Whoniversaries 10 March

i) births and deaths

10 March 1956: birth of Lesley Dunlop, who played Norna (with her very '80s haircut) in Frontios (1984) and Susan Q in The Happiness Patrol (1988).

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10 March 1975: birth of Yee Jee Tso, who played Chang Lee in Doctor Who: The TV Movie (1996)

ii) broadcast anniversary

10 March 1973: broadcast of third episode of Frontier in Space. The Master appears in the guise of a Commissioner from Sirius IV; meanwhile the Doctor is imprisoned on the Moon.

iii) date specified in canon

10 March 1942: setting of Sub-species, Eleventh Doctor/Amy/Rory comic strip in Doctor Who Adventures #202 (2010).

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Three Daves, by Nicki Elson

Second paragraph of third chapter:

It was Saturday night, and the girls were getting ready to go out. They were meeting up with David and some other guys at Romans to see a band.

I'm always interested to read books by my twins, people who like me were born on 26 April 1967 (see also Warren Read and Trish Doller). This one is frankly not as good as the other two, but it is closer to my personal experience, being the story of a confused Catholic student's sexual experiences at university; not terribly erotic, funny in places, you can see from quite an early stage how it's going to end. Our heroine has an unusual sexual red line; she's OK with sleeping with boys under the right circumstances, but she is saving her first orgasm with a man for her marriage. Everyone is entitled to their own kinks, I suppose. There's good local colour of central Illinois (the university is referred to as Central Illinois University, but it's clearly meant to be Eastern Illinois University in Charleston, and there's a field trip to Springfield). You can get it here.

This was the non-genre fiction book that had lingered longest unread on my shelves. Next on that pile is Splinters and the Impolite President, by William Whyte.

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Whoniversaries 9 March

i) births and deaths

9 March 1951: birth of Chris Clough, who directed Terror of the Vervoids (Sixth Doctor, 1986), The Ultimate Foe (Sixth Doctor, 1986), Delta and the Bannermen (Seventh Doctor, 1987), Dragonfire (Seventh Doctor, 1987), The Happiness Patrol (Seventh Doctor, 1988) and Silver Nemesis (Seventh Doctor, 1988)

9 March 1958: birth of Alan Wareing, who directed The Greatest Show in the Galaxy (Seventh Doctor, 1988), Ghost Light (Seventh Doctor, 1989) and Survival (Seventh Doctor, 1989).

(So more than half of the Seventh Doctor's TV stories were directed by people who celebrate their birthday today.)

9 March 1997: death of Terry Nation, creator of the Daleks, writer of the stories we now call The Daleks (First Doctor, 1963-64), The Keys of Marinus (First Doctor, 1964), The Dalek Invasion of Earth (First Doctor, 1964), The Chase (First Doctor, 1965), Mission to the Unknown (First Doctor, 1965), The Daleks' Master Plan (First Doctor, 1965-66, with Dennis Spooner who always claimed to have done most of the work), and of Planet of the Daleks (Third Doctor, 1973), Death to the Daleks (Third Doctor, 1974), Genesis of the Daleks (Fourth Doctor, 1975), The Android Invasion (Fourth Doctor, 1976) and Destiny of the Daleks (Fourth Doctor, 1979), as well as the Peter Cushing films Doctor Who and the Daleks (1965) and Daleks – Invasion Earth 2150 AD (1966). Not to mention Blake's 7.

ii) broadcast anniversaries

9 March 1968: broadcast of sixth episode of The Web of Fear. The Doctor's friends rescue him from the Intelligence, but he is annoyed; he had reversed the circuits to drain its mind instead.

9 March 1974: broadcast of third episode of Death to the Daleks. The Doctor and Bellal penetrate the City of the Exxilons.

9 March 1982: broadcast of second episode of Earthshock. The Doctor tracks the androids' signal to a space freighter, goes there by Tardis and is arrested.

9 March 1983: broadcast of fourth episode of Enlightenment. The Doctor and Turlough win the race, and are awarded Enlightenment.

9 March 1984: broadcast of second episode of The Caves of Androzani. The Doctor and Peri have been rescued by Sharaz Jek; they escape him and get mixed up with Stotz's smugglers.

9 March 1985: broadcast of first episode of Timelash. The Doctor and Peri land on Karfel, and the Doctor is forced to go back in time to 1885 to retrieve an amulet.

This is the sixth of the seven dates in the year on which six episodes of Old Who were broadcast.

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Pūrākau: Māori Myths Retold by Māori Writers, edited by Witi Ihimaera and Whiti Hereaka

Second paragraph of third chapter (“Skin and Bones”, by Tina Makereti):

It was spring. He went about the place tilling and planting and from time to time felt an urge. He’d look down and see his own weighty erection and think What am I supposed to do with this?

This was a thank-you-for-volunteering from CoNZealand, last year’s Worldcon. It’s an anthology of both newly commissioned work and pieces published in the last forty years or so, addressing the core strands of Māori mythology. I confess I felt somewhat thrown in at the deep end; it was only as I reached the end of the book that I found quite a large and useful chink of explanatory matter that would have helped my appreciation of the stories. For once I would advise readers to start at the back.

At the same time, I’m very appreciative of this sort of effort. I’ve read an awful lot of adaptations of Celtic Myth, and the Matter of Britain has not exactly been neglected by recent writers either; the Matter of Aotearoa is important too. And even without the background knowledge of What It’s All About, these are generally good stories by names which are new to me – the only author I’d previously head of is Keri Hulme. I guess the ones that grabbed me most where those with links to cultural setups I already knew about – eg “Māui Goes to Hollywood” by David Geary, which mixes Māui the trickster with 20th-century mythical figures like Elvis and Marilyn Monroe, or “Moving Mountains” by Clayton Te Kohe, which looks at shared history, culture and creativity through a music fan’s love for a long-since dissipated band. But they are all stimulating and I think I would like a paper copy of the book, to be able to riffle between stories and explanation more readily.

This was at the top of my pile of books by non-white authors. Next on that is Riot Baby, by Tochi Obyebuchi.

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Whoniversaries 8 March

i) births and deaths

8 March 1940: birth of Christopher Wray, who played PC Groom in The Dæmons (Third Doctor, 1972) and Leading Seaman Lovell in The Sea Devils (Third Doctor, 1973)

ii) broadcast anniversaries

8 March 1969: broadcast of first episode of The Space Pirates. Space Pirates are destroying navigational beacons; the Tardis lands on one and the pirates blow it up.

8 March 1975: broadcast of first episode of Genesis of the Daleks. The Time Lords send the Doctor, Harry and Sarah to Skaro, where Davros is experimenting.

8 March 1982: broadcast of first episode of Earthshock. Paleontologists disappear and the Tardis appears in an underground cave system, attacked by androids under Cyber-control.

8 March 1983: broadcast of third episode of Enlightenment. Turlough is rescued by the Buccaneer, whose captain invites the others over for a party.

8 March 1984: broadcast of first episode of The Caves of Androzani. The Doctor and Peri get poisoned, captured and (apparently) executed.

8 March 2002: webcast of "The Child, Part 1", fifth episode of Death Comes to Time. I'm just going to note the anniversaries to this in future, the plot is too peculiar to summarise.

8 March 2010: broadcast of Dream-Eaters, ninth episode of the Australian K9 series. K9 must figure out how to destroy an ancient alien weapon before everyone's dreams turn into a waking nightmare.

iii) date specified in-universe

8 March 1702: setting of Big Finish audio Phantasmagoria (1999)

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A.I. Revolution vol 1, by Yuu Asami

Second frame (more or less) of third story in original and translation – you must read the text from right to left, of course. Both sentences are spoken by Sui's genius father.

This was one of the works of 20th-century sf set in the year 2021 that I listed a while back, but it took me a while to get hold of the English translation of the first volume. This is manga written for a teenage girls' magazine, which is not a sub-genre that I am at all familiar with; Vermillion the robot is being taught how to be human by his creator's teenage daughter Sui, and Feelings ensue.

I had to get to grips with reading right to left, and with the very fluid approach to frames – the story sometimes flows all over the page; and there's a lot of incidental detail that is hinted at rather than shown or told. But these are five solid enough sf stories with a firmly shared setup; Sui and her father are enmeshed in a society where some have an irrational hatred of robots, some are jealously trying to move in on her father's trade secrets, and Sui herself is trying to be a normal teenager in 2021 with a beautiful boy robot waiting for her at home. (Her mother is not mentioned at any point.)

It did seem to me that Vermillion the robot is a perfect unthreatening boyfriend in that he is good company, helps out with the house work and not a sexual prospect in any way – in the very first story, he calls out a predatory professional contact of Sui's father's; there is genuine physical peril for the characters in most of the stories, which Vermillion is usually able to help them to escape from. I still hate cute anthropomorphic robots as a theme, but this was far enough off my usual beat to keep me interested. I don't think I will bother with any more, though, I don't think that there will be any development of the overall story arc; it's really a case of this month's perilous situation. Still, you can get the first volume here.

I was trying to imagine how a British version of this would have looked, and actually it's not too difficult; scanning the storylines of Bunty over the years shows that a number of them did have robot-based plots. (There were fewer in Mandy, but still more than one.)

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Whoniversaries 7 March

i) births and deaths

7 March 1930: birth of Brian Hayles, writer of The Celestial Toymaker (First Doctor, 1966), The Smugglers (First Doctor, 1966), The Ice Warriors (Second Doctor, 1968), The Seeds of Death (Second Doctor, 1969), The Curse of Peladon (Third Doctor, 1971) and The Monster of Peladon (Third Doctor, 1974).

7 March 1934: birth of of Gordon Flemyng, director of Dr. Who and the Daleks (1965) and Daleks – Invasion Earth: 2150 A.D. (1966)

ii) broadcast and production anniversaries

7 March 1964: broadcast of "Five Hundred Eyes", third episode of the story we now call Marco Polo. Ping-Cho tells the story of Ala-eddin; Barbara is trapped in the cave of Five Hundred Eyes. (One of the lovely colour photos from the set.)

7 March 1970: broadcast of sixth episode of Doctor Who and the Silurians. The Doctor finds a cure for the Silurians' plague, but they capture him.

7 March 1981: broadcast of second episode of Logopolis. The Doctor and Adric travel to Logopolis on the instructions of the Watcher, not realising that they have brought Tegan with them and that the Master has followed them.

7 March 2005: Christopher Eccleston films his final scene.

iii) date specified in-universe:

7 March 2006: setting of World War Three (Ninth Doctor, 2005)

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Driving Miss Daisy

Driving Miss Daisy won the Oscar for Best Picture of 1989, and three others: Best Actress (Jessica Tandy as Miss Daisy, at 81 the oldest ever winner), Best Makeup, and Best Adapted Screenplay. It lost in five categories, all to different films; that year’s Hugo winner, Indiana Jones and the Last Crusade, won one (Best Screen Editing) and lost two.

That year’s other Best Picture nominees were Dead Poets Society, which I have seen, and Born on the Fourth of July, Field of Dreams and My Left Foot, which I haven’t. IMDB users rank Driving Miss Daisy 16th on one system and 32nd on the other, which is a tick worse than Out of Africa and the lowest aggregate placing for any Oscar winner since Tom Jones.

I have seen 13 other films made in 1989, as final year studies and student politics started to sap my time. They are (in rough IMDB order): Dead Poets Society, Batman, When Harry Met Sally, Indiana Jones and The Last Crusade, Bill and Ted’s Excellent Adventure, Ghostbusters 2, Sex, Lies, and Videotape, Star Trek V: The Final Frontier, Henry V, Shirley Valentine, Scandal, The Tall Guy and Jesus of Montreal. I have to say I’d rank Driving Miss Daisy behind all of them except the woeful Star Trek V.

None of the cast had been in previous Oscar, Hugo or Nebula-winning films, or in Doctor Who.

Well, this didn’t especially grab me and I don’t have a lot to say about it. There’s nothing particularly wrong with it, and a couple of things that are right, but I’m putting it a bit below half way down my league table, below The Last Emperor but above Rocky. It’s a gentle character study of an old lady and her slightly less old chauffeur, over the years from 1948 to 1973, set in Atlanta; she’s Jewish and he is black. (NB this is the second Oscar-winning film largely set in Georgia; the first of course was Gone With the Wind.)

I felt it slightly pulled its punches on social commentary; Hoke has witnessed a lynching, long ago; the Werthans’ synagogue is bombed; he is deeply offended by the manner in which she invites him to hear Martin Luther King speak; but these are two people (three counting her son, who is played by Dan Aykroyd and is the other major character) who are destined to get along, without massive drama or, frankly, much of a character arc. The soundtrack is particularly annoyingly upbeat and would have been appropriate theme music for a not-too-taxing soap opera.

So, on the more positive side, this is the first Oscar-winning film with an African-American lead since In the Heat of the Night, 22 years earlier, which makes it, er, the second ever. (We’ve had two Oscar-winning films with Asian leads in the last decade, in 1982 and 1987.) Morgan Freeman is always watchable and delivers a solid and convincing performance here. It’s also worth noting that it’s one of the least funny roles in Dan Aykroyd’s career, and he too carries it off well.

The movie belongs to Jessica Tandy, who is engagingly sympathetic even at her most crotchety, and particularly in her fading final scene, and deserved her Oscar.

I went and found the original play by Alfred Uhry. The opening of the third scene is:

Lights fade on them and come up on Daisy, who enters her living room with the morning paper. She reads with interest. Hoke enters the living room. He carries a chauffeur’s cap instead of his hat. Daisy’s concentration on the paper becomes fierce when she senses Hoke’s presence.
Mornin’, Miz Daisy.
DAISY: Good morning.
HOKE: Right cool in the night, wadn’t it?
DAISY: I wouldn’t know. I was asleep.
HOKE: Yassum. What yo’ plans today?
DAISY: That’s my business.

The play is a three-hander with Daisy, Hoke and Boolie the only visible characters, so we lose Boolie’s wife Florine, the cook Idella, etc (they and others are referred to but not seen). This of course makes for a tighter script, but I feel that the film built solidly on what was already a decent enough (and Pulitzer-winning) story, and of course could show us what Atlanta actually looks like in a way that can only be conveyed less directly on stage. Apart from that, all the good lines from the film are here, and I think it’s possibly the script least changed from the original material of any of the films I have seen. You can get it here.

I’ve already done this year’s Hugo winner, Indiana Jones and the Last Crusade, so it’s Dances With Wolves next. I thought it was was a load of rubbish when I first saw it; let’s see if I have mellowed in the last 30 years.

Winners of the Oscar for Best Picture

1920s: Wings (1927-28) | The Broadway Melody (1928-29)
1930s: All Quiet on the Western Front (1929-30) | Cimarron (1930-31) | Grand Hotel (1931-32) | Cavalcade (1932-33) | It Happened One Night (1934) | Mutiny on the Bounty (1935, and books) | The Great Ziegfeld (1936) | The Life of Emile Zola (1937) | You Can’t Take It with You (1938) | Gone with the Wind (1939, and book)
1940s: Rebecca (1940) | How Green Was My Valley (1941) | Mrs. Miniver (1942) | Casablanca (1943) | Going My Way (1944) | The Lost Weekend (1945) | The Best Years of Our Lives (1946) | Gentleman’s Agreement (1947) | Hamlet (1948) | All the King’s Men (1949)
1950s: All About Eve (1950) | An American in Paris (1951) | The Greatest Show on Earth (1952) | From Here to Eternity (1953) | On The Waterfront (1954, and book) | Marty (1955) | Around the World in 80 Days (1956) | The Bridge on the River Kwai (1957) | Gigi (1958) | Ben-Hur (1959)
1960s: The Apartment (1960) | West Side Story (1961) | Lawrence of Arabia (1962) | Tom Jones (1963) | My Fair Lady (1964) | The Sound of Music (1965) | A Man for All Seasons (1966) | In the Heat of the Night (1967) | Oliver! (1968) | Midnight Cowboy (1969)
1970s: Patton (1970) | The French Connection (1971) | The Godfather (1972) | The Sting (1973) | The Godfather, Part II (1974) | One Flew Over the Cuckoo’s Nest (1975) | Rocky (1976) | Annie Hall (1977) | The Deer Hunter (1978) | Kramer vs. Kramer (1979)
1980s: Ordinary People (1980) | Chariots of Fire (1981) | Gandhi (1982) | Terms of Endearment (1983) | Amadeus (1984) | Out of Africa (1985) | Platoon (1986) | The Last Emperor (1987) | Rain Man (1988) | Driving Miss Daisy (1989)
1990s: Dances With Wolves (1990) | The Silence of the Lambs (1991) | Unforgiven (1992) | Schindler’s List (1993) | Forrest Gump (1994) | Braveheart (1995) | The English Patient (1996) | Titanic (1997) | Shakespeare in Love (1998) | American Beauty (1999)
21st century: Gladiator (2000) | A Beautiful Mind (2001) | Chicago (2002) | The Lord of the Rings: The Return of the King (2003) | Million Dollar Baby (2004, and book) | Crash (2005) | The Departed (2006) | No Country for Old Men (2007) | Slumdog Millionaire (2008) | The Hurt Locker (2009)
2010s: The King’s Speech (2010) | The Artist (2011) | Argo (2012) | 12 Years a Slave (2013) | Birdman (2014) | Spotlight (2015) | Moonlight (2016) | The Shape of Water (2017) | Green Book (2018) | Parasite (2019)
2020s: Nomadland (2020) | CODA (2021) | Everything Everywhere All at Once (2022) | Oppenheimer (2023)

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Whoniversaries 6 March

i) births and deaths

6 March 1972: birth of Julian Simpson, director of The Rebel Flesh and The Almost People (Eleventh Doctor, 2011).

ii) broadcast anniversaries

6 March 1965: broadcast of "Crater of Needles", fourth episode of the story we now call The Web Planet. Ian and Vrestin meet the Optera; Barbara tries to link with the invading Menoptera but they are massacred by the Zarbi.

6 March 1971: broadcast of sixth episode of The Mind of Evil. The Thunderbolt missile and the Keller machine are both destroyed, but the Master escapes.

6 March 1976: broadcast of sixth episode of The Seeds of Doom, ending Season 13. The Krynoid grows to enormous size but is destroyed by the RAF.

iii) date specified in-universe

6 March 2006: setting of Aliens of London (Ninth Doctor, 2005).

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June 2010 books

This is the latest post in a series I started in late 2019, anticipating the twentieth anniversary of my bookblogging which will fall in 2023. Every six-ish days I've been revisiting a month from my recent past, noting work and family developments as well as the books I read in that month. I've found it a pleasantly cathartic process, especially in recent circumstances. If you want to look back at previous entries, they are all tagged under bookblog nostalgia.

My one trip in June 2010 was to a Salzburg Seminar conference in Klingenberg, near Strasbourg in Alsace. Pictures are hereAnwar Akhtar).

Edited to add: Oh yeah, this month saw the first Belgian election in which I voted after becoming a citizen. I voted Green for the lower house and Trotskyist for the Senate.

This was also the month of the Bloody Sunday report, back in the days when there was a British prime minister who thought that shooting civilians is sometimes wrong.

On a happier note, the World Cup kicked off and I ran a series of polls on my LJ asking people to predict who would win; and also did some hypothetical number-crunching.

non-fiction 5 (YTD 30)
Wars, Guns and Votes: Democracy in Dangerous Places, by Paul Collier
Saint Thérèse of Lisieux, by Kathryn Harrison
This Is Me, Jack Vance (Or, More Properly, This Is 'I'), by Jack Vance
The Provinces of the Roman Empire, by Theodor Mommsen
The Bloody Sunday Report, Volume I

non-genre 2 (YTD 25)
The Portadown News, by Newton Emerson
Twilight Whispers, by Barbara Delinsky

sf 5 (YTD 45)
Palimpsest, by Catherynne M. Valente
Julian Comstock: A Story of 22nd Century America, by Robert Charles Wilson
The God Engines, by John Scalzi
Mother of Plenty, by Colin Greenland
Lud-In-The-Mist, by Hope Mirrlees

Doctor Who 4 (YTD 32, 36 counting comics and non-fiction)
Option Lock, by Justin Richards
The Time Travellers, by Simon Guerrier
Wetworld, by Mark Michalowski
Doctor Who Annual 1971

comics 3 (YTD 7)
Agatha Heterodyne and the Heirs of the Storm, by Kaja and Phil Foglio
The Betrothal of Sontar, edited by Clayton Hickman
Schlock Mercenary: Longshoreman of the Apocalypse, by Howard Tayler

~5,800 pages (YTD 42,900)
5/19 (YTD 34/144) by women (Harrison, Delinsky, Valente, Mirrlees, Foglio)
0/19 (YTD 11/144) by PoC (as far as I know)

The best of these was the first volume of the Bloody Sunday Report, but I'll save analysis of that for a later month. Other very good books were Lud-in-the-mist, by Hope Mirrlees, which you can get herePalimpsest, by Catherynne Valente, which you can get here (it got my Hugo vote); and Wars, Guns and Votes: Democracy in Dangerous Places, by Paul Collier, which you can get here. I thoroughly bounced off Mother of Plenty, by Colin Greenland; you can get it here.


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Friday reading

Current
Titus Alone, by Mervyn Peake
Chasm City, by Alastair Reynolds
Mostly Void, Partially Stars, by Joseph Fink
Inside Out: A Personal History of Pink Floyd, by Nick Mason

Last books finished
Goodbye To All That, by Robert Graves
Science Fiction: The Great Years, eds. Carol and Frederik Pohl
The Ministry for the Future, by Kim Stanley Robinson
Driving Miss Daisy, by Alfred Uhry
The Unstable Realities of Christopher Priest, by Paul Kincaid

Next books
Sandkings, by George R.R. Martin
Romeinse sporen: het relaas van de Romeinen in de Benelux met 309 vindplaatsen om te bezoeken, by Herman Clerinx

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Whoniversaries 5 March

i) births and deaths

5 March 1932: birth of Gertan Kauber, who played the dimly seen galley-master in the story we now call The Romans (First Doctor, 1965) and Ola in The Macra Terror (Second Doctor, 1967)

5 March 1972: birth of James Moran, writer of The Fires of Pompeii (Tenth Doctor, 2008) and the Torchwood episode Sleeper (2008); co-writer of Torchwood: Children of Earth: Day Three (2009).

5 March 1974: birth of Matt Lucas, who played Nardole in the Twelfth Doctor era.

5 March 2012: death of Philip Madoc, who was Brockley in Daleks – Invasion Earth 2150 AD (Movie 1966), Eelek in The Krotons (Second Doctor, 1968-9), the War Lord in The War Games (Second Doctor, 1969), Solon in The Brain of Morbius (Fourth Doctor, 1976), and Fenner in The Power of Kroll (Fourth Doctor, 1978-9).

ii) broadcast anniversaries

5 March 1966: broadcast of "The Steel Sky", first episode of the story we now call The Ark. The Tardis lands on a vast spaceship inhabited by humans and Monoids; Dodo's cold spreads throughout its inhabitants. First full episode with Dodo, for whom I have an obscure affection.

5 March 1979: broadcast of second episode of The Talons of Weng-Chiang. The Doctor and Jago find a ghost at the theatre; Leela and Litefoot find Mr Sin at the door.

5 March 2008: broadcast of Something Borrowed (Torchwood), the one where Gwen gets married despite an alien pregnancy.

iii) date specified in-universe

5 March 2005: death of Clara Oswald's mother Ellie.

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A Buzz in the Meadow, by Dave Goulson

Second paragraph of third chapter:

From a very young age I kept newts and common toads in tanks in my bedroom, and this went atypically well. The toads in particular made great pets, seemingly taking to captivity and providing great entertainment by hoovering up mealworms with their extending, sticky tongues. When I grew bored of them, or ran out of mealworms from the supply that I bred in a box under my bed, I could simply release the toads back into the garden. However, I longed to have some more exotic amphibians, and eventually I badgered my parents into buying me a pair of North American leopard frogs for Christmas: attractive, bright-green frogs with (as you might guess from the name) a profusion of black spots. I filled one of my glass fish tanks with piles of stones, peat, some plants and a small pond, to make an attractive home for them. It looked great and the frogs settled in well, but after just a few weeks their energetic hopping about caused one of the piles of stones to topple; I came home from school one day to find them both squashed.

A very entertaining book about wildlife and diversity, mainly around the author's home in rural France but with flashbacks to his childhood and student and young researcher days in England. Mostly it is about insects, but there are three chapters on plants and one on reptiles and amphibians. The underlying theme of course is our need and responsibility to protect biodiversity and the environment, and the last couple of chapters are grim surveys of the risks ahead if we fail. Not my subject at all, but passionately written with lots of details that will keep coming back to me. You can get it here.

This was my top unread book acquired in 2015. Next on that pile is Comic Inferno, by Brian Aldiss.

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Whoniversaries 4 March

i) births and deaths

4 March 2016: death of Terence Woodfield, who appeared in two different First Doctor stories in 1966: as Celation in the story we now call The Daleks' Master Plan, and as Maharis in the story we now call The Ark

ii) broadcast anniversaries

4 March 1967: broadcast of fourth episode of The Moonbase. The Doctor defeats the Cybermen by using the gravitron to make them float away into space.

4 March 1972: broadcast of second episode of The Sea Devils. The Doctor and Jo escape the the nearby sea base and discover that the Master is stealing equipment.

4 March 1978: broadcast of fifth episode of The Invasion of Time. The Doctor and friends escape, and the Doctor persuades Borusa to let him have the Great Key.

iii) date specified in-universe:

4 March 2005: setting of the opening part of Rose, the first Ninth Doctor story.

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Old Friends, by Jody Houser et al

Second frame of third part:

Another very successful installment in the series of Thirteenth Doctor comics by Houser and an all-woman team of artists. Here, the Tardis team meet up with none other than the Corsair, subject of a throwaway line about Time Lords changing gender in The Doctor's Wife, here a swaggering part-time criminal who does it for fun rather than out of malevolence. The Corsair is a great creation, a different take on the Doctor's irreverence for authority and tradition, and Houser has the two developing a lovely sparking relationship, convincingly giving the sense of two people who know each other well but maybe not always as well as they think. The core narrative is that the Doctor is accused of stealing a valuable object which in fact was stolen by the Corsair, and this lands them in all sorts of trouble. The rest of the Tardis crew don't get a lot of page time, but this is the Corsair's story, and it's a good one. You can get it here.

This was my top unread comic in English. Next on that pile is Wonder Woman: The Golden Age, by William Moulton Marston with art by Harry G. Peter.

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Whoniversaries 3 March

i) births and deaths

3 March 1924: birth of John Woodnutt, who played George Hibbert in Spearhead from Space (1970), the Draconian Emperor in Frontier in Space (1973), Broton and the Duke of Forgill in Terror of the Zygons (1976), and Seron in The Keeper of Traken (1981).

3 March 2004: death of Sheila Dunn, who played Blossom Lefavre in The Daleks' Master Plan (First Doctor, 1965), the computer voice of the Electromatic company in The Invasion (Second Doctor, 1968), and Petra Williams in Inferno (Third Doctor, 1970). She was married to Douglas Camfield, who directed all three of those stories.

ii) broadcast anniversary

3 March 1973: broadcast of second episode of Frontier in Space. The Doctor and Jo are brought to Earth for questioning, where the Doctor is captured by the Draconians and then recaptured by the humans.

iii) date specified in canon

3 and 4 March 1215: setting of The King's Demons (1983).

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350 days of plague: menhirs and Mercury

A worrying surge in the Belgian COVID numbers last week, though it seems to be tailing off and we're still below the levels reached at the end of December And what changes things a lot is that we are now getting vaccinations, if not as quickly as the UK or US (but still quicker than most of the world); U and B both got theirs last Thursday.

Also continuing to work through the Best Ever Indian Cookbook and did the spicy lamb and potato stew recipe, which was very nice indeed.

My menhir expedition last week went a little more thoroughly than I had anticipated, covering a dozen menhirs and dolmens, and a tumulus that you can actually walk inside.

This week is one of those moments when you can see the planet Mercury if you have a clear south-eastern sky at the time of sunrise. (Or north-eastern if you are in the southern hemisphere.) Three years ago there was a particularly good evening apparition (to use the technical term) and I managed to see the planet for the first time in my life. I got up early both on Sunday and this morning to try again – trickier because it's much lower in the sky on spring mornings than in the evenings. On Sunday I went down to the pond thinking that I could see the rising planets from the top of the observation towerTorenvalk observation tower, getting up at 6 and there by 6.30. Unfortunately there was still enough low-level haze to the east to blur out Mercury (and Jupiter, which is nearby at present). At 7.20, with ten minutes to go before sunrise, I spotted a surprisingly bright object in the sky which I had not seen before. But as I keep watching it became clear that it was an aeroplane catching the sun's rays. That's my chance gone for this spring, I think; the forecast for the next few mornings is cloudier. Still, I was able to admire two more sculptures by Ad Wouters, the Torenvalk (kestrel) itself and an impressive leaping frog.

I can't resist quoting Kurt Vonnegut's description of the inhabitants of Mercury from The Sirens of Titan:

The planet Mercury sings like a crystal goblet.
It sings all the time.
One side of Mercury faces the Sun.
That side has always faced the Sun. That side is a sea of white-hot dust.
The other side faces the nothingness of space eternal. That side has always faced the nothingness of space eternal. That side is a forest of giant blue-white crystals, aching cold.
It is the tension between the hot hemisphere of day-without-end and the cold hemisphere of night-without-end that makes Mercury sing.
Mercury has no atmosphere, so the song it sings is for the sense of touch.
The song is a slow one. Mercury will hold a single note in the song for as long as an Earthling millennium. There are those who think that the song was quick, wild, and brilliant once – excruciatingly various. Possibly so.
There are creatures in the deep caves of Mercury.
The song their planet sings is important to them, for the creatures are nourished by vibrations. They feed on mechanical energy.
The creatures cling to the singing walls of their caves.
In that way, they eat the song of Mercury.
The caves of Mercury are cozily warm in their depths.
The walls of the caves in their depths are phosphorescent. They give off a jonquil-yellow light.
The creatures in the caves are translucent. When they cling to the walls, light from the phosphorescent walls comes right through them. The yellow light from the walls, however, is turned, when passed through the bodies of the creatures, to a vivid aquamarine.
Nature is a wonderful thing.
The creatures in the caves look very much like small and spineless kites. They are diamond-shaped, a foot high and eight inches wide when fully mature.
They have no more thickness than the skin of a toy balloon.
Each creature has four feeble suction cups – one at each of its corners. These cups enable it to creep, something like a measuring worm, and to cling, and to feel out the places where the song of Mercury is best.
Having found a place that promises a good meal, the creatures lay themselves against the wall like wet wallpaper.
There is no need for a circulatory system in the creatures. They are so thin that life-giving vibrations can make all their cells tingle without intermediaries.
The creatures do not excrete.
The creatures reproduce by flaking. The young, when shed by a parent, are indistinguishable from dandruff.
There is only one sex.
Every creature simply sheds flakes of his own kind, and his own kind is like everybody else’s kind.
There is no childhood as such. Flakes begin flaking three Earthling hours after they themselves have been shed.
They do not reach maturity, then deteriorate and die. They reach maturity and stay in full bloom, so to speak, for as long as Mercury cares to sing.
There is no way in which one creature can harm another, and no motive for one’s harming another.
Hunger, envy, ambition, fear, indignation, religion, and sexual lust are irrelevant and unknown.
The creatures have only one sense: touch.
They have weak powers of telepathy. The messages they are capable of transmitting and receiving are almost as monotonous as the song of Mercury. They have only two possible messages. The first is an automatic response to the second, and the second is an automatic response to the first.
The first is, “Here I am, here I am, here I am.”
The second is, “So glad you are, so glad you are, so glad you are”
There is one last characteristic of the creatures that has not been explained on utilitarian grounds: the creatures seem to like to arrange themselves in striking patterns on the phosphorescent walls.
Though blind and indifferent to anyone’s watching, they often arrange themselves so as to present a regular and dazzling pattern of jonquil-yellow and vivid aquamarine diamonds. The yellow comes from the bare cave walls. The aquamarine is the light of the walls filtered through the bodies of the creatures.
Because of their love for music and their willingness to deploy themselves in the service of beauty, the creatures are given a lovely name by Earthlings.
They are called harmoniums.

Go on, say it: “Here I am, here I am, here I am.” And then, “So glad you are, so glad you are, so glad you are.” It'll make you feel a bit better.

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My tweets

  • Mon, 12:10: RT @bagatsen: @nwbrux How could I not click through with a teaser like that?
  • Mon, 12:36: It’s exactly a year since my last pre-pandemic trip: two days in London and a weekend party in Cambridge, coming back on the 1104 Sunday Eurostar on 1 March 2020. Hope to see you all again soon.
  • Mon, 12:56: Rock of ages: how chalk made England https://t.co/899mjQl983 Lovely long read.
  • Mon, 12:58: RT @Cygie: Vandaag zien we grote impact op de COVID-19 cijfers vanuit de woonzorgcentra. Via een overzicht kunnen we vaststellen dat de v…
  • Mon, 16:10: RT @KeohaneDan: This was a stupid tweet by me, which I regret tweeting now And this wasn’t the only stupid tweet. As some of us say here:…
  • Mon, 17:43: New post-war record for longest period since parliamentary by-election https://t.co/57VuDbaeY8 A glorious statistic. The current record is 581 days, between the Ogmore by-election (14/2/02) and Brent East (18/9/03). Thursday will be the 581st day since Brecon and Radnor (1/8/19).
  • Mon, 18:01: RT @worldcon2021: DisCon III is happy to announce the two bidders for the 2023 Worldcon Chengdu, China – @chengduworldcon Memphis, Ten…
  • Mon, 18:38: My Father’s Things, by Wendy Aldiss https://t.co/6DhLp43BKZ
  • Mon, 20:48: RT @HawardTom: We have sold 0 oysters to Europe in 2021 because our Govt failed to sort the procedures involved with unpurified shellfish a…
  • Tue, 08:07: Just posted a photo @ De Torenvalk https://t.co/6wBd2Tu9q6

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Whoniversaries 2 March

i) Births and deaths

2 March 1935: birth of Stephen Thorne, who played Azal in The Dæmons (Third Doctor, 1971), Omega in The Three Doctors (Third Doctor plus First and Second, 1972-73), the First Ogron in Frontier in Space (Third Doctor, 1973) and the male version of Eldrad in The Hand of Fear (Fourth Doctor, 1976). Heavily disguised in all of them, so no photos here.

2 March 1939: birth of Hugh Walters, who played three different roles in three different decades of Old Who: William Shakespeare in the story we now call The Chase (First Doctor, 1965), Runcible in The Deadly Assassin (Fourth Doctor, 1976), and Vogel in Revelation of the Daleks (Sixth Doctor, 1985).

2 March 1970: birth of Alexander Armstrong, who voiced the computer Mr Smith in the Sarah Jane Adventures and played lost pilot Reg Arwell in The Doctor, the Widow and the Wardrobe (Eleventh Doctor, 2011).

2 March 1979: birth of Jocelyn Jee Esien, who played Clyde's mum in the Sarah Jane Adventures (though only eight years older than her on-screen son).

ii) broadcast anniversaries

2 March 1968: broadcast of fifth episode of The Web of Fear. The Great Intelligence reveals that it wants to drain the Doctor's brain of his knowledge. The Doctor and friends escape the Yeti, but the sinister fog starts to infiltrate their base.

2 March 1974: broadcast of second episode of Death to the Daleks. The Daleks cannot fire their weapons; the Exxilons capture everyone, but the Doctor and Sarah escape, and start wandering the tunnels.

2 March 1982: broadcast of second episode of Black Orchid. The long-lost elder brother turns out to be locked in the attic at Cranleigh; he has escaped, though, and falls to his death.

2 March 1983: broadcast of second episode of Enlightenment. The Eternals are racing for the prize of Enlightenment. They start reading Tegan's mind, and Turlough jumps overboard.

2 March 1984: broadcast of fourth episode of Planet of Fire

2 March 1985: broadcast of third episode of The Two Doctors. Lots of nasty slaughter, but at the end the Sontarans and Androgums are dead and the Doctors and friends alive.

The fifth of seven dates in the year when six episodes of Old Who were broadcast.