Four More Blake’s 7 Episodes

Breakdown – The one about Gan’s limiter breaking down (hence the title). The first half is a bit silly, with David Jackson doing manic grunting and throwing the rest of them around while yet another dangerous sector of space must be crossed; the second half is really rather good, with the two tensions of 1) is the surgery going to work and 2) is Avon going to defect from the crew. Julian Glover is brilliant as nasty genius surgeon Kayn, and Avon is at his most sinister, with the Avon/Blake relationship at its worst. Also we have the comic relief of Kayn’s sexist assistant: "I love girls with a sense of humour" – to which Jenna replies, "Yes, I can see where that would be an advantage." But I must say this isn;t the one I would show someone to get them into the series.

Bounty – A drastically overpadded story. This is the one where for no apparent reason they are rescuing an ex-President and the Liberator, again for no apparent reason, gets temporarily captured (offscreen) by bounty-hunters who are old friends of Jenna’s. There is one good line – Avon reflecting to fellow captive Blake that "None of us showed conspicuous intelligence on this occasion." Vila gets some nice moments, and it seems that Jenna has a past and a personality as well. But this could have been a decent story at half the length.

Deliverance – This is much more like it. Here the two stories are 1) Avon finds himself the subject of a prophecy saving a lost race, also subject to the worship of the charming Meegat; and 2) Ensor junior hijacks the Liberator in an attempt to save his father, as the result of an unusually evil plot by Servalan which even has Travis blinking. Avon, having been a potential turncoat two episodes previously, is now forced to discover some nobility of character by circumstances, and duly does so (Vila to Avon: "Counting yourself, that makes two people who think you’re wonderful". Poor Cally continues her descent into uselessness, being mere canon-fodder for Ensor junior’s hostage-taking. Jenna, captured by savages, does rather better.

Orac – The season ends with one of its strongest stories. With Deliverance, It’s the first properly linked pair of stories since the very start of the season; all the crew who went down-planet last week falling ill with radiation sickness this week. It depends on a rather odd distribution of medicines (Ensor doesn’t have what he needs, but does have what the Liberator folks need) but once you swallow that it’s tense and well-paced. I was mildly puzzled by the way in which Servalan and Travis didn’t quite seem in phase once we switched to the studio scenes, and it turns out that Stephen Greif was injured and couldn’t do them; in which case I think they handled it well.

Did anyone else think that Derek Farr as Ensor was very much channelling William Hartnell’s Doctor? More on this below.

The final cliff-hanger – Orac’s prediction that the Liberator would be destroyed – kept us all guessing for a year; was that the prediction on the screen, or was that what had actually happened?

My conclusion after all of this is that anyone who wants to appreciate Terry Nation’s work in Blake’s 7 also needs to see his early Doctor Who serial, The Keys of Marinus. The six 25-minute episodes are essentuially five distinct stories, the last being a two-parter, in which the regulars are sent to different environments for the adventure of the week. Several of them – the murder mystery, the chilly environment, the bottled brains – have fairly direct parallels in B7, but I’m more struck by the underlying concept of subjecting your team to different stresses and seeing what it brings out of them – Nation wasn’t actually terribly good at this, but the thought was there. One thing he manages in B7 which he didn’t do so often in Who was humour. Well, we’ll see if the new Survivors is any cop.

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Online maps

I saw someone advocating OpenStreetMaps as a source of online mapping information, and thought I would try the various online mapping services with some of the more obscure places of interest to me. Wikipedia is a great starting point: you can click through to a pretty good selection of mapping services from its navigation pages.

1) Loughbrickland, Northern Ireland. Located at 54°19′N, 6°18′W. Good coverage from Google Maps, WikiMapia, Planeteye.com, maps.msn.co.uk, maps.yahoo.com, Windows Live, MapQuest, Mapper.acme.com, Multimap. But OpenStreetMaps shows only the two main streets.

2) Pristina, Kosovo. Located at 42°40′N 21°10′E. None of the on-line sources I checked shows the current (post-1999) street names. Planeteye.com and Windows Live both have all the streets but with the old Serbian names. OpenStreetMap shows all the streets but with no names at all. None of the others is any use. (If perchance you actually need a map of Pristina, I recommend this guidebook.)

3) Northern Nicosia, Cyprus. Location 35°10’42"N, 33°21’42"E. Oddly enough, neither side of Nicosia is especially well served by online maps. Planeteye.com, MultiMap.com, Maps.ask.com, and Windows Live do mark streets in the north, but grossly inaccurately! OpenStreetMap.com is very good for southern Nicosia, but doesn’t mark many streets on the northern side; at least they are in the right place, if uinnamed. If you actually need a map of northern Nicosia, try thishere.

4) Freetown, Sierra Leone. Location: 8°28′44.4″N, 13°16′6.24″W. Only OpenStreetMap has any level of detail for the streets at all, though no names for any of them. (Here‘s a 1985 CIA map of the city centre; this looks more up to date.)

Basically, online map services still have some way to go, even in some parts of Europe, never mind Africa.

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November Books 27-29) The Negotiator Trilogy

27) Heart of Stone, by C.E. Murphy
28) House of Cards, by C.E. Murphy
29) Hands of Flame, by C.E. Murphy

These three books take ‘s urban fantasies to new territory: specifically New York rather than Seattle, and with her heroine a feisty lawyer rather than a mechanically-minded policewoman. I saw the author summarise the setting of the first book back at P-Con in a sentence: “Margrit’s met the perfect man, except that he’s a gargoyle and he’s wanted for murder” – at which someone sitting behind me called to her, “I do not think that word means what you think it means: ‘Perfect’.”

We have five old races – the gargoyles, djinns, dragons and selkies, each affiliated with one of the four traditional elements, and the vampires which are somehow separate – dealing with the dangerous business of interacting with the contemporary human world. It’s a fairly Buffy-esque setting, with a couple of conscious references, though also a number of important differences.

I think the three books are not sufficiently independent to read other than as a series. The first book treats Margrit’s entry into the parallel world of the Old Races; the second has her negotiating a new deal between them; and the third sees a settling of scores among them, again brokered by Margrit. All very enjoyable, and lightened my trip to Cyprus (and return to rainy Belgium).

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Those cotton-picking maps

The excellent Strange Maps produced a fascinating overlay of Obama votes in this month’s presidential election compared with cotton production in 1860. Not surprisingly there is a huge correlation: cotton in 1860 => slaves => black population now => Obama support.

The one thing that jumped out at me, after admiring the clarity of the general point, was that anomaly in southern Tennessee, where a concentration of cotton farms marked on the 1860 map translates into no correlation at all with the Obama votes in 2008.

The cotton concentration shown is mainly in Lawrence County (briefly the home of Davy Crockett, now the home of presidential hopeful Fred Thompson), with some spillover into Giles County; yet in the election, Lawrence voted for McCain over Obama by 66% to 32%, and Giles by 59% to 39%. (Lawrence has a 1.47% black population; Giles 11.80%.)

The commenters on the Strange Maps post put forward two theories to account for the lack of Obama votes in Lawrence and Giles Counties. First, that there were never many blacks there in the first place, because local agricultural practices were different: "Greg" says that "much of the cotton production in northern Alabama and southern Tennessee during the antebellum era was done on small family farms rather than large plantations. These poor white farmers couldn’t afford slaves, and resented having to compete with plantations that relied on slave labor." Sam Persons Parkes adds that "Lawrence County has always been about 99% white."

The second is that the black population has left. "Goateebird" suggests that it has to do with the Ku Klux Klan, which was actually founded in Pulaski, the seat of Giles County. "DG" decries the KKK explanation, and says instead that the black population of southern Tennessee fled en mass to Nashville (a visibly blue part of the map with no 1860 cotton production) at an early stage of the Civil War. I must say that myself I wondered if this might turn out to be a parallel to the ethnic cleansing phenomenon of sundown towns.

But after a bit more research, I am inclining towards the first theory. The 1860 map comes from Sam Bowers Hilliard’s Atlas of Antebellum Southern Agriculture, and can be found online here, an on-line publication of a book about the Savannah river by the National Park Service. That same page also has maps showing cotton production in 1820 and 1850, and most importantly slave population in 1860. Tennessee is represented as follows:


Tennessee cotton production, 1820


Tennessee cotton production, 1850


Tennessee cotton production, 1860


Tennessee enslaved population, 1860

That final map is pretty conclusive: rather than being kicked out by the KKK, or fleeing to Union-controlled territory, Lawrence County’s black cotton plantation slaves simply weren’t there in the first place. I have to say I find the sudden surge of cotton production in that area shown in the 1860 map a bit suspicious, and wonder just exactly how accurate it is to locate it in Lawrence County; I’m inclined to suspect that the real growth was a little further south and east around Decatur, Alabama.

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Play the voting game!

Spoilt ballots are always one of the more fun parts of an election campaign for the participants. Here are some from the current nail-biter between Al Franken and Norm Coleman for the Senate seat in Minnesota.

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November Books 26) Theatre of War

26) Theatre of War, by Justin Richards

A fairly standard New Adventure, introducing the sinister character of Irving Braxiatel, renegade Time Lord and cultural collector, with lots of fun archaeology for Benny and combat for Ace. The actual plot is a rather ludicrous Sekrit Plan involving the overthow of a warmongering dictatorial regime by means of an electronic theatre and a long-lost play, so it makes as much sense as many Who stories.

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November Books 25) Science Fiction Hall of Fame

25) Science Fiction Hall of Fame: The Greatest Science Fiction Stories of All Time, edited by Robert Silverberg

This is one of those classic collections, assembling the top sf stories published before 1965 as voted for by the membership of SFWA in the late 1960s. (I wonder how different the results would be, if a similar poll were taken now?) Most of these stories were very familiar to me, but it filled in a couple of gaps – I don’t think I had read either Theodore Sturgeon’s “Microcosmic God” or Alfred Bester’s “Fondly Fahrenheit” before. Anyway it’s good to have such a selection of classics within a single set of covers.

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November Books 23) 30 Hot Days, 24) Glafkos Clerides: the Path of a Country

I’m on my way home from Cyprus, and while I was there picked up and read two books which give considerable and vivid detail on two aspects of the island’s recent history.

23) 30 Hot Days, by Mehmet Ali Birand

This book sports jacket endorsements by both Archbishop Makarios and Rauf Denktash, as well as the Greek and Turkish foreign ministers of 1974, attesting to its accuracy and neutrality. It is a very detailed, almost insider account, of decision-making in Ankara and to a lesser extent in Athens, over the period between 15 July, when the Greek junta overthrew Archbishop Makarios in a coup, and 14 August, when Turkey implemented the second stage of its military intervention. Birand clearly enjoys superb access to Turkish officials, and does a pretty good job with the Greeks as well. Jim Callaghan, British foreign secretary at the time, doesn’t come out of it well, nipping out of meetings on the pretence of going to the toilet while actually phoning Henry Kissinger in Washington.

Birand’s account is peculiarly thin in one surpising area: Cyprus itself. Apart from brief and enthusiastic details of the initial Turkish military operation, we get only second-hand reports of what else was going on on the island. It is also totally concentrated on the 30 days of the title, so the casual reader would have no idea why the Greek junta hated Makarios so much, or what happened after August 14. Apart from that, though, it’s a good account of the parts of the story it looks at, and although Birand states at the outset that he thinks the Geneva conferences were doomed to failure, this isn’t totally supported by his own account: it’s clear that the Greek side did miss a chance to cut a deal.

24) Glafkos Clerides: the Path of a Country, by Niyazi Kızılyürek

A relatively minor figure in Birand’s book, but a major figure in Greek Cypriot politics, Clerides was temporarily the acting Greek Cypriot president in Makarios’ absence after the collapse of the 1974 coup, and was subsequently elected in his own right in 1993 and 1998, losing in 2003. He had also been the speaker of parliament and chief negotiator with the Turkish Cypriots at various times. His autobiography, My Deposition, has intimidated me with its size, so I was glad to acquire this book of interviews with Clerides by Turkish Cypriot academic Niyazi Kizilyurek, as a taster.

Again, I couldn’t recommend the book to Cyprus novices; a great deal of background knowledge is assumed of the reader. Clerides’ record is on the whole a good one – he got EU membership, he got closer to a solution than any previous leader, and he campaigned vigorously in favour of the Annan Plan in 1974. It is not completely positive: he excluded the Turkish Cypriot MPs when they tried to return to parliament in 1965, and he wasn’t able to deliver a settlement despite having come so close more than once. He also ruthlessly disposed of his predecessor as President in the 1993 election by a tactical appeal to the right.

But the biographical detail is fascinating – the young Clerides, educated in London, an RAF prisoner of war, a lawyer for prisoners of the British in the 1950s, opposing his own father who stood against Makarios in the 1960 election, his memories of Makarios and Denktash who he worked with so closely (and the rather more lightweight Fazil Kuçuk who was Denktash’s predecessor), and his involvement with ongoing peace efforts, hampered always by his eventual successor as president, Tassos Papadopoulos. The book ends on a pessimistic note, written as it was in 2005 and 2006 when prospects for a solution seemed more distant than ever before. I’m glad to say that things are looking up now.

Interestingly Kızılyürek’s book sports only one endorsement on the back cover – from none other than Birand.

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Salute to Cem Özdemir

I’m delighted to hear that Cem Özdemir is the new co-leader of the German Greens. I’ve known him since shortly after he was elected to the European Parliament in 2004, mainly (but not exclusively) on the Cyprus issue where he has played a subtly constructive role in unpropitious circumstances. I have no idea about the wider ramifications of his election in German politics, but it’s not a bad thing for the perception of diversity in the political leadership of western Europe’s largest democracy.

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Weekend in Cambridge

Anne and I went back to Cambridge this weekend, for the first time since our year group’s reunion in 2000. We arrived very late on Friday (having got snarled up with Brussels traffic, and thus had a long wait for the channel tunnel train, and then further confused by Maidstone roadworks) and left at dinnertime on Sunday, feeling that we should do it again some time soon, and maybe see some more of you while we are there next time.

We did manage to catch up with , Liz the knitter, and Catherine the non-blogger; and we spent lots of money in Heffers and similar. We also went to the Fitzwilliam Museum – to my shame, I think it was the first time I had been, despite my five years of living in the city. There is a great exhibition of gold ornaments from, of all places, Georgia – the land of the Golden Fleece. There is a relatively new courtyard development as well, with shop and café.

And we went to Choral Evensong in Clare College, the first time either of us had been back to the college chapel since we got married there 15 years ago. Before the service there was a recital of a couple of Schumann pieces by one of the choral scholars; I chortled briefly at the coincidence that her accompanist had the same name as the editor of the Guardian, and then realised that it wasn’t in fact a coincidence at all. He’s not a bad pianist.

The service itself was rather good – built around the themes of redemption and forgiveness, with a sermon from a fellow alumnus reminiscing about his experiences as a prison chaplain, asking us not to buy certain newspapers which sensationalise crime and criminals (the irony of having a national newspaper editor in the congregation was not lost on us). We stayed on for dinner afterwards, but made an early move to try and get a chunnel train at a decent hour.

Well, it didn’t work. One patch of bad traffic immediately south of Cambridge meant that we just missed the train at ten past ten, and the next on Sunday evenings isn’t until a quarter to midnight. So we waited, and got it, and arrived in France at 0130. And we were making good time on this side until the car conked out, with a terrifying death rattle, at 0330 on the Brussels ring road. It was another hour before we got home, and another hour again before I was in bed.

Yeah, and on top of that I am travelling again today – about to get on a plane to Istanbul and then another to Cyprus. By the time I touch down on the island this evening, I will have been in five different countries in the previous 24 hours. Which is a lot, even by my standards. But it was worth it.

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November Books 22) Year’s Best SF 13

22) Year’s Best SF 13, edited by David G. Hartwell and Kathryn Cramer

As always, a generally good selection, with a lot of the stories revolving around virtual identities and gaming. I had read two of the 25 before, as they were Hugo nominees; of the rest, the ones that will stay with me are the first, “Baby Doll” by Johanna Sinisalo, a terrifying tale of future sexuality; in the middle, “End Game” by Nancy Kress, which retreads some of the ground from her “Beggars in Spain” but takes it in a new direction; and the final story, James Van Pelt’s “How Music Begins”, a tale of alien abduction, romance and a high school band. All good stuff; I still have the Dozois collection to look forward to.

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November Books 21) Alias vol 4: The Secret Origins of Jessica Jones

21) The Secret Origins of Jessica Jones

I’d been looking for this for ages, having very much enjoyed the first three books in the series. Jessica Jones, superhero against her will, confronts her internal demons, both the guilty secret of how she acquired super powers, and her personal nemesis. There are so many pages here where Bendis and the artists achieve statements that couldn’t be made in any other medium – the schooldays flashback, Jessica’s first encounter with other superheroes, and the unspoken parts of her conversations with her friends and lovers. As I said of an earlier volume, it would probably require more familiarity than I have with the Marvel universe to fully appreciate it, but I very much enjoyed it all the same.

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November Books 20) Henry IV Part 1

20) The First Part of King Henry the Fourth, by William Shakespeare

It always puzzled me a bit that my English friends seemed to have a better knowledge of Shakespeare’s history plays than I did, and only now has the obvious answer occurred to me: they are all about English history, which my school had a natural bias against giving too much importance. As a result I knew almost nothing about the two parts of Henry IV except that Falstaff is a character.

Well, I’m enlightened now. This is a good play: essentially the education of young Prince Henry, under the two possibilities of ending up like the unhealthy drunk and cowardly Falstaff or the valiant young Harry Hotspur. The Falstaff option is vividly illustrated by highway robbery; the Hotspur option by rebellion. In the end, the Prince kills Hotspur, yet in a sense takes on his mantle.

It’s a bit unfortunate that this gets mixed up with politics. The rebellion against King Henry is even more obscurely motivated than most, and it is one of the few unsuccessful rebellions in the canon. The Welsh angle is a bit peculiar as well, with actors instructed to “speak in Welsh” in one scene. Perhaps this is scene-setting for Part 2.

The Arkangel version has great performances from Julian Glover as Henry IV and especially Richard Griffiths as Falstaff. Alan Cox is good as Hotspur, but unfortunately Jamie Glover as Prince Hal doesn’t quite seem to get the point of blank verse; I hope he improves over the course of the next two plays.

Henry VI, Part I | Henry VI, Part II | Henry VI, Part III | Richard III / Richard III | Comedy of Errors | Titus Andronicus | Taming of the Shrew | Two Gentlemen of Verona | Love’s Labour’s Lost | Romeo and Juliet | Richard II / Richard II | A Midsummer Night’s Dream | King John | The Merchant of Venice | Henry IV, Part 1 / Henry IV, Part I | Henry IV, Part II | Henry V | Julius Caesar | Much Ado About Nothing | As You Like It | Merry Wives of Windsor | Hamlet / Hamlet | Twelfth Night | Troilus and Cressida | All’s Well That Ends Well | Measure for Measure | Othello | King Lear | Macbeth | Antony and Cleopatra | Coriolanus / Coriolanus | Timon of Athens | Pericles | Cymbeline | The Winter’s Tale / The Winter’s Tale | The Tempest | Henry VIII | The Two Noble Kinsmen | Edward III | Sir Thomas More (fragment) | Double Falshood/Cardenio

November Books 19) Who Goes There

19) Who Goes There (Travels through Strangest Britain, in Search of the Doctor), by Nick Griffiths

This is a brilliant book, and I think could be enjoyed even by non-Who fans provided they have at least a mild interest in southern England (and Wales). Griffiths sets off on a quest to find Doctor Who locations – not to do a comprehensive listing, because that has alreay been done, but to check out the places that linger most vividly in the memory, from the years between Spearhead from Space and Destiny of the Daleks, and from the four years of the new series (this book, written between November last year and September this year, is already in the shops).

Some of the locations of the Jon Pertwee and Tom Baker years have disappeared (buildings get demolished; quarries get filled in); some cannot be found despite the best efforts of Griffiths and his long-suffering family; but about half of the places he looks for can indeed be located and retain a certain ineffable Who-ness. Examples: the villages of The Android Invasion and The DæmonsDoomsday and Journey’s EndDay of the Daleks which Griffiths locates despite a huge argument with his wife. There is apparently a website here which I haven’t had a chance to look at yet, with lots of photos.

I haven’t read Griffiths’ earlier book, Dalek I Loved You, but I imagine it is at least as good. Part of the charm of his writing is that he factors in further anecdotes about the journeys he makes, and also fits in the story of his own family: his mother’s death, his wife’s pregnancy, his teenage son’s reactions to his own obsessions. It is a touching an memorable little memoir. Strongly recommended.

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Four Big Finish audios

Three more as I work through the BF back catalogue, and also the latest of their offerings.

Live-34 is an excellent experiment in format. The story is told as four half-hour episodes of live radio on Colony 34. The oppressive rule of the authorities is challenged by the legitimate opposition, led by Resident Doctor, the focus of the first episode; the more explosive part of the resistance is led by the Rebel Queen, interviewed in the second episode; and the third episode focusses on an evening in the life of a paramedic called Hex. The soundscape and performances are flawless; I was a little uneasy about exactly why the Doctor and companions have chosen to infiltrate and overthrow this particular regime.

I’m afraid Scaredy Cat didn’t leave much impression on me (and I’ve listened to it twice). It is in keeping with the duller end of the earlier Eighth Doctor audios. Various conceptual entities get incarnated as personalities and the Doctor, Charley and C’rizz eventually clean up the mess.

Singularity brings Five and Turlough to near-future Moscow and an invasion from the far future via an entity called the Somnus Foundation (I wondered if this was a conscious echo of the Putin/Medvedev attitude to civil society). Good soundscapes and acting (with the dismal exception of Mark Bollinger as Pavel), and full marks to the actors who pronounce Королев correctly as “KaraLYOV” rather than “KORolev”. Mark Strickson gets some particularly good moments of character development for Turlough. But it went on rather a long time.

I’ve come to expect total brilliance from Alan Barnes, and in the most recent Big Finish he doesn’t disappoint. Brotherhood of the Daleks is the latest in an ongoing storyline where Charley Pollard is travelling with the Sixth Doctor after her time with Eight, from her personal timeline perspective, and trying to keep this secret from Six in order not to damage the Web of Time (a recurring problem for poor Charley). They arrive on what appears to be the planet Spiridon and are apprehended by what appear to be Thals. But almost nothing in this narrative is what it appears to be. The revolutionary Daleks singing “The Red Flag” are a particularly glorious touch. I couldn’t recommend this as strongly to newcomers to Big Finish, but those of us who are into the audios in general (and the earlier Eight/Charley arc in particular) will love it.

In summary, Brotherhood of the Daleks is excellent, Live 34 pretty good, Singularity OK and Scaredy Cat meh.

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November Books 11-18) The Captain Underpants series

11) The Adventures of Captain Underpants, by Dav Pilkey
12) Captain Underpants and the Attack of the Talking Toilets, by Dav Pilkey
13) Captain Underpants and the Invasion of the Incredibly Naughty Cafeteria Ladies from Outer Space (and the Subsequent Assault of the Equally Evil Lunchroom Zombie Nerds), by Dav Pilkey
14) Captain Underpants and the Perilous Plot of Professor Poopypants, by Dav Pilkey
15) Captain Underpants and the Wrath of the Wicked Wedgie Woman, by Dav Pilkey
16) Captain Underpants and the Big, Bad Battle of the Bionic Booger Boy, Part 1: The Night of the Naughty Nostril Nuggets, by Dav Pilkey
17) Captain Underpants and the Big, Bad Battle of the Bionic Booger Boy, Part 2: The Revenge of the Ridiculous Robo-Boogers, by Dav Pilkey
18) Captain Underpants and the Preposterous Plight of the Purple Potty People, by Dav Pilkey

Young F is a big fan of this series of books, so I worked through them myself over the course of this week. It did not take me long; none of the lavishly illustrated books is even 180 large type pages in length.

Our protagonists, George and Harold, accidentally transform their school’s principal, Mr Krupp, into superhero Captain Underpants. This is fortunate, as their Ohio town is a bit of a focal point for invading aliens and deranged scientists, who tend to have a fixation with toilets and/or underwear and/or body fluids. George and Harold, and Captain Underpants, save the day, though the latest books end on cliff-hangers to lead into the next story.

The books are all pretty similar but quite funny, and I can see why F likes them. I wondered whether the time-travelling portable toilet in the last two books drew some inspiration from Doctor Who? More likely that it’s second-hand inspiration via Bill and Ted, I suppose. Note on the Bechdel test, though: almost no female characters apart from members of the psychotic school staff and the odd – very odd – parent.

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Cousins

F holding little cousin S very carefully:

U and F inspecting their little cousin, her mother warding off U from doing it too enthusiastically:

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V speaks

Captain (Rtd) Valentine Esegrabo Melvin Strasser interviewed here, by Awoko.

The interview took place at a local pub.

Awoko: How do you receive the news that you are dead?
Strasser: I was shocked, as this place is filled with machines which manufacture rumours; and people can say nasty things about you simply because they are idle and all they do is basically sit around and gossip.
Awoko: Hope I am not talking to a ghost?
Strasser: Have you ever seen one?

A readers’ poll beside the entry asks "Should the State take care of former Head of State Captain (Rtd) Valentine Essegrabo Melvin Strasser?" Answers: Yes, 83%; No, 17%.

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Naming of Parts

NAMING OF PARTS, by Henry Reed

To-day we have naming of parts. Yesterday,
We had daily cleaning. And to-morrow morning,
We shall have what to do after firing. But to-day,
To-day we have naming of parts. Japonica
Glistens like coral in all of the neighboring gardens,
        And to-day we have naming of parts.

This is the lower sling swivel. And this
Is the upper sling swivel, whose use you will see,
When you are given your slings. And this is the piling swivel,
Which in your case you have not got. The branches
Hold in the gardens their silent, eloquent gestures,
        Which in our case we have not got.

This is the safety-catch, which is always released
With an easy flick of the thumb. And please do not let me
See anyone using his finger. You can do it quite easy
If you have any strength in your thumb. The blossoms
Are fragile and motionless, never letting anyone see
        Any of them using their finger.

And this you can see is the bolt. The purpose of this
Is to open the breech, as you see. We can slide it
Rapidly backwards and forwards: we call this
Easing the spring. And rapidly backwards and forwards
The early bees are assaulting and fumbling the flowers:
        They call it easing the Spring.

They call it easing the Spring: it is perfectly easy
If you have any strength in your thumb: like the bolt,
And the breech, and the cocking-piece, and the point of balance,
Which in our case we have not got; and the almond-blossom
Silent in all of the gardens and the bees going backwards and forwards,
        For to-day we have naming of parts.

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November Books 10) Emma

10) Emma, by Jane Austen

I had read Pride and Prejudice and Persuasion previously, and frankly liked them more. Emma Woodhouse is a manipulative snob, and while the author clearly disapproves of her manipulations and occasional rudeness, she entirely endorses the snobbery. The unfortunate Harriet, whose emotional life is Emma’s plaything, turns out to be the daughter of (shudder) a tradesman, so it’s all right for her to marry the farmer who loves her after all. All the other various single men and women characters get paired off by the end of the book. There are some vivid and even funny moments of characterisation, but I found the setting and mindset rather unappealing.

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2008 Films 6) Richard III (1995); and The Kingmaker

I was very strongly recommended to watch Ian McKellen’s Richard III after I had read the script and listened to the Arkangel version. Well, you were right. It is an extraordinary tour de force, set in a grazingly Fascist Britain of the 1930s (so echoed in more recent books by Christopher Priest and ). McKellen himself is superb; the other actors include Annette Bening, Jim Broadbent, Robert Downey Jr, Nigel Hawthorne, Kristin Scott Thomas, Maggie Smith, Adrian Dunbar and Tim McInnerny, all excellent. McKellen explains on his own website how and why he judiciously pruned characters and plot to turn it into his own film version. Standout scenes include Richard’s nightmares before the final battle; Nigel Hawthorne’s melancholy reflections as the doomed Clarence; the exchange where Buckingham (Jim Broadbent) persuades the pseudo-reluctant Richard to take the crown. A really good film.

Oddly enough over the last few days I had also been listening to a completely different presentation of the story of Richard III, the Big Finish audio play The Kingmaker, written by Nev Fountain of the TV comedy show Dead Ringers. This brings the Fifth Doctor, played by Peter Davison, back to the 1480s to find out what really happened to the Princes in the Tower, after a heated drunken argument with William Shakespeare. As you would expect from a production with that author and numerous comedians in the cast, it is utterly hilarious, totally subverting the expectations of the listener – are the Princes really robots? Who is the bearded time-traveller advising Richard of Gloucester? What of the true identity of the barmaids? Some might possibly think it just a bit silly, but I really enjoyed it.

Henry VI, Part I | Henry VI, Part II | Henry VI, Part III | Richard III / Richard III | Comedy of Errors | Titus Andronicus | Taming of the Shrew | Two Gentlemen of Verona | Love’s Labour’s Lost | Romeo and Juliet | Richard II / Richard II | A Midsummer Night’s Dream | King John | The Merchant of Venice | Henry IV, Part 1 / Henry IV, Part I | Henry IV, Part II | Henry V | Julius Caesar | Much Ado About Nothing | As You Like It | Merry Wives of Windsor | Hamlet / Hamlet | Twelfth Night | Troilus and Cressida | All’s Well That Ends Well | Measure for Measure | Othello | King Lear | Macbeth | Antony and Cleopatra | Coriolanus / Coriolanus | Timon of Athens | Pericles | Cymbeline | The Winter’s Tale / The Winter’s Tale | The Tempest | Henry VIII | The Two Noble Kinsmen | Edward III | Sir Thomas More (fragment) | Double Falshood/Cardenio

Small political party disintegrates, no casualties reported

In a week full of exciting electoral news from the USA, Scotland, the Maldives and New Zealand, you could be forgiven for missing the fact that one of the parties in the current Irish government coalition has formally disbanded itself.

The Progressive Democrats were founded in 1985 by dissidents from Ireland’s main political party, Fianna Fáil; however, they spent almost two thirds of their existence in coalition with the party from which they had originally split (1989-92, 1997-now). The PDs ostensibly endorsed liberal social values (where their clothes have been stolen by FF, and indeed everyone else) and opposed corruption (where they appear to have achieved nothing at all in their years of coalition with FF). The death knell was sounded in last year’s election, when they won only two seats in the Dáil compared with 14 at their height in 1987. But really the writing had been on the wall ever since 1992, when the party’s founder, Des O’Malley, botched the handover of the party leadership to his designated successor, Mary Harney, and alienated Pat Cox, one of the party’s better media performers, to the point that he left the party and ran as an independent in the European Parliament elections of 1994. (I admit that I know and like Cox a lot better than any of the other ex-PDs; there may have been other factors of which I am unaware, but for a small party to discard a figure of his ability was rather wasteful.) Really today’s news is about five years too late in coming, one of many things in Irish politics that were distorted by the appalling performance of Fine Gael in 2002, where the PDs were among the numerous unexpected beneficiaries.

So the PDs disappear; their voters will now drift to FG who apparently are enjoying their highest ever poll ratings, seven points clear of Fianna Fáil, for the first time since the 1920s. The one thing they did do was to demonstrate that the sterile structures of Irish politics could be shaken up, and create the basis for other changes to take place (most notably the election of Mary Robinson as President in 1990). But I must say that if I was a member I would be wondering today if it had all been worthwhile.

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Companion Chronicles again

Big Finish’s series of Companion Chronicles, two-hander audio plays featuring companions of the first four Doctors, get better and better. Here we have Susan, Victoria, Jo and Leela brought back to life by Carole Ann Ford, Deborah Watling, Katy Manning and Louise Jameson, recounting adventures that we never saw on screen.

In Here There Be Monsters, by Andy Lane, the First Doctor, Susan, Ian and Barbara arrive on a strange spaceship run by a vegetable alien which is punching holes in space. Carole Ann Ford does a decent Hartnell, and the story is excellent.

The Great Space Elevator, by Jonathan Morris, is the best of this run (though they are all good). It is a delightful homage to Season Five, with elements from almost all of the Victoria stories (and elsewhere from the Second Doctor’s time) shaken together to form a very entertaining mixture. I think you could use this as a good entry point to the whole Companion Chronicles for a Who fan otherwise unfamiliar with the audios.

Marc Platt’s The Doll of Death is literally the first decent Third Doctor audio I have heard (and I include also The Ghosts of N-Space and Paradise of Death among those I didn’t like. As you would expect from Platt, he takes the story very much towards the surreal, with two literally contraflowing timestreams. Manning does lots of male voices well, and the plot is inevitably a bit confusing but avoids being self-indulgent.

In Empathy Games, Nigel Fairs continues his line of flashbacks from the point of view of post-Gallifrey Leela, defiantly enduring her fate. Here she remembers an adventure where she became a fighter in a local violent hunting event – Chris Boucher, her creator, also wrote this basic plot for her in Last Man Standing, but Fairs does it much better, because i) he isn’t trying to be satirical, ii) he writes the Doctor better and iii) he benefits from Louise Jameson’s excellent delivery. It is perhaps my least favourite of the four, but as I said they are all good.

All of these are recommended.

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November Books 9) More Real Than Reality

9) More Real Than Reality: The Fantastic in Irish Literature and the Arts, edited by Donald E. Morse and Csilla Bertha

A collection of scholarly essays on the subject of the title. I admit I skimmed most of them, as they are more about writers not usually considered part of the genre, though there is an interesting essay on why Lord Dunsany is not as good as either Tolkien or Lovecraft, and another on mermaids. The ‘Circe’ chapter of Ulysses, and a play by Yeats called The Only Jealousy of Emer, get a lot of attention.

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The Doctor Who novelisations

OK, now that I have read all 161 Doctor Who novelisations, and since I am jetlagged and awake, I am going to favour you with my personal top picks (and then a rough ranking of the others). You will find my reviews of each of the novelisations (plus also other spinoff literature and audio plays) here.

The first ever Doctor Who book published was Doctor Who In An Exciting Adventure With The Daleks, by David Whitaker and featuring Ian, Barbara and Susan, and it is still the best of the novelisations. Whitaker takes much greater liberty with Terry Nation’s TV script than almost any other novelisation (John Lucarotti’s treatment of The Massacre differs even more from the story as broadcast, but he was reverting back to his own original script). And the result is quite possibly the best of the novelisations, judged as a novel. The opening of the story is comprehensively rewritten, Ian being an unemployed research scientist who accidentally encounters Barbara, who has been tutoring the mysterious Susan, and gets involved with the Doctor and his Tardis. So much time is invested – wisely – in setting the scene that we are a third of the way through the book before we reach the equivalent point to the end of the TV story’s first episode (out of seven).

The biggest novelty, for those of us who have read almost any of the subsequent hundreds of Who books, is that the whole story is told in the first person, from Ian’s point of view. (It’s not unknown in later Who literature, but it is very unusual.) This does require a certain amount of narrative juggling, but Whitaker gets away with it.

Today’s generation of fans will squee at the pronounced sexual tension in the Ian/Barbara relationship here – the TV story has Barbara close to flirting with Ganatus, one of the Thals, but he barely gets to look at her on the printed page. Poor Susan rather fades into the background as well after she has done her mercy run to the forest. The characterisation of the Doctor is much more harsh and edgy than Hartnell’s depiction; since Whitaker was the story editor, perhaps this was what he had originally in mind? (A possibility supported by the surviving first cut of the first ever episode.)

And the Daleks themselves are pretty memorable here, though Whitaker seems a bit confused about their size – three feet high at one point, four foot six at another, though the illustrations are of our “normal” sized pepperpots. However, this confusion is compensated for by the glorious description of the mutants within the metal casings, and their glass-enclosed leader. The TV show has never managed such memorable presentations of the creatures inside, though it has occasionally tried. (The versions encountered by the Ninth Doctor come closest.)

Anyway, this is an excellent read.

In Doctor Who and the Romans, Donald Cotton has recast the narrative of Dennis Spooner’s TV script into epistolary/diary form: letters from Ian Chesterton to his headmaster, the Doctor’s own diary, letters from Ascalis the assassin and Locusta the poisoner, and contributions also from Barbara, the Emperor Nero, and Nero’s wife Poppæa (but not Vicki); the whole thing framed in a covering note by Tacitus (obviously written several decades later). Eye of Heaven, the best of the spinoff novels featuring Leela, also featured multiple first-person viewpoints, and I’ve read first-person narratives in other First Doctor stories, but this is the only case of the whole thing being ostensibly done from written records (the Doctor having compiled everything and then left it behind in the villa for the archivists to discover).

Admittedly, as an actual story it’s no great shakes, and purists will be disappointed that we lose a lot of the funny lines and one of the major comic elements from the TV story (the two pairs of time travellers not actually meeting each other in their wanderings). But the whole thing is done for language and laughs; it’s meant to be fun, and it is fun, and that’s all you can really ask.

Ian Marter’s last and best book, Doctor Who – The Rescue, introduces the first new companion to join the show since its beginning, Vicki – one of two survivors of a spaceship crash on an apparently hostile planet. I thought after watching the TV original that this was a plot which could manage a great deal of filling out of back-story; the Doctor’s past relations with the natives of Dido, the story of what had actually happened to the human settlers. In fact Marter delivers much more than that. For once, the printed page is superior to the screen. The twenty-something Maureen O’Brien could never really pass as the young teenager that Vicki was meant to be; Marter is not restricted by the actor’s appearance. The monsters of the planet were among the least compelling aspects of the original TV story; again Marter can just make them up and does indeed bring in at least one more. We get loads more banter between the Doctor and Ian, with Marter for once putting comic dialogue in rather than taking it out. And the entire story is topped and tailed by the rescue ship which is supposed to be coming for Vicki and her fellow-survivor, so that one feels that this planet is one that fits into a wider history. A rather rare book, but well worth seeking out.

The only novel by Barry Letts, the producer of Pertwee-era Who, Doctor Who and the Dæmons is funny, witty, adds bags of backstory to both minor and major characters (the account of the Doctor and the Master growing up together on Gallifrey ought to be canon for all interested fanfic writers), substitutes far better special effects on the page for the end-of-budget ones we got on-screen, and is generally a good read. My favourite Third Doctor book so far.

Ian Briggs does a masterful job with Doctor Who – The Curse of Fenric, perhaps the most adult of any of the Who novelisations (in the sense of talking about sex). The most striking change from the TV original is that the vicar, Mr Wainwright, is explictly young (rather than septuagenarian Nicholas Parsons). Apart from that, the whole narrative feels very soundly rooted both in itself and in Who – particularly with Ace’s introduction in Dragonfire (which of course Briggs also wrote). For once, the Doctor’s-hidden-past motif actually seems to make sense rather than feeling like a bolted-on idea (the only other story that achieves this is The Face of Evil). An excellent read.

Where some of Malcolm Hulke’s other books are rather irritatingly written down for a younger readership, Doctor Who and the Green Death is written much more maturely – at one point Jo offers to pose topless for Professor Jones, which is rather prophetic in view of later developments in Katy Manning’s career. (In fairness, their romance is one of the best constructed narratives of romantic companion departure in the whole of Who; perhaps the only serious rival is Vicki/Troilus in The Myth Makers.) For once, Hulke’s political themes are well-judged and match the tone of the narrative, and although we lose the full mania of the screen version of the mad computer, BOSS, we also (as so often from this era) lose the dodgy special effects. A particularly good effort.

Honorable mentions – all of these are worth getting if you can:
Doctor Who and an Unearthly Child by Terrance Dicks (First Doctor)
Doctor Who – Marco Polo by John Lucarotti
Doctor Who – The Reign of Terror by Ian Marter
Doctor Who and the Crusaders by David Whitaker
Doctor Who – The Time Meddler by Nigel Robinson
Doctor Who – Galaxy Four by William Emm
Doctor Who – The Myth Makers by Donald Cotton
Doctor Who – Mission to the Unknown by John Peel
Doctor Who – The Mutation of Time by John Peel
Doctor Who – The Gunfighters by Donald Cotton
Doctor Who – The War Machines by Ian Stuart Black
Doctor Who – The Power of the Daleks by John Peel (Second Doctor)
Doctor Who and the Web of Fear by Terrance Dicks
Doctor Who – The Mind Robber by Peter Ling
Doctor Who – The Invasion by Ian Marter
Doctor Who and the Cave Monsters by Malcolm Hulke (Third Doctor)
Doctor Who and the Terror of the Autons by Terrance Dicks
Doctor Who and the Day of the Daleks by Terrance Dicks
Doctor Who and the Three Doctors by Terrance Dicks
Doctor Who and the Space War by Malcolm Hulke
Doctor Who and the Planet of the Spiders by Terrance Dicks
Doctor Who and the Ark in Space by Ian Marter (Fourth Doctor)
Doctor Who and the Genesis of the Daleks by Terrance Dicks
Doctor Who and the Sunmakers by Terrance Dicks
Doctor Who and the Creature from the Pit by David Fisher
Doctor Who and the City of Death by David Lawrence
Doctor Who and the Leisure Hive by David Fisher
Doctor Who and Warriors’ Gate by John Lydecker
Doctor Who – Castrovalva by Christopher H. Bidmead (Fifth Doctor)
Doctor Who – Black Orchid by Terence Dudley
Doctor Who – Terminus by John Lydecker
Doctor Who – The Two Doctors by Robert Holmes (Sixth Doctor)
Doctor Who – Dragonfire by Ian Briggs (Seventh Doctor)
Doctor Who – Battlefield by Marc Platt
Doctor Who – Remembrance of the Daleks by Ben Aaronovitch

There is an interesting concentration of quality in the First and Third (and to a lesser extent Fourth) Doctor eras, not really correlating with the quality of the TV stories of the time!

Good Efforts – worth picking up if you see them second-hand:
Doctor Who and the Keys of Marinus by Philip Hinchcliffe (First Doctor)
Doctor Who and the Planet of Giants by Terrance Dicks
Doctor Who and the Zarbi by Bill Strutton
Doctor Who – The Chase by John Peel
Doctor Who – The Massacre by John Lucarotti
Doctor Who – The Ark by Paul Erickson
Doctor Who – The Savages by Ian Stuart Black
Doctor Who – The Smugglers by Terrance Dicks
Doctor Who – The Macra Terror by Ian Stuart Black (Second Doctor)
Doctor Who – The Evil of the Daleks by John Peel
Doctor Who and the Tomb of the Cybermen by Gerry Davis
Doctor Who and the Abominable Snowmen by Terrance Dicks
Doctor Who and the Ice Warriors by Brian Hayles
Doctor Who – The Seeds of Death by Terrance Dicks
Doctor Who and the War Games by Malcolm Hulke
Doctor Who – Inferno by Terrance Dicks (Third Doctor)
Doctor Who and the Mutants by Terrance Dicks
Doctor Who and the Dinosaur Invasion by Malcolm Hulke
Doctor Who and the Sontaran Experiment by Ian Marter (Fourth Doctor)
Doctor Who and the Revenge of the Cybermen by Terrance Dicks
Doctor Who and the Loch Ness Monster by Terrance Dicks
Doctor Who and the Pyramids of Mars by Terrance Dicks
Doctor Who and the Brain of Morbius by Terrance Dicks
Doctor Who and the Seeds of Doom by Philip Hinchcliffe
Doctor Who and the Masque of Mandragora by Philip Hinchcliffe
Doctor Who and the Talons of Weng-Chiang by Terrance Dicks
Doctor Who and the Horror of Fang Rock by Terrance Dicks
Doctor Who and the Power of Kroll by Terrance Dicks
Doctor Who and the Nightmare of Eden by Terrance Dicks
Doctor Who – Logopolis by Christopher H. Bidmead
Doctor Who and the Visitation by Eric Saward (Fifth Doctor)
Doctor Who – Mawdryn Undead by Peter Grimwade
Doctor Who – Frontios by Christopher H. Bidmead
Doctor Who – Mindwarp by Philip Martin (Sixth Doctor)
Doctor Who – Terror of the Vervoids by Pip and Jane Baker
Doctor Who – The Happiness Patrol by Graham Curry (Seventh Doctor)
Doctor Who – Paradise Towers by Stephen Wyatt
Doctor Who – Survival by Rona Munro
Doctor Who by Gary Russell (Eighth Doctor)

Average stuff – the completist will probably enjoy reading these and can just about risk lending them out to friends:
Doctor Who and the Dalek Invasion of Earth by Terrance Dicks (First Doctor)
Doctor Who – The Celestial Toymaker by Gerry Davis
Doctor Who – The Highlanders by Gerry Davis (Second Doctor)
Doctor Who – The Faceless Ones by Terrance Dicks
Doctor Who – Fury from the Deep by Victor Pemberton
Doctor Who – The Wheel in Space by Terrance Dicks
Doctor Who – The Krotons by Terrance Dicks
Doctor Who – The Space Pirates by Terrance Dicks
Doctor Who and the Auton Invasion by Terrance Dicks (Third Doctor)
Doctor Who and the Claws of Axos by Terrance Dicks
Doctor Who and the Curse of Peladon by Brian Hayles
Doctor Who – The Time Monster by Terrance Dicks
Doctor Who and the Carnival of Monsters by Terrance Dicks
Doctor Who and the Planet of the Daleks by Terrance Dicks
Doctor Who and the Time Warrior by Terrance Dicks
Doctor Who – Death to the Daleks by Terrance Dicks
Doctor Who and the Giant Robot by Terrance Dicks (Fourth Doctor)
Doctor Who and the Planet of Evil by Terrance Dicks
Doctor Who and the Hand of Fear by Terrance Dicks
Doctor Who and the Deadly Assassin by Terrance Dicks
Doctor Who and the Face of Evil by Terrance Dicks
Doctor Who and the Robots of Death by Terrance Dicks
Doctor Who and the Invisible Enemy by Terrance Dicks
Doctor Who and the Underworld by Terrance Dicks
Doctor Who and the Invasion of Time by Terrance Dicks
Doctor Who and the Stones of Blood by Terrance Dicks
Doctor Who and the Androids of Tara by Terrance Dicks
Doctor Who and Shada by Paul Scoones
Doctor Who – Meglos by Terrance Dicks
Doctor Who and the State of Decay by Terrance Dicks
Doctor Who and the Keeper of Traken by Terrance Dicks
Doctor Who – The Awakening by Eric Pringle (Fifth Doctor)
Doctor Who – Warriors of the Deep by Terrance Dicks
Doctor Who – Enlightenment by Barbara Clegg
Doctor Who – Resurrection of the Daleks by Paul Scoones
Doctor Who – Planet of Fire by Peter Grimwade
Doctor Who – Caves of Androzani by Terrance Dicks
Doctor Who – Vengeance on Varos by Philip Martin (Sixth Doctor)
Doctor Who – Revelation of the Daleks by John Preddle
Doctor Who – Time Lash by Glen McCoy
Doctor Who – Greatest Show in the Galaxy by Stephen Wyatt (Seventh Doctor)
Doctor Who – Ghost Light by Marc Platt

Less good – for completists only
Doctor Who and the Tenth Planet by Gerry Davis (First Doctor)
Doctor Who and the Cybermen by Gerry Davis (Second Doctor)
Doctor Who and the Enemy of the World by Ian Marter
Doctor Who – The Dominators by Ian Marter
Doctor Who-The Ambassadors of Death by Terrance Dicks (Third Doctor)
Doctor Who and the Doomsday Weapon by Malcolm Hulke
Doctor Who – the Mind of Evil by Terrance Dicks
Doctor Who and the Sea Devils by Malcolm Hulke
Doctor Who and the Monster of Peladon by Terrance Dicks
Doctor Who and the Android Invasion by Terrance Dicks (Fourth Doctor)
Doctor Who and the Image of the Fendahl by Terrance Dicks
Doctor Who and the Destiny of the Daleks by Terrance Dicks
Doctor Who and the Ribos Operation by Ian Marter
Doctor Who and the Pirate Planet by David Bishop
Doctor Who and the Armageddon Factor by Terrance Dicks
Doctor Who and the Horns of Nimon by Terrance Dicks
Doctor Who – Full Circle by Andrew Smith
Doctor Who – Four to Doomsday by Terrance Dicks (Fifth Doctor)
Doctor Who – Kinda by Terrance Dicks
Doctor Who – Earthshock by Ian Marter
Doctor Who – Arc of Infinity by Terrance Dicks
Doctor Who – Snake Dance by Terrance Dicks
Doctor Who – Attack of the Cybermen by Eric Saward
Doctor Who – Mark of the Rani by Pip and Jane Baker (Sixth Doctor)
Doctor Who – The Mysterious Planet by Terrance Dicks
Doctor Who – Delta and the Bannermen by Malcolm Kohll (Seventh Doctor)
Doctor Who – Silver Nemesis by Kevin Clarke

Poor efforts – even completists need to ask themselves if these are worth bothering with:
Doctor Who – The Edge of Destruction by Nigel Robinson (First Doctor)
Doctor Who – The Aztecs by John Lucarotti
Doctor Who – The Sensorites by Nigel Robinson
Doctor Who – The Space Museum by Glyn Jones
Doctor Who – The Underwater Menace by Nigel Robinson (Second Doctor)

Doctor Who – The King’s Demons by Terence Dudley (Fifth Doctor)
Doctor Who – The Ultimate Foe by Pip and Jane Baker (Sixth Doctor)
Doctor Who – Time and the Rani by Pip and Jane Baker Seventh Doctor)

Dire:
Doctor Who – Time Flight
by Peter Grimwade (Fifth Doctor)

The worst:
Doctor Who – The Twin Dilemma
by Eric Saward (Sixth Doctor)

Four B7 episodes

One of the relatively few boons of long-haul flying is that I have had time in the airport to watch a few more Blake’s 7 episodes, after a hiatus of over a year.

Seek-Locate-Destroy is the one which introduces Blake’s foes Travis and Servalan, in a scene of crackling testosterone. We also get the unexpected bonus of Peter Miles (Nyder in Genesis of the Daleks) as Secretary Rontane, demanding Blake’s head, and some lovely lines from Vila: “Tell him I’ve just worked out a completely new strategy. It’s called running away.” “There isn’t a lock I can’t open – if I’m scared enough.” Nice character bits as they attack the complex in the first half of the episode.

Unfortunately after that first scene with Servalan, Stephen Greif seems to rather lose interest in playing Travis and Terry Nation rather loses interest in giving him anything interesting to do. The core of the plot is promising – Blake risking all to rescue captured Cally – but in the end it is rather disappointing that he simply teleports through the defences that Travis has laboriously set up precisely to prevent him from doing so, and the dramatic punch evaporates.

Mission to Destiny is an interesting example of B7 veering into a completely different genre, as essentially a locked-room murder mystery on board a spaceship, with a subplot of Perilous Journey for Blake and the others. Avon solves the mystery and gets one of the best quotes ever. (Cally: “My people have a saying, ‘A man who trusts can never be betrayed, only mistaken.'” Avon: “Life expectancy must be fairly short among your people.”) John Leeson, the Voice of K9, plays one of the spaceship crew whose mutual antagonisms support the plot. We also get a glimpse of life on human planets outside the Federation.

It all works except for the Liberator sub-plot, where the timings (desperate run to the planet Destiny, through the meteor storm, yet somehow back again in time to catch the Destiny crew before the bad guys arrive) just don’t work out. Also it might not have been a bad idea to check that there was something in the box before risking life and limb for it.

As for Duel, it is essentially an interesting variation on the equivalent Star Trek, Frederic Brown and Longyear – most notably, that Blake and Travis get their companions as well to help them. Again, Avon gets the best line (“Blake is sitting up in a tree; Travis is sitting up in another tree. Unless they’re planning to throw nuts at one another, I don’t see much of a fight developing before it gets light.”) Some good special effects especially as Liberator rams Travis’s ship.

As always with this type of story, I am bothered by the fact that we don’t get a good handle on the means and motivation of the god-like aliens. Poor Isla Blair, playing Sinofar, was obviously rather cold. The concept of the Mutoids is good and well explored though.

Project Avalon works perhaps the best of these four episodes. It is strangely reminiscent of a couple of Terry Nation’s Doctor Who stories – the whole underground lab reached through a cave complex thing from Genesis of the Daleks (and indeed The Daleks), the androad doubles from The Android Invasion (and less seriously The Chase) and the super-vicious virus from Death to the Daleks! (and references also in Genesis). Here he has boiled some of his own favourite themes together to make a decent drama.

I still don’t like Stephen Greif as Travis, but I did like the changed relationship with Servalan, she now is putting him under pressure to deliver (and I’m not really sure that his assertion that he could have eliminated Blake but for the Federation’s insistence on capturing the Liberator is supported by that we have seen on screen). A lot of fans don’t like Julia Vidler as Avalon but I think she’s OK, both as Avalon herself and the android double. Some decent special effects as well. Vila and his heat suit is hilarious. Even Blake gets a good line (“They probably tried to surrender…). The best of these four. Apart from the stupid robot.

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November Books 8) The Doctor Who Annual 1966

8) Doctor Who Annual [1966], [rumoured to be mainly written by David Whitaker]

I must say it was interesting to read this at the same time as Jim Mortimore’s Campaign. This was the first of many Doctor Who annuals, containing half a dozen short stories about the Doctor – two of which feature the Zarbi and Menoptera from The Web Planet, with one each for the Voords from The Keys of Marinus and the Sensorites. One story has two children and their dog sneaking onto the Tardis, but otherwise the Doctor is travelling alone. The illustrations are beautiful; the stories fairly standard, with huge lapses of continuity (Is the Doctor from Earth or not? What is the timeline of the stories set on Vortis?) and the occasional scientific howler (the Crab Nebula is not a galaxy; it is part of the Milky Way). It’s included as an extra on the Dalek Invasion of Earth DVD, but I imagine that few will have taken the trouble to actually read it!

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