The Good Place

So, we binged the NBC series The Good Place sedately over the last few weeks, at the rate of one or two episodes a night. I had already seen the episodes that ended up on the Hugo final ballot last year and the year before, two of which lost and two of which won. The two that lost, in my view, were rather difficult to understand if you saw them out of context – these were "Michael's Gambit", the first season finale, and "Jeremy Bearimy", from the third season. The two that won worked relatively well as standalones – the second series episode "The Trolley Problem", whose core plot is a graphic illustration of a classical ethics dilemma, and the third series episode "Janet(s)", which features D'Arcy Carden as the show's artificial intelligence, Janet, also acting the personas of most of the other key cast. This year, only one episode, "The Answer", made the Hugo ballot; I think it is the emotional climax of the fourth and final season, but let's see if voters respond to it.

The initial setup of The Good Place is that the protagonist Eleanor, played by Kristen Bell, has died and ended up in an afterlife, a part of The Good Place, designed and controlled by Michael, who looks weirdly like Ted Danson from Cheers aged seventy, because he is in fact played by Ted Danson aged seventy. Bell and Danson were both very well established stars; the rest of the regular cast includes William Jackson Harper as ethics philosopher Chidi, Jameela Jamil as posh British socialite Tahani, Manny Jacinto as Floridian stoner Jason, and as noted above D'Arcy Carden as the AI, Janet. Here's the trailer for the first series which will give you an idea.

The show's central narrative takes a sudden zigzag at the end of that first series, which creates sufficient space to keep the plot going throughout the rest of the 52 episodes. The scripts are witty and, though I think the pace flags a bit in the middle of the run, the episodes are short enough that you enjoy them for what they are. Apart from the main ensemble there are a host of recurring characters, of whom my favourite is probably Maribeth Monroe's Mindy St Claire, condemned to a limbo which is neither the Good Place nor the Bad Place, and obsessed with orgasms and cocaine.

The show finishes on rather a contemplative note; what, after all, would eternity in the Good Place actually look like, and would it be worth it? The moral of the tale is nicely illustrated by trueloveistreacherous on tumblr:







That sequence sadly doesn't feature D'Arcy Carden's Janet, so here she is to finish off with, thanks to rocktheholygrail on tumblr.







Well worth watching – thought-provoking without being too taxing.

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Unorthodox

I wrote yesterday about Derry Girls as one of the shows I have been enjoying during lockdown. Another, Unorthodox, is also a Netflix show: in an internal poll of my Brussels colleagues, it came out the clear winner, so we gave it a go, and we thoroughly enjoyed it.

It's the story of Etsy, from an ultra-Orthodox community in Brooklyn, who flees a bad marriage in Brooklyn to try and find her mother in Berlin, and ends up finding much more than she expected; meanwhile her husband Janky and his disreputable cousin Moishe go to Berlin to try and find her and bring her back. There are plenty of flashbacks to the life in Brooklyn that she has fled. Most of the dialogue is in Yiddish, with some English and some German; I think that even native German speakers will need the subtitles for Yiddish. Here's the trailer.

The show is carried by Shira Haas as Etsy, always very watchable, combining waiflike vulnerability with an inner steel. We don't know what choice she is going to make, when the moment comes to choose, but we understand her motivations very clearly. There is a killer moment early on, when she and her new Berlin friends (one of whom is Israeli) go to the Wannsee (where of course the Holocaust was plotted, later fatal frontier territory between East and West) and she takes off her wig and bathes in the water (gifs from here):



The other crucial moment is when, having finally got an audition at the music academy, she sings her heart out:

I found it immensely gripping from start to finish, and it's not very long – only four episodes, each less than an hour. It's based loosely on the true story of Deborah Feldman who did indeed escape her ultra-Orthodox background to start a new life. But actually I think that any of us who grew up in a more conservative culture than the one we have chosen live in can relate to the adjustments that Etsy has to make. For people like me who love Berlin, there's the added attraction of seeing a new angle on an old friend.

As mentioned above, Shira Haas carries the show, but there are great performances from several others – Amit Rahav as her estranged husband Janky, Jeff Wilbusch as cousin Moshe, Alex Reid as Etsy's mother and Aaron Alteras as Robert, on whom she develops a crush. The whole thing is nicely shown and nicely observed.


When I posted enthusiastically about the first episode on Facebook, an interesting discussion ensued. Most people, similar to me, simply enjoyed it very much. One German friend felt it was unrealistically positive about Berlin and Germany. Two of my more religious Jewish friends politely said that it is not as good as Shtisel, another series about ultra-Orthodox community but set in Jerusalem rather than New York. An Irish friend chimed in and said that both Unorthodox and Shtisel are "brilliant". Not sure how much more Serious TV I can bear, but Unorthodox was very much worth watching,

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Derry Girls

This week I'm going to write about the media we've been watching during lockdown. First off, Derry Girls, whose two series so far are set in the early and mid 1990s, and feature five girls (one of whom is actually a boy) attending a Catholic school run by nuns in Derry, at the tail end of the Troubles. It hit home very hard for me. I went to a Catholic school run by nuns, and I am about ten years older than the Derry Girls, but that moment in the mid 1990s was an important one for me – I moved back to Belfast after five years in Cambridge in 1991, two years later my English girlfriend moved there as well to marry me, and I was on the fringes of the peace process as a minor functionary of a smaller political party until I moved to Bosnia in early 1997.

Derry and Belfast coexist in somewhat dynamic tension – one of my best friends in Belfast married a Derry chap in 1994, and we get a strong sense of the relationship between the two cities every time we see them. (Yes, I know you two are reading this. Your children are reading this too.) So I had a slight prejudice going in of what's-so-special-about-Derry. But of course the best humour is universal, and the charm of the show is combining teenage angst with extraordinary circumstances – a bit like Buffy, but with fewer vampires and more British soldiers. In case you need convincing, here is a highlights reel from Season 2:

And the absolute best character of the series is Sister Michael, the headmistress of the school:


The moment that really ripped my heart out was the very last scene of Series 1, where the girls come out in support of Orla, whose presentation at the talent show is crashing and burning; meanwhile at home, Erin’s parents and Orla’s mother watch horrified as news comes of a major atrocity, and Grandpa Joe, who hates his son-in-law with a deep loathing, actually reaches out to him for mutual comfort as Dolores O’Riordan provides the soundtrack.

Twelve episodes of 45-50 minutes; it’s on Netflix, and I think for free elsewhere as well. Strongly recommended.








…what has already been described as one of the worst atrocities of the Northern Irish conflict. At least twelve people are thought to be dead, and many more wounded. Emergency services are urging anyone with medical training to come to the scene immediately. The device was detonated at 3pm this afternoon. The RUC said no warning was given.
(Images from https://tiffanyachings.tumblr.com/post/190756068426/what-has-already-been-described-as-one-of-the)
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