigeria | Ethiopia (revised) | Egypt | DR Congo | Tanzania | South Africa | Kenya | Sudan | Uganda | Algeria | Morocco | Angola | Mozambique | Ghana | Madagascar | Côte d’Ivoire | Cameroon | Niger | Mali | Burkina Faso | Malawi | Zambia | Chad | Somalia | Senegal | Zimbabwe | Guinea | Benin | Rwanda | Burundi | Tunisia | South Sudan | Togo
Europe: Russia | Türkiye | Germany | France | UK | Italy | Spain | Poland | Ukraine | Romania | Netherlands | Belgium | Sweden | Czechia | Azerbaijan | Portugal | Greece | Hungary
Oceania: Australia | Papua New Guinea

Boon, The Mind of the Race, The Wild Asses of the Devil, and The Last Trump, by H. G. Wells

I spent today at Picocon, held at Imperial College London, H.G. Wells’ alma mater, so it’s not inappropriate to be writing up one of his novels tody. Unfortunately it’s not one of his science fiction novels; even more unfortunately, it’s not one of his good ones either.

Second paragraph of third chapter:

“‘We begin,’” he said, “‘in a minor key. The impetus of the Romantic movement we declare is exhausted; the Race Mind, not only of the English-speaking peoples but of the whole world, has come upon a period of lethargy. The Giants of the Victorian age ——’”

It had to happen sooner or later; as I work my way through Wells’ less well known works, I knew there would be at least one which is rubbish, and this is rubbish. (Adam Roberts found it much more interesting, but also argues that to really understand it you need to have also read a different book by a different writer published in 1877.)

Boon is presented as material assembled by fictional writer Reginald Bliss from the papers of recently deceased and equally fictional writer George Boon, reflecting on the literary personalities of the time. A lot of it is a sustained, brutal and not very funny attack on Henry James, which I would probably find more interesting if I cared more about Henry James than I do. It is illustrated by childish cartoons drawn by Wells.

Its only redeeming feature is that it is very short, so I did finish it despite being very unimpressed by the first half. But you can skip it. If you really want to, you can get it here.

This was the shortest unread book on my shelves acquired in 2019. Next on that pile is Hooleygan: Music, Mayhem, Good Vibrations, by Terri Hooley and Richard Sullivan.