Another Girl, Another Planet, by Martin Day and Len Beech

Second paragraph of third chapter:

Contemporary accounts speak of the squalid conditions in which the human and humanoid miners lived and worked; of the perpetual grey clouds that blocked out the light of the sun. Eurogen Butler‘s activities were unregulated: their only objective was profit through round-the-clock mineral extraction. In 2147, when a pit shaft at the third site on the southern continent collapsed, killing between a hundred and two hundred and fifty miners (reports vary), the entire area was made safe with polyslene. The dead were left where they fell; work carried on unhindered around the site of the tragedy.

Next in the series of Bernice Summerfield Novels, and one that I’m afraid left me rather cold; the girl of the title is another archaeologist, caught up in espionage and ancient history, but it just wasn’t terribly interesting apart from Benny herself, who is always fun. Even there, I was annoyed by the use of her diary entries purely to shift from tight-third to first-person narrative rather gratuitously, without really adding much to the plot or our understanding of the characters’ perceptions of it.

Next in this series: Beige Planet Mars, by Lance Parkin and Mark Clapham.

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Saturday reading

Current
Watership Down, by Richard Adams (a chapter a week)
The Long Way to a Small Angry Planet, by Becky Chambers
Short Trips: Life Science, ed John Binns
Bitter Seeds by Ian Tregillis

Last books finished
Easter 1916: selected archive pieces from the New Statesman
Illegal Alien by Mike Tucker and Robert Perry
Glorious Angels, by Justina Robson – did not finish
Another Girl, Another Planet by Martin Day and Len Beech
Naamah's Curse by Jacqueline Carey

Next books
A Princess of Roumania, by Paul Park
Whispers Under Ground, by Ben Aaronovitch
Prime Time, by Mike Tucker

Books acquired in last week
Diary of a Witchcraft Shop 2, by Trevor Jones and Liz Williams
World’s Fair 1992, by Robert Silverberg
Merchanter’s Luck, by C.J. Cherryh
The Fall of Arthur, by J.R.R. Tolkien

Posted in Uncategorised

Invaders from Space: Episode 12 of Here Come The Double Deckers

Episode 12: Invaders from Space
First shown: 28 November 1970 (US), 26 March 1971 (UK)
Director: Jeremy Summers
Writer: Glyn Jones
Appearing apart from the Double Deckers:
John Horsley (Mr Leming)
Sam Kydd, Dervis Ward, Michael Brennan (Spaceman)
Ivor Salter (Policeman)

Plot

Brains is converting a black and white TV to colour. The gang pick up what appears to be a warning about aliens invading Earth, and find themselves menaced by the invaders. But in fact it is a publicity stunt for a new candy (sic) product, as the kids eventually find out after being transported to the headquarters of the "spacemen" and causing havoc. Their attempt to save the world itself becomes a publicity stunt.

Glorious Moments

Two high-speed chases in the junkyard; a couple of excellent moments of acting from poor Doughnut, terrified in the warehouse and then sick as a dog at the end; excellent buildup of menace from the spacemen, who get a leitmotif ripped from Holst via Quatermass, before we viewers are let into the secret halfway through.

And some more lovely visuals: Billie's hair standing on end with fright; the kids in camouflage; the spacemen prosaically drinking tea; the maze of cardboard boxes in the warehouse, every child's dream; and ἀγάπη wins again.

Less glorious moments

Doughnut's good moments are compensation for the ongoing fat-shaming. In fact he is the first to work out what is going on, and is then pushed by the others into changing his mind.

Although the spacemen drink tea, it looks like Mr Leming is finding more potent solace from the bottles on his windowsill.

What's all this then?

The source material here is obviously the famous (if not completely verified) panic caused by the broadcast of Orson Welles' radio adaptation of H.G. Wells' The War of the Worlds in 1938, combined with the following thirty years' accrual of alien invasion lore. A 1965 film with the same title as this episode, Invaders From Space, featured the hero Starman defending the Earth from aliens. The spacesuits (and indeed one of the spacemen) are recycled from the 1969 film Moon Zero Two, starring James Olson, Catherine Schell, Warren Mitchell and Adrienne Corri in a lunar crisis set in 2021 – I hadn't heard of this before but it sounds rather fun. You can see the suits in this trailer:

Glyn Jones had written a Doctor Who story, The Space Museum, five years earlier which similarly depends on a shift of perception – he doesn't seem to have realised it himself, but this was a trick he did rather well. In case you want to compare and contrast, here's the first (and much the best) episode of the story:

Where's that?

The spacemen walk along, and later drive along, Shenley Road in Borehamwood.

Who's that?

John Horsley (Mr Leming) was born in 1920 and played a variety of minor authority figures. The peak of his career came a few years later as Doc Morrissey in The Fall and Rise of Reginald Perrin (1973-76, revised 1996). He died in 2014.

Sam Kydd (Spaceman) was born in Belfast in 1915 (to English parents who soon moved back to England). He had hit the big time as smuggler Orlando O'Connor in the 1963 TV series Crane and its 1965 successor Orlando. He also had small parts in The Quatermass Xperiment (1955) and Moon Zero Two (1969). His last big role was as Frankie Baldwin in Coronation Street (1980-82). He died in 1982. His son, Jonathan Kydd, is an actor and voiceover artist.

Dervis Ward (Spaceman), born in 1923, was another actor who appeared in a lot of minor parts. He was in an episode of the Double Deckers predecessor, The Magnificent Six ½, and in its successor film, Go For A Take, so presumably was a friend of the house. He died in 1996.

Michael Brennan (Spaceman), born in 1912, played minor tough guy parts for most of his career, the most visible being Janni in the James Bond film Thunderball (1965). In 1972 he had a regular role as the sergeant major in The Regiment, a TV series starring Christopher Cazeneuve. He died in 1982.

The fourth Spaceman is uncredited; likewise the handsome chap in the TV advert.

See you next week…

…for Barney.

Posted in Uncategorised

The 2016 Hugo ballot: a straw poll on File 770

Hugo nominations closed a little over 24 hours ago, and Mike Glyer invited readers of his File 770 blog to post their choices, if they felt so inclined. About twenty did so, and my summary of the aggregate preferences is as follows.

1941 Retro Hugos, including only categories where there was at least one entry with more than one nomination:

BEST FAN ARTIST
Hannes Bok (2)
4 others

BEST FANZINE
Futuria Fantasia (2)
Scienti-Snaps (2)
3 others

BEST PROFESSIONAL ARTIST
Margaret Brundage (2)
Virgil Finlay (2)
Hubert Rogers (2)
6 others

BEST EDITOR, SHORT FORM
Raymond A. Palmer (3)
Frederik Pohl (2)
F. Orlin Tremaine (2)
6 others

BEST DRAMATIC PRESENTATION, LONG FORM
Fantasia (4)
Dr. Cyclops (2)
Flash Gordon Conquers the Universe (2)
Pinocchio (2)
The Thief of Bagdad (2)
2 others

BEST SHORT STORY
“Tlön, Uqbar, Orbis Tertius”, by Jorge Luis Borges (5)
“Song in a Minor Key”, by C.L. Moore (2)
13 others

BEST NOVELLETTE
“Farewell to the Master”, by Harry Bates (2)
“It”, by Theodore Sturgeon (2)
11 others, inc. “The Mound”, by H.P. Lovecraft and Zealia Bishop

BEST NOVELLA
“If This Goes On—”, by Robert Heinlein (4)
Fattypuffs and Thinifers, by André Maurois (3)
“But Without Horns”, by Norvell Page (2)
10 others, inc. “The Mound”, by H.P. Lovecraft and Zealia Bishop

BEST NOVEL
Slan, by A.E. van Vogt (4)
Twice in Time, by Manly Wade Wellman (3)
The Ill-Made Knight, by T.H. White (3)
9 others

The most obvious leaders are Fantasia and “Tlön, Uqbar, Orbis Tertius”. Given the small numbers, I think it’s a fair bet that almost all of the above will actually be on the final ballot, with perhaps a slight caveat for Best Dramatic Presentation (Long Form).

2016 Hugos – to make this a bit easier to follow, I’m bolding the top five (or fewer, if there is a tie for fifth place) and also separating off those with only two nominations with an underline.

JOHN W. CAMPBELL AWARD FOR BEST NEW WRITER
Andy Weir (14)
Becky Chambers (13)
Natasha Pulley (11)
Alyssa Wong (9)
Scott Hawkins (8)
Kelly Robson (5)
Graydon Saunders (4)
Iona Sharma (4)
JY Yang (2)
26 others

BEST FAN ARTIST
Iguanamouth / Lauren Dawson (3)
Lauren Cannnon (2)
Galen Dara (2)
Lynne Taylor Fahnestalk (2)
Martin Hanford (2)
Hannah Holloway (2)
Megan Lara (2)
Jason Porath (2)
Autun Purser (2)
41 others

BEST FAN WRITER
Alexandra Erin (15)
Mike Glyer (7)
James Nicoll (7)
Natalie Luhrs (5)
Foz Meadows (4)
Mark Oshiro (4)
George R.R. Martin (3)
Abigail Nussbaum (3)
Kyra (2)
23 others

BEST FANCAST
Tea and Jeopardy (8)
Galactic Suburbia (5)
Ditch Diggers (3)
Fangirl Happy Hour (3)
The Skiffy and Fanty Show (3)
Verity! (3)
The Coode Street Podcast (2)
The Cornell Collective (2)
The Hidden Almanac (2)
Imaginary Worlds (2)
StarShipSofa (2)
Sword & Laser (2)
The X-Files Files (2)
15 others

BEST FANZINE
File 770 (26)
Black Gate (6)
Lady Business (5)
Rocket Stack Rank (5)
James Davis Nicoll Reviews (4)

Ansible (2)
A Dribble of Ink (2)
Fantasy Faction (2)
Making Light (2)
14 others

BEST SEMIPROZINE
Uncanny Magazine (13)
Beneath Ceaseless Skies (7)
Strange Horizons (7)
The Book Smugglers (5)
Interzone (5)

GigaNotoSaurus (4)
The New York Review of Science Fiction (3)
Black Gate (2)
Escape Pod (2)
17 others

BEST PROFESSIONAL ARTIST
Julie Dillon (7)
Forest Rogers (4)
Cynthia Sheppard (4)
Richard Anderson (3)
Kathleen Jennings (3)
Simon Stålenhag (3)
Stephanie Hans (2)
Stephan Martinière (2)
Victo Ngai (2)
Lauren Saint-Onge (2)
Morgana Wallace (2)
37 others

BEST EDITOR (LONG FORM)
Sheila Gilbert (12)
Devi Pillai (7)
Anne Lesley Groell (6)
Marco Palmieri (6)
Liz Gorinsky (4)
Jane Johnson (3)
David G. Hartwell (3)
Patrick Nielsen Hayden (3)
Miriam Weinberg (3)
Beth Meacham (2)
Anne Sowards (2)
12 others

BEST EDITOR (SHORT FORM)
Ellen Datlow (8)
Neil Clarke (6)
C.C. Finlay (6)
John Joseph Adams (5)
Sheila Williams (5)

Carl Engle-Laird (4)
Ann VanderMeer (4)
Gardner Dozois (3)
Jason Sizemore (3)
Lynne M Thomas and Michael Damien Thomas (3)
Patrick Nielsen Hayden (2)
Jonathan Strahan (2)
29 others

BEST DRAMATIC PRESENTATION (SHORT FORM)
Doctor Who: Heaven Sent (8)
Person of Interest: If-Then-Else (8)
The Expanse: CQB (6)
Jessica Jones: AKA Smile (6)

Kung Fury (4)
Uncanny Valley (4)
Welcome to Night Vale: Triptych (4)
Archer: Drastic Voyage parts 1 & 2 (3)
Daredevil: Cut Man (3)
Doctor Who: The Husbands of River Song (3)
Game of Thrones: Hardhome (3)
Marvel’s Agent Carter: Snafu (3)
Orphan Black: Certain Agony of the Battlefield (3)
Welcome to Night Vale: The Librarians (3)
Doctor Who: Heaven Sent / Hell Bent (2)
The Man in the High Castle: A Way Out (2)
Marvel’s Agent Carter: Now Is Not The End (2)
Orphan Black: Community of Dreadful Fear and Hate (2)
Sense8: What’s Going On (2)
Steven Universe, The Return/Jail Break/Full Disclosure (2)
The Venture Bros.: All This and Gargantua-2 (2)
49 others

BEST DRAMATIC PRESENTATION (LONG FORM)
Mad Max: Fury Road (20)
The Martian (17)
Jessica Jones, Season 1 (15)
Star Wars: The Force Awakens (15)
Inside Out (10)
Ex Machina (9)
Predestination (7)
Jonathan Strange & Mr. Norrell (5)
Jupiter Ascending (5)
Welcome to Night Vale (4)
Sense8, Season 1 (3)
Daredevil Season 1(2)
Limetown, Season 1 (2)
The Man In The High Castle (2)
Tomorrowland (2)
What We Do In The Shadows (2)
8 others

BEST GRAPHIC STORY
The Sculptor (12)
Stand Still, Stay Silent (9)
The Sandman: Overture (8)
The Autumnlands v1: Tooth and Claw (6)
The Thrilling Adventures of Lovelace and Babbage (6)
Nimona (5)
Saga v5 (5)
Bitch Planet v1 (4)
Ms. Marvel v2: Generation Why (4)
Lumberjanes v1: Beware the Kitten (3)
Oglaf (3)
Rat Queens v2: The Far Reaching Tentacles of N’rygoth (3)
The Groom (2)
Gunnerkrigg Court v5 (2)
Order of the Stick (2)
Trees (2)
Wilde Life (2)
29 others

BEST RELATED WORK
Letters to Tiptree (16)
John Scalzi Is Not A Very Popular Author And I Myself Am Quite Popular (8)
You’re Never Weird on the Internet (Almost) (8)
Invisible 2 (5)
A Detailed Explanation (4)
E Pluribus Hugo (3)
Empire of Imagination (3)
Geek Knits (3)
Guided by the Beauty of their Weapons (3)
A History of Epic Fantasy (3)
The Wheel of Time Companion (3)
Companion Piece (2)
The Compleat Discworld Atlas (2)
Lois McMaster Bujold (2)
A Response to Brad Torgersen (2)
Women of Wonder (2)
24 others

BEST SHORT STORY
Pocosin, by Ursula Vernon (14)
Wooden Feathers, by Ursula Vernon (12)
Cat Pictures Please, by Naomi Kritzer (11)
Damage, by David Levine (9)
Today I Am Paul, by Martin Shoemaker (6)
Monkey King, Faery Queen, by Zen Cho (5)
Hungry Daughters of Starving Mothers, by Alyssa Wong (5)
…And I Show You How Deep the Rabbit Hole Goes, by Scott Alexander (4)
The Game of Smash and Recovery, by Kelly Link (4)
Hello, Hello, by Seanan McGuire (4)
I Am Graalnak of the Vroon Empire, Destroyer of Galaxies, Supreme Overlord of the Planet Earth. Ask Me Anything, by Laura Pearlman (4)
A Murmuration, by Alastair Reynolds (4)
The Great Silence, by Ted Chiang (3)
Things You Can Buy For A Penny, by Will Kaufman (3)
Tomorrow When We See the Sun Rise, by A Merc Rustad (3)
Please Undo this Hurt, by Seth Dickinson (2)
Madeleine, by Amal El-Mohtar (2)
Time Bomb Time, by C.C. Finlay (2)
Elephants and Corpses, by Kameron Hurley (2)
It Brought Us All Together, by Marissa Lingen (2)
Eyes I Dare Not Meet in Dreams, by Sunny Moraine (2)
The Way Home, by Linda Nagata (2)
Dave the Mighty Steel-Thewed Avenger, by Laura Resnick (2)
Oral Argument, by Kim Stanley Robinson (2)
Broken-Winged Love, by Naru Dames Sundar (2)
Kaiju Maximus, by Kai Ashante Wilson (2)
Seven Wonders of a Once and Future World, by Caroline M. Yoachim (2)
51 others

BEST NOVELETTE
So Much Cooking, by Naomi Kritzer (11)
And You Shall Know Her By the Trail of Dead, by Brooke Bolander (9)
Botanica Veneris, by Ian McDonald (8)

Folding Beijing, by Hao Jingfang, translated by Ken Liu (6)
Another Word for World, by Ann Leckie (6)
Grandmother-nai-Leylit’s Cloth of Winds, by Rose Lemberg (6)
Our Lady of the Open Road, by Sarah Pinsker (6)
The Long Goodnight of Violet Wild, Catherynne Valente (5)
Entanglements, by David Gerrold (4)
Saltwater Railroad by Andrea Hairston (4)
Ambiguity Machines: An Examination, by Vandana Singh (4)
The Deepwater Bride, by Tamsyn Muir (3)
The End of the War by Django Wexler (3)
The Tumbledowns of Cleopatra Abyss, by David Brin (2)
The Servant, by Emily Devenport (2)
Sacred Cows: Death and Squalor on the Rio Grande, by A S Diev (2)
The Great Pan American Airship Mystery, or, Why I Murdered Robert Benchley, by David Gerrold (2)
The Body Pirate, by Van Aaron Hughes (2)
The Ladies’ Aquatic Gardening Society, by Henry Lien (2)
Drinking with the Elfin Knight, by Ginger Well (2)
38 others

BEST NOVELLA
Penric’s Demon, by Lois McMaster Bujold (20)
Witches of Lychford, by Paul Cornell (10)
The Pauper Prince and the Eucalyptus Jinn, by Usman Malik (10)
Binti, by Nnedi Okorafor (10)
The New Mother, by Eugene Fischer (8)

The Bone Swans of Amandale, by C.S.E. Cooney (7)
The Sorcerer of the Wildeeps, by Kai Ashante Wilson (7)
Waters of Versailles, by Kelly Robson (6)
Envy of Angels, by Matt Wallace (6)
Wylding Hall, Elizabeth Hand (5)
Sunset Mantle, by Alter Reiss (5)
Quarter Days, by Iona Sharma (5)
The Citadel of Weeping Pearls, by Aliette de Bodard (4)
The Four Thousand, the Eight Hundred, by Greg Egan (4)
Rolling in the Deep, by Mira Grant (4)
On the Night of the Robo-Bulls and Zombie Dancers, by Nick Wolven (3)
The Last Witness, by KJ Parker (2)
The Builders, by Daniel Polansky (2)
Johnny Rev, by Rachel Pollack (2)
Slow Bullets, by Alastair Reynolds (2)
Gypsy, by Carter Scholz (2)
Of Sorrow and Such, by Angela Slatter (2)
12 others

BEST NOVEL
Ancillary Mercy, by Ann Leckie (18)
The Fifth Season, by N K Jemisin (14)
Uprooted, by Naomi Novik (13)
Radiance, by Catherynne M. Valente (7)
Bryony And Roses, by T. Kingfisher (6)

Karen Memory, by Elizabeth Bear (5)
The Traitor Baru Cormorant, by Seth Dickinson (5)
The Library at Mount Char, by Scott Hawkins (5)
The Just City, by Jo Walton (5)
Gentleman Jole and the Red Queen, by Lois McMaster Bujold (4)
Sorcerer to the Crown by Zen Cho (4)
Planetfall, by Emma Newman (4)
Lagoon, Nnedi Okorafor (4)
Luna: New Moon, by Ian McDonald (3)
Barsk, by Lawrence M. Schoen (3)
A Darker Shade of Magic, by V.E. Schwab (3)
Seveneves, by Neal Stephenson (3)
The Mechanical by Ian Tregillis (3)
Castle Hangnail, by Ursula Vernon (3)
The Water Knife, by Paolo Bacigalupi (2)
Mother of Eden, by Chris Beckett (2)
Cuckoo Song, by Frances Hardinge (2)
The Buried Giant, by Kazuo Ishiguro (2)
Archivist Wasp, by Nicole Kornher-Stace (2)
The Grace of Kings, by Ken Liu (2)
Apex, by Ramez Naam (2)
The Trials, by Linda Nagata (2)
The Watchmaker of Filigree Street, by Natasha Pulley (2)
Aurora, by Kim Stanley Robinson (2)
A Succession of Bad Days, by Graydon Saunders (2)
Flex, by Ferrett Steinmetz (2)
44 others

Of course, this represents nothing more than the views of (some) File 770 readers, which explains why File 770 itself scores so highly in the fanzine category. In particular, there is no input from the Puppy side of things, so depending on their relative level of participation, there could well be names on the final ballot that do not appear above.

But it already looks like a good year for Andy Weir and Becky Chambers (JWC Award), Alexandra Erin (Fan Writer), Tea and Jeopardy (Fancast), Uncanny Magazine (Semipro), Julie Dillon (Pro Artist), Sheila Gilbert (Editor Long Form), Ellen Datlow (Editor Short Form), Mad Max: Fury Road (BDP Long), Scott McCloud (Graphic), Alexandra Pierce and Alisa Krasnostein (Related), Ursula Vernon (Short Story, twice), Naomi Kritzer (Short Story and Novelette), Lois McMaster Bujold (Novella) and Ann Leckie (Novel).

The final ballot is to be announced on 26 April, incidentally my birthday.

Posted in Uncategorised

She Fell Among Thieves, by Robert Edmond Alter

Published 50 years ago, in the April 1966 edition of Argosy, reprinted from September 1964

Our six diggers were spading back the hard, cindery earth crusted over a formation of flat stones. I was sitting on a wall just above them, supervising the job. Tanner, my partner, was in his tent suffering from intermittent malaria.

Twilight was flowing over the Jordanian hills, and the first fat drops of rain were just beginning to splat on the bone-dry dirt. The headman, Hassin, straightened up and grinned at me. They had uncovered a stone floor or roof, a rectangle of, say, 20 by 15 feet. I hunkered down for a closer inspection.

It was a roof, all right, laid by long-ago artisans to endure centuries of dust-submerged oblivion.

“Good,” I said to Hassin. “Remove one of the cornerstones.”

The Arabs pried up one of the fair-sized slabs. A rectangle of black, hollow space appeared.

“Bring the ladder and a flashlight,” I said. “You and the men stay up here. Understand? Give them cigarettes.”

The place itself was not truly clammy. It was the cold, dark air that gave the suggestion. I started to shiver. I played the flashlight over the old, stone walls, seeing a faint filigree of mold.

The figure of a white female stood in the halo of light. It took me so by surprise that I almost blurted, “Excuse me.” Then I had to laugh at myself. It was only a life-size marble statue. It glowed, pale, cold and glorious, like moonlight.

It was the most remarkable statue I had ever seen. The detail was astounding. Her hair, eyelashes, fingernails, everything. She stood with her legs slightly apart, her torso turning at the hips, her head looking back over one shoulder. The expression on her face held me—was it surprise, horror or ecstasy? At what strange sight was she staring? Who had been the sculptor? How had the statue come here? How long ago?

Excitement beat in my ears, and slushed around in my brain like warm, heady wine. I was certain that I had made an exceedingly valuable discovery. I went up the ladder, dismissed the work crew and hurried over to Tanner’s tent.

“You’ve never dreamed of a statue like the,” I told Tanner. “She—she’s beautiful!”

Tanner grunted and threw a pill into his mouth. He was a squat, powerful man. The Mexican government was down on him for smuggling artifacts out of Yucatan; he had been run out of Cambodia for the same business. There wasn’t a reputable archeological group in the world that would touch him with a ten foot pole. I was new in the game; I didn’t especially like the man, but I admired his professional knowledge. It seemed that I could learn about the financial end of archeology—the rewards—from Tanner.

In raincoats, we went out into the rain-lashed night. Tanner took one look at the white statue and went into a spasm of trembling. “My gosh, she’s f-fantastic, Miller! She’s old, old, old. My boy, you have no idea how old. She’s not Greek or Roman. Even their greatest sculptors couldn’t capture a facial expression like that. Y-you can practically see the pores in her skin!”

Her face had me again—that enigmatic backward look. What had she seen? I pulled my eyes away.

“The sculptor must have used a Jewess for his model,” Tanner said, “She probably dates back to the Old Testament. Do you have any idea what she’s worth?” His fever-bright eyes were greedy.

I shook my head, staring at him.

“She’s worth the 30 years I’ve spent grubbing in this business. This is the treasure hunter’s dream. There’s thousands in her, Miller. I know the right people. No questions asked. Right down the middle, boy. Fifty-fifty. If—“

“If I help you smuggle her out of the country,” I said.

He laughed, his eyes leaping from my face to hers.

“There’s no other way. You know there isn’t. do Hassin and the boys know about her?”

“I don’t think so. I came down here by myself. But Hassin might have peeked when my back was turned.”

Tanner nodded, shivering. “If he knows, he’ll run right to the authorities. Miller, we’re getting her out of here tonight. We’ll take the truck and follow the shore of the Dead Sea down to Israel. There are crossroads through the barbed wire.”

We had to rig up the block and tackle to get her out of the pit. She was heavy, but not as heavy as I thought marble would be. “What do you think she is?” I asked. “Did you notice how she seems to sparkle in the light?”

“Could—could be just the moisture,” Tanner grunted, “After eons of dampness down in that cellar.” Maybe. But the cellar had seemed as hermetically sealed as King Tut’s tomb.

Our vehicle was an archaic old wreck, with tall, metal sides around the bed and an open top. Grunting, heaving and shoving, we jockeyed the gleaming, woman-size statue into the truck bed. “I’ll d-drive,” Tanner said, and he gave me a shove into the cab.

Outside, it rained. Inside, it dribbled, the moisture seeping around the door frames and the seams of the windshield. The truck skidded, swerved, slewed around, the tires treading for the ground. It all seemed crazy to me—this pell-mell race into the night, down a muddy, nameless road, in a blinding rain, the fever-ridden obsessed man clutching the swerving wheel at my side. A crystalline white eye materialized ahead of us, far down the road.

“That’s a motorcycle,” I said. “Someone’s signaling us to stop.”

Then I realized that Tanner meant to drive right over the man and his cycle. I slashed at his brake foot with my left boot. “You fool! You can’t kill him!”

The truck went into a mad skid, the rear end skittering halfway around in a muddy pivot. A rain-coated Arab picked his way toward us, slipping in the muck. He was one of the shore patrolmen, and he carried an old World War II sub-machine gun. I was in a panic to get out and meet him at the back of the truck. He probably could be bribed.

“Open up,” the Arab ordered.

The truck bed must have been like a bathtub. Rainwater was pouring out of every crack and hole. I put my hand on the right-hand bolt and smiled at him. “Look here,” I started to say.

Tanner’s silhouette appeared behind the Arab, and I saw his right arm swing up. A wrench bounced off the man’s head, and the machine gun roared straight in the air as he dropped into the mud.

“Tanner! You crazy idiot! We could have bribed him!”

Tanner yanked the gun free of the Arab. Then he said, “Drag him into the shrub. Hurry!”

“Tanner, he’s badly hurt or dead. We can’t leave him out here in…”

The muzzle of the submachine gun tapped me coldly, jarringly, under the chin. When I looked up, Tanner was aiming at my chest.

“Get him into the bush; then drive.” Tanner said. And there were no ifs about it, either—not with that gun aimed at me.

I was scared—sick-stomach scared. The sound of that gun was still ringing in my ears. Those slugs would plow through me like darning needles through warm butter. I hid the body and drove.

The rain never let up. It seemed to cover the night land as Noah’s deluge had once done.

Tanner figured we were far enough south to get through the barbed-wire barricades that separated Jordan and Israel, and he said, “Take the first turnoff west.” But the road ran us smack into a frontier outpost. An officer came through the door. Tanner swung up the submachine gun. I grabbed at the barrel in a panic.

“Don’t! There’s a whole guardhouse of them. They’ll cut us to shreds.”

Tanner relaxed with a soul-weary sigh. “I had it,” he muttered. “I had the answer for at least one man’s purpose of existence in this stupid world. And now…”

The officer, followed by a sentry who carried an old Lebel rifle, came up on my side.

“Where do you think you’re going?” the lieutenant asked.

“We’re American archeologists. We want to cross to Beersheba.”

“What are you carrying into Israel?”

“Nothing.”

He turned slightly. “Keep your rifle at his head while I check the truck,” he told the sentry.

I stared blankly at the rifle while my world turned slowly upside down. It wasn’t just the trouble we would be in for trying to smuggle the statue out of the country; it might also be murder, which could mean a firing squad.

I turned and looked at Tanner. He was trembling. “She’s mine,” he said hoarsely. “They can’t take her. I’d rather die than give her up!”

The Arab lieutenant came slogging back. “All right,” he said. “You may pass.”

I stared. Then I said, “Thank you.”

I pressed the gas, and we rumbled into the waiting blackness of no man’s land. I didn’t get it. Surely the Arab officer had looked into the truck bed. So why hadn’t he seen the statue? Why hadn’t he arrested us as smugglers?

Suddenly we were at the Israeli barricade and soldiers came out to meet us. I stopped the truck, and a Jewish lieutenant stepped up to the cab window. “We’ll have to check your truck,” he said.

Tanner was already out his door. I shot out mine. Tanner and I unbolted the tailgate and let it drop. We stared into the rain-whipped truck bed. Water poured out of it like a miniature Niagara Falls.

That’s all there was—draining water. Nothing else.

“Stolen!” Tanner screamed. “They stole her!”

“No!” I grabbed at his arm. “They didn’t have a chance. We would have heard the tailgate. The Arab lieutenant was back there for only a few seconds. He couldn’t have gotten her out by himself. She weighs too much.”

“Then where?” Tanner wailed. “Where’s she gone to? Oh my gosh, she’s dissolved! The rain! The filthy rain!”

He turned away from the open truck bed, and he started to laugh the high-mounting, rocking laugh of insanity. He sat right down in the mud and roared with laughter until his breath failed him; then he went into hiccupping, giggling sobs.

The lieutenant and I left Tanner with a medic. We went outside to have a smoke. The rain had dwindled to a sullen mist. I had nothing to say. I had only one question. Where had she gone?

The medic came out and accepted a cigarette from the lieutenant.

“I gave him a shot to calm him down,” he told us. Then he looked at me and jerked his thumb back at the infirmary shack. “Religious fanatic, eh?” he said.

“Who? Tanner? No. Why?”

“Because he keeps raving about Lot’s wife,” the medic said. “About how she looked back at the destruction of Sodom and Gomorrah even though God had warned her not to. And so she was turned into a pillar of salt.”

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March books

A slow month again – I really got a bit burnt out by Hugo reading frenzy, and will pace myself better another year.

Non-fiction: 2 (YTD 11)
The Road to Ruin: how Tony Abbott and Peta Credlin destroyed their own government, by Niki Savva
Easter 1916: selected archive pieces from the New Statesman

Fiction (non-sf): 0 (YTD 3)

SF (non-Who): 8 (YTD 25)
Alice's Adventures in Wonderland, by Lewis Carroll
Mother of Eden, by Chris Beckett
Through the Looking Glass, by Lewis Carroll
Wings of Sorrow and of Bone, by Beth Cato
Witches of Lychford, by Paul Cornell
Binti, by Nnedi Okorafor
Glorious Angels, by Justina Robson – did not finish
Naamah's Curse, by Jacqueline Carey

Doctor Who, etc: 3 (YTD 11)
Short Trips: Steel Skies, ed. John Binns
Illegal Alien by Mike Tucker and Robert Perry
Another Girl, Another Planet by Martin Day and Len Beech

Comics: 2 (YTD 7)
The Sandman: Overture, by Neil Gaiman et al
House Party, by Rachael Smith

3,500 pages (YTD 14,100 pages)
5/12 (YTD 30/59) by women (Savva, Cato, Okorafor, Carey, Smith)
1/12 (YTD 7/59) by PoC (Okorafor)

Reread: 4 (Alice's Adventures in Wonderland, Through the Looking Glass, Witches of Lychford and Binti)

Reading now
Watership Down, by Richard Adams
The Long Way to a Small Angry Planet, by Becky Chambers

Coming soon (perhaps):
Bitter Seeds, by Ian Tregillis
A Princess of Roumania, by Paul Park
Whispers Under Ground, by Ben Aaronovitch
Legacy: A Collection of Personal Testimonies from People Affected by the Troubles in Northern Ireland, by BBC Northern Ireland
Gorgon Child, by Steven Barnes
The Folding Star, by Alan Hollinghurst
1491, by Charles C. Mann
The Unwritten Vol. 6: Tommy Taylor and the War of Words, by Mike Carey
Selected Stories, by Alice Munro
The Quarry, by Iain Banks
Lila, by Marilynne Robinson
How Loud Can You Burp?, by Glenn Murphy
Het Spaanse spook, by Willy Vandersteen
Walking on Glass, by Iain Banks
A History of Anthropology, by Thomas Hylland Eriksen
The Ragged Astronauts, by Bob Shaw
Master Pip, by Lloyd Jones
The Count of Monte Cristo, by Alexandre Dumas
Quantico. by Greg Bear
See How Much I Love You, by Luis Leante
Short Trips: Life Science, ed John Binns
Prime Time, by Mike Tucker
Beige Planet Mars, by Lance Parkin

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Glorious Angels, by Justina Robson

Second paragraph of third chapter:

‘My father was a soldier in the war, a hero,’ a young recruit was saying eagerly. He was seated at the far end of the trestle where the lunch was being laid waste by himself and his twenty-four troopmates.

Probably more a reflection of my state of mind than the quality of the writing, but I’ve given up on this not quite half way through when I realised I had completely lost track of the characters and their motivations. Some excellent sex (in the book! in the book!) kept my attention for slightly longer than might otherwise have been the case.

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Illegal Alien, by Mike Tucker and Robert Perry

Second paragraph of third chapter:

“Breakfast?”

A Seventh Doctor novel published in 1997, featuring Ace and Cybermen in wartime 1940s London; grittily imagined, with good characterisation; one of the better Past Doctor Adventures that I have read. It shares certain resonances with The Doctor Dances / The Empty Child, but is really very true to the spirit of McCoy era Who, to the point that I wondered if it could have been a script in its own right.

As indeed, apparently, it was – submitted for the 1990 season that was never made.

This was the next in the internal chronology of Seventh Doctor novels other than the New Adventures, set immediately after Survival. The next is Matrix, by the same authors, which I read and liked in 2011Storm Harvest, also by the same authors, which I also read and liked in 2011. So April’s Seventh Doctor book will be Prime Time, by Mike Tucker alone.

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My Hugo nominations: The end

The deadline in Thursday night (actually Friday morning our time), but I'm pretty settled on my nominations now. I listed most of them hereBest Fan Artist:
Andy Bigwood
Chris Moore
Jane Stewart
Margaret Walty
Keith Scaife

Best Pro Artist:
Anne Sudworth
Fangorn
Julie Dillon
David Hardy
Fiona Staples

Next, I have (as reported) found a fifth nomination for Best Graphic Story, making my complete ballot in that category as follows:
The Sculptor, by Scott McCloud
The Thrilling Adventures of Lovelace and Babbage, by Sydney Padua
Sex Criminals, Vol. 2: Two Worlds, One Cop, by Matt Fraction and Chip Zdarsky
Saga vol 5, by Brian Vaughan and Fiona Staples
The Sandman: Overture, by Neil Gaiman, J.H. Williams III, Dave Stewart, Todd Klein

Finally, Best Novel. I found my long-list shorter than I had feared, with eight novels in the mix. In the end, I set aside The Shepherd's Crown, Luna: New Moon and Sorcerer to the Crown, and ended up with:
Europe at Midnight, by Dave Hutchinson
Mother of Eden, by Chris Beckett
Ancillary Mercy, by Ann Leckie
Touch, by Claire North
The Just City, by Jo Walton

I must say I am rather looking forward to resuming my usual reading schedule, now that I am no longer Reading For The Hugos – I really found myself running out of reading mojo in the last couple of weeks – and I'm slightly relieved that next year will be a year off Hugo-blogging for me.

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Interesting Links for 29-03-2016

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Easter 1916: selected archive pieces from the New Statesman

Second paragraph of third essay (“From The Later Writings of Mr Yeats”, by J.M. Hone)

Eight or nine years ago Mr. Yeats published a complete edition of his work amid an impression, encouraged by the mischievous memoir-writers and gossips of Dublin that, although still nearer to forty than fifty, he had said all he had to say, and would spend the rest of his life revising old passages, lecturing in America, and conducting the business of the Abbey Theatre. 21 And truly since that time Mr. Yeats has written, or at least published, little, but has spent much time in rewriting old work, chiefly the plays that belong to the repertory of the Abbey Theatre—“ remaking himself,” as he explained in a footnote to the Collected Edition. We may, however, look elsewhere than in new versions of old plays for the remade Mr. Yeats; small though they are, the three volumes that have come within the last few years from the Cuala Press in Dublin—Synge and the Ireland of his Time, Responsibility, The Green Helmet and Other Poems—reveal him plainly enough.

The centenary of the Easter Rising has been being celebrated today. I spent the day travelling from Manchester to Antwerp, so my mind was on other things, but I did download and read the New Statesman's ebook of its own archive pieces from around that time. There are just ten of them, one of which is a classic of world literature in its own right; the others don't actually reflect all that well on the New Statesman's ability to report and analyse. The eyewitness acount provided by an anonymous correspondent reflects only the situation around St Stephen's Green; the reports on the aftermath assume (incorrectly) that the leaders would not be shot, and that Roger Casement would not be exectuted. A report on the state of the print media in Ireland in 1914 correctly spots that Sinn Fein was effectively a one-man band, but fails to track the links of ownership and loyalty between the various Dublin polemicists, and omits the rest of the country entirely. A splendid polemic by Shaw also misses the point, or rather insists on making his own points:

Do not rashly assume that every building destroyed by an enemy is a palatial masterpiece of architecture.

It is greatly to be regretted that so very little of Dublin has been demolished. The General Post Office was a monument, fortunately not imperishable, of how extremely dull eighteenth century pseudo-classic architecture can be. Its demolition does not matter. What does matter is that all the Liffey slums have not been demolished. Their death and disease rates have every year provided waste, destruction, crime, drink, and avoidable homicide on a scale which makes the fusillades of the Sinn Feiners and the looting of their camp-followers hardly worth turning the head to notice. It was from these slums that the auxiliaries poured forth for whose thefts and outrages the Volunteers will be held responsible, though their guilt lies at all our doors. Let us grieve, not over the fragment of Dublin city that is knocked down, but over at least three-quarters of what has been preserved. How I wish I had been in command of the British artillery on that fatal field! How I should have improved my native city.

The last of the prose pieces, an anonymous mid-June reflection on "The Mood of Ireland", reminds us that for a few weeks after the Rising, British government policy actually was to introduce Home Rule for Ireland as quickly as possible; an interesting historical diversion that one could consider as an AH jumping off point. In that case, the wartime Home Rule government set up under Redmond in late 1916 would have still faced the conscription crisis of 1918, and would have either collapsed or been forced into rebellion in turn.

The tenth of the ten pieces is W.B. Yeats' poem, "Easter 1916", which though dated 25 September 1916 by him in its first appearance in book form (in the 1921 collection Michael Robartes and the Dancer) was actually published first by the New Statesman in October 1920 (in an issue otherwise reporting on the Black and Tan atrocities). I had of course studied it at school more than thirty years ago, but it is very instructive to read it in historical context rather than in the context of a bunch of other Yeats poems, which is how readers normally encounter it. As a teenager the strongest impression I took from it was the thrill that all these people knew each other – Yeats had grown up close to the Gore-Booths, Pearse and MacDonagh were fellow-travellers in the cultural sphere, he was in love with MacBride's wife. Now what strikes me is that Yeats himself was just not sure what to think; these people who he knew as flawed human beings, who perhaps he did not like or respect very much as individuals, had none the less changed history; and he isn't sure if he likes what they have done, or if he should admire them any more, but the epic nature of what happened is undeniable. Anyway, every reader must make their own judgement.

Easter 1916
W. B. Yeats
September 25, 1916

I

I have met them at close of day
Coming with vivid faces
From counter or desk among grey
Eighteenth-century houses.
I have passed with a nod of the head
Or polite meaningless words,
Or have lingered awhile and said
Polite meaningless words,
And thought before I had done
Of a mocking tale or a gibe
To please a companion
Around the fire at the club,
Being certain that they and I
But lived where motley is worn:
All changed, changed utterly:
A terrible beauty is born.

III

Hearts with one purpose alone
Through summer and winter seem
Enchanted to a stone
To trouble the living stream.
The horse that comes from the road,
The rider, the birds that range
From cloud to tumbling cloud,
Minute by minute they change;
A shadow of cloud on the stream
Changes minute by minute;
A horse-hoof slides on the brim,
And a horse plashes within it;
The long-legged moor-hens dive,
And hens to moor-cocks call;
Minute by minute they live:
The stone's in the midst of it all.

II

That woman's days were spent
In ignorant good-will,
Her nights in argument
Until her voice grew shrill.
What voice more sweet than hers
When, young and beautiful,
She rode to harriers?
This man had kept a school
And rode our winged horse;
This other his helper and friend
Was coming into his force;
He might have won fame in the end,
So sensitive his nature seemed,
So daring and sweet his thought.
This other man I had dreamed
A drunken, vainglorious lout.
He had done most bitter wrong
To some who are near to my heart,
Yet I number him in the song;
He, too, has resigned his part
In the casual comedy;
He, too, has been changed in his turn,      
Transformed utterly:
A terrible beauty is born.

IV

Too long a sacrifice
Can make a stone of the heart.
O when may it suffice?
That is Heaven's part, our part
To murmur name upon name,
As a mother names her child
When sleep at last has come
On limbs that had run wild.
What is it but nightfall?
No, no, not night but death;
Was it needless death after all?
For England may keep faith
For all that is done and said.
We know their dream; enough
To know they dreamed and are dead;
And what if excess of love
Bewildered them till they died?
I write it out in a verse–
MacDonagh and MacBride
And Connolly and Pearse
Now and in time to be,
Wherever green is worn,
Are changed, changed utterly:
A terrible beauty is born.

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Saturday reading

Current
Watership Down, by Richard Adams (a chapter a week)
Glorious Angels, by Justina Robson
Naamah's Curse by Jacqueline Carey
Illegal Alien by Mike Tucker

Last books finished
Witches of Lychford, by Paul Cornell
Binti, by Nnedi Okorafor

Last week’s audios
You Are the Doctor, by John Dorney
Come Die With Me, by Jamie Anderson
The Grand Betelgeuse Hotel, by Christopher Cooper
Dead to the World, by Matthew Elliott
The Waters of Amsterdam, by Jonathan Morris
Aquitaine, by Simon Barnard & Paul Morris

Next books
Bitter Seeds by Ian Tregillis
A Princess of Roumania by Paul Park
Another Girl, Another Planet by Martin Day

Books acquired in last week
The Shape Of Sex To Come, ed. Douglas Hill
Collision Course by Robert Silverberg / The Nemesis from Terra by Leigh Brackett
At The Edge Of The World by Lord Dunsany
The Second ‘If’ Reader ed. Frederik Pohl
A Woman In Space, by Sara Cavanaugh
The Anything Box by Zenna Henderson
The Creation Machine, by Andrew Bannister
Peculiar Lives, by Philip Purser-Hallard
The Best of Ian McDonald
The Dancers at the End of Time by Michael Moorcock
Samuel Pepys: Plague, Fire, Revolution, ed. Margarette Lincoln

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Double Deckers – some videos

I’m at Eastercon this weekend, so no episode review – next week I’ll get to Invaders from Mars, one of the most sfnal episodes, by Glyn Jones.

But for those of you who have been wondering what the fuss is about, located several entire episodes, dubbed in French (except the songs), available online. (The show was very popular also in French speaking countries under the title “Autobus à imperiale”). So we have:

Tigrette au volant, the very first episode, Tiger Takes Off (also here) (my write-up here)

Chasseurs d’Autographes, Starstruck (my write-up here)

Les Espiegles Rient, The Pop Singer (my write-up here)

La Course Infernal, The Go-Karters (my write-up here)

There’s also a Russian site that claims to have all 17 episodes up; it seemed a bit slow to me, but you may want to investigate for yourself.

Here’s also a playlist of Double Deckers related videos on Youtube, including a later episode dubbed in French, Un Pour Tous, Tous Pous Un, English title United We Stand.

See you next week!

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My vote for BSFA Best Novel

Eastercon,  I will be in you later today!  A bit later than I originally planned,  because I realised that this is my last chance to see the Pepys exhibition in Greenwich,  so I will do that this morning and get a later train.

Meanwhile, to go with my Best ArtBest Non-Fiction and Best Short Fiction votes,  this is how my thoughts are running for Best Novel.  It is a tough choice – very little to separate my top three,  and I may yet change my mind; also I haven’t yet finished Glorious Angels, so that ranking may change too.  Anyway, without further explanation, my preferences are:

5) The House of Shattered Wings, by Aliette de Bodard
4) Glorious Angels, by Justina Robson
3) Luna: New Moon, by Ian McDonald
2) Mother of Eden, by Chris Beckett
1) Europe at Midnight, be Dave Hutchinson

Winner to be announced tomorrow night.

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Refugees

They have no need of our help
So do not tell me
These haggard faces could belong to you or me
Should life have dealt a different hand
We need to see them for who they really are
Chancers and scroungers
Layabouts and loungers
With bombs up their sleeves
Cut-throats and thieves
They are not
Welcome here
We should make them
Go back to where they came from
They cannot
Share our food
Share our homes
Share our countries
Instead let us
Build a wall to keep them out
It is not okay to say
These are people just like us
A place should only belong to those who are born there
Do not be so stupid to think that
The world can be looked at another way

(now read from bottom to top)

Brian Bilston

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Interesting Links for 25-03-2016

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My votes for BSFA Short Fiction

The deadline is coming up, and I still haven't finished Glorious Angels (which maybe says something in itself), but I have re-read all the short fiction on the BSFA list, and will vote as below. I'm expanding my second-paragraph-of-third-chapter-or-section approach to include the short stories not separately published, with a little difficulty in a couple of cases.

5) “No Rez”, by Jeff Noon

Second paragraph of third section:

and now we move on
away from the projectors’ reach, far away
into the areas beyond the city, where the endless blue fields
touch the endless blue skies
with no visible horizon separating them
only the blue world, endless, endless…
until the blue starts to fray a little
and at last we kiss, Colleen and I
our two faces covered in cloth
our covered mouths, now touching
where our fingers tear the cloth away
and now our eyes are seen, uncovered
the blue cloth on our faces in shreds
and now Colleen reaches out to the distant sky
and her hand touches the sky, a few feet away
the blue cloth sky, and she takes a penknife
clicks out the blade, the tiny shining blade
and slices into the blue
and together, at last, at last, we climb through
and now, at long last, yes, finally

The story has very specific formatting, and only three sections, the last of which has only three paragraphs, so the above is the penultimate para of the whole story. I confess that I did not understand it at all. I must be getting old.

4) “Ride the Blue Horse”, by Gareth Powell

Second paragraph of third section:

The first three were full of plasma TVs, electric kettles, and other unusable junk. The fourth was empty, and the fifth strewn with the discarded rags of a shipment of long-forgotten immigrants.

A vignette about two lads finding an abandoned but usable Ford Mustang in a post-apocalyptic America. Felt to me the wrong length, more like the start of a longer story than a story in it's own right. Also didn't quite seem American enough in setting.

3) Binti, by Nnedi Okorafor

Second paragraph of third section:

When the officer handed me my astrolabe, I resisted the urge to snatch it back. He was an old Khoush man, so old that he was privileged to wear the blackest turban and face veil. His shaky hands were so gnarled and arthritic that he nearly dropped my astrolabe. He was bent like a dying palm tree and when he’d said, “You have never traveled; I must do a full scan. Remain where you are,” his voice was drier than the red desert outside my city. But he read my astrolabe as fast as my father, which both impressed and scared me. He’d coaxed it open by whispering a few choice equations and his suddenly steady hands worked the dials as if they were his own.

Some people have been raving about this, but I don't really see why. The plot (plucky kid survives alien attack, makes peace between aliens and humans) is hardly original, and the fact that the protagonist's tribal adornments uniquely give her protection against the aliens is pretty cliched. Yes, well written; yes, interesting characters; no, not a masterpiece.

2) “Three Cups of Grief, by Starlight”, by Aliette de Bodard

Second paragraph of third section:

She was alive. She was sane. At least…

This is good stuff – genetic engineering, cyborg spaceships, and tea, all packed together for a big emotional punch about grief and bereavement and moving on. The author is Guest of Honour at Eastercon which may well boost her chances.

1) Witches of Lychford, by Paul Cornell

Second paragraph of third chapter:

The dry stone walls along the way weren’t in a good state of repair, but as the houses gave way to the edge of the forest, they didn’t look like they were going to fall over any time soon either. These stones had been laid with care by those who knew that all the old crafts had a hidden dimension to them, that the placing of a bonder stone changed everything.

The only story on the list that made it onto my Hugo nomination ballot. Very solid and also moving, an exploration of rural England at the intersection between old and new forces, the evils of Mammon and the good of community, and the necessity of balancing past, present and possible futures. Do I even detect a partial homage to Terry Pratchett? Anyway, I liked it a lot and it gets my vote.

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The Sandman: Overture, by Neil Gaiman, J.H. Williams III, Dave Stewart, Todd Klein

Second text frame of third chapter:

I’ve found my fifth nominee for Best Graphic Story. In retrospect, I don’t know why it took me so long to pick this up – I generally like Neil Gaiman’s writing, even if I’m not as wowed by him as the hardcore fans are (I went to a book signing with him on the very day I started this livejournal); and a return to Sandman, which was the first extended work I wrote about when I started bookblogging.

I guess I was worried that it could have been pretty awful. I’m glad to say that it isn’t; it’s a thoughtful coda and prelude combined for the ten volumes of the original story, mostly centred around a new plot of Morpheus and a rogue star, with a young girl called Hope as a key ally, which culminates in his becoming weak enough to be captured by a second-rate British magician. Numerous characters from the previous volumes, including Dream’s siblings, make appearances, some more substantial than others. If that were all, it would be a satisfying addition to the Sandman canon.

But that’s not all. Gaiman is often at his best when running up against other creators, and the art here is gorgeous. I’m happy to list Williams, Stewart and Klein as co-creators, because the picturescapes they create will linger with me possibly longer than most aspects of the plot.

I think I’m still voting for Lovelace and Babbage. Or The Sculptor. But I’m not sure, and if this is a finalist and the other two aren’t, I think it may be an easy enough decision.

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Short Trips: Steel Skies, ed. John Binns

Second paragraph of third story (“Reversal of Fortune”, by Graeme Burk):

Mikhail laughed so hard he began to cough. For an instant his vital signs became bee-bop-syncopation and arrhythmia.

The theme of this book is explorations of closed environments, and how the Doctor’s arrival might change them (or not). I couldn’t help but think that the steel sky as a concept is closely related to the TV studio where the programme is actually made. Anyway, the book is divided into four sections each exploring different aspects of this idea; each of the four had a standout story for me, to wit:

1) “A Good Life”, by Simon Guerrier, where neither the villagers nor their apparent imprisonment turn out to be exactly what the Eightht Doctor and Charley expect;
2) “No Exit” by Kate Orman, where a group of colonists have had their reproductive freedom brutally restricted, but what can the Fifth Doctor, Nyssa and Tegan do about it?
3) “Doing Time”, by Lance Parkin, where convicted prisoners end up worse off than before despite/because of the Fourth Doctor and (first?) Romana;
4) “Cold War”, by my old friend Rebecca Levene, where a participant the human/Silurian conflict undergoes agonising twists of perception witnessed by the Seventh Doctor, Ace and Bernice Summerfield.

No particular turkeys either, I’m glad to report.

Next in this sequence would have been Short Trips: Past Tense, ed. Ian Farringdon, but I read it in 2006. So it will instead be Short Trips: Life Science, ed. again by John Binns.

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Losers

Well, I had an interesting journey to work yesterday. Normally I take public transport, but once or twice a month I drive in; and as usual there was a fairly major tailback of traffic at the tunnel that takes you from the motorway to Avenue de Cortenbergh when I hit it at about 0850. But it became clear by the time I reached Rond Point Schuman that this was no ordinary traffic jam; the Rue de la Loi, along which I would normally coast before taking a left turn down Rue de la Science for my office (the green line on my map), was being closed off by serious-looking police, and I ended up taking a very serpentine route indeed, not helped by thinking at one point that it might be smart to double back and then changing my mind. My phone is broken, so I had no idea what was going on, but it was obviously something very serious. (I suppose I could have checked the radio, but I was listening to an audio play, and valued the distraction.)

I finally made it to the office at 1022, those last two kilometres having taken me 90 minutes to drive, to find most of my colleagues gathered ashen-faced in the lobby, greeting me tearfully – I was the only person who was unaccounted for, due to my phone being out of order – and giving me the headlines of what had happened. It’s nice to feel appreciated, still more so when I logged on and saw many concerned messages from friends and family, and even more so when people responded to my posts confirming that I was safe. One of the great things about the interconnectedness of today’s world is that we can often catch up with our friends quickly – Facebook’s check-in system in particular is a source of reassurance.

The horror has hit very close to home. I have flown out of Brussels airport in the morning five times this year, and was originally due to do so again on Friday to go to Eastercon in Manchester (in fact my plans have changed and I’ll take the Eurostar to London for work tomorrow and travel on up by train). My wife was flew out on Monday for a funeral in England and was due to fly back last night; her flight was cancelled and she will now return by Eurostar this evening. Maelbeek metro station (the four-pointed star on my map) is in the heart of the EU quarter, and I go past it almost every day and through it several times a month; a former colleague was actually on the train that was bombed, but fortunately escaped without injury; another former staffer (from before my time) was in the departure hall of the airport, and is recovering well from minor injuries.

As with any awful event, there’s a temptation to grasp for easy explanations. I will give in to that temptation. It seems to my jaundiced eye that, dreadful as they were, yesterday’s attacks were botched. Maelbeek is actually the wrong metro station to attack – both Schuman, the stop before, and Arts-Loi, the stop after, would surely be much more attractive targets, being much busier intersections on the network (and also both recently renovated as prestige architectural projects). Only two of three planned explosions in the airport happened, the third attacker apparently losing his nerve and running away. To adopt a Trump-ism, these guys were losers.

This happened because they are losing. Less than a week ago, a major figure in the terror movement was arrested in Brussels; perhaps yesterday was revenge for his arrest, perhaps it was rushed into because they were afraid he would start talking (or knew that he already had). On the ground, their allies and sponsors are losing territory and resources in Syria and Iraq. I wrote a week ago about violence as story-telling, in the Irish context. This is an attempt to write a story about the weakness of our interconnected world, attacking places where people travel and meet, where many nationalities and cultures join together and build together.

It is a narrative that must not and will not win. I am not interested in hearing that this is all because of migration. I am a migrant myself; so are my brother and my sister and my wife. I bet we will find that the perpetrators of yesterday’s attacks were all EU citizens, maybe even all Belgian citizens; their victims will have been from a much broader variety of backgrounds (the first formally identified victim was a Peruvian, resident in Belgium for many years, who was checking their flight in the departure hall at Zaventem while her Belgian husband kept an eye on their little twin girls playing in the corridor; a British man who was probably on the Metro has not been heard from). Travel broadens the mind; clamping down on migration now, when it’s clear that the culprits are already here, is a surrender to violence.

Likewise I am not interested in hearing that this is a fundamental problem with a particular ethnic, religious or cultural group. I admit that I’m personally sensitive about this, having grown up as a Catholic in Belfast during the bad old days, when it was not always easy to be myself in England. I think also of my numerous Muslim relatives and friends, many of whom are deeply politically engaged and who have themselves fought against fundamentalist extremism in their own communities. (You never hear about that, by the way, because it doesn’t suit the media narrative to report on it.) Targeting an entire community in retaliation for the actions of a few is also a surrender to violence.

The solution is both stick and carrot – to increase the penetration of these groups by our own intelligence services (and I know that the Belgian VSSE is increasing its capacity, though clearly they are not where they should be) and to shift the political calculus on the streets, so that supporting the state becomes a more attractive option than helping out your own community’s hotheads (and in fact we are most of the way there already). For the rest of us not involved with security or community development policy-making, we must continue to show solidarity with the victims and with each other.

I changed my Facebook icon to overlay it with the Belgian flag yesterday; I am proud of this country, which I now call my own, which finds its way to solutions through peculiar paths, and sometimes combines superficial surliness with a silent determination to just get on with things. I’m also proud of the European project, which is about building and sustaining a vision based on transcending past conflict. I am not interested in hearing the views of those who want to open new conflicts. They are losing. We must win.

And now I shall go and see if I can get a temporary solution for my phone situation, and tidy the house up before my better half’s belated arrival this evening. If you have someone to hug, hug them, and tell them (if you like) that I said so.

(A final word to my ambasssador friend who admits that he was in Washington on 9/11 and in London on 7/7 – please let us know where your next posting is, so that we can avoid it!)