Crash

Crash won the Oscar for Best Picture of 2005, and two others, Best Original Screenplay and Best Film Editing, losing in another three. Three is a rather low tally of Oscars for a Best Picture winner, and three other films also won three Oscars that year, Brokeback Mountain, King Kong and Memoirs of a Geisha. The Hugo and Nebula that year both went to Serenity.

As mentioned last time, IMDB counts Crash as a 2004 rather than 2005 film; users rate it 16th on one ranking and 40th on the other for that year. The other 2005 Best Picture nominees were Brokeback Mountain, Capote, Good Night, and Good Luck and Munichhave seen, it’s mainly sf: Batman Begins, Harry Potter and the Goblet of Fire, Charlie and the Chocolate Factory, The Lion, The Witch and the Wardrobe, Madagascar, Serenity, The Hitch-hiker’s Guide to the Galaxy, possibly The Curse of the Were-Rabbit though I’m not sure, possibly also the Icelandic Beowulf and Grendel. Johnny Depp as Willie Wonka left the most enduring impression. Here’s a trailer for Crash with Barber’s bloody Adagio for Strings yet again:

A stellar cast, but only two of them have been in previous Oscar or Hugo winners. Michael Peña is Daniel the locksmith here (almost the only interesting character in the film) and was also (with more hair) Omar in Million Dollar Baby.

A bit more obscurely, Alexis Rhee is Kim Lee here, and twenty-two years ago in Blade Runner she was the woman on the walls.

Crash is about the intersecting lives of a bunch of people in Los Angeles, and about racism. It thinks its heart is in the right place, and the cast are all people who know (or ought to) what they are doing. It left me rather cold. I didn’t think it was completely awful, though a lot of people really do think it was completely awful, and one of the worst Best Picture winners ever, if not indeed the worst (see two such lists here and here). I’ll give you in evidence Ta-Nehisi Coates:

I don’t think there’s a single human being in Crash. Instead you have arguments and propaganda violently bumping into each other, impressed with their own quirkiness. (“Hey look, I’m a black carjacker who resents being stereotyped.”) But more than a bad film, Crash, which won an Oscar (!), is the apotheosis of a kind of unthinking, incurious, nihilistic, multiculturalism.

Clarisse Loughrey in the Independent:

The film’s treatise on modern racism avoids anything that might make its audience feel uncomfortable or, heaven forbid, complicit. Crash’s characters aren’t relatable. They’re limp puppets, posed in various moral scenarios, with all the unsubtle airs of an afternoon school special.

Sean Mulvihill:

…resoundingly ham-fisted in everything that it does, carrying its story of overt racism with all the nuance of a cheap political cartoon … Crash wallows in countless crude racial stereotypes without anything resembling social commentary – Asians are bad drivers, not all Latinos are Mexican, black people don’t like be viewed as criminals even when they are violent criminals, and the job of a police officer will make you a racist even if you start out as an idealist.

Alex Russell has devoted an entire series of blog posts to watching every Best Picture winner, and deciding if they were better or worse than Crash. Spoiler: he still thinks Crash is the worst.

The first thing you notice when you watch Crash is just how quickly it is… stupid. Calling a movie “stupid” is a simple criticism that should generally be reserved for much more base subject matter, but Crash starts off with an onslaught of some of the most asinine and insulting dialogue ever put to film. The first five minutes has dozens and dozens of slurs. You are struck, as a viewer, at how this not only isn’t the best movie of 2004, but how it barely feels like a movie at all. It feels more like a play written in a creative writing class full of teenagers.

Paul Haggis, who directed the film, is not exactly vigorous in its defence (in a 2015 interview whose original text is no longer online, but these words were widely quoted):

Was it the best film of the year? I don’t think so. … You shouldn’t ask me what the best film of the year was because I wouldn’t be voting for ‘Crash,’ only because I saw the artistry that was in the other films. … Is it a great film? I don’t know.

So that’s what other people don’t like about it. I’ll sum up what I didn’t like about it:

The music. I love a good soundtrack, and I don’t usually notice a bad soundtrack. But here the swelling of angel choirs in the background means you’re about to see something Very Significant happening on screen. It’s doing its best to make up for:

The cinematography. I’m astonished that this won an Oscar also for Best Film Editing. At several crucial moments, the camera angles are so badly chosen that it’s not at all clear what is going on. Some find that enigmatic and mysterious, but I found it incompetent.

The racism. For a movie that’s supposed to be all about consciousness-raising, there are a lot of sour notes. Most of the characters are, as noted above, complete stereotypes. Why is it the Iranian character who attempts an irrational vindictive revenge murder? Why does it come as a surprise to Thandie Newton’s character that the police sometimes do bad things to black people?

The acting. Apart from Michael Peña, what are any of them doing? Especially Sandra Bullock?

The weather. Snow? It’s symbolical.

At the same time, however ham-fisted the presentation and leaden the acting, it’s not actually boring, and I did keep watching to see how all the various different plotlines would tie up (though I sighed in disbelief when it turns out who the long-lost brother is). I am putting it four fifths of the way down my own rankings, just below Tom Jones and above The Greatest Show on Earth.

Next up is The Departed, of which I know nothing; before that, Serenity and Howl’s Moving Castle.

Winners of the Oscar for Best Picture

1920s: Wings (1927-28) | The Broadway Melody (1928-29)
1930s: All Quiet on the Western Front (1929-30) | Cimarron (1930-31) | Grand Hotel (1931-32) | Cavalcade (1932-33) | It Happened One Night (1934) | Mutiny on the Bounty (1935, and books) | The Great Ziegfeld (1936) | The Life of Emile Zola (1937) | You Can’t Take It with You (1938) | Gone with the Wind (1939, and book)
1940s: Rebecca (1940) | How Green Was My Valley (1941) | Mrs. Miniver (1942) | Casablanca (1943) | Going My Way (1944) | The Lost Weekend (1945) | The Best Years of Our Lives (1946) | Gentleman’s Agreement (1947) | Hamlet (1948) | All the King’s Men (1949)
1950s: All About Eve (1950) | An American in Paris (1951) | The Greatest Show on Earth (1952) | From Here to Eternity (1953) | On The Waterfront (1954, and book) | Marty (1955) | Around the World in 80 Days (1956) | The Bridge on the River Kwai (1957) | Gigi (1958) | Ben-Hur (1959)
1960s: The Apartment (1960) | West Side Story (1961) | Lawrence of Arabia (1962) | Tom Jones (1963) | My Fair Lady (1964) | The Sound of Music (1965) | A Man for All Seasons (1966) | In the Heat of the Night (1967) | Oliver! (1968) | Midnight Cowboy (1969)
1970s: Patton (1970) | The French Connection (1971) | The Godfather (1972) | The Sting (1973) | The Godfather, Part II (1974) | One Flew Over the Cuckoo’s Nest (1975) | Rocky (1976) | Annie Hall (1977) | The Deer Hunter (1978) | Kramer vs. Kramer (1979)
1980s: Ordinary People (1980) | Chariots of Fire (1981) | Gandhi (1982) | Terms of Endearment (1983) | Amadeus (1984) | Out of Africa (1985) | Platoon (1986) | The Last Emperor (1987) | Rain Man (1988) | Driving Miss Daisy (1989)
1990s: Dances With Wolves (1990) | The Silence of the Lambs (1991) | Unforgiven (1992) | Schindler’s List (1993) | Forrest Gump (1994) | Braveheart (1995) | The English Patient (1996) | Titanic (1997) | Shakespeare in Love (1998) | American Beauty (1999)
21st century: Gladiator (2000) | A Beautiful Mind (2001) | Chicago (2002) | The Lord of the Rings: The Return of the King (2003) | Million Dollar Baby (2004, and book) | Crash (2005) | The Departed (2006) | No Country for Old Men (2007) | Slumdog Millionaire (2008) | The Hurt Locker (2009)
2010s: The King’s Speech (2010) | The Artist (2011) | Argo (2012) | 12 Years a Slave (2013) | Birdman (2014) | Spotlight (2015) | Moonlight (2016) | The Shape of Water (2017) | Green Book (2018) | Parasite (2019)
2020s: Nomadland (2020) | CODA (2021) | Everything Everywhere All at Once (2022) | Oppenheimer (2023)

My tweets

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  • Fri, 18:36: Peter Davison’s Book of Alien Monsters and Peter Davison’s Book of Alien Planets https://t.co/tyxt9HPRTr

Peter Davison’s Book of Alien Monsters and Peter Davison’s Book of Alien Planets

Second paragraph of third story of Peter Davison's Book of Alien Monsters ("Beyond Lies the Wub", by Philip K. Dick):

'What's the matter?' he said. 'You're getting paid for all this.'

Second paragraph of third story of Peter Davison's Book of Alien Planets ("Exile", by Edmond Hamilton):

But the four of us were all professional writers of fantastic stories, and I suppose shop talk was inevitable. Yet, we’d kept off it through dinner and the drinks afterward. Madison had outlined his hunting trip with gusto, and then Brazell started a discussion of the Dodgers’ chances. And then I had to turn the conversation to fantasy.

Two anthologies brought out during Peter Davison's time at the helm of the TARDIS, both in fact edited by Richard Evans, who has a story in each under the name Christopher George. As can be inferred from the titles, the first is more about alien species and the second more about planets, though there is plenty of thematic overlap. Both have gorgeous covers by (uncredited but obviously) Chris Foss.

But they are actually very different anthologies. Peter Davison's Book of Alien Monsters (1982) includes nine stories, eight of which are original and were presumably commissioned for this book (the exception is "Beyond Lies the Wub", by Philip K. Dick). But most of the other eight are by major British authors – Robert Holdstock, Dave Langford, Michael Scott Rohan, Christopher Evans and one woman, Dyan Sheldon (her first SF publication, according to ISFDB, and last for several years as well; she is better known as a YA writer). They are decent enough, but only the Garry Kilworth story has been subsequently published elsewhere. You can get it here.

Peter Davison's Book of Alien Planets (1983), on the other hand, contains eight stories, only two of which are original – one by the editor, and one by Mary Gentle, who at that time was still a newcomer with just one novel, A Hawk in Silver, to her name; this seems to be her first published short fiction, but she had two more stories published in Asimov's that year (1983), and of course has never looked back. The others are all classics by the likes of Edmond Hamilton, Ray Bradbury and two by Arthur C. Clarke, "The Star" and "History Lesson". From Davison's foreword, it appears that these were very much chosen by him as personal favourites. Most of them have a grim twist at the end. It is the more solid of the two anthologies, but you are more likely to already have most of the stories in it. You can get it here.

These were the two shortest books on my shelves acquired in 2015. Next on that pile is Neil Gaiman's early book about Duran Duran.

My tweets

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  • Thu, 18:11: Calvin, by F. Bruce Gordon https://t.co/I17K9nIPCi
  • Fri, 09:13: Wordle 216 3/6 ⬜ ⬜⬜⬜ ⬜ ⬜⬜⬜ Tough, and a lucky guess.
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Calvin, by F. Bruce Gordon

Second paragraph of third chapter:

Then came the news of his father's impending death and Calvin rushed to Noyon. After a series of quarrels, Girard Cauvin had been excommunicated by the cathedral chapter, and he died on 26 May 1531 without the sacraments of the Church. John's brother Charles had to negotiate for a posthumous absolution in order that their father could be buried in consecrated ground. Calvin's reaction to the death was curiously muted. Writing to Duchemin, who was worried about the delay in his book's publication, he evinced little grief or emotion, all the more perplexing given an effusive expression of warmth towards his friend.1 What accounts for this contrast? His relationship with his father was complex, though not cold. It is entirely possible that Calvin's emotional bonds lay more with the friends with whom he lived, studied and travelled than with a family he had hardly seen. We cannot dismiss the influence of the Stoic philosophy of Seneca with which he was engaged; the letter may speak to a stylized role of impassivity as a means of dealing with his loss. What is certainly misleading is any suggestion that he was unaffected by death and grief. The raw emotions that poured forth later at the loss of his infant son and wife, as well as at the death of close friends, counter any sense of a Calvin hewn from stone. It is more likely that in 1531 he was masking feelings and emotions which had not yet found articulation. Only after his conversion and in his biblical commentaries, in the stories of the Old and New Testaments, and particularly in the psalms, did he find an emotional vocabulary inaccessible to a young man of twenty-two.
1 Ganoczy, Young Calvin, 71.

Anne got this as a souvenir of our Geneva trip in July 2020; it's a pretty dry and detailed biography of the major figure of Geneva's history, what he was trying to do and what he did. As usual (I keep saying this about theology books, but it's true) the ideological points mostly soared over my head, but I found a lot of interesting stuff. Calvin lived from 1509 to 1564, and from 1541 became the most important person in Geneva – he never held public office, but politics in the city became completely polarised between his supporters and his opponents, and usually his supporters won. (But not always.)

There's a lot here about the politics of Geneva as a city-state and Calvin as an individual with regard to France (where he was born and brought up), vs the Holy Roman Empire, vs Berne and the nascent Swiss Confederation (which Geneva did not fully align with until 1584, twenty years after Calvin's death). I'd have liked a bit more reflection on how Geneva became a theocracy in the first place – it had been an ideologically Protestant republic since 1536, before Calvin arrived – and also how it managed to survive as such, when other such experiments failed (for instance in Münster shortly before). But the books is about Calvin, not Geneva.

Calvin's wife died in 1649 after only nine years of marriage; he is not reported to have had other partners, but his brother Antoine was a major supporter throughout his career, and he had many other close friendships, some of which went sour when ideological differences emerged. He is remembered for his writing – and his output at the peak of his career was phenomenal – but his preaching was clearly an important factor as well; none of that survives, apart from a few second-hand notes taken by people in the congregation. Gordon is clearly a fan of his subject (most biographers are) and does his best to find in his favour, performing particularly intense gymnastics when it comes to the execution of Michael Servetus.

The most interesting part for me was the relationship between Calvin and England. He actually had something resembling a personal relationship with Edward Seymour, Duke of Somerset and regent of England in the first couple of years of the reign of Edward VI (1547-1549). But Somerset was overthrown, and when Edward died in 1553 his Catholic sister Mary took over. Calvin had hopes of winning England back when Elizabeth, a Protestant, came to the throne in 1558. However, in what Gordon calls "perhaps the worst mistiming of the European Reformation", that same year saw the publication in Geneva of Knox's The First Blast of the Trumpet Against the Monstruous Regiment of Women and Goodman's How superior Powers ought to be obeyed of their subjects, both of which opposed the legitimacy of women as rulers. Knox and Goodman had been thinking of Mary I of England and Mary of Guise in France, but Elizabeth took huge offence and returned Calvin's correspondence unopened, and although he still had some powerful sympathisers in England, he never again had the access to the top in London that he'd had ten years before. He was much more successful in Scotland, but there is surprisingly and disappointingly little about that here; he was of course less directly involved, Knox being the main figure.

Anyway, really a book for specialists only, but I got a bit more out of it than I had expected. You can get it here.

This was my top unread book acquired in 2020. Next on that pile is After Atlas, by Emma Newman.

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  • Wed, 18:01: Of the City of the Saved…, by Philip Purser-Hallard https://t.co/nfqz7zlb03
  • Wed, 22:40: “Even at this moment hundreds of thousands of men in England are being trained with the bayonet, a weapon entirely useless except for opening tins.” George Orwell, 1940
  • Thu, 07:54: A tough one today! Wordle 215 3/6 ⬜ ⬜ ⬜⬜⬜⬜⬜
  • Thu, 10:45: Disney Removed Rey And Finn’s Romance From ‘The Force Awakens’ Novelization https://t.co/9z0mhT4lIa and it’s just part of a wider huge problem, as @leana_ahmed explains.

Of the City of the Saved…, by Philip Purser-Hallard

Second paragraph of third chapter:

He’d dragged himself awake that morning with great diffs, head thick and sluggy deepdown in his brow-ridge, and fully been unable to recall the evening he’d made of it with Sinovi and Hekate. He guessed waragi, ouzo and / or substances akin had been attendant. His timebeast head, as well as previous experience of Hek and Sino, suggested so.

I’m afraid this is the end of the line for my reading of Faction Paradox. The City of the Saved is a place where all humans who have ever lived or died are resurrected; but they then engage in the usual city hall politics of any small state, and I failed to really engage with any of the characters. So I have put it down after 100 pages, and won’t be going back. If you want to prove me wrong, you can get it here.

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October 2014 books

This is the latest post in a series I started in late 2019, anticipating the twentieth anniversary of my bookblogging which will fall in 2023. Every six-ish days, I've been revisiting a month from my recent past, noting work and family developments as well as the books I read in that month. I've found it a pleasantly cathartic process, especially in recent circumstances. If you want to look back at previous entries, they are all tagged under bookblog nostalgia.

This was the month that I changed jobs, hosting a big farewell party in my favourite local to Schuman (the 1898, since you ask) and taking a week off in between leaving the one and joining the other. This was also the month that I bought my first iPhone, and the photos I post here are therefore going to drastically improve in quality. With the job change I got a professional head shot done; not cheap, but worth it.

I had two fantastic trips to Central Europe. I spent the last weekend of my old job in Budapest, where I caught up with a surprising number of old friends and had a lovely boat trip on the Danube. This is the very first photo I took with the new phone, showing the Hungarian parliament all lit up. I do hope that Budapest has better days to come.

I also paid my respects to my favourite statue in Budapest, which has since been dismantled in a shocking act of vandalism.

The weekend between jobs, I went to a student-run conference in Ljubljana, where I was the oldest participant apart from a retired Italian diplomat. Also great fun; one of the organisers insisted on a commemorative photograph with me.

I also took the chance to meet up with my friend L, who at one point led a Dutch political party but was then in Slovenia. Her daughter V, who much later would feature in two Laibach videos, also came along for the lunch but isn't in the photo.

I have a favourite monument in Ljubljana too, the monument to the Unknown French Soldier, "mort pour notre liberté". As far as I know, it is still there.

I had one more trip that month: I spent a night and a day in London in the first week of my new job, a journey that was to become routine until the pandemic intervened.

This was also the month that I first discovered the battlefield of Neerwinden and took B there. She still likes to go and light a candle in the chapel.

Much less happily, this was the month that my tax accountants, previously a Brussels boutique firm who had been taken over earlier that year by a multinational as part of its founder's retirement plan, badly screwed up my tax return. Fortunately I caught it before the damage (which would have been very costly) was done, but I found another boutique firm, this time based in Leuven, and switched my business to them.

I read 19 books that month.

Non-fiction 4 (YTD 44)
The Strangest Man, by Graham Farmelo
Some Girls: My Life in a Harem, by Jillian Lauren
Edward Gibbon and Empire,eds. Rosamond McKitterick and Roland Quinault
Angela's Ashes, by Frank McCourt

The Strangest Man Some Girls Edward Gibbon and Empire Angela's Ashes

Fiction (non-sf) 1 (YTD 37)
The Professor, by Charlotte Brontë

The Professor

SF (non-Who) 9 (YTD 94)
The Hive Construct, by Alexander Maskill
Broken Monsters, by Lauren Beukes
A Kill in the Morning, by Graeme Shimmin
Wool, by Hugh Howey
Up the Walls of the World, by James Tiptree
Queen of the Tearling, by Erika Johansen
Bête, by Adam Roberts
Astra, by Naomi Foyle
The Long Mars, by Terry Pratchett and Stephen Baxter

Wool Up the Walls of the World

Doctor Who 5 (YTD 52)
Divided Loyalties, by Gary Russell
The Room with No Doors, by Kate Orman
Camera Obscura, by Lloyd Rose
Silhouette, by Justin Richards
Lights Out, by Holly Black

Divided Loyalties The Room with No Doors Camera Obscura Silhouette Lights Out

~6,500 pages (YTD ~71,600)
10/19 (YTD 67/244) by women (Lauren, McKittrick, Brontë, Beukes, Tiptree, Johansen, Foyle, Orman, Rose, Black)
0/19 (YTD 16/244) by PoC

The best of these were Bête, by Adam Roberts, which you can get here, and The Strangest Man: The Hidden Life of Paul Dirac, Quantum Genius, by Graham Farmelo, which you can get here. Nothing too awful, I'm glad to say.

My tweets

Where Was the Room Where It Happened?, by BdotBarr [Bryan L. Barreras]

Second paragraph of third section (on Battery Park):

Fort Amsterdam changed names several limes (based upon the ruling country), including being named Fort George during the rule of George I, George II and George III. During the American Revolution, George Washington's troops seized the fort from the British in 1775. Guns from the fort fired on the British during the Battle of Long Island. Alexander Hamilton (along with several of his fellow King's College students) stole cannons from Fort George on August 23, 1775. The British recaptured Fort George and ruled New York from the fort for the remainder of the Revolution. The colonists finally took back the fort on Evacuation Day on November 25, 1783 after the British left.

When I read Ron Chernow's biography, on which Hamilton: The Musical is based, I reflected that New York itself comes across as a major character in the story, and this little (70-page) guidebook efficiently links the relevant moments of the show to the real places associated with the events it portrays, concentrating largely on the city where Hamilton lived and died, with a few excursions to New Jersey and further afield. It's a little jewel of a book, with history and geography neatly packed into two pages for each of the New York and New Jersey places mentioned, and proposed walking tours depending on how much time you have and whether you're Team Hamilton or Team Burr. The Room Where it Happened was at 57 Maiden Lane, which no longer exists; but a number of other places do, including in particular the Grange, Hamilton's home for the last couple of years of his life, which has been moved twice but is open for visitors in non-pandemic times. Recommended for Hamilton fans, or people who want a slightly different walking tour of the history of New York. You can get it here.

My tweets

670 days of plague; and 19,989 days of me

So, as I expected, infection rates in Belgium have continued to soar, now almost 50% higher than the previous record; but the other numbers remain fairly stable, hospitalisations drifting slowly upwards at 10% ish a week, ICU numbers slowly decreasing, deaths likewise – the death rate reported for 14 January was the lowest since 30 October. And even the rise in infections seems to be decelerating. So I am fairly confident in expecting a significant relaxation of the restrictions in the next couple of weeks.

Myself, I was not feeling well for most of last week, which I put down to a slow reaction to the booster shot; I had to retreat to bed on Tuesday afternoon and again for most of the day on Friday. Fortunately it was a slower week than expected at work – one particular client crisis, something we had been anxiously anticipating for months, turned out to be a damp squib on Thursday, much to everyone’s relief. I have been feeling better this weekend, and got out yesterday to an exhibition at the M Museum in Leuven on therelationship between humanity and the universe, featuring a couple of really interesting loaned exhibits.

These are the Hamangian thinkers. They were made about 5000 BC, so they are 7000 years old. They were found in a grave in Dobruja, Romania, in 1956, and are normally in Bucharest at the National Museum of History. Most prehistoric art relates to fertility or hunting. These two are just a man and a woman, sitting there and thinking. They have had a lot to think about in seven millennia.

The telescope lens through which Christiaan Huygens discovered Titan, Saturn’s largest moon, in 1655.

The other thing occupying my time has been preparing the vote for this year’s Hugo award nominations, which went live a few minutes ago. Apart from the usual hassle of adapting existing templates to 2022’s needs, we had to integrate a couple of late rule changes (DisCon III, last year’s Worldcon, was only a month ago). This is now my fifth time on this particular gig, and while we now have established software solutions (the front end designed for CoNZealand in 2020, the back end designed for Worldcon 75 in Helsinki in 2017) there’s always something new to implement. Not being a programmer, my role is partly shouting encouragement from the sidelines but more importantly making sure that the software delivers what we need.

Speaking of time, back in September 1994 in Belfast we had a party to mark my being 10,000 days old. (27 years and 4 ½ months.) I’ve worked out that I will hit the 20,000 day mark on the 27th of this month. (54 ¾ years.) It’s bad timing for holding a celebration – Anne and F both have exams, and Wednesdays rather than Thursdays are my current days in Brussels. Still I’ll mark the date, and maybe hope for a more party-friendly situation when my actual birthday comes round in April.

Animal Dreams, by Barbara Kingsolver

Second paragraph of third chapter:

They wanted to gather prickly-pear fruits for jelly. They knew a storm was coming and they went anyway, while he was in his workroom. He follows the narrow animal path between thickets of thorn scrub along the bank, shining his light along the edge of the rising water. Acacias lean into the river with their branches waving wildly in the current, like mothers reaching in for lost babies. The girls ignore his cautions because they are willful children who believe nothing can harm them. Hallie is bad but Cosima is worse, pretty and stubborn as a wild horse but without an animal's instincts for self-preservations-sand she's the older. She should have some sense.

I've generally enjoyed Kingsolver's work, and enjoyed this too: her second novel (after The Bean Trees), a story of Arizona and Nicaragua in the mid-1980s, where the main viewpoint character returns home to care for her fading father, the town doctor, and rekindles a youthful romance while also uncovering layer after layer of her own history and her family's history; at the same time her sister is in deadly danger in Central America and their home town is threatened by environmental disaster. This is the most overtly political of Kingsolver's novels that I have read, and I didn't feel that the politics merged quite as smoothly with the action; at the same time it's a vivid framing for what is going on for the protagonist and her father (who also gets some tight-third narrative). Generally good stuff, and you can get it here.

This was my top unread book acquired last year, also my top unread book by a woman and my top unread non-genre fiction book. Next on all three of those piles is The Postmistress, by Sarah Blake.

My tweets

Saturday reading

Current
Wandering Scholars, by Helen Waddell
The Doctor – his Life and Times, by James Goss and Steve Tribe
Neither Unionist nor Nationalist: The 10th (Irish) Division in the Great War by Stephen Sandford
The Three Body Problem, by Cixin Liu

Last books finished
Twice a Stranger: How Mass Expulsion Forged Modern Greece and Turkey, by Bruce Clark
The Gift of Rain, by Tan Twan Eng
Embers, by Sándor Márai

Next books
“Bloodchild”, by Octavia E. Butler
Why I Write, by George Orwell

Don’t Look Up

I said last week that I thought my next film might be The Aviator (2004); what with one thing and another, I did end up watching a film where Leonardo DiCaprio and Cate Blanchett are romantically entangled, but it wasn’t The Aviator.

Don’t Look Up is an entirely conscious and overt satire on humanity’s, and especially America’s, failure to deal with climate change (and perhaps COVID to an extent). There is a good piece here by Eric Lewitz detailing how the film gets it wrong, and perhaps hits the wrong targets, and another (if you can get through the New York Times paywall) by Ross Douthat explaining how he would have written it better. Those critiques are fair on the detail, but the details that are important here aren’t those of the impending catastrophe itself; the crucial question asked is whether we would be able to respond to a measurable, imminent, world-ending threat, and the answer in the movie is no. It’s in the tradition of many end-of-the-world satires and warnings, thinking of On the Beach and The Fire Raisers, in particular.

The details that do matter are the performances and staging. It’s over the top, and goes on a bit too long, but wow, Meryl Streep is pretty impressive at 72 as the genderflipped President Trump, and I warmed much more to DiCaprio here than I did in Titanic. It’s good to see Jennifer Lawrence and Cate Blanchett doing something a bit different. Mark Rylance is suitably sinister and crazy. Oh, and there’s Timothée Chalamet, escaped from Dune.

Getting the details right is not the issue. The problem is the big picture. Natural (and man-made) catastrophes are with us always, as this dramatic footage of last night’s volcanic eruption in the Pacific reminds us.

A Radical Romance, by Alison Light

Second paragraph of third chapter:

Raphael was ‘Raph’ when I met him. He was everybody’s property; he could be phoned or called on at his home at any time (dropping in to use his lavatory was not unheard of). Comrades from across the world would turn up at short notice, expecting a bed or a floor, a meal and a conversation that went on half the night. ‘Another twelve Italian Marxists for breakfast!’ I would joke, or half joke – he had once entertained such a group and wowed them with sausage, bacon and fried eggs. God’s motley came and went: elderly Party members and fellow travellers; those who belonged to – the distinctions had to be mastered – the ‘old’ New Left and ‘new’ New Left from the late 1950s and the 1970s respectively; anarchists, Trotskyites, Eurocommunists, militants and contrarians; all manner of trade unionists, railway men and miners, and Labour politicians, many of whom were or had been students of Ruskin; local East End villains, whose life stories Raphael was busily recording; sophisticated French scholars of memory bearing silk scarves from Paris; American and Australian leftists; postmodernists and eager postgraduates from all over; publishers, writers, journalists, conservationists, museum workers, archivists, teachers, the History Workshop editorial collective and old Workshop hands; dear friends, old lovers, extended family and friends of family – many with lives and histories interwined [sic].

This was the first book I finished in 2022, and it's a great start to the year. I had previously hugely enjoyed Light's Common People, the history of her own immediate ancestors; here she goes even more personal, into her marriage to fellow historian Raphael Samuel, from their first meeting in 1986 to his death in 1996. He was twenty years older, and Jewish; she had studied English at Churchill College, Cambridge (fellow Cambridge alumni will wince in sympathy) and gradually drifted into history and commentary, which was what brought them together. The first half or so, about the development of their relationships with each other and with their very different families, is lovely. But the strength is in the second half. I think even for someone less interested in history as a discipline than me, this would still be a tremendous memoir of love and loss; in particular, when she gets to Samuel's illness and death, she is sparing with the details but eloquent in her sparseness. She goes into much more detail on the funeral arrangements, but of course that's something that a surviving partner can control and direct unilaterally, unlike most aspects of a relationship, which have to be negotiated. A great book, strongly recommended. You can get it here.

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Odd, by John Wyndham

When, on a day in the late December of 1958, Mr Reginald Aster called upon the legal firm of Cropthorne, Daggit, and Howe, of Bedford Row, at their invitation, he found himself received by a Mr Fratton, an amiable young man, barely out of his twenties, but now head of the firm in succession to the defunct Messrs C, D & H.

And when Mr Aster was informed by Mr Fratton that under the terms of the late Sir Andrew Vincell’s will he was a beneficiary to the extent of six thousand Ordinary Shares in British Vinvinyl, Ltd, Mr Aster appeared, as Mr Fratton expressed it to a colleague later, to miss for a while on several plugs.

The relevant clause added that the bequest was made ‘in recognition of a most valuable service which he once rendered me’. The nature of this service was not specified, nor was it any of Mr Fratton’s business to inquire into it, but the veil over his curiosity was scarcely opaque.

The windfall, standing just then at 83s. 6d. per share, came at a fortunate moment in Mr Aster’s affairs. Realization of a small part of the shares enabled him to settle one or two pressing problems, and in the course of this re-ordering, the two men met several times. At length there came a time when Mr Fratton, urged on by curiosity, stepped slightly closer to the edge of professional discretion than he usually permitted himself, to remark in a tentative fashion:

‘You did not know Sir Andrew very well, did you?’

It was the kind of advance that Mr Aster could easily have discouraged had he wished to, but, in fact, he made no attempt at parry. Instead, he looked thoughtful, and eyed Mr Fratton with speculation.

‘I met Sir Andrew once,’ he said. ‘For perhaps an hour and a half.’

‘That is rather what I thought,’ said Mr Fratton, allowing his perplexity to become a little more evident. ‘Some time last June, wasn’t it?’

‘The twenty-fifth of June,’ Mr Aster agreed.

‘But never before that?’

‘No – nor since.’

Mr Fratton shook his head uncomprehendingly.

After a pause Mr Aster said:

‘You know, there’s something pretty rum about this.’

Mr Fratton nodded, but made no comment. Aster went on:

‘I’d rather like to – well, look here, are you free for dinner tomorrow?’

Mr Fratton was, and when the dinner was finished they retired to a quiet corner of the club lounge with coffee and cigars. After a few moments of consideration Aster said:

‘I must admit I’d feel happier if this Vincell business was a bit clearer. I don’t see – well, there’s something altogether off-beat about it. I might as well tell you the whole thing. Here’s what happened.’

The twenty-fifth of June was a pleasant evening in an unpleasant summer. I was just strolling home enjoying it. In no hurry at all, and just wondering whether I would turn in for a drink somewhere when I saw this old man. He was standing on the pavement in Thanet Street, holding on to the railings with one hand, and looking about him in a dazed, glassy-eyed way.

Well, in our part of London, as you know, there are plenty of strangers from all over the world, particularly in the summer, and quite a few of them look a bit lost. But this old man – well on in the seventies, I judged – was not that sort. Certainly no tourist. In fact, elegant was the word that occurred to me when I saw him. He had a grey, pointed beard, carefully trimmed, a black felt hat meticulously brushed; a dark suit of excellent cloth and cut; his shoes were expensive; so was his discreetly beautiful silk tie. Gentlemen of this type are not altogether unknown to us in our parts, but they are likely to be off their usual beat; and alone, and in a glassy-eyed condition in public, they are quite rare. One or two people walking ahead of me glanced at him briefly, had the reflex thought about his condition, and passed on. I did not; he did not appear to me to be ordinarily fuddled – more, indeed, as if he were frightened … So I paused beside him.

‘Are you unwell?’ I asked him. ‘Would you like me to call a taxi?’

He turned to look at me. His eyes were bewildered, but it was an intelligent face, slightly ascetic, and made to look the thinner by bushy white eyebrows. He seemed to bring me into focus only slowly; his response came more slowly still, and with an effort.

‘No,’ he said, uncertainly, ‘no, thank you. I – I am not unwell.’

It did not appear to be the full truth, but neither was it a definite dismissal, and, ha
ving made the approach, I did not care to leave him like that.

‘You have had a shock,’ I told him.

His eyes were on the traffic in the street. He nodded, but said nothing.

‘There is a hospital just a couple of streets away –’ I began. But he shook his head.

‘No,’ he said again. ‘I shall be all right in a minute or two.’

He still did not tell me to go away, and I had a feeling that he did not want me to. His eyes turned this way and that, and then down at himself. At that, he became quite still and tense, staring down at his clothes with an astonishment that could not be anything but real. He let go of the railings, lifted his arm to look at his sleeve, then he noticed his hand – a shapely, well-kept hand, but thin with age, knuckles withered, blue veins prominent. It wore a gold signet ring on the little finger …

Well, we have all read of eyes bulging, but that is the only time I have seen it happen. They looked ready to pop out, and the extended hand began to shake distressingly. He tried to speak, but nothing came. I began to fear that he might be in for a heart attack.

‘The hospital –’ I began again, but once more he shook his head.

I did not know quite what to do, but I thought he ought to sit down; and brandy often helps, too. He said neither yes nor no to my suggestion, but came with me acquiescently across the street and into the Wilburn Hotel. I steered him to a table in the bar there, and sent for double brandies for both of us. When I turned back from the waiter, the old man was staring across the room with an expression of horror. I looked over there quickly. It was himself he was staring at, in a mirror.

He watched himself intently as he took off his hat and put it down on a chair beside him; then he put up his hand, still trembling, to touch first his beard, and then his handsome silver hair. After that, he sat quite still, staring.

I was relieved when the drinks came. So, evidently, was he. He took just a little soda with his, and then drank the lot. Presently his hand grew steadier, a little colour came into his cheeks, but he continued to stare ahead. Then with a sudden air of resolution he got up.

‘Excuse me a moment,’ he said, politely.

He crossed the room. For fully two minutes he stood studying himself at short range in the glass. Then he turned and came back. Though not assured, he had an air of more decision, and he signed to the waiter, pointing to our glasses. Looking at me curiously, he said as he sat down again:

‘I owe you an apology. You have been extremely kind.’

‘Not at all,’ I assured him. ‘I’m glad to be of any help. Obviously you must have had a nasty shock of some sort.’

‘Er – several shocks,’ he admitted, and added: ‘It is curious how real the figments of a dream can seem when one is taken unaware by them.’

There did not seem to be any useful response to that, so I attempted none.

‘Quite unnerving at first,’ he added, with a kind of forced brightness.

‘What happened?’ I asked, feeling still at sea.

‘My own fault, entirely my own fault – but I was in a hurry,’ he explained. ‘I started to cross the road behind a tram, then I saw the one coming in the opposite direction, almost on top of me. I can only think it must have hit me.’

‘Oh,’ I said, ‘er – oh, indeed. Er – where did this happen?’

‘Just outside here, in Thanet Street,’ he told me.

‘You – you don’t seem to be hurt,’ I remarked.

‘Not exactly,’ he agreed, doubtfully. ‘No, I don’t seem to be hurt.’

He did not, nor even ruffled. His clothing was, as I have said, immaculate – besides, they tore up the tram rails in Thanet Street about twenty-five years ago. I wondered if I should tell him that, and decided to postpone it. The waiter brought our glasses. The old man felt in his waistcoat pocket, and then looked down in consternation.

‘My sovereign-case! My watch … !’ he exclaimed.

I dealt with the waiter by handing him a one-pound note. The old man watched intently. When the waiter had given me my change and left:

‘If you will excuse me,’ I said, ‘I think this shock must have caused you a lapse of memory. You do – er – you do remember who you are?’

With his finger still in his waistcoat pocket, and a trace of suspicion in his eyes, he looked at me hard.

‘Who I am? Of course I do. I am Andrew Vincell. I live quite close here, in Hart Street.’

I hesitated, then I said:

‘There was a Hart Street near here. But they changed the name – in the thirties I think; before the war, anyway.’

The superficial confidence which he had summoned up deserted him, and he sat quite still for some moments. Then he felt in the inside pocket of his jacket, and pulled out a wallet. It was made of fine leather, had gold corners, and was stamped with the initials A. V. He eyed it curiously as he laid it on the table. Then he opened it. From the left side he pulled a one-pound note, and frowned at it in a puzzled way; then a five-pound note, which seemed to puzzle him still more.

Without comment he felt in the pocket again, and brought out a slender book clearly intended to pair with the wallet. It, too, bore the initials A. V. in the lower right-hand corner, and in the upper it was stamped simply: ‘Diary – 1958.’ He held it in his hand, looking at it for quite some time before he lifted his eyes to mine.

‘Nineteen-fifty-eight?’ he said, unsteadily.

‘Yes,’ I told him.

There was a long pause, then:

‘I don’t understand,’ he said, almost like a child. ‘My life! What has happened to my life?’

His face had a pathetic, crumpled look. I pushed the glass towards him, and he drank a little of the brandy. Opening the diary, he looked at the calendar inside.

‘Oh, God!’ he said. ‘This is too real. What – what has happened to me?’

I said, sympathetically:

‘A partial loss of memory isn’t unusual after a shock, you know – in a little time it comes back quite all right as a rule. I suggest you look in there’ – I pointed to the wallet – ‘very likely there will be something to remind you.’

He hesitated, but then felt in the right-hand side of it. The first thing he pulled out was a colour-print of a snapshot; obviously a family group. The central figure was himself, five or six years younger, in a tweed suit; another man, about forty-five, bore a family resemblance, and there were two slightly younger women, and two girls and two boys in their early teens. In the background part of an eighteenth-century house was visible across a well-kept lawn.

‘I don’t think you need to worry about your life,’ I said. ‘It would appear to have been very satisfactory.’

There followed three engraved cards, separated by tissues, which announced simply: ‘Sir Andrew Vincell’, but gave no address. There was also an envelope addressed to Sir Andrew Vincell, O.B.E., British Vinvinyl Plastics, Ltd, somewhere in London ECI.

He shook his head, took another sip of the brandy, looked at the envelope again, and gave an unamused laugh. Then with a visible effort he took a grip on himself, and said, decisively:

‘This is some silly kind of dream. How does one wake up?’ He closed his eyes, and declared in a firm tone: ‘I am Andrew Vincell. I am aged twenty-three. I live at number forty-eight Hart Street. I am articled to Penberthy and Trull, chartered accountants, of one hundred and two, Bloomsbury Square. This is July the twelfth, nineteen hundred and six. This morning I was struck by a tram in Thanet Street. I must have been knocked silly, and have been suffering from hallucinations. Now!’

He re-opened his eyes, and looked genuinely surprised to find me still there. Then he glared at the envelope, and his expression grew peevish.

‘Sir Andrew Vincell!’ he exclaimed scornfully, ‘and Vinvinyl Plastics, Limited! What the devil is that supposed to mean?’

‘Don’t you think,’ I suggested, ‘that we must assume that you are a member of the firm – I would say, from appearances, one of its directors?’

‘But I told you –’ He broke off. ‘What is plastics?’ he went on. ‘It doesn’t suggest anything but modelling clay to me. What on earth would I be doing with modelling clay?’

I hesitated. It looked as if the shock, whatever it was, had had the effect of cutting some fifty years out of his memory. Perhaps, I thought, if we were to talk of a matter which was obviously familiar and important to him it might stir his recollection. I tapped the table top.

‘Well, this, for instance, is a plastic,’ I told him.

He examined it, and clicked his finger-nails on it.

‘I’d not call that plastic. It is very hard,’ he observed.

I tried to explain:

‘It was plastic before it hardened. There are lots of different kinds of plastics. This ash-tray, the covering on your chair, this pen, my cheque-book cover, that woman’s raincoat, her handbag, the handle of her umbrella, dozens of things all round you – even my shirt is a woven plastic.’

He did not reply immediately, but sat looking from one to another of these things with growing attention. At last he turned back to me again. This time his eyes gazed into mine with great intensity. His voice shook slightly as he said once more:

‘This really is 1958?’

‘Certainly it is,’ I assured him. ‘If you don’t believe your own diary, there’s a calendar hanging behind the bar.’

‘No horses,’ he murmured to himself, ‘and the trees in the Square grown so tall … a dream is never consistent, not to that extent …’ He paused, then, suddenly: ‘My God!’ he exclaimed, ‘my God, if it really is …’ He turned to me again, with an eager gleam in his eyes. ‘Tell me about these plastics,’ he demanded urgently.

I am no chemist, and I know no more about them than the next man. However, he was obviously keen, and, as I have said, I thought that a familiar subject might help to revive his memory, so I decided to try. I pointed to the ash-tray.

‘Well, this is very likely Bakelite, I think. If so, it is one of the earliest of the thermosetting plastics. A man called Baekeland patented it, about 1909, I fancy. Something to do with phenol and formaldehyde.’

‘Thermosetting? What’s that?’ he inquired.

I did my best with that, and then went on to explain what little I had picked up about molecular chains and arrangements, polymerization and so on, and some of the characteristics and uses. He did not give me any feeling of trying to teach my grandmother, on the contrary, he listened with concentrated attention, occasionally repeating a word now and then as if to fix it in his mind. This hanging upon my words was quite flattering, but I could not delude myself that they were doing anything to revive his memory.

We must – at least, I must – have talked for nearly an hour, and all the time he sat earnest and tense, with his hands clenched tightly together. Then I noticed that the effect of the brandy had worn off, and he was again looking far from well.

‘I really think I had better see you home,’ I told him. ‘Can you remember where you live?’

‘Forty-eight Hart Street,’ he said.

‘No. I mean where you live now,’ I insisted.

But he was not really listening. His face still had the expression of great concentration.

‘If only I can remember – if only I can remember when I wake up,’ he murmured desperately, to himself rather than to me. Then he turned to look at me again.

‘What is your name?’ he asked.

I told him.

‘I’ll remember that, too, if I can,’ he assured me, very seriously.

I leaned over and lifted the cover of the diary. His name was on the fly-leaf, with an address in Upper Grosvenor Street. I folded the wallet and the diary together, and put them into his hand. He stowed them away in his pocket automatically, and then sat gazing with complete detachment while the porter got us a taxi.

An elderly woman, a housekeeper, I imagine, opened the door of an impressive flat. I suggested that she should ring up Sir Andrew’s doctor, and stayed long enough to explain the situation to him when he arrived.

The following evening I rang up to inquire how he was. A younger woman’s voice answered. She told me that he had slept well after a sedative, woken somewhat tired, but quite himself, with no sign of any lapse of memory. The doctor saw no cause for alarm. She thanked me for taking care of him, and bringing him home, and that was that.

In fact, I had practically forgotten the whole incident until I saw the announcement of his death in the paper, in December.

Mr Fratton made no comment for some moments, then he drew at his cigar, sipped some coffee, and said, not very constructively:

‘It’s odd.’

‘So I thought – think,’ said Mr Aster.

‘I mean,’ went on Mr Fratton, ‘I mean, you certainly did him a kindly service, but scarcely, if you will forgive me, a service that one would expect to find valued at six thousand one-pound shares – standing at eighty-three and sixpence, too.’

‘Quite,’ agreed Mr Aster.

‘Odder still,’ Mr Fratton went on, ‘this meeting occurred last summer. But the will containing the bequest was drawn up and signed seven years ago.’ He again drew thoughtfully on his cigar. ‘And I cannot see that I am breaking any confidence if I tell you that it superseded an earlier will drawn up twelve years before, and in that will also, the same clause occurred.’ He meditated upon his companion.

‘I have given it up,’ said Mr Aster, ‘but if you are collecting oddities, you might perhaps like to make a note of this one.’ He produced a pocket-book, and took from it a cutting. The strip of paper was headed: ‘Obituary. Sir Andrew Vincell – A Pioneer in Plastics.’ Mr Aster located a passage halfway down the column, and read out:

‘ “It is curious to note that in his youth Sir Andrew foreshadowed none of his later interests, and was indeed articled at one time to a firm of chartered accountants. At the age of twenty-three, however, in the summer of 1906, he abruptly and quite unexpectedly broke his articles, and began to devote himself to chemistry. Within a few years he had made the first of the important discoveries upon which his great company was subsequently built.” ’

‘H’m,’ said Mr Fratton. He looked carefully at Mr Aster. ‘He was knocked down by a tram in Thanet Street, in 1906 you know.’

‘Of course. He told me so,’ said Mr Aster.

Mr Fratton shook his head.

‘It’s all very queer,’ he observed.

‘Very odd indeed,’ agreed Mr Aster.

Once & Future vol. 1: The King Is Undead and vol. 2: Old English, by Kieron Gillen et al

Second frame of Chapter 3:

Second frame of Chapter 9:

Having hugely enjoyed the first volume of this, I went back and reread it along with the second volume. As I said before, it's an audacious reinvention of the Matter of Britain, where King Arthur returns as an undead horror in league with present-day fascists, and our hero, together with his tough-as-nails granny, must thwart them. The whole thing moves at a cracking pace with some good set-pieces in south-west England. In the second volume, the dark forces (led by the undead Arthur and the hero's gone-to-the-dark-side mother) summon Beowulf and Grendel and Grendel's mother to their aid, with sanguinary consequences. Like a lot of second volumes, it doesn't take us a lot further than the first, but far enough that I'll certainly be getting the next in the series. You can get vol 1 here and vol 2 here.

Vol 2 was my top unread comic in English; it was also the last book that I finished reading in 2021. Next on the pile of comics is Hergé, Son of Tintin, by Benoît Peeters (may actually turn out to be prose).

The Young H.G. Wells: Changing the World, by Claire Tomalin

Second paragraph of third chapter:

Uppark was to be of crucial importance to Wells over the next eleven years. To begin with it made a large contribution to his education. Later it became a place of refuge when his health was failing, where he was nursed, seen, prescribed for and advised by a first-rate London medical man, Dr William Collins. The same doctor made sure that he was again taken to Uppark when he suffered further breakdowns, and there looked after efficiently, nursed, kept warm and well fed and able to convalesce over many weeks and months. In this way Uppark acted as hospital, convalescent home and indeed almost as a home to him; it is not too much to say that his life was effectively saved there. The Wells family could never have afforded to pay Dr Collins, and were clearly not expected to This long connection between the Fetherstonhaugh family and the housekeeper's son is a striking instance of support being given by privileged land-owners to a sick young man with very little claim on them. Their generosity was a piece of extraordinary good luck for Wells — owed, of course, to the old friendship between his mother and Frances Fetherstonhaugh.

I've read a couple of other books about Wells – David Lodge's novel A Man of Parts and Adam Roberts' H.G. Wells: A Literary Life. This is better than either of them. Tomalin goes into considerable detail on Wells' childhood and early youth, and takes the story up to roughly 1911; both Lodge and Roberts looked at the way in which Wells' love life is reflected in his novels, but Tomalin takes it in the right order, explaining the history of Wells' many relationships, and then turning to the writing to explain how he used the raw material of his own life for his fiction, most obviously in Tono-Bungay, Kipps and Ann Veronica (of the books I have read so far).

A couple of other points that jumped out at me. First, that Wells' love of reading was boosted by a couple of spells of prolonged ill-health as a teenager and young man; his parents were not bookish and didn't really understand what he was up to, but lying in bed all day for months, books gave him an escape route which he retained access to for the rest of his life.

The success of The War of the Worlds and The Time Machine was a complete game-changer. He and his wives had struggled economically until then; after that, his struggle was with maintaining his delivery on his various writing commitments. Poor Jane got to do all the typing up of his handwritten manuscripts while he went out with other women.

Tomalin comments a couple of times on the incredible energy he showed in the first decade of the twentieth century – continuing his output of fiction and non-fiction, heavy engagement in the Fabian Society and nascent Labour movement (while also cultivating friendships with Balfour and Churchill), and still pursuing numerous emotional entanglements (if we are being polite about it). Some of his behaviour was frankly foolish.

There's a lot here, with some pleasing pen and ink illustrations of the buildings where Wells lived as well as the usual clutch of photographs. I'd be hard pressed to choose a favourite of the Claire Tomalin biographies I've read (Samuel Pepys, Jane Austen, Mary Wollstonecraft) but this is certainly their equal. It has only just been published; you can get it here.

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September 2014 books

This is the latest post in a series I started in late 2019, anticipating the twentieth anniversary of my bookblogging which will fall in 2023. Every six-ish days, I've been revisiting a month from my recent past, noting work and family developments as well as the books I read in that month. I've found it a pleasantly cathartic process, especially in recent circumstances. If you want to look back at previous entries, they are all tagged under bookblog nostalgia.

This was the month that my current employers offered me a job, and I accepted. There were a number of factors, both push and pull; to be polite and concentrate on the pull, I liked the prospect of applying my skills and knowledge to a diverse group of clients in the private sector, not just the political projects that I had been working on previously in my career (though I am still working on plenty of political projects); I wanted to work in a bigger office, after eight years of sharing what was effectively a large cubicle with a rotation of interns; and the management structure looked (and turned out to be) a lot better developed.

Speaking of the rotation of interns, English L's internship in my office ended; he has gone on to work for three different non-European diplomatic missions in Brussels, and is still with the third of them as far as I know. His replacement was also English, Z from Preston, whose family language is Gujarati though she also speaks Catalan and Arabic fluently. We only worked together briefly, but have stayed in touch; after further study in the Netherlands, she now works for a major charity in London. I myself gave notice on 14 September and worked out my month.

That was the biggest excitement of the month; otherwise I did not leave Belgium. Our village had the annual zomerfeest with art exhibition.

I read 28 books that month.

Non-fiction 2 (YTD 40)
Who's There?, by Jessica Carney
King's Inns and the Kingdom of Ireland, by Colum Kenny

Who's There King's Inns and the Kingdom of Ireland

Fiction (non-sf) 6 (YTD 36)
The Power and the Glory, by Graham Greene
A Sentimental Education, by Gustave Flaubert
Memoirs of Hadrian, by Marguerite Yourcenar
Rob Roy, by Sir Walter Scott
Race of Scorpions, by Dorothy Dunnett
Harlequin, by Bernard Cornwell

The Power and the Glory A Sentimental Education Memoirs of Hadrian Rob Roy Race of Scorpions Harlequin

SF (non-Who) 12 (YTD 85)
The Mirror Empire, by Kameron Hurley
The Severed Streets, by Paul Cornell
Extinction Game, by Gary Gibson
Unwrapped Sky, by Rjurik Davidson
Word Exchange, by Alena Graedon
Barricade, by Jon Wallace
The Race, by Nina Allan
Lock-in, by John Scalzi
Moxyland, by Lauren Beukes
Marcher, by Chris Beckett
Twenty Trillion Leagues Under the Sea, by Adam Roberts
Eva, by Peter Dickinson
The Causal Angel, by Hannu Rajaniemi

Moxyland Eva

Doctor Who 5 (YTD 47)
The English Way of Death, by Gareth Roberts
Eternity Weeps, by Jim Mortimore
History 101, by Mags L. Halliday
The Blood Cell, by James Goss
The Loneliness of the Long-Distance Time Traveller, by Joanne Harris

The English Way of Death Eternity Weeps History 101 The Blood Cell The Loneliness of the Long-Distance Time Traveller

Comics 3 (YTD 17)
De Scepter van Ottakar, by Hergé
La Galère d'Obélix, by Albert Uderzo
Lost At Sea, by Bryan Lee O'Malley

De Scepter van Ottakar La Galère d'Obélix Lost At Sea

~8,400 pages (YTD ~64,900)
9/28 (YTD 58/225) by women (Carney, Yourcenar, Dunnett, Hurley, Graedon, Allan, Beukes, Halliday, Harris)
1/28 (YTD 16/225) by PoC (O'Malley)

My favourite of these was Chris Beckett's Marcher, which you can get hereThe Power and the Glory, which you can get here, and Memoirs of Hadrian, which you can get here.

Some awful books too – Cornwell's Harlequin, which you can get hereLa Galère d'Obélix, which you can get here in French and here in EnglishRob Roy, which you can get here.

Barbarella, by Jean-Claude Forest, adapted by Kelly Sue DeConnick

Second frame of third page of first volume:

Second frame of third page of second volume:

Famous French comic of the 1960s, on which the cult film of 1968 was based. Barbarella is a leader of men and women who biffs as much as she bonks. Her clothes do have a tendency to come off, voluntarily as often as not. Kelly Sue DeConnick has now given us an updated translation, which reads a lot more smoothly and wittily than the long-standing text by Richard Seaver.

Seaver translation:

DeConnick translation:

It's not deep, but it is fun. You can get vol 1 here and vol 2 here.

My tweets

  • Tue, 17:11: RT @RobDotHutton: Just jotting this down: Theresa May: 1,106 days Gordon Brown: 1,049 days Boris Johnson: 902 days so far.
  • Tue, 17:22: OK, it’s trickier in Dutch because there are more likely to be repeated letters. (Also, in Dutch.) Woordle 206 4/6 ⬜⬜ ⬜⬜ ⬜⬜⬜ ⬜⬜
  • Tue, 18:21: Jani and the Greater Game, by Eric Brown https://t.co/SDGNWRLOMk
  • Tue, 19:21: A bit late, I am finally reading “The Doctor: His Lives and Times” (2013) by @gossjam and Steve Tribe. Glorious. https://t.co/9dZnuyLMDa
  • Wed, 08:33: Huh. That’s not how *I* spell it. Wordle 207 5/6 ⬜⬜ ⬜ ⬜ ⬜ ⬜ ⬜ ⬜

Jani and the Greater Game, by Eric Brown

Second paragraph of third chapter:

She was still seated in the armchair she had occupied last night, though now imprisoned beneath a settee that had closed over her like a lid. To her right, through the gap between the two clasped pieces of furniture, a piercing arrow of sunlight warmed her skin.

Steampunky novel set in an alternate Raj where Britain has exploited captured extraterrestrial technology to remain Top Nation; protagonist is the daughter of an Indian government minister and his long-dead English wife; she is pursued by various miscreants who wish to overturn British rule for one reason or another; she discovers that the Raj is based on an alien power source, and there is a reckoning. You can get it here.

This was the SF book that had lingered longest unread on my shelves. Next on that pile is Indigo, by Clemens Seitz.

My tweets

  • Mon, 12:56: Lithuania wins microchip windfall from Taiwan in China clash https://t.co/oUwiNkMWVg Intriguing.
  • Mon, 16:05: RT @lennylaw: Matthew Parris has made no secret of his detestation of Boris and, as such, when he decides to put the shoe in, he does it wi…
  • Mon, 17:11: Why Grange Hill was, to my generation, the most important and beloved show on TV https://t.co/RaB11SLglp From @MsRachelCooke. Hear hear!
  • Mon, 18:17: Northern Ireland a Generation after Good Friday, C. Coulter, N. Gilmartin, K. Hayward, P. Shirlow https://t.co/4FzvVyHzAn
  • Mon, 20:48: Just been fiddling around with @TheStorygraph as an alternative to @goodreads and @LibraryThing. Wow, what a terrible user interface! Can’t easily browse your own reviews, can’t find other people’s, can’t find your friends to link with them. I think I’ll stick with what I’ve got.
  • Tue, 07:05: Wordle 206 3/6 ⬜ ⬜⬜⬜ ⬜ ⬜
  • Tue, 09:12: RT @GavinBarwell: Let me put this politely: it is not *entirely clear* why the Prime Minister needs to wait for Sue Gray’s report to find o…
  • Tue, 10:45: RT @DPhinnemore: ‘Truss has struck a warmer tone than Frost… and [promised] “constructive proposals” to break the deadlock. ‘But official…

Northern Ireland a Generation after Good Friday, C. Coulter, N. Gilmartin, K. Hayward, P. Shirlow

Second paragraph of third chapter:

Prisoner release was probably on a par with policing reform as one of the most contentious issues that arose from the Good Friday Agreement (hereafter GFA). The political representatives of conflict-related prisoners such as Sinn Fein, the Ulster Democratic Party (UDP) and the Progressive Unionist Party (PUP) had sufficient influence to argue convincingly that the release of prisoners would advance the delivery of demobilisation and disarmament. While sitting at the heart of wider Disarmament, Demobilisation and Reintegration (DDR)1 strategies at that time, the onset of decommissioning and disarmament has led to a decline in the status and influence that the prisoner community had in relation to the two governments. Holding weaponry or using violence, such as in the Canary Wharf bombing, was a reminder of such influence.2 After the ceasefires, prisoners' representatives were feted during visits to Downing Street and Leinster House, as they were consulted at nearly every turn and tweak of the then emerging peace process.
1 See United Nations Disarmament, Demobilization and Reintegration Resource Centre. Available at: http://unddr.org/iddrs.aspx. Accessed 1 February 2020.
2 The IRA's bombing of Canary Wharf in 1996 targeted London's financial district. Two years after the same organisation's ceasefire, its capacity to cause or £100 million of damage, kill two people and injure forty more was indicative of its power to force the pace of negotiations between the IRA and the British government.

An academic survey of aspects of Northern Ireland now that we are more than two decades on from the 1998 Good Friday Agreement – not quite a generation, really, but if you count the Troubles as having run from Burntollet to the IRA ceasefire, January 1969 to August 1994, it's been over longer than it lasted. Most people of course would put the start date earlier and the end later, but the point is that we are not far from that milestone one way or the other.

The book is by four academics at four different universities; the chapters are not individually signed, though knowing two of them vaguely I can guess which chapters they were more involved with. It's well structured, and I found many points of agreement as well as several of disagreement. To go through the chapters one by one:

The first chapter is a political history of the years since 1998, the rise and fall of UUP/SDLP-led power-sharing and its DUP/Sinn Féin-led successor. This betrays an authorial bias that pops up in more detail later: that all the current big Northern Irish parties are awful, and the only hope is from a resurgent Left and communities sector. One can believe one of these things without believing the other. It is telling that the narrative voice is not sure whether or not to be happy about the success of the Alliance Party in the 2019 elections.

The second chapter is a substantial and comparative look at dealing with legacy issues, providing victims of the Troubles with closure, an issue that the British government now threatens to meddle in. There is a sympathetic examination of local projects to restore and preserve memories of what happened, and a keen scrutiny of Truth and Reconciliation Commissions elsewhere in the world before concluding that they are not quite right for Northern Ireland. If there was a firm recommendation for what is right for Northern Ireland, or might be, I missed it.

The third chapter really got my blood boiling on an issue which I confess I had not thought much about before: the barriers faced by ex-prisoners and their families in integrating into the workforce. The increase of concerns about vetting employees and potential employees with regard to their legal backgrounds has the downside of pushing people with convictions and time served from decades ago out of jobs that they have done for years. There are a lot of gut-wrenching case studies here, and no prospect of positive political action being taken. One of the best chapters in the book.

The fourth chapter reviews portrayals of the Troubles in cinema and television, only two of which I had seen, Good Vibrations and Derry Girls. The analysis is interesting enough, but a bit dismissive of the two things I liked, and did not fill me with enthusiasm to try any of the others. (Maybe the first series of The Fall.)

The fifth chapter is better, on those who do not identify with either of the two communities. It's the one chapter I really wished had been longer. It's likely that last year's census will show more Catholics than Protestants in Northern Ireland; the really interesting number will be the increase in those who do not identify with either side. The mutual disengagement of most of the people in this category and the political classes is the biggest potential challenge for the Northern Irish political system. As before, the writers think that salvation will come from the Left, which has failed to provide it in the last hundred years.

The sixth chapter looks in detail at the role of women in politics and the failure of the legal system to pursue violence against women as vigorously as it does the perpetrators of political violence. While I feel sympathetic to the theme I felt that this tipped over the edge to polemic; there are a number of reasons why armed conspirators against the state get more attention from law enforcement authorities than abusive spouses. The story of women in politics is presented very much through the narrow focus of the Northern Ireland Women's Coalition, which was wound up in 2006. Rather surprisingly, the fact that all three MEPs elected in 2019 were women is not even mentioned.

The seventh chapter looks at poverty and at the effect of London-driven welfare "reform" on the Northern Ireland economy. I am sympathetic to the basic narrative – it has never made any sense to me that you can "help" people by giving them less money, and the welfare "reforms" were what prompted me to leave the Liberal Democrats in 2013. The hypocrisy of the local political parties offering all resistance to welfare reforms short of actually doing anything about it is well analysed. Again, it would have been helpful to see an alternative approach elaborated here.

The final chapter was clearly written very hastily in the middle of the pandemic, and can be skipped.

So, more good than bad here – much more good than bad – but not the final word, I think. You can get it here.