Three Christmases ago, the saviour of humanity appeared in a new incarnation. (Slight exaggeration, of course; we’d seen him briefly at the end of The Parting of the Ways and the Children in Need special.) As with Davison and Tom Baker, I found it a bit difficult to forgive him for Not Being Christopher Eccleston at first; but he captured me with School Reunion, the episode that brought back Sarah Jane Smith (and also gave us Anthony Stewart Head as a bat-creature headmaster).

Since then he’s been fine. He’s not one of my top three Doctors – those I think remain Four, Nine and One in that order – but he is approachable, he is even vulnerable, he does manic!Doctor very well (as referenced by Neil Gaimanlong standing, and had appeared as a Nazi guard, a UNIT commander, and a mad Scotsman in various Big Finish audios. But I have to admire the way in which he has now taken the role of the Doctor and made it his own as a public personality; I can’t remember any of his predecessors being quite so visible, though perhaps Tom Baker and Pertwee, in the different media landscape of the Seventies, came close. By the time he leaves at the end of next year, he will have lasted longer (in the sense of first-to-last appearance as a regular) than anyone except those two as well. I think he will find it difficult to move on.

Having said that, like Troughton, he is a versatile actor, and like Davison he is leaving the role pretty early in his own career. So I don’t imagine he lies awake at night worrying about what the future holds.

And we’ll see at least one possible alternative Doctor tomorrow. Can’t wait, myself!

Index of my last few days’ Whoblogging: One | Two | Three | Four | Five | Six | Seven | Eight | Nine | Ten

List the towns or cities where you spent at least a night away from home during 2008. Mark with a star if you had multiple non-consecutive stays.

Geneva
Rome
*Nicosia
Limerick
Dublin
*Cluny
*Podgorica
Tirana
Belfast
Ashford
Loughbrickland
Kidderminster
Bled
Salzburg
Gstaad
Paris
New York

I also had a day trip to the Netherlands, and passed through/changed planes/changed trains in Luxembourg, Turkey, and Germany, so my number of countries visited in the year is a solid 16 (those four plus Albania, Austria, Belgium, Cyprus [both sides of the Green Line], France, Ireland, Italy, Montenegro, Slovenia, Switzerland, the United Kingdom, and the United States of America). Less than last year! Though I think next year will be a busier one.

PS – if anyone wants to join dopplr, drop me a line.

So, who can tell me what language this is? (It’s a Christmas message from their foreign ministry.)

Хаҭыр зқәу аҩызцәа!

            Аҧсны Аҳәынҭарра Адәныҟатәи Аусқәа Рминистрра ахьӡала
напхгара зышәҭоу шәколлективи шәареи гәык-ҧсыкала ишәыдысныҳәалоит
ҳазҭало Ашықәс Ҿыц!
        Агәабзиара, агәамч, ақәҿиара, анасыҧ лаша ацзааит ари ашықәс Аҧсуа
дгьыли уи иқәынхо ажәларқәа зегьы рзы.

Not all of those letters are on your standard Cyrillic keyboard…

I am now nwbrux on Twitter.

I watched the video-tape version of this story almost exactly two years ago, and then bought the DVD when it came out a couple of months back. My review of the VHS version was pretty positive; I am even more enthusiastic about the DVD, and I think it is now one of those Who stories which you could show someone who had never seen the series before to try and get them to understand what it’s all about.

Sure, it’s unusual in that it was the first ever story set entirely on contemporary Earth (with the regular cast the right size, that is); it’s decidedly odd in the casual discarding of Dodo as a companion (when one remembers the angst associated with more recent departures!); it has a significant weakness in that the actual War Machines themselves are a bit crap (though far from the worst robotic monsters ever seen on Who, and salvaged a bit by good directing).

But despite these weaknesses, it remains a generally well-written, well-acted, well-made and likeable story, and the restorers have done a fine job of injecting more life into it. . On the DVD, the informational sub-titles are informative. The Blue Peter extracts (make your own Post Office Tower!) are fun. The film of Tony Benn revisiting it forty years on is almost moving (as is the famous restaurant). The commentary/gossip between Michael Ferguson (director) and Anneke Wills (Polly) is not terribly deep, but they deliver just about enough to justify their fees.

One point they make about Hartnell is that he would sometimes vary his lines. This may explain the slight oddness of his his final exchange with Dodo

gets it right.

I’ve occasionally posted bits from Stratfor, a group of Texas-based foreign policy analysts, whose general bias is to look at world affairs in terms of geography as the crucial factor, which is interesting but they often tend to miss out on details of the politics. For instance, like many external (and some internal) observers they simply don’t get the EU, and have been predicting the imminent demise of the Euro for the last ten years.

I find Stratfor at their best on their own home territory, explaining US views, attitudes and policies fairly convincingly (they have published several level-headed pieces on the unlikelihood of an attack on Iran,for instance). This week they have strayed from their usual beat to examine the real role of the late Mark Felt, aka “Deep Throat” in Watergate. It’s actually a rather poorly written piece by Stratfor’s usual standards, but they make the central point clear:

This was not a lone whistle-blower being protected by a courageous news organization; rather, it was a news organization being used by the FBI against the president, and a news organization that knew perfectly well that it was being used against the president.

It’s an important addition to the narrative which was new to me. Of course (as Stratfor emphasize), Nixon was a villain, and deserved his fate, but it’s useful to have these extra details in the picture. It’s also instructive to realise that if the US administration does go off the rails, the constitutional mechanisms don’t work, and the only thing that can bring it down is a very senior disaffected domestic intelligence official and a cooperative newspaper.

When we discussed the possible return of Doctor Who at a panel at the first P-Con back in 2004, I was sceptical that anything much would come of it. And a few weeks later I recorded here my surprise at the choice of Christopher Eccleston, who I hadn’t heard of. I feared that the new show would be as embarrassing as Remembrance of the Daleks, The Two Doctors or Vengeance on Varos, which were the most recent Old Who I’d seen.

So it was with trepidation (and two guests) that we sat down on that Saturday in 2005 to see what this new, leather-jacketed, northern-accented Doctor would be like.

And, well, he was fantastic.

I’ve written earlier of my appreciation of the most alien Doctors, W Hartnell and T Baker. While the Fourth Doctor will always remain my favourite, Ecclestone brought that quality of alienness to the part better than anyone since 1981. He also brought a sense of loss and tragedy: the death of his people, the scars of the Time War. The past was gone, irretrievable; but not forgotten. The new Doctor was trying to build himself a new life; borrowing what he could from the rest of us.

My favourite Eccleston moments are not the grand set-piece confrontations, though he did those well enough. Although I concur with the Hugo voters in picking The Empty Child / The Doctor Dances as my favourite story, it does not contain either of my two favourite Ninth Doctor quotes.

My second favourite line is from Dalek, the first story which links to the Doctor’s past (the Autons of Rose appear to be under different management from previous appearances, and invading a London which has forgotten their two previous attempts). Sorting through the equipment which Van Statten has accumulated but is too unenlightened to use, the Doctor tosses weapon-like objects casually aside: “Broken… Broken… Hair-dryer…” We have a moment of alien wizard disguised as Northern man with a leather jacket. It’s great.

But my favourite line is quite different: it suggests that the Doctor is not only alien, but occasionally jealous of us humans who aren’t burdened by his cosmic responsibilities. It comes in Father’s Day, when Stuart and Sarah are explaining to the Doctor how they met, and asking if he can save them, even though they are not important:

Who said you’re not important? I’ve traveled to all sorts of places, done things you couldn’t even imagine, but you two. Street corner, two in the morning, getting a taxi home. I’ve never had a life like that. Yes, I’ll try and save you.

It sums up what the Doctor is there for, but also gives a rare glimpse of why he is doing it all. It’s also a huge difference from the previous incarnations. I can’t imagine any of them regretting that they didn’t have the opportunity to miss a taxi at two in the morning, though there is probably a good party game in doing imitations of how they would have dealt with the situation. (Actually I’ve just been watching Hartnell in The War Machines, where taxis do feature prominently; but more of that anon.)

I haven’t done the calculations, but I suspect that there is less Ninth Doctor spinoff material than for any of the others. There’s a slim volume of comics, a half dozen books (all original fiction – no novelisations for New Who), and that’s it. Eccleston and Tom Baker are the only living Doctors who are not still performing in the role. I imagine that Eccleston will want to let the dust settle (and Tennant’s successor get safely in place) before he thinks of getting back into it. (Though I am intrigued by the rumours about this week’s Christmas special.)

But for the foreseeable future, all we have are those thirteen episodes from 2005, when the saviour of humanity returned to us on Easter Saturday. As Graham Sleight remarks, with his dying breath the Ninth Doctor describes himself (and Rose) as fantastic. And he is right.
Whoblogging index: One | Two | Three | Four | Five | Six | Seven | Eight | Nine | Ten

As you would expect.

…and you’re very lucky, your parents will take you to Het Balanske for the snoezelen.

You can examine the very same pillars of bubbly water that illustrate the Wikipedia article:

You can hide in the hammock with your doll:

You can sit in the ball pit:

And bring a friend or two:

And then go jumping with your mother on the bouncy castle:

A good time had by all, including our guests.

I can’t find my MP3 player. If any of you see it, will you let me know where it is? In the meantime I do have another five Big Finish plays to write up – four from the archives and the most recent special release. Probably as punishment for my remarks about him, three of the five are Sixth Doctor stories. Probably as further punishment, two of those three are not very good.

Something Inside brings Eight and company to a mysterious prison where the maimed survivors of a vicious conflict – the veteran psychic soldiers who were discarded after the war – are imprisoned, awaiting death or insanity. It teeters on the edge, but in the end works rather well (better than any of the other 2006 stories reviewed here).

The Nowhere Place manages to be both dull and incomprehensible, I’m afraid. Six and Evelyn are on a space freighter where the crew are mysteriously dying and there is a mysterious link to a train in England in September 1952. I didn’t understand what was going on and I must say I didn’t care.

The best thing about Red is Sandi Toksvig, whose society is under the control of a computer protecting it from violence. Of course, it is under threat from a) the outcasts who are still capable of violence and b) the computer going mad. The plot goes as you would expect, Sylvester McCoy does a lot of shouting and Bonnie Langford doesn’t do very much. It wasn’t as actively bad as the plays immediately before and after, but not great either.

I found the script and plot of The Reaping almost offensively bad. It is saved by the cast, particularly Nicola Bryant, who is given some of the worst material of her Who career to work with (and that’s saying something) and mostly pulls it off. The story is that Peri discovers that her best friend’s father (who is mysteriously only 40) was murdered a few months after she started travelling with the Doctor. They return to Baltimore to investigate, but it is all an absurdly complex plot by the dying Cyberleader. The Doctor delivers the Cyberleader to Mondas, leaving Peri’s mother to take charge of a dangerous device, which in due course explodes killing her. Written at a time when New Who was exploring the impact of Rose’s travels on her family left at home, this is an obvious attempt to reconstruct Peri’s story in the same mode. It fails.

I have two freshly arrived CDs (well, I suppose three CDs but two plays) from Big Finish – The Raincloud Man in the regular series and a prequel special release, Return of the Krotons. I managed to listen to the latter before the gremlins stole my MP3 player. (Just to reinforce the point.)

The Krotons are, everyone will agree, not the greatest of Old Who monsters, but Return of the Krotons actually does a decent job of reconstructing them, fitting them also into the chronology of The Ark in Space and perhaps also The Ark. I liked the sense of the small group of people trapped by their own culture and by the growing alien menace which they won’t comprehend. Nicholas Briggs does a great Kroton voice and also puts a bit more substance into the concept of the creatures. I enjoyed it. (And Charley gets to make the Kroton/crouton joke.)

So in summary, Something Inside and Return of the Krotons are good; skip the others (though fans of Sandi Toksvig can make an exception for Red).

This was the year that we decided to formalise our relationship with the country where we have lived for almost ten years, and applied for and received Belgian citizenship – a surprisingly low-key procedure, requiring only translations of our birth certificates and a few weeks’ wait. We retain all previous citizenships (British for Anne, Irish and British for Nicholas and the children) but now voting in all Belgian elections will be compulsory. (Though not yet for the children.)

Nicholas’s job has continued to be a fascinating role in international politics, culminating with juggling the schedules of two visiting presidents in December. Most of his work this year has been advising the Turkish Cypriot leadership, as the peace process on that island finally began to move in the right direction. He also travelled to Montenegro and Albania in the spring, looking for fresh business, and was intrigued to see, as he drove between the capitals of the two countries, a tortoise calmly crossing the main road without apparent anxiety. (Admittedly, with tortoises it can be difficult to detect anxiety). Later in the year he was fortunate enough to be in New York at the time of the presidential election, which hopefully will result in a more civilised international climate. He is glad that he is no longer working on Georgia.

Fergal changed schools in September, and seems to have settled in smoothly. Ursula continues happily in the same class at Ter Bank, a school we have now been connected with for eight years. Anne attended a Dutch course for four months in the spring, which she enjoyed very much and passed with flying colours, and plans to do more studying next year.

Bridget, having moved out at the end of last year, moved again in May to a much closer residential care centre, the Delacroix foundation in Tienen, a half-hour’s drive away. Anne sees her roughly every week, and Nicholas about once a month. Occasionally we are all able to get together, including when we took her for a family outing on her 11th birthday in June. She is glad to see us when we visit, but also happy enough to let us go. We are very happy with the way it is working out.

At the beginning of the Easter holidays Fergal brought some frogspawn home from school. There was nothing for it but to create a pond by filling an old plastic sandpit with water from the rainwater tank. It is in the front, safe from Ursula, and long after the froglets hopped away there were water beetles, damselflies and even two baby newts that had hitched a ride on the pond weed. We wait to see what next year will bring.

All of us except for Bridget went to Northern Ireland again for three weeks in the summer, and attended the Belgian and British legs of Anne’s brother Rob’s wedding to Veronika. We also made two family visits to Nicholas’s sister Caroline and her husband Tom, one in the spring and one after the arrival of their baby, Sheila, in September. Anne and Nicholas spent a weekend in Rome in February, and another in Cambridge in November, thanks to her mother babysitting. Nicholas also attended a science fiction convention in Dublin in March, and dropped in on a Terry Pratchett event in August.

Important note to everyone: we have not moved house, but our address has changed: in their wisdom, the local council decided to renumber us, so we now live at number 35 rather than 15a.

With our very best wishes and love for Christmas and the New Year,

Nicholas, Anne, Bridget, Fergal and Ursula

I confess I hadn’t really heard of Paul McGann before he got the part of the revived Doctor; and I haven’t seen a lot of him since, either. The broadcast of the 1996 TV movie completely passed me by at the time. My introduction to the Eighth Doctor came via the downloadable Lance Parkin novel, The Dying Days, and a couple of the other books which I managed to pick up here and there; but I wasn’t hugely impressed. Likewise the TV movie when I finally saw it: fun, but not overwhelming.

I became an Eight fan (as far as I am one) through the Big Finish audio plays. (To refresh your memories: Four, Five, Nine and Ten were the ones I particularly encountered on first broadcast; One, Two and Six through watching their TV stories years later; Three through the novelisations; Seven through the spinoff novels; and Eight through the audios.)

Big Finish began the audio adventures of the Eighth Doctor by introducing him to rebel rich girl Charlotte “Charley” Pollard on the R101 just before it crashed, in what is still I think the best of his plays, Storm WarningZagreus (which also features Peter Davison, Colin Baker, Sylvester McCoy, the voice of Jon Pertwee and a host of others starting from Anneke Wills). I have to say that the quality is not constant; I see that of the seven Big Finish plays I have rated with two stars or less, five are Eighth Doctor stories.

But this is generally not the fault of McGann, who has constructed a heroic personality with a deep affection (indeed, love) for his companions, along with a liking for tea and a sense of a dark background, and dark places in his own character. I realised writing this that I have only a few more of the Big Finish main sequence Eighth Doctor plays to go; then I’ll have to switch to the BBC8 plays with Sheridan Smith as Lucie. I must say that Charley is my favourite single audio companion (though Peri and Erimem together beat her).

Weird that although the Eighth Doctor has the shortest canonical screen-time of any Doctor, he must also have the most spinoff material of any – not just the fifty or so audio plays, but the 73 Eighth Doctor Adventure (plus The Dying Days, plus the book-of-the-TV-movie), and also years of comics. It will be a while before I get around to them all.
Whoblogging index: One | Two | Three | Four | Five | Six | Seven | Eight | Nine | Ten

has, in her unmistakeable way, pulled together some good year-end questions which I much prefer to that long 30-question one that floats around.

1. My top five books that I have read this year that I hadn’t read before already

In no particular order:

The Uncommon Reader, by Alan BennettVanity Fair, by William Makepeace ThackerayFinding Time Again, by Marcel ProustThe History of Sir Richard Calmady, by "Lucas Malet" (Mary St Leger Kingsley)The Periodic Table, by Primo Levi

2. These are my least favourite books of the year

Doctor Who – The Twin Dilemma, by Eric Saward
The Duke And I, by Julia Quinn (couldn’t finish it, it lost me after the second chapter.)
Doctor Who – Time Flight, by Peter Grimwade
Interview with the Vampire, by Anne Rice (my most-commented book review p[ost of the year)
The Sword of Shannara, by Terry Brooks (gave up after page 100)

Surprised to see four out of five sf books among these! But I love the genre really!

3. These are the top five things I have watched this year that I have loved this year

Doctor Who (well, obviously)
University Challenge
The West Wing
Torchwood
A Very Peculiar Practice

4. The top five films I loved this year

…except that, like , I can’t remember much about films that I saw this year. I seem to have noted 7; removing one that was frankly terrible and one that wasn’t particularly special, that leaves:

Odd Man Out
Der Untergang
Time Flies
Richard III
Much Ado About Nothing

5. These are my five posts that have had most comments this year but aren’t filtered

The Friday question: money (Was I an unwitting participant in money-laundering?)
A question (How do you pronounce ‘Chivas Regal’?)
Becoming Belgian (Putting in our citizenship application.)
General strike (The Belgians were revolting.)
Today’s question: tea (How do you take it?)

6. The beginning of the months meme

Which I have already answered here.

7) If I Had Been…: Ten Historical Fantasies, edited by Daniel Snowman

I had read this years ago, but only remembered this after the rather silly ending of the last essay (set in 1982, with ex-President Allende inviting retired General Pinochet for a cup of tea). These ten alternate history essays were written in 1979. I think I bought the book for Owen Dudley Edwards’ take on Gladstone in 1880, killing Irish Home Rule by enacting land reforms (which I don’t see as very likely; the Home Rule genie was already out of the bottle by then).

There are two rather interesting essays exploring the potential for preventing the American War of Independence, one looking at how British policy might have been improved, the other imagining Benjamin Franklin facing down his own hard-liners and making peace in 1775. Both of these take as an important element the British decision to keep Canada rather than Guadeloupe in the 1762 peace negotiations. The arguments are 1) (counterfactual) that a continuing French presence to the north would have incentivised the British colonies of the eastern seaboard to stay in line with London, and 2) (factual) that the details of working out British administration in the newly acquired territory were destabilising further south. The two essays differ on the ultimate settlement – one has Britain and America continuing to be linked in union, the other imagines a more peaceful path to independence à la Canada in real life. But it is a successfully thought-provoking exercise.

Not so sure about the rest. We have four essays on regimes that might have survived if more statesmanship and shrewdness had been shown by their leaders – the French Empire in 1870, Kerensky in 1917, Dubcek in 1968 and as noted above Allende in 1972-3. These are interesting analyses of fatal mistakes made by rulers (admittedly in difficult circumstances) but not real alternative histories. Two others take the premise of German reunification in 1952, and the sparing of the life of Emperor Maximilian of Mexico in 1867, and fail to make either really interesting in terms of their consequences. I think the Maximilian question genuinely is a boring one, but more could have been done with Adenauer. Of course, that’s easier to say now that German reunification has actually happened; when these essays were written in 1979 it was still unimaginable, though in fact only ten years away.

The most audacious of the essays is by Louis Allen, imagining that General Tojo called off the attack on the US planned for late 1941 and satisfied himself with the Dutch East Indies; and then joined with the Germans to defeat Russia; only in turn to be defeated when the Germans turned on them with American help. Tojo develops nuclear weapons and destroys San Francisco and Los Angeles, but still loses the war. I’m not particularly well versed in the history of the Pacific theatre, but it was an interesting read.

I had vaguely been aware of Sylvester McCoy due to his surreal appearances in the children’s art programme Vision On (and later his double act with David Rappaport on JigsawThe Greatest Show in the Galaxy, basically watched because I knew the writing was on the wall and wanted to be able to say I’d seen the very end. As it turned out, it lasted another year, but although I actually had better access to a TV in 1989 I was rarely at home at the right time on Saturday evenings, and so missed the final season. may remember trying to persuade me that I had missed out by showing me Remembrance of the Daleks, but I wasn’t convinced (and still am not convinced by that particular story).

Of course I was aware of the Seventh Doctor as a continuing phenomenon, especially when a college friend started editing the Virgin New Adventures; though even this did not incentivise me to actually buy any of the books. I was rather deterred by their sheer number; I would pass by the relevant shelves in my excursions to Forbidden Planet, but had no really good idea of where to start; and so didn’t.

So really I knew least about the Seventh Doctor when I started to get back into Old Who (after the start of New Who). I began in December 2005 by downloading the two e-books available from the BBC website – Human Nature (excellent, and this was before it got reincarnated) and Lungbarrow (incomprehensible). Over the following few months I dabbled with a few more of the New Adventures, which means that the Seventh Doctor is the only one who I first remember encountering through spinoff novels. In the books he is a heroic wizard, loyal to his companions but also with a hinterland of unexplained angst (or, in Lungbarrow, incomprehensibly explained).

It wasn’t really until 2007 that I started watching the Seventh Doctor TV stories and also getting into the audios. Despite my unfashionable dislike for Remembrance of the Daleks, I have to say that I don’t think any of the original TV stories is as bad as the worst of the two previous Doctors (presumably this is Eric Saward’s absence from the scene). In particular, the two high points of the last season (The Curse of Fenric and Ghost Light) more than balance the considerable weaknesses of the other two stories. Even at the most pantomimey moments in the two earlier seasons, there is an underlying feeling that someone making the programme knows what is going on and actually cares about engaging the audience. (I’ll add that Doctor Who-The Curse of Fenric is one of the best novelisations, and that in general the Seventh Doctor novelisations are of a level of quality matched only by the First and Third.)

The audio adventures are a bit variable, but are generally entertaining and sometimes (Bang-Bang-A-Boom, The Harvest, Flip-flop) excellent. McCoy is particularly good when he gets into bleak!Doctor mode, and one of my disappointments with his TV stories is that he didn’t get to do this often enough; we got a lot of humorous and/or mysterious, but much less of the tragic.

McCoy’s last TV appearance as the Doctor was of course to come to San Francisco (as played by Vancouver) and get shot. But more of that tomorrow.
Whoblogging index: One | Two | Three | Four | Five | Six | Seven | Eight | Nine | Ten

The posts I feel most pleased with aren’t always the ones that generate the most discussion, as previous years demonstrate. Since 22 December last year, these got more than 20 comments:

4 January: A totally unscientific poll – 29 comments (Early soundings on the presidential election.)
9 January: A question – 45 comments (How do you pronounce ‘Chivas Regal’?)
16 January: Punchier, pacier, funnier – well, we’ll see – 25 comments (Torchwood starts again.)
28 January: January Books 9) Interview with the Vampire – 21 comments (I hated it.)
3 February: The Lisbon Treaty: My Take – 21 comments (It’s no big deal.)
19 February: The Four Things anti-meme – 21 comments (Turned into college nostalgia.)
22 February: The Friday question: money – 49 comments (Was I an unwitting participant in money-laundering?)
23 March: Etymology – 26 comments (Why ‘down’ and ‘town’ are originally the same word.)
11 April: Becoming Belgian – 37 comments (Putting in our citizenship application.)
20 April: Reassure my sensitive soul – 24 comments (I take offence at an Amazon website comment)
24 May: Eurovision liveblogging – 22 comments ("Azerbaijan: Good Lord!")
14 June: The Name Game – 28 comments (Namesakes.)
27 June: Punctured at both ends – 23 comments (Health issues, some voluntary, some less so.)
29 June: The Worst Who stories – 34 comments (Poll on the subject.)
8 July: Responsiveness – 31 comments (Writing to MEPs about the EU communications package.)
13 July: Following on from last week’s question… – 42 comments (Which was the best Doctor Who story?)
17 July: Comment spam – 21 comments (A minor annoyance.)
17 July: Doctor Who: The Best of the Best – 29 comments (Analysing the 13 July poll.)
6 August: Local cuisine – 26 comments (The Ulster specialty that my wife doesn’t like.)
13 August: This is a long shot, but… – 20 comments (Appeal for information about the bubonic plague.)
3 September: Get a grip! – 27 comments (My incorrect prediction that Sarah Palin would be a boon to McCain’s campaign.)
1 October: Political transitions – 20 comments (More gossip from college days.)
6 October: General strike – 37 comments (The Belgians were revolting.)
11 October: Today’s question: tea – 36 comments (How do you take it?)
29 November: Inspired by somebody else – 21 comments (Should I read/see Twilight? The consensus appeared to be: No.)

Thanks to everyone who reads, commenters or not.

It was half past 1573, and Queen Elizabeth was very annoyed. A long-running feud between Sir William Fitzwilliam, the chief governor (“Deputy”) of Ireland, and Sir Edward Fitton, one of the other English officials in the Irish governing Council, had sparked a squabble between their followers in which one of Fitton’s men was killed by a follower of Fitzwilliam’s. Fitzwilliam, using the royal power delegated to him as Deputy, issued a general pardon to his own man, not only for the killing but for all crimes he might have committed; when Fitton complained about this, Fitzwilliam had him arrested, but then had second thoughts and released him the next day. Fitton had meantime written directly to the Queen to complain about his treatment. Having heard both sides of the story, she wrote this stinging rebuke to Fitzwilliam and the other members of the Irish Council.

THE QUEEN TO THE DEPUTY AND COUNCIL OF IRELAND.

We have received your letter of the 12th of June, in the which, for the matter of pardon granted, and also touching Sir Edward Fitton, having read and considered the whole that you have written, and likewise that he hath written, of that matter unto us, we cannot but mislike that you the Deputy should be so hasty to give such and so general a pardon upon the slaying of a gentleman: for, where the corrupt jury of the coroner’s [in]quest did find it but se defendendo, it may easily appear that was no true verdict, and that it was a murther; or else you would not in that case have made out a general pardon, but a particular pardon upon the indictment, and, of course, as in like cases are wont.

Given under our signet at our manor of Greenwich, the 29th of June 1573, the 15th year of our reign.

One of the difficulties I have had in approaching the Irish history of this period is working out exactly how the government functioned. There is presumably some good analysis somewhere, but I have seen no explanation of what the respective powers of the Lord Deputy and the Council actually were. Of course, there was no written constitution, so the powers of government were pretty much what the people in government said they were. This letter is therefore not only a scolding for errant minions, but a political text written by the queen to her minions.

Interestingly, she does not dispute Fitzwilliam’s right to issue the pardon. She does, however, make it clear that she thinks it was a bad idea, and refers not to the specifics of the case but to the general principle that “murther” should be prosecuted according to the law.

The constitutional principle she is keenest to assert, however, is the duty of dissent in the government. She accuses the Irish Council of failing to discharge their responsibilities by not standing up to Fitzwilliam and accepting his arbitrary rule, both in issuing the pardon and in his subsequent treatment of Fitton. She reminds the older councillors that her father sacked a previous Lord Deputy for insulting one of his councillors (I am still trying to work out what incident that refers to – perhaps the recall of William Skeffington in 1532). She describes her own style of ruling as “moderate”. (So you can forget about the image you have of Miranda Richardson from Blackadder.)

Obviously I took an interest in this letter because of the namecheck of my ancestor. Nicholas White had recently been appointed to the Council as Master of the Rolls and Keeper of the Great Seal; he was distrusted by the other members of the Council because he was, er, Irish. I find Elizabeth’s sentence about him rather obscure, but she seems to be giving him due credit for protesting against Fitzwilliam’s imprisonment of Fitton (though he seems to have been silent on the question of the pardon). White, of course, had a hot line to Lod Burghley in London.

Elizabeth’s style is a bit rambling, isn’t it? But I suppose that when you are queen you can write any way you want to.

Having missed the glorious Caves of Androzani when it was first broadcast, but been assured how good it was, I managed to catch The Twin Dilemma the following week. I vaguely remembered RobotCastrovalvaDoctor Who and the Auton InvasionThe Twin Dilemma as the worst Who story ever, for a number of reasons, though here I will just concentrate on the lousy way in which the Sixth Doctor is introduced: attacking Peri and then expecting the audience’s sympathy and affection. A new character who has started his appearance by terrorising the only surviving established character just can’t do that.

I caught only two more Six stories first time round – Vengeance on Varos, which starts with the gratuitously violent torture scene, and The Two Doctors, which ends with the gratuitous stabbing to death of a minor character. Both of them also have their good points (and in particular, The Two Doctors has risen in my estimation since I got to know Troughton’s œuvre, and the novelisation is the best of the Six books) but the nastiness of the violence genuinely put me off. I was too young to remember them, but at least the fight scenes in the Third Doctor stories were on the whole interestingly staged. This was just shock tactics. I caught a few minutes of Timelash but worked out pretty fast who Herbert would turn out to be, and didn’t see anything else to interest me. (Especially not Paul Darrow.)

This meant that I missed out on the two really good Sixth Doctor stories, Revelation of the Daleks and Mindwarp. The former is the most interesting Davros story apart from Genesis of the DaleksTrial of a Time Lord season which exploits the story-within-a-story format (and fascinated Baker sufficiently that he wrote a sort-of sequel). Both stories have a much more satisfactory Doctor / Peri dynamic, and Baker gives the Doctor a believable mixture of passion and compassion (when he’s not under external influence, that is).

Baker’s rehabilitation for me has been completed by his excellent work for Big Finish. Untrammelled by dodgy visual effects, and benefiting from decent and even intelligent scripts, he has played a more heroic and warmer Doctor than he was allowed to on television, while keeping the zany extroversion which was his most attractive character trait.

My favourite of his plays is the early Bloodtide, featuring Charles Darwin and the Silurians, but there are loads of other excellent ones as well – mostly featuring the audio-only companion Professor Evelyn Smythe, as played by Maggie Stables. (Though there are some with Peri, a couple with Mel and one or two in other categories, notably The Wormery which is another excellent one.) Another good Evelyn story, Jubilee, was the basis for the Ninth Doctor televised story Dalek. More recently he has teamed up with Charley Pollard, previously encountered as an Eighth Doctor audio companion: there are two new CDs from Big Finish waiting for me to listen to them which will, I hope, take that story further.

So, in summary, this was one case where I tested the fannish received wisdom (“his TV stories aren’t great but his Big Finish work is much better”) and found it to be true.
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The entire government has now resigned (BBC link). Good riddance to Leterme; let’s hope they (meaning the political class as a whole, and the Flemish Christian Democrats in particular) choose better next time. This crisis – indeed, the continuing uncertainty since the elections of last year – was largely a result of his political incompetence.

We now return to our usual scheduled commentary on Doctor Who and linguistics.

The Minister of Justice has resigned. The president of the Court of Cassation did indeed send an expanded note to the Speaker of the House today. It concludes that “bearing in mind that my investigations have been somewhat limited, I have not found legal proof of an attempt to impede the course of justice, but there are undoubtedly important indications in that direction.” The letter is scathingly critical of the Minister of Justice, and almost as directly critical of the prime minister. It’s difficult to believe that Leterme can survive; but it’s also difficult to believe that he is still there!

Astonishingly, prime minister Leterme is still in office this morning. His bacon was saved yesterday after further correspondence arrived in the Belgian parliament from the judicial system, this time from the prosecutor in the court of appeal, which seemed to give some hope that there were good if technical legal grounds to challenge the original decision to suspend the BNP Paribas takeover of Fortis.

I’m more than a little amazed. These technicalities were conveniently discovered by precisely the judge who Leterme is accused of influencing; and the prosecutor’s letter, though only publicised late yesterday, is dated earlier in the week. It seems reasonable to suppose that the president of the Court of Cassation was also aware of these issues when he wrote his stinging note to the speaker of parliament yesterday; he has promised an expanded report today.

Who knows? Maybe it is just a remarkable coincidence that the one judge in a three-judge panel who discovered technical flaws in a judgement inconvenient to the government also happened to be the one judge in the three-judge panel who had been directly contacted by the prime minister’s office. Stranger things have happened.

It will be astonishing if the president of the Court of Cassation does not substantiate the allegations he made yesterday about political interference in the judicial system. It’s a pretty serious thing when the head of the highest court in the land accuses the prime minister of violating the separation of powers. But then, I find it also astonishing that Leterme is still in his job this morning, after the way he keeps changing his story.

Back when Tom Baker’s Doctor dominated Saturday nights, a different sort of doctor dominated Sunday evenings: the BBC’s TV adaptations of the memoirs of Yorkshire vet James Herriot (whose real name was Alf Wight). There were three solid lead actors: Christopher Timothy as Herriot himself, Robert Hardy as his boss and later partner Siegfried Farnon, and, as Siegfried’s much younger and somewhat dissolute brother Tristan, a newcomer called Peter Davison. Davison was to an extent the comic relief of the three, Timothy doing straight man and Hardy the jolly patriarch. The show became a cult – its depiction of simpler days in a rural England full of eccentric characters and basic virtues was an attractive refuge from the rather depressing late 1970s.

So it made a certain amount of sense that Davison should move from one kind of escapism to another. Not to me at the time, I must say; for me, he was immediately the new bloke, not the “real” Doctor at all. Davison was (and remains) the youngest actor to play the role; his vulnerability was a complete change from Baker and my dim memories of Pertwee (if I had known Troughton’s Doctor then as well as I do now, I would have appreciated more what he was doing); and his affection towards his companions was charming but also a bit confusing given that there were so many of them.

The additional weirdness, nothing to do with Davison, was that the programme had shifted to weekday evenings. This was a bummer if you had music lessons downtown and had to zoom in and out in time to catch the latest episode. Still, I kept the faith, and was there for the defining moment of the first Fifth Doctor season, the death of Adric at the end of Earthshock. It’s a badly flawed story in many ways, but it was a brilliant stroke from JNT to keep us watching. It is unfortunate that the very next story was the one widely regarded as the worst of all Fifth Doctor stories, the abysmal Time Flight, at the end of which Tegan is casually abandoned on contemporary Earth. The new Doctor’s affection for his companions didn’t seem to be shared by the production team; so why should the audience take an interest either?

That, and music lessons, and perhaps just growing up a bit, led me to drift away from regular Who over the next two years. I caught some of the stories at the time – Mawdryn Undead, The King’s Demons, The Five Doctors, Terminus, Planet of Fire – but unaccountably missed The Caves of Androzani when it was first broadcast (and I totally agree with the fannish consensus that it is the best of his run). When Davison took the part, he had said that he wouldn’t be the longest-serving Doctor, but he didn’t plan to be the shortest either; I regretted that he didn’t keep his promise (though it depends on how exactly you tally Troughton’s tenure).

So I followed him more or less as an ex-Doctor – baffled by his dismal sitcom with Matthew Kelly, Chalk and CheeseA Very Peculiar Practice, where he plays yet another doctor, servicing the staff and students of a disintegrating university (I’ve been re-watching that recently, and it is just superb). In fact, I think that he’s had the best post-Who career of any Doctor; also, of course, given his age, he will probably have the longest post-Who career of any Doctor. Also of course he writes music.

Getting back into the programme from a couple of years ago, I found the Fifth Doctor central to the first book in the Missing Adventures range, and then also Davison reviving his performance in the Big Finish sequence of audio plays. Not all of these are great; but the Fifth Doctor stars in several of the outstanding ones in the range – The Mutant Phase, which is the first one that is really good; Spare Parts, Marc Platt’s sober examination of the origin of the Cybermen; Omega, a far better piece than Arc of Infinity to which it is a sequel; and gloriously The Kingmaker.

And, of course, apart from Tennant, he is the most recent Doctor to appear on our screens, in Time Crash (for which the script editor was one Brian Minchin, who I mentioned yesterday). Just as Davison overtly took Troughton as a basis for his performance, Tennant is clear that he takes Davison as his basic reference point. But more of that on Christmas Eve.

In conclusion, I have forgiven Davison for Not Being Tom Baker, and come to appreciate the empathic young technical wizard, both on the screen and the continuing audios. But I haven’t quite forgiven JNT for making it all look cheap rather than magical.
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The president of the Court of Cassation, the highest court in Belgium, wrote a private and confidential letter to the Speaker of the lower house of parliament today, in which he basically says, in a somewhat roundabout way, that the Prime Minister attempted to exert political influence on the judicial process concerning the BNP Paribas takeover of Fortis. This private and confidential letter, not surprisingly, rapidly became public. The Belgian federal cabinet has been in session for the last two and a half hours; apparently they are not discussing if Leterme will resign, but how many other ministers will resign with him.

There is no coverage of this whatsoever in English-language media. If you can read Dutch, http://www.hoofdpunten.be/ is a pretty good resource though the fact that you get the same agency story several times over is annoying. I don’t know of anything similar in French.

It looks like our prime minister’s time is finally up. I have always thought that Yves Leterme had a tin ear for the highest politics; it now turns out that he doesn’t quite grasp either the principle of separation of powers, or telling the truth.

If he goes, as I think he must in the course of today or tomorrow, I think he will be the first actual head of government in Europe to lose his job because of the financial crisis. And weirdly, it’s not because of the crisis itself, but because of the way he handled it. Several months back, a bailout plan was devised for Fortis (which happens to be my own bank); it was to be sold to the French, specifically to BNP Paribas. Last week, a Belgian court ruled that the transaction would have to be suspended for two months pending consultations with existing Fortis shareholders. Not especially good news for BNP Paribas (or for the bailout plan), but there we are; the courts are independent and make their own ruling.

Or are they? It seems that Leterme’s office, and Leterme himself, was in contact with the judges in advance of the court decision. Granted, the decision they made was not the one Leterme wanted, but the perception that the prime minister was attempting to interfere in the judicial process is hugely damaging. What is worse is that Leterme’s story kept changing over the course of the day yesterday: he wrote a letter to his own Minister of Justice laying out a chronology of his contacts with the court, which was then contradicted by other evidence and then indeed by his own account; he stunned the Belgian parliament yesterday by reading out correspondence between the Minister of Justice and the wife of one of the judges from his Blackberry. His coalition partners are threatening to revolt against the government, and the murmurings from within his own party are gathering pace.

And I see in the news just now that BNP Paribas has pulled out of the Fortis deal. I think that seals Leterm’s fate.

As luck would have it, I have an appointment this afternoon downtown in the Belgian parliament. An interesting day to be there, I suspect!

Edited to add: Not very surprisingly, my meeting was cancelled. And the prime minister is still there.

I wrote yesterday of the interloper with curly hair, a scarf and a floppy hat who had replaced the real Doctor Who when we came back from a year in America in 1974. But really, the newcomer took barely five minutes to establish himself as the one and only, the genuine, the authentic Doctor in our hearts. And for the next seven years, Tom Baker wasthe Doctor – he was certainly my Doctor – in a way which brooked no competitors.

It’s partly that he was the Doctor at the point that I started to pay attention to the programme as a regular thing to watch on Saturdays. Those are formative years, and people have commented on how the first Doctor that you remember clearly shapes your expectations of the whole show. I have vivid memories of watching at least part of all the Season 12 stories (except The Sontaran ExperimentThe Making of Doctor Who.

This was a fundamental moment in my own appreciation of sf in general, not just of Who in particular – that it was possible to write about it in an analytical (if not necessarily critical) way, and to fit this week’s Who into a tradition over a decade old. When The Deadly Assassin was broadcast, my brother and I were ready for it, and we religiously noted every episode from then on.

There’s something to be said for the idea that we all think Who was best when we first started paying attention to it. Yet there’s also the objective evidence of poll after poll of fans rating the top stories of Old Who as coming from the Fourth Doctor era – and in general, those early seasons, with Hinchcliffe as producer and Holmes (gosh, Robert Holmes!!) as script editor, as the consummate peak in quality of Old Who. Somehow the personalities gelled – Holmes with his subversive, anti-establishment instincts, Baker with his fundamental anarchism, and Hinchcliffe with his tendency towards the gothic and commitment to making things look right. And so we had The Deadly Assassin, Genesis of the Daleks, The Talons of Weng-Chiang, which gripped me on first viewing and which still grip me now. I still think that in terms of concentrated quality, the run from The Deadly Assassin to Horror of Fang Rock is difficult to beat in any other sequence of Who stories. (To remind you: the three in between are The Face of Evil, The Robots of Death and The Talons of Weng-Chiang.) We were very lucky to have this feast in front of us.

(Incidentally in the middle of all this, in the summer of 1978, my cousin Brian was born; and he grew up to be a Doctor Who script editor. But that is a story for next week.)

Tom Baker’s combination of eccentricity, a powerful moral drive and a general air of being not quite human still defines the nature of the Doctor for me, and I essentially rate the others in terms of how close they approach his portrayal – particularly his alienness; it’s very important that he is not really one of us. The only two of the others who come close in my humble opinion are Hartnell and Ecclestone. I’m aware of course that this is a totally subjective set of values.

But I just want to throw one further thought into the mix. Baker always claims these days that as the Doctor he was channelling himself more than anything. He was born to be an alien – his home district of Liverpool was so detached from England politically that it had elected an MP from the Irish Nationalist party until a few years before his birth. His father was mostly absent (probably not so rare) and Jewish (probably rarer), making the Baker family an oddity in that peculiarly intense, devout community. No wonder he ran off to become a monk; no wonder it didn’t work. Baker’s accent now is impeccably Received Theatrical Pronunciation; but he must have started very Scouse. (Stretching a point a bit from a previous post: accent apart, his persona is reminiscent of the weird male relatives who one encounters at Irish family occasions. At least I used to encounter them; maybe I am now becoming one myself.)

Back to the sequence of stories. The rest of Season 15 after K9 arrived was less exciting; but then we had the Quest for the Key to Time, and even if the plots weren’t always great, the spark between Baker and his Estonian Time Lord assistant was always fun. We missed the next year due to being on non-BBC land (though it turns out the only real loss was missing City of Death), and returned in time to watch Tom Baker’s last season, but now with our understanding mediated by Doctor Who Magazine. In retrospect, that last season – Season 18 – combines an elegiac mode for the star’s imminent departure with the rather more vulgar flair that Old Who’s last producer brought to it. It was decent enough fun, but no longer the real thing.

(I will just point out that the reason Romana II looks a bit like a minor member of the Anglo-Irish aristocracy is that Lalla Ward actually is a minor member of the Anglo-Irish aristocracy [I once held a scholarship named after her great-grandmother, a scientist in her own right who was killed in a freak accident with a newly invented steam-driven motor car]. No wonder there was a spark between the working-class Merseyside Catholic lad and the upper class Ulsterwoman; and no wonder that that didn’t work out either.)

Baker’s refusal to participate in The Five Doctors rather confirmed my idea that Doctor Who had ended in 1981. We still had the novelisations (not fantastic) and increasingly the videos to go on. Some of the best Missing Adventures and Past Doctor Adventures that I have read feature the Fourth Doctor (admittedly I haven’t otherwise sampled them widely).

It may be a little unfair to say this, but perhaps Baker has been liberated since the death of Jon Pertwee, more than 20 years ago. He is the senior surviving Doctor, with no elders looking over his shoulder. He has established himself as a reliable eccentric, culminating in his weird but authoritative autobiography, and his other surreally confessional appearances on retrospective documentaries. Long may he last.
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I have four Big Finish audios to write up, but three of them are pretty unremarkable and can wait until a later post.

The Settling, by Simon Guerrier, takes the Seventh Doctor, Ace and Hex to Drogheda and then to Wexford in 1649, where, inevitably, they get mixed up in Cromwell’s invasion of Ireland – Hex ends up as a confidant of Cromwell’s, while the Doctor and Ace get involved with the civilian victims of the unfolding tragedy.

Doctor Who has, in general, almost no relationship with Ireland. The Irish characters in the entire TV canon can be counted on the fingers of one hand (Sean in The Underwater Menace, Flannigan in The Wheel in Space, McDermott in Terror of the Autons and Casey in The Talons of Weng-Chiang, with a generous half a finger for each of Chip in New Earth and Brannigan in Gridlock, neither of whom as characters can ever have been near Ireland). Irish people are less visible than black people in Who of any era; meanwhile entire stories are set (if not necessarily filmed) in Scotland and Wales.

It’s not too difficult to understand this reticence, at least from the Old Who perspective. Doctor Who is, after all, an entertainment show, and for most of its run it was rather tricky to engage with Irish issues both tastefully and entertainingly. (Supporting evidence: So You Think You’ve Got Troubles, the unsuccessful sitcom starring Warren Mitchell as a Jewish businessman sent to Belfast.) A couple of the Pertwee novelisations mention the Northern Ireland troubles in the background; if any of the spinoff novels go there, I have not yet encountered them. Turning the focus around, Daragh Carville’s magnificent play Regenerations (download link here) takes Sophie Aldred and Tom Baker to Belfast to bring peace both to the local Doctor Who fans and to the city more widely.

Guerrier’s choice of setting for The Settling, therefore, is pretty brave. Making the story a pure historical tale is also pretty challenging – you can just play it for laughs (which can be done successfully – The Romans, The Crusaders, The Kingmaker and stretching a point The Unicorn and the Wasp) or, as Guerrier has done, go for the more risky didactic approach, more demanding of both cast and audience. This can fail miserably (eg The Marian Conspiracy), but it can work well – witness the early Hartnells, The Witch Hunters or The Council of Nicæa. It works here (though the inclusion of the bloke who is going off to found the Royal Society is a bit gratuitous).

Cromwell is one of the dividing points between me and many of my fellow leftie liberal friends from the neighbouring island. In England in particular, he is a liberal hero, having abolished the Divine Right of Kings and ensured the supremacy of Parliament. But for me it’s impossible to separate that from his direct personal responsibility for the slaughter in Ireland. Guerrier makes a decent effort at reconciling the two sides of Cromwell in The Settling, and the play is carried by Clive Mantle as the man himself and Philip Olivier as the Doctor’s Scouse companion Hex, discovering first that there is a human being behind his Irish grandmother’s stories of terror and then that the stories of terror were true after all. Indeed, it’s Olivier’s best outing yet as Hex, with a framing narrative of him and Ace safely back in the Tardis, trying to talk through the trauma. It’s a shame that, in sequence, it’s rather overshadowed by The Kingmaker which was released immediately before – it’s a lot better than the immediately following stories, with a bleak atmosphere of grief and savagery.

The history, of course, isn’t perfect. Guerrier presents Drogheda and Wexford as the last Irish bastions of loyalty to the recently executed Charles I, which Cromwell therefore wishes to suppress, and while that’s basically true, it’s quite far from being the whole truth; both local and European politics, and in particular the religious/sectarian elements of the conflict, are rather underplayed. But one cannot expect too much detailed attention to the canvas of the seventeenth century in 100 minutes of the adventures of a roving timelord. The Settling is well worth a listen.

My earliest distinct Who-related memories are not of the programme itself, but of the 1971 Sugar Smacks breakfast cereal promotion (described at http://cuttingsarchive.org.uk/miscella/1970s01.htm, though this site has a malware warning) where different boxes featured different members of the cast; we had one with the Brigadier, and a UNIT badge to cut out. My next memory is of Michael Aspel promoting the new Dalek story (1972’s Day of the Daleks, by later reckoning) on his weekday kids programme.

The first bit of Who I can definitely remember seeing is the end of Frontier in Space where, to be non-spoilery about it, the Master reveals his secret allies. We then lived for a year in a non-BBC territory, and when we came back the Doctor had been replaced by an impostor with curly hair and a scarf. I’ll save my thoughts about him for tomorrow.

Well, although the real Doctor had gone, it seemed entirely possible to re-live the Pertwee era through the Target novelisations, which we raced through as they became available from library and bookshop. (On a tangent, I can’t quite believe that Eason’s, formerly Gardner’s on Botanic Avenue has now closed – it surely takes a special talent to fail to turn a profit on a bookshop/newsagent in the heart of the university area.)

Getting back to the point: Terrance Dicks gets an awful lot of stick for churning out rather dull adaptations to dead tree format of the original TV stories, and for other periods of the show it is fair criticism, but for the Third Doctor he really put his back into it – this was, after all, the time when he was script editor, and I can imagine him doing the stories the way he had really wanted them to be, rather than the way they came out. In his books (and others’ as well) the Doctor comes over strongly as a rather grand yet witty and, of course, good-hearted personality.

I’ve already written about the disappointment of the original version of The Three Doctors not being as good as the book; the other story shown that month in 1981 was Carnival of Monsters, which is average for Robert Holmes (and therefore well above average for Who). Two years later, he was back in The Five Doctors, and I took Frontier in Space with me to Bosnia in 1997, the first Who video I ever bought; and the first Who DVD I bought, in 2005 just as New Who was about to start, was The Green Death. The Third Doctor’s was the golden age just before my firm memories of the programme.

And my crashing disappointment over the last two years has been to discover that the Third Doctor stories are in general duller than I expected; and worse, that the witty personality created in the novelisations is based on a sarcastic and scornful screen persona, who is sometimes blisteringly rude to his colleagues from UNIT, and almost always patronising to Jo Grant (herself one of the wetter yet longer-lasting girl companions).

It’s not just the Doctor. The decision to put him in UNIT as scientific adviser, based in contemporary (or near-future[!]) England, changes the whole show and makes it very static and monster-of-the-month; and the occasionally laughable special effects don’t help. The most dynamic aspect is the loving coordination of the fight scenes, which aren’t really to my taste. I will give Letts and Dicks (and indeed Holmes) credit for establishing some of the more durable aspects of Who – the Master, the Autons, the Sontarans, Sarah Jane Smith – and indeed the Pertwee/Delgado and to a lesser extent the Pertwee/Sladen interactions show him at his best. But in general, I’m afraid I rank the Third Doctor as tenth out of ten.

I shouldn’t exaggerate. In the end, I do like them all. There are a lot of pretty decent Third Doctor stories – some already mentioned, but also Inferno, The Curse of Peladon, and The Time Warrior to name but three. But I have to say that on the whole I would strongly recommend getting hold of the novelisations before dabbling in the originals.

Obligatory spinoff media note: the 1990s audios are average Pertwee if a bit incoherent plot-wise; there are a couple of rather good novels available (legitimately!) on-line here and here. The Third Doctor plays in the Companion Chronicles series have been noticeably weak.
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