Revolutions of Terror, by Nick Abadzis, Elena Casagrande and Arianna Florean

Second frame of third part:

Next in the sequence of Tenth Doctor comics, this one published in 2015 but set immediately after the departure of Donna. The Doctor visits Brooklyn, and ends up with a new companion, Gabby Gonzalez, fresh from working at her father’s laundromat – where it is the washing machines that provide the terror of the title. I must say I’ve always thought of them as potentially a gateway to another dimension; there’s something primordial and strange about the rotational sloshing of the water. The opening three-part story is very good, the other two parts are a new story, “The Arts in Space” which is a bit sillier but still gives Gabby some more characterisation as well as just being fun. This series clearly had a lot of vim. You can get this here.

Next up is The Weeping Angels of Mons, by Robbie Morrison with art by Daniel Indro and Eleonora Carlini.

This was actually the first non-Clarke book that I finished reading in March, so my blogging here is almost exactly a month behind my real-life reading.

Operation Volcano, by Ben Aaronovitch and Andrew Cartmel

I realised a couple of weeks ago that I had paid for a couple of Humble Bundles of Doctor Who comics published by Titan over the years, and now had dozens of unread books to add to my Librarything catalogue. (Which is going to mean a big jump in the number of unread books that I log at the end of this month.) I’m going to go through them in order of internal chronology, hopefully at a rate of one a month, which will be enough for several years to go…

So that means starting with Operation Volcano, a collection of Seventh Doctor stories first published in 2018 as a three-shot series and then collected as a graphic novel. The majority of pages are taken up with the title story, by no less than Andrew Cartmel and Ben Aaronovitch, which takes the Doctor and Ace to Australia for an adventure of alien infiltration with Group Captain Gilmore. It’s a well done, densely written adventure, which perhaps shows that the comics medium does not suffer the same limitations as the screen.

Second frame of third part of “Operation Volcano”:

There are also three shorter stories in the volume. “Hill of Beans”, by Richard Dinnick, takes the Psychic Circus from The Greatest Show in the Galaxy to a planet ruled by a president who looks just like Donald Trump. the art is by Jessica Martin who played Mags in the TV story and whose character features here. I’m afraid it did not really work for me.

“The Armageddon Gambit”, by John Freeman and Christopher Jones, is a less ambitious but more successful Doctor-and-Ace-outwit-the-aliens tale. Given that it is the third story in the book, I’ll give you its second frame as well.

(I think we know the answer to the alien commander’s questions)

Finally, an unexpected treat: a six-pager from Paul Cornell and John Stokes, “In-Between Times”, which explores the relationships between Ian Chesterton, Barbara Wright, the First Doctor and the Doctor’s granddaughter Susan. Rather lovely; and I suspect it may be the most recently published new First Doctor comic as of the time of writing.

You can get Operation Volcano here (if you didn’t get the Humble Bundle like I did). Next up is an Eighth Doctor volume, A Matter of Life and Death.

Junker: een Pruisische blues, by Simon Spruyt

Second frame of third chapter:

She’s been that way [sick] for as long as I can remember.

Won the Vandersteen prize in 2015, for best Dutch-language comic of the year. It’s a moody Bildungsroman about a young noble in declining Prussia; his father is a war hero but has only one leg, his mother has been ill for years, the servants are leaving, the castle is falling down, and his older brother is just mean. I thought the art was evocative and well executed, and the way in which the faces of everyone other than the protagonists is blurred out is a nice focussing gimmick, but there didn’t really seem to be much happening in terms of plot. You can get it here.

Snotgirl Volume 1: Green Hair Don’t Care, by Bryan Lee O’Malley and Leslie Hung

Second frame of third part:

An impulse purchase when I was in Seattle in February, having very much enjoyed Scott Pilgrim a few years back. Lottie Person is a fashion blogger in LA, whose allergies combined with medication have occasionally disastrous nasal consequences. On top of that she keeps meeting potential doubles and, by the end of the first part of the story, she thinks she may have killed someone accidentally. On the one hand I’m not sure how interested I am in reading about fashion bloggers; on the other it’s really rare to find a comic in which every character is as well delineated and differentiated as they are here, a combination of Bryan Lee O’Malley’s writing and Leslie Hung’s rather gorgeous and sympathetic art. This first volume ends with nothing resolved, so I guess I will get the second to find out what happens next, which means the creators have succeeded in hooking me. You can get it here.

Scherven, by Erik de Graaf

Second frame of third section of Scherven:

Chris: “It’s about time you had a wee chat with her.”

I picked this up on spec last year from one of the local comics shops. It’s a story of young Dutch people in the occupied Netherlands during the second world war; after it’s all over, the protagonist, Victor, meets up with his ex-girlfriend, Esther, and reminisces in a series of nested flashbacks about the good times, the bad times and the terrifying times with their friend Chris, who got killed by the Germans (this is not a spoiler, the first page shows his gravestone in detail). The plot is yer typical young-folk-under-occupation tale; the art consciously refers to Dutch propaganda posters of the period, and as is often the case with graphic stories sometimes catches feelings and events that mere prose cannot. It’s backed up by photographic and documentary evidence about what happened to the real people on whom the story is based, which I guess makes it more immediate, though personally I’m generally happy to accept that fiction can have truth without being tightly linked to actual historical events.

The title translates as “Splinters”, and a second and final part of the series has now been published with the title “Littekens” / “Scars”. To be honest I made yet another of my mistakes in buying it – I thought it was by a Flemish writer, and it wasn’t until I got to the bits about Queen Wilhelmina that I made sense of the various hints that it was not set in Belgium after all. Still, it was engaging enough that I will probably get the second half.

You can get it here in Dutch and here in French; not yet in English apparently.

This was my top unread graphic novel in a language other than English. Next on that pile is Junker: een Pruisische blues, by Simon Spruyt.