Friday reading

Current
Fish Tails, by Sheri S. Tepper
Strange Bedfellows: An Anthology of Political Science Fiction, ed. Hayden Trenholm
Thirteen, by Steve Cavanagh
The HAVOC Files 2, ed. Shaun Russell

Last books finished
The Life and Adventures of Mrs. Christian Davies, Commonly Called Mother Ross by Daniel Defoe
The Beast of Stalingrad, by Iain McLaughlin
The Secret of Kit Cavenaugh, by Anne Holland
Contact, by Carl Sagan

Next books
The Place of the Lion, by Charles Williams
The Mists of Avalon, by Marion Zimmer Bradley

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Star Tales, ed. Steve Cole

Second paragraph of third story ("Einstein and the Doctor", by Jo Cotterill):

‘I can't believe we're going to meet Einstein,’ Graham said, his eyes alight. ‘What a legend.’

A collection of six stories by different authors, each bringing the Thirteenth Doctor and her friends, and sometimes earlier incarnations too, into contact with historical celebrities Jenny T. Colgan does Amelia Earhart, Paul Magrs does Elvis, Jo Cotterill does Einstein, Steve Cole as well as editing the book does Houdini, Trevor Baxendale does Pythagoras and Mike Tucker does Audrey Hepburn, in most cases fighting off alien menaces and time paradoxes. The first two are actually rather poignant as Amelia and Elvis come close to avoiding their early deaths, but Destiny Must Prevail. This is not Great Literature, but it kept me entertained. You can get it here.

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“Grotto of the Dancing Deer”, by Clifford D Simak

Second paragraph of third section:

John Roberts was waiting for him on the park bench. They nodded at one another, without speaking, and Boyd sat down beside his friend

When I first wrote this up in 2006, I said:

Simak is of course most famous for his characteristic rural and pastoral take on sf: David Pringle and John Clute, in the Encyclopedia of Science Fiction, describe "Wisconsin in about 1925" as being his true spiritual home, and his style as "constrained, nostalgic, intensely emotional beneath a calmly competent generic surface". At first sight, "Grotto of the Dancing Deer" might seem a new departure, set as it is in the foothills of the Pyrenees and Wahington DC. But in fact it is a quintessentially Simakian take on one of the oldest of sf tropes: if there were immortals living among us, what would they be like?

Most stories featuring immortals either treat immortality as a curse (the first of these probably being Gulliver's Travels) or as a blessing, probably one of several supertalents possessed by the story's protagonist or protagonists (see Zelazny or Heinlein). Simak's immortal is an ordinary rural bloke, with (unlike the hero of his Way Station) no particular explanation for, or purpose to, his immortality; he just gets along with life as best he can, and breaks his 20,000-year silence simply because he is lonely.

That's about all there is to it. The viewpoint character, Boyd, offers the immortal Luis the temptation of writing a book, becoming a millionaire; Luis rejects it. He in turn offers Boyd the location of Charlemagne's treasure, lost since Roncesvalles twelve centuries before; Boyd accepts the information but says he won't use it. Luis' immortality is not a blessing; he feels it has made him into a coward, a skulker, a participant rather than an observer. Actually, we know this is not entirely true; he has been a conscientious and responsible worker on Boyd's digs, who has studied in Paris and Oxford, and who is also a brilliant artist as Boyd has discovered. But it is clear that the worst thing about his immortality is the loneliness of a secret that cannot be told.

I love the way Simak economically sets the scene. "Luis was playing his pipe when Boyd climbed the steep path that led up to the cave." The first sentence introduces the two main characters, the main setting, and indeed the clue to the mystery (Luis' pipe). He does it again introducing the short section back in the States: "The last leaves of October were blowing in the autumn wind and a weak sun, not entirely obscured by the floating clouds, shone down on Washington." There's something very autumnal about Simak's style in general and perhaps about this story in particular. (Indeed, the choice of the word "autumn" rather than the usual American "fall" is both surprising and appropriate.) I wish I could write like that.

There must have also been an autumnal factor in the choice of the Nebula and Hugo voters. Simak, born in 1904, was by some way the oldest ever recipient of either award at the time, born six years before the previous record-holder, Fritz Leiber, who had won both awards with "Catch That Zeppelin" five years earlier. (Simak's record stood for two decades until the recent [in 2006] surge of affection for Jack Williamson.) "Grotto of the Dancing Deer" was his second last published short story. He had already been made a Grand Master (the third, after Heinlein and Williamson). It also can't have done any harm that he was the Guest of Honour at the Worldcon where the Hugo was awarded.

But basically this is a good story – probably my favourite of the joint winners in the Short Story category after Connie Willis' "Even the Queen" – which doesn't seem to have had a lot of competition (I haven't read any of the other nominated stories, but none has had much reprint history, which is often a good indicator, and the Hugo voting was pretty one-sided), and which happened fortunately also to be by a popular author in his last years as a writer. Not perhaps a classic, but certainly a gem.

(Small note on the story's title: As originally published in Analog it appears to have been "Grotto of the Dancing Deer", and that title seems to have then been used by all the early collections. But The Best of the Nebulas firmly uses "The Grotto of the Dancing Deer", which appears also to be the case for the two Simak collections, The Marathon Photograph and Over the River and Through the Woods, and for the Jack Dann/Gardner Dozois anthology Immortals. However in its latest publication, The SFWA Grand Masters, Volume 1 ed. Frederik Pohl (1999), the definite article is once more absent. I assume that Simak himself preferred to have it in, but since it seems to have won Hugo and Nebula without, I'll continue referring to the story as "Grotto of the Dancing Deer" here.

There's not much to add to that, fifteen years on. Maybe just worth noting that there are only three characters in the story (the protagonis, the immortal, and the friend in Washington), and they are all white men.

"Grotto of the Dancing Deer" won both Hugo and Nebula for Short Story in 1981. No other story was on both final ballots. It was a year when there was unusually little crossover between the two sets of awards. Best Novel went to The Snow Queen (Hugo) and Timescape (Nebula), each of which I would have thoguht more likely to win the other award rather than the one they did win. Best Novella went to “Lost Dorsai”, by Gordon R. Dickson (Hugo) and “Unicorn Tapestry”, by Suzy McKee Charnas (Nebula). Best Novelette went to “The Cloak and the Staff”, also by Gordon R. Dickson (Hugo) and “The Ugly Chickens”, by Howard Waldrop (Nebula), this last also being about unexpected historical survivors alive in the present day. The Hugo for best Dramatic Presentation went to The Empire Strikes Back.

Next in this sequence is another shorter piece that was the only joint winner in its year, “The Saturn Game”, by Poul Anderson. My memory is that I did not like it as much.

This is a much reprinted story, most recently in the fourth volume of Simak's collected fiction, appropriately titled Grotto of the Dancing Deer and Other Stories. I also have it in a couple of other places, notably Bova's Best of the Nebulas collection.

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Empire Games, by Charles Stross

Second paragraph of third chapter:

They left the conference center in a Tesla with blacked-out windows, then drove her for half an hour through the trackless, officezoned industrial yards of Seattle. Their destination was an anonymous warehouse with a loading dock and a windowless door. There was nothing to distinguish it from hundreds of others except for a couple of unobtrusive bird-drones soaring overhead like legless, featherless seagulls with telephoto eyes. Inside, it was furnished with office cubicles and, disturbingly, a shipping container tricked out as a motel room—if motel rooms came without windows and had doors that locked from the outside. Gomez and her sidekick—Rita gathered he was called Jack, but his surname remained elusive—ushered Rita into a room like a compact Holiday Inn, then locked the door. Half an hour later it opened again and a uniformed cop shoved her suitcase inside. It had been searched and clumsily repacked, but everything was present.

First of the second series of Merchant Princes books by Charles Stross, where the ability to move between worlds is restricted to a few with the right gene, but the economic and military effects of the linkage between parallel universes is profound. Some very good setup of the intelligence connections between a world rather like ours, except with an even bigger disruptive event than 9/11, and another where a newish revolutionary regime in the east of North America is teetering on the brink of governance breakdown, with the added drama of the family relationship between the two protagonists. Looking forward to the next one. You can get this one here.

This was my top unread book acquired in 2017. Next on that pile is the omnibus of the first two books in the original series, Bloodline Feud. (Which I did actually read back in the day, but I'll go back to them happily.)

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Hitting a Straight Lick with a Crooked Stick, by Zora Neale Hurston

Second paragraph of third story (“A Bit of Our Harlem”):

The boy approached the table where the girl sat with the air of a homeless dog who hopes that he has found a friend.

Collection of the short stories written by Hurston in the 1920s and 1930s, all about the contemporary experience of black Americans, mostly set either in Harlem or in Eatonville, Florida, her home town. Several of these stories were unpublished in her lifetime, perhaps intentionally so; they are good honest reportage of her people’s life, some better than others. There’s a lot of marital infidelity, a lot of smart children; they all worked well enough for me apart from the biblical pastiches which are anyway mercifully short. Published only last year. You can get it here.

This was my top unread book by a writer of colour. Next on that list is A Hero Born, by Jin Yong.

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The Vlooybergtoren

I took B yesterday to visit the Vlooybergtoren, a lookout tower a few km north of where she lives (at 50.926611 N 4.916528 E to be precise). The weather was not fantastic, but we had also been (with all three kids) two years ago and I don't seem to have written that up here at the time, so here are the rather better photographs from 2019 mixed in with the overcast ones from yesterday.

It was built in 2013 to replace an old wooden watchtower that had collapsed after repeated vandalism, and was then enlarged in 2018 after another vandalism incident. The whole thing weighs 13 tons; it is 11 m high and 20 m in length.

Yesterday B had just had a brutal haircut (she is not always co-operative with haircuts). But she was in good enough form. Some sports car enthusiasts were meeting up at the tower – you can see two AC Cobras behind her, and I am not sufficiently versed in these matters to identify the others that were visible in the vicinity.

B does not go for long walks these days, and yesterday balked a bit less than halfway up. I escorted her back to our car and completed the climb myself.

In 2019 we were able to persuade her to go all the way.

At the base of the tower is a poem by local poet Ina Stabergh:

Tower of Tielt

Noem mij toren van Pisa
of steek een pluim op mijn top
zeg dat ik eend ladder ben
en wortels heb die me voeden
maar zeg nooit
dat ik van ivoor ben
of de toren van Babel.

Zeg gewoon: Toren van Tielt.

Tower of Tielt

Call me the Tower of Pisa
Or stick a feather on top of me
Say that I am a ladder
And have roots that feed me
But never say
That I am an ivory tower
Or the Tower of Babel

Just say: Tower of Tielt.

The designer, Yves Willems, said rather cryptically that he was inspired by a phrase from Antoine de Saint-Exupéry's Terre des hommes:

Il semble que la perfection soit atteinte non quand il n'y a plus rien à ajouter, mais quand il n'y a plus rien à retrancher.

It seems that perfection is achieved not when there is nothing more to add, but when there is nothing more to remove.

The Vlooybergtoren won a prize for one of the best steel constructions in Belgium that year. The jury said:


A thrilling project, full of imagination with a
surrealist side. It has a function, but maybe
it doesn't. This 'stairway to heaven' is a wink to
Magritte – 'ceci n'est pas un escalier'.
(French and Dutch texts are slightly differently nuanced; I have used the French.)

The reference of course is to this famous painting of 1929:

So, partly a watchtower for the local woodlands, partly a nod to our national heritage of artistic surrealism, partly a tourist attraction. What could be more Belgian?

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July 2021 books

Non-fiction 2 (YTD 24)
Too Innocent Abroad: Letters Home from Europe 1949, by Joan Hibbard Fleming
The Life and Adventures of Mrs. Christian Davies, Commonly Called Mother Ross on Campaign with the Duke of Marlborough (incorrectly attributed to Daniel Defoe)

Non-genre 4 (YTD 17)
Middlemarch, by George Eliot
Hitting a Straight Lick with a Crooked Stick, by Zora Neale Hurston
Martin Lukes: Who Moved My Blackberry, by Lucy Kellaway
The History of Mr Polly, by H.G. Wells

SF 11 (YTD 74)
Raybearer, by Jordan Ifueko
Riding the Unicorn, by Paul Kearney
Black Sun, by Rebecca Roanhorse
The Separation, by Christopher Priest
Harrow the Ninth, by Tamsyn Muir
The House of Shattered Wings, by Aliette de Bodard
A Deadly Education, by Naomi Novik
Empire Games, by Charles Stross
"Grotto of the Dancing Deer", by Clifford D Simak
The Kingdom of Copper, by S. A Chakraborty
The Dragon Republic, by R.F. Kuang

Doctor Who 3 (YTD 5, 7 inc comics)
The Last Pharaoh, by Iain McLaughlin and Claire Bartlett
Times Squared, by Rick Cross
Star Tales, ed. Steve Cole

Comics 1 (YTD 19)
Le dernier Atlas, tome 2, by Fabien Vehlmann, Gwen De Bonneval and Fred Blanchard

7,400 pages (YTD 40,100)
13/21 (YTD 65/144) by non-male writers (Hibbard Fleming, Davies/Ross, Eliot, Hurston, Kellaway, Ifueko, Roanhorse, Muir, de Bodard, Novik, Chakraborty, Kuang, Bartlett)
6/21 (YTD 30/144) by PoC (Hurston, Ifueko, Roanhorse, de Bodard, Chakraborty, Kuang)
4/21 rereads (YTD 15/144) – Middlemarch, The Separation, "Grotto of the Dancing Deer", The Last Pharaoh

Current
Fish Tails, by Sheri S. Tepper
Strange Bedfellows: An Anthology of Political Science Fiction, ed. Hayden Trenholm
Thirteen, by Steve Cavanagh

Coming soon (perhaps)
Angel of Mercy, by Julianne Todd, Claire Bartlett and Iain McLaughlin
The Place of the Lion, by Charles Williams
The Mists of Avalon, by Marion Zimmer Bradley
A Hero Born, by Jin Yong
Cryptozoic, by Brian Aldiss
Eurofiles: A Cartoonist's View of Europe and the Wider World, by Peter Schrank (if I can find it)
The Primal Urge, by Brian Aldiss
A Woman In Berlin, by Anonymous
Humankind, by Rutger Bregman
Felaheen, by Jon Courtenay Grimwood
The Bloodline Feud, by Charles Stross
"The Saturn Game", by Poul Anderson
Great Glowing Coils of the Universe, by Joseph Fink and Jeffrey Cranor
Retour sur Aldébaran, tome 2, by Leo
Kipps, by H. G. Wells
Jack, by Marilynne Robinson
Zodiac Station, by Tom Harper
Hurricane Fever, by Tobias S. Buckell
The Return of the Discontinued Man, by Mark Hodder

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500 days of plague

So, back when I started these ten-day updates in March last year, I had no idea I’d still be at it half a thousand days later. (I did skip the updates between 100 and 220 days in; that was the lull of summer last year.) I will keep at it for now; we’re not exactly back to normal yet.

We’re a lot closer than we were. Today, for the first time in a month, the weekly average of new infections in BElgium was less than the previous reported day – and since that’s a seven-day average of the period from three to nine days ago, that means we are probably over the hump. The number of cases has risen a lot from its dip in June, but is still lower than at any time since mid-September 2020, more than nine months ago. And although hospitalisations and ICU occupancy have risen, they are many times less than the levels last time we had infection rates this high. There were six days in July when no COVID deaths at all were reported in Belgium, for the first time since 10 July last year.

So I’m on the optimistic side at the moment. I’ll be going back to work in the office five days a week, starting next Monday, 2 August. There are not a lot of people around during the holiday season – this week, I was in on Monday, Tuesday and Wednesday, and I don’t think there were more than six others present on any of those days, in an office whose capacity is around 50. I have an actual physical meeting planned in London on 12 August, and I’ve also booked some time off to go to Ireland, now that that is possible again.

Apart from that, we celebrated F’s 22nd birthday with cake last Sunday.

And shopping in Leuven, I came across a band playing “Ciao Bella”, not sure exactly why.

Irish friends will have noted that the retired politician Desmond O’Malley died, aged 82. He famously challenged the church’s role in Irish politics in a speech during a parliamentary debate on legalising contraception in 1985, which ended with the famous phrase, “I stand by the Republic”:blockquote>The politics of this would be very easy. The politics would be, to be one of the lads, the safest way in Ireland. But I do not believe that the interests of this State, or our Constitution and of this Republic, would be served by putting politics before conscience in regard to this. There is a choice of a kind that can only be answered by saying that I stand by the Republic and accordingly I will not oppose this Bill. A friend pinged me to remind me (and I am not sure if I had ever realised it) that O’Malley had actually cited my father at some length earlier in the speech:

I took the opportunity over the last weekend to read some of the chapters in J. H. Whyte’s book on Church and State in Modern Ireland. To read, perhaps in full for the first time myself, the whole mother and child controversy of 1951, as it was called, is unbelievable. It is incredible that Members of this House and of the Government of the day could be as cravan and supine as they were, as we look back on them now. It shows how much the atmosphere has changed. Then one has to ask oneself “Has the atmosphere changed?”. Because when the chips are down is it going to be any different?

It was interesting to read the so-called mother and child scheme. There were ten provisions for women in it relating to ante-natal and post-natal care and care of the children when they were born. One of the provisions was for free dental treatment for pregnant women. The most tremendous objection was taken to that at that time. I recall only a couple of weeks ago, the Minister for Finance reading that out here in the budget speech and there was a howl of laughter all round the House. How could anyone seriously object to something like that? How could anyone seriously object to anything in it, as one looks back on it now? Look at the effect it has had on this island. We have to bear in mind that this is 1985, and whatever excuses one could make for people in 1951, those excuses are not valid today for us.

We are 36 years on from 1985, which was 34 years on from 1951, and Ireland has come a lot further in the last 36 years than in the previous 34.

Friday reading

Current
Fish Tails, by Sheri S. Tepper
Strange Bedfellows: An Anthology of Political Science Fiction, ed. Hayden Trenholm
Thirteen, by Steve Cavanagh
The Life and Adventures of Mrs. Christian Davies, Commonly Called Mother Ross on Campaign with the Duke of Marlborough by Daniel Defoe

Last books finished
Le dernier Atlas, tome 2, by Fabien Vehlmann, Gwen De Bonneval and Fred Blanchard
The History of Mr Polly, by H.G. Wells
The Dragon Republic, by R.F. Kuang

Next books
The Place of the Lion, by Charles Williams
The Mists of Avalon, by Marion Zimmer Bradley

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June 2012 books

This is the latest post in a series I started in late 2019, anticipating the twentieth anniversary of my bookblogging which will fall in 2023. Every six-ish days, I've been revisiting a month from my recent past, noting work and family developments as well as the books I read in that month. I've found it a pleasantly cathartic process, especially in recent circumstances. If you want to look back at previous entries, they are all tagged under bookblog nostalgia.

Lots of travel with my Georgian client that month, but no time for photographs: starting with a site visit in Tbilisi, and then to Geneva to lobby the UN, and Strasbourg to lobby the Council of Europe.

In my reading world, a group of us were working our way through War and Peace and happened to hit the precise 200th anniversary of the French invasion of Russia while reading it, which was an interesting synchronicity.

In external news that I don't really care about, Queen Elizabeth II marked fifty years on the throne. (The actual anniversary is in February but they celebrate in June.) I imagine that she will make it to sixty next year.

I read 29 books that month.

Non-fiction 6 (YTD 28)
The Tipping Point, by Malcolm Gladwell
Jar Jar Binks Must Die, by Dan Kimmel
The Flowering of New England 1815-1865, by Van Wyck Brooks
The Steampunk Bible, by Jeff VanderMeer with S.J. Chambers et al.
The Young Elizabeth, by Alison Plowden
Danger to Elizabeth, by Alison Plowden

Fiction (non-sf) 3 (YTD 14)
Hard Times, by Charles Dickens
A Good Hanging and Other Stories, by Ian Rankin
Lust, Caution and Other Stories, by Eileen Chang

sf (non-Who) 7 (YTD 39)
Redemption in Indigo, by Karen Lord
The Wonderful Adventures of Nils, by Selma Lagerlöf
The Best Science Fiction of the Year #4, edited by Terry Carr
Sphere, by Michael Crichton
Waking the Moon, by Elizabeth Hand
Sauron Defeated, by J.R.R. Tolkien
Parable of the Talents, by Octavia E. Butler

Doctor Who 4 (YTD 37)
Autonomy, by Daniel Blythe
The House That Jack Built, by Guy Adams
Dying in the Sun, by Jon de Burgh Miller
Falls The Shadow, by Daniel O'Mahony

Comics 9 (YTD 12)
Habibi, by Craig Thompson
The Unwritten, vols 3-4, by Mike Carey and Peter Gross
Digger vols 1-6, by Ursula Vernon

Running totals:
~8,000 pages (YTD 38,800)
14/29 (YTD 39/130) by women (Chambers, Plowden x2, Chang, Lord, Lagerlöf, Hand, Butler, Vernon x6)
3/29 (YTD 5/130) by PoC (Chang, Lord, Butler)

The best of these was Parable of the Talents, by Octavia Butler, though it was a reread; you can get it here. Also really liked the Ian Rankin anthology, which you can get hereWaking the Moon, which you can get hereRedemption in Indigo, which you can get hereDigger, which you can get here.
Really didn't like either Sphere, which you can get here, or Dying in the Sun, which you can get here.

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2021 Hugos: The Lodestar Award

Obligatory bit of throat-clearing: I opposed the creation of the YA award because I am keenly aware of the extra burden every new category places on the Hugo administrators. But I have to admit that pound for pound, the YA and now Lodestar finalists are on par with the Best Novel finalists for the Hugos, and the extra degree of quality added to the awards as a whole justifies the extra resources required. (I do not feel the same way about Best Series, but we'll get to that.) Having said that, this year's finalists are a bit weaker

6) Legendborn, by Tracy Deonn. Second paragraph of third chapter:

Lights flash blue and red against the night sky, and dread, heavy and sour, fills my stomach. A Durham County Sheriff patrol car has pulled into the lot, and my friends are standing beside it talking to a deputy holding a notepad.

Dear God, King Arthur and the Round Table turn up in Chapel Hill as university students. I'm sorry, I know the writer was also saying important things about race and class, but I can't get past the silliness of importing a very specifically English/Welsh legend to North Carolina. Did not finish. You can get it here.

5) Cemetery Boys, by Aiden Thomas. Second paragraph of third chapter:

They passed by some brujx still looking for Miguel.

Similarly failed to grab me. Again, I know that the writer was saying important things about gender identity and Latinx culture, but the plot turned out to be complete cliché. (Though this time I did keep reading to the end, in the hope that it wouldn't be.) You can get it here.

4) Raybearer, by Jordan Ifueko. Second paragraph of third chapter:

“I told you travelling by lodestone was a bad idea,” Kathleen snapped at Woo In as she emptied my sick bowl out the window. “We should have taken camels. Lodestones are nasty powerful. She's never been exposed to magic before.”

Deeply imagined world with clear roots in West Africa; our protagonist is an unwilling part of a dynastic magical plot by her (frankly awful) mother, set up to kill the young ruler who she is also advising, and struggles to escape her destiny. All nicely put together but I wasn't totally convinced by some elements of the world-building – is there a means of replacement if one of the ruling magical Council dies or resigns, for instance? And the magic seemed (as so often) to be just sufficiently strong for the plot point it was supporting. You can get it here.

3) Elatsoe, by Darcie Little Badger. Second paragraph of third chapter:

Kirby hopped off the bed. He’d been curled at her feet all night, entertained by who-knows-what. When ghosts fell asleep, they went back to the underworld, so he clearly didn’t dream. Maybe Kirby contemplated squirrels and cheese for seven hours.

I quite liked the set-up – an alternate USA timeline where the supernatural is an accepted part of life and our Apache protagonist has brought her own dog back from the dead as a ghost; and they confront ancient evil in a Texas town. However there's quite a lot of infodumping throughout, and I felt the author lost the run of herself in the concluding chase through the evil haunted mansion. You can get it here.

2) Really difficult to choose between the top two; I thought that they were both excellent. However, you have to put one second and one first, so my #2 vote goes to A Wizard’s Guide to Defensive Baking, by "T. Kingfisher" [Ursula Vernon]. Second paragraph of third chapter:

There was a new man in the bakery, and he didn’t look like he was interested in tea or sweet buns. He was wearing dark purple robes past his ankles, and the hems weren’t dusty at all. The street sweepers do a good job, once the snow’s melted, but not that good. He definitely hadn’t walked here.

Well thought out if slightly silly fantasy world where those who have magic can only manifest it in a particular way, and our protagonist manifests hers through magical baking, through which she is called on to save her home city, all the other magicians being conveniently unavailable (or traitors). As usual with this author, a cracking pace that keeps you engaged. You can get it here.

1) And my top vote this year goes to A Deadly Education, by Naomi Novik. Second paragraph of third chapter:

The next morning Aadhya knocked to get me for showers and breakfast company, which was nice of her. I wondered why. A drill was valuable, but not that valuable. Thanks to her company, I was able to take my first shower in a week and refill my water jug before we headed to the cafeteria. She didn’t even try to charge me for it, except watching in turnabout while she did it, too.

I mean, in general the wizardly boarding school setting was already a bit of a cliché even when Ursula Le Guin did it, never mind J.K. Rowling. But Novik takes a couple of interesting new turns. First, the school is infested by evil magical creatures which in a normal year eat or otherwise kill a large percentage of the students. Second, our protagonist is deeply cynical, rude to everyone, and doesn't even try to be a good girl, just alive. Third, the brutal outworkings of the class system in determining who lives and who dies are a crucial element of the plot. On top of this there's the usual plot of classroom politics and teenage angst, and one slightly wonders about all the parents who send their kids to a boarding school where their chances of survival are so low, but I liked it a lot. You can get it here.


2021 Hugos: Best Novel | Best Novella | Best Novelette | Best Short Story | Best Series | Best Related Work | Best Graphic Story or Comic | Best Dramatic Presentation, Long Form | Best Dramatic Presentation, Short Form | Best Professional Artist and Best Fan Artist | Lodestar | Astounding

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Times Squared, by Rick Cross

Second paragraph of third chapter:

Kramer had respectfully offered Lethbridge-Stewart the front passenger seat. She sat in the back with Sally and Owain, pointing out landmarks and catching up on the latest about the wedding plans and Sally’s new appointment to Edinburgh. Lethbridge-Stewart had to admit to himself that he was mildly pleased – at first – by Kramer’s deference. Then the driver somehow managed to slalom across four lanes of traffic, whipping into a taxi-only lane and braking with a screech of tires as he joined the long line of exhaust-belching vehicles headed for the Queensboro Bridge. Only then, removing both white-knuckled hands from where he’d planted them firmly on the dashboard – to keep from being thrown headlong into it – did Lethbridge-Stewart understand that Kramer had done him no favour at all in offering up the front seat.

As previously mentioned, I'm returning to the Lethbridge-Stewart series of books published by Candy Jar, looking at the career of the Brigadier before he became the Brigadier. In a previous review I unfairly accused the author of this novel, Rick Cross, of being a pseudonym; in fact he's NASA's senior media writer in the Marshall Space Flight Centre, and this is his first novel.

And it's pretty good. Lieutenant Adrienne Kramer, who later in her own timeline appears in the early Eighth Doctor novel Vampire Science, is Lethbridge-Stewart's liaison in New York where there are basically Yeti in the Metro. But it's a bit more than Web of Fear transplanted to the Big Apple: Lethbridge-Stewart is travelling with his fiancee and nephew, the latter already having a strange connection with the Great Intelligence, and there's a time-travelled version of Professor Travers in the mix as well. Well-written, respectful of its source material and true to its setting; it's a little too closely linked to the first novel in this sequence, The Forgotten Son, to work entirely on its own, but apart from that a good read. You can get it here.

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“Stories for Men” (J Kessel), Light (MJ Harrison), The Separation (C Priest)

Latest in my series of posts about successive winners of the Tiptree, Clarke and BSFA Best Novel awards.

Second paragraph of third part of “Stories for Men”, by John Kessel:

He washed his face, applied personal hygiene bacteria, threw on his embroidered jumpsuit, and rushed out of the apartment.

I remember being hugely impressed by this story when it was a Nebula finalist back in 2003. Hugo voters weren’t, and it finished in tenth place at nominations stage, both Hugo and Nebula voters going instead for Coraline, by Neil Gaiman. On rereading I still think it is a classic, and well done to the Tiptree jury for recognising it. It’s a story of a matriarchal society of human colonists on the Moon, where men have largely been disempowered for the common good; it’s neither utopia nor dystopia, but a complex society which may or may not be able to anser its own questions, and where politics and violence have an uneasy and widely denied coexistence. Eighteen years on, it still resonated for me. I own it in the Gardner Dozois annual collection, which you can get here or here; you can also get it in this John Kessel collection and in this anthology of lunar sf.

Second paragraph of third chapter of Light, by M. John Harrison:

He was a typical New Man, tall, white-faced, with that characteristic shock of orange hair that makes them look constantly surprised by life. The tank farm was too far up Pierpoint to do much trade. It was in the high 700s, where the banking district gave out into garments, tailoring, cheap chopshop operations franchising out-of-date cultivars and sentient tattoos.

When I first read this in 2004, I wrote:

I didn’t like it. I thought the sex was sordid, the characters unpleasant, and the plot barely comprehensible.

Seventeen years on, I don’t feel the need to revise my opinion much. For the Tiptree jury, which honoured this jointly with “Stories for Men”, the unpleasantness of the male characters was part of the point, but I really bounced off it. You can get it here.

The Tiptree jury also had three novels, four short stories and an anthology on their Honor Roll. I have read only one of the three novels, and bounced off it too. The short fiction included Karen Joy Fowler’s “What I Didn’t See”, which won the Nebula in its category, two more Nebula finalists – Gregory Frost’s “Madonna of the Maquiladora” and Eleanor Arnason’s “Knapsack Poems” – and Ted Chiang’s “Liking What You See: A Documentary”, which is a favourite of mine.

That year the BSFA voters and Clarke jury chose the same book: Christopher Priest’s The Separation. The second paragraph of its third chapter is:

I hope you will remember me: I came to interview you in Antananarivo some eight years ago, about your experiences flying with the USAAF in the Chinese and Manchurian campaigns in 1942-3. You were kind enough to give me several hours of your time. From these conversations I extracted some excellent material about the fire-bomb missions in which you took part: the raids on the Japanese strongholds at Nanking and Ichang. I used most of that in my history of the campaign called The Silver Dragons: the 9th US Army Air Force in China. I recall that at the time I asked my publishers to send you a complimentary copy of the book. I realize that I never heard from you afterwards, so in case you did not receive the earlier copy I am enclosing one from the recently reissued paperback edition. As in the earlier editions, your interview features prominently in the first few chapters.

This was one of the very first books I wrote up when I started bookblogging regularly in November 2003. My review was succinct:

[E]xcellent stuff, dopplegangers, altered timelines and the second world war, as if Philip K Dick had been English and sober.

Again, I don’t feel the need to revise my opinion much, especially since I’ve now read a few more alternate-WW2 novels. (Good ones: The Man in the High Castle, by Philip K. Dick, Jo Walton’s trilogy Farthing, Ha’penny and Half a CrownTimewyrm: Exodus, by Terrance Dicks, Dominion, by C.J. SansomThe Sound of his Horn, by Sarban, SS-GB, by Len Deighton.) I think it’s a really well put together exploration of several different timelines, involving the crucial choices of a pair of identical twins, one in the RAF, the other a pacifist, and the possibility of an early end to the war with a Jewish homeland in Madagascar. There aren’t any clear answers, even the questions may not be all that clear, but it really keeps one reading; the alternate-WW2 novel to end all others. Great stuff. You can get it here.

As mentioned above, The Separation won both Clarke and BSFA Best Novel awards. Light, discussed above, was on both shortlists, as were The Scar by China Miéville and The Years of Rice and Salt, by Kim Stanley Robinson. BSFA voters also had the options of Castles Made of Sand, by Gwyneth Jones and Effendi, by Jon Courtenay Grimwood. Clarke judges also shortlisted Kil’n People, by David Brin, and the following year’s Nebula winner, Speed of Dark, by Elizabeth Moon. I think I’ve read all of those books and they are two very solid shortlists. Apart from Elizabeth Moon, there was no other crossover with the Nebula ballot for either that year or the next. Kil’n People, The Scar and The Years of Rice and Salt were also on the Hugo ballot, but voters at the Canadian Worldcon chose local boy Robert Sawyer’s awful book, Hominids.

Next in this sequence: 2003: Set This House In Order: A Romance Of Souls by Matt Ruff; Felaheen by Jon Courtenay Grimwood; and (gulp) Quicksilver by Neal Stephenson.

Arthur C. Clarke Award winners:
The Handmaid’s Tale | The Sea and Summer | Unquenchable Fire | The Child Garden | Take Back Plenty | Synners | Body of Glass | Vurt | Fools | Fairyland | The Calcutta Chromosome | The Sparrow | Dreaming in Smoke | Distraction | Perdido Street Station | Bold as Love | The Separation | Quicksilver | Iron Council | Air | Nova Swing | Black Man | Song of Time | The City & the City | Zoo City | The Testament of Jessie Lamb | Dark Eden | Ancillary Justice | Station Eleven | Children of Time | The Underground Railroad | Dreams Before the Start of Time | Rosewater | The Old Drift | The Animals in that Country | Deep Wheel Orcadia | Venomous Lumpsucker | In Ascension | Annie Bot

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A long weekend in Paris

It's F's 22nd birthday today – Happy Birthday! – and as an early treat we went to Paris last weekend. I go to Paris now and then for work – a bit less so at the moment obviously – but I realised that possibly the last time I stayed overnight as a tourist was on an inter-rail with Anne in 1992, the year before we got married. We have all changed a bit since then. It was also the first nights outside Belgium for me and F since our trip to Burgundy and Switzerland this time last year. F had not been outside Belgium since, though I had briefly been in France twice, once to find my great-uncle's grave and once for a haircut. I can't remember a previous time in my life when I spent seven month without crossing an international border, let alone a year without an international overnight; even when I was a small child there were regular visits to relatives in Dublin.

The formalities of entering France were fairly straightforward. I had my second vaccination several weeks ago, so just needed to wave my certificate at the French police as we got off the train in Paris. F gets his second vaccination tomorrow; he therefore had to get a test a couple of days before we left, which he also then waved at the French police who gave it cursory examination along with our IDs. On our return, we detected no checks at all in Brussels.

We booked an AirBnB for €105 per night right beside the Pompidou Centre – a brilliant location. Our travels were a bit hampered by the fact that I wrenched a muscle in my leg a couple of weeks ago, and it's been pretty painful in the mornings until it warms up. On that basis I booked a taxi via Thalys on our arrival, which turned out to be a needless extravagance; twice the price of the taxis on the street, and more difficult to locate. Mostly I was able to manage public transport anyway.

We ate at the following places:

Friday dinner: La Reserve Du Terroir, 13 rRue Quincampoix, French tapas near the apartment; I had yummy snails and steak tartare.
Saturday breakfast: Crêperie Loulou, 62 rue Rambuteau, omelettes which were fine.
Saturday lunch: Le Jardin du Roy, 31 rue de la Huchette, nice Niçoise salad but awful glass of wine which I couldn't take more than two sips from.
Saturday dinner: Phở 18, 18 Rue Philibert Lucot, guided by our friend A, really really nice Vietnamese food; I had crispy sweet and sour duck.
Sunday breakfast: Le Cavalier Bleu, 143 rue Saint Martin, a really good deal on breakfast omelettes
Sunday lunch: sandwiches in Saint-Germain-en-Laye; yuck.
Sunday ice cream: La Fabbrica De Luca, 18 rue de la Salle, Saint-Germain-en-Laye, guided by our friend E who lives there; really nice on a hot day
Sunday dinner: Chez Mamie, 18 rue du Grenier-Siant-Lazare, Chinese food and very nice.
Monday breakfast: Le Cavalier Bleu again, I just went for the bread and croissant breakfast which is also good value, but F stuck with the omelette.
Monday lunch: Ancora Tu, 6 rue de Chaillot, with colleagues; very acceptable Italian, though F found the linguini carbonara very salty.
Monday dinner: Yasoya, 88 rue Saint-Martin, right beside where we were staying; swift service (which turned out to be just as well); no sushi, though totally Japanese menu; the beef tataki was heavenly.

Worth making a general point that thanks to the pandemic, a lot of restaurants have closed, and neither TripAdvisor nor Google Maps is fully up to date with recent changes. So don't set your hopes on that fantastic-looking seafood place around the corner.

What we did:

Friday: as noted above, arrived without incident in the evening, had our only French dinner of the trip (we ate Asian the other three nights) and retired, having ensured that Notre Dame is still there.

Every time we approached the apartment from the south, we encountered this gentleman, a creation of the exiled Syrian artist Khaled Dawwa, with the title Standing: The King of Holes, courtesy of Le Socle.

F0BA155D-B860-4314-BC4B-6103247220FB.jpeg

Saturday: As previously noted, we started with the superb exhibition about Napoleon.

From there I took F on a quick pilgrimage to Shakespeare and Company, which is just the same as ever, if not more so.

On a whim we then went across the river to the Crypt of Notre Dame, whose exhibition is not all that big – bulked out a bit by some reflections on Victor Hugo – but has a stunning extra element: for €3 more, you can experience Ubisoft's 3-D virtual reality recreation of Notre Dame, which itself is of course closed to visitors right now. I must say I thought it was fantastic. Here's the 2-D version of the video.

I had been inspired to come to Paris in the first place by a recent Doctor Who play, starring Peter Davison and David Tennant, with a convoluted plot involving Cybermen in the Paris Catacombs. So inevitably we had to visit the Catacombs as well. Unlike Rome, these are purely nineteenth-century constructions, a huge artistically created subterranean ossuary of skeletons exhumed from former city centre graveyards. I had visited as a teenager, and my memory was that it was slightly more interesting then. I have a vague memory that they used to show off Danton's skull, or was it Robespierre's? Anyway, no celebrities this time, just the ranks of centuries of dead Parisians.

And we met with my friend A, who took us to a favourite Vietnamese place of hers in the 13th. The Asian Quarter greets you with a lovely sculpture which resolves into the Chinese character 門 (mén), meaning "gate", as you align yourself with it.

After dinner, A accompanied us as far as the Pompidou Centre before going home, and the only decent picture I have of the Centre is the three of us stading in front of it in the last of the evening sun.

Sunday: We started with the Pompidou Centre, just outside our front door, and had a good look at the current exhibition of women abstract artists. There were some names there I knew, including videos – gosh, Barbara Hepworth's accent was pretty posh!!!! It was worth the price of admission alone to see Tremor, by Bridget Riley. (She turned 90 earlier this year.)

Also, gosh, Louise Bourgeois!

The thing I really want to follow up on is the 1924 Soviet science fiction film Aelita, Queen of Mars, for which costume designer Alexandra Exter established a lot of the science fiction aesthetic that we now take for granted.

But we spent most of Sunday out at Saint-Germain-en-Laye, where my friend E had suggested we could watch the Tour de France as it started its final day. Saint-Germain-en-Laye is nalso where the exiled James II and VII spent his final days. I thought we could spent some time looking for his memorial in the church, but in fact it's just on the right as you go in.

And you can choose between two different versions of history, neither necessarily complete.

Famous public figures can be seen in the vanguard of the Tour.

Also, dodgy merchandise can be bought by the gullible.

Eventually the Tour de France itself came past, and I wondered what the exiled Jacobites in the castle 300 years ago would have thought of it all.

E and her (slightly rebellious) sons treated us to ice cream and a nice but hot walk in the park, in the course of which both F and I caught the sun a bit.

That took us to early evening, and a relatively early night.

On Monday, we started with a lightning quick visit to the Louvre, where my leg was playing up again so I didn't really have energy (or time) to give it the full whack. However, there is plenty to see in the Denon wing, and I'll save the other two for another time. This extraordinary candlestick was beaten out of a single sheet of metal in Khorasan in the late 12th century.

Of course, the classics are classics for a reason.

Our last selfie of the trip had us posing with a Dacian barbarian prisoner.

From the Louvre we headed up to eat lunch with colleagues near L'Étoile, and then walked a long hot walk across the river, my leg now much better, past the Quai d'Orsay and through the Invalides where the security checkpoint has one of the more creative approaches to Russian transliteration (and indeed basic German vocabulary) that I have seen:

Our last actual conversation was with a friend at the EU Institute for Strategic Studies, which I used to visit often in my thinktank days. I'm no longer in that world to the same extent, but it was interesting to learn how it had developed since the last time I was there.

Finally we visited the taxidermist Deyrolle. This place is just extraordinary. And a little creepy. You can't take pictures but here's a video.

Our quick Japanese meal before going had to be even quicker when I realised that our train's departure time was 19:24 and not 19:42, but we made it, despite me hobbling on and off the Metro, with about 90 seconds to spare. As F cheerfully said, there was another train later if we missed that one; but we didn't.

So, a great few days and a great break from routine. Hopefully travel will start becoming a thing again.

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May 2012 books

This is the latest post in a series I started in late 2019, anticipating the twentieth anniversary of my bookblogging which will fall in 2023. Every six-ish days, I've been revisiting a month from my recent past, noting work and family developments as well as the books I read in that month. I've found it a pleasantly cathartic process, especially in recent circumstances. If you want to look back at previous entries, they are all tagged under bookblog nostalgia.

In the outside world, the big news was the French Presidential election, in which François Hollande destroyed the incumbent with the killer line, "Ce n'est jamais de votre faute!" If only his presidency had been as good as his debate performance.

One of my aunts had a big birthday party; as usual for this era, my best photo is not of her but of various cousins, another aunt, an uncle and an ex-aunt on the front doorstep. Sadly this was to be the last picture I would take of Denise, my youngest aunt, at the front of the group.

I also had a nice trip to Paris with the Georgians, including a meeting with mid-level diplomats at the Quai d'Orsay literally at the moment that the newly appointed foreign minister arrived in the building for the first time. And I was touched by greatness (at 0:37) as Javier Bardem put the case of the Saharawis to the European Parliament.

In the SF world, I picked my first but not my last pointless fight with Brad Torgersen.

And the Russian Eurovision entry was half in English and half in Udmurt.

I read only 17 books that month.

Non-fiction 6 (YTD 22)
The Word in the Desert, by Douglas Burton-Christie
The Heart of the Buddha's Teaching, by Thich Nhat Hanh
How to Sharpen Pencils, by David Rees
The Great O'Neill, by Sean O'Faolain
Tickling the English, by Dara O'Briain
History & Hope: the Alliance Party of Northern Ireland (then unpublished), by Brian Eggins

sf (non-Who) 7 (YTD 32)
Leviathan Wakes, by "James S.A. Corey"
Deadline, by "Mira Grant"
The Moon and the Sun, by Vonda McIntyre
Countdown, by "Mira Grant"
Silently and Very Fast, by Catherine M. Valente
Surface Detail, by Iain M. Banks
Hiding Under the Light (unpublished) by Ruth Coleman-Taylor

Doctor Who 5 (YTD 33)
The Taking of Chelsea 426, by David Llewellyn
Bay of the Dead, by Marc Morris
Invasion of the Cat-People, by Gary Russell
St Anthony's Fire, by Mark Gatiss
Shadows of Avalon, by Paul Cornell

Running totals:
~5,700 pages (YTD 30,800)
5/17 (YTD 25/101) by women ("Grant"x2, McIntyre, Valente, Coleman-Taylor)
1/17 (YTD 2/101) by PoC (Thich Nhat Hanh)

My top new book of the month was Tickling the Englishyou can get it here. Unusually I'm going to call out three that appealed to me less: The Taking of Chelsea 426, which you can get here, Invasion of the Cat-People, which you can get here, and Countdown, which you can get here.


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Hugos 2021: Best Dramatic Presentation, Long Form

I found it pretty easy to rank these.

6) Tenet, written and directed by Christopher Nolan

Nasty violence, incomprehensible time-travel plot and Kenneth Branagh does a very silly Eastern European accent.

5) The Old Guard, written by Greg Rucka, directed by Gina Prince-Bythewood

Charlize Theron and her co-stars are very cute immortal fighters in today’s world, and do a lot of biffing, for no reason that I could really detect.

4) Soul, screenplay by Pete Docter, Mike Jones and Kemp Powers, directed by Pete Docter, co-directed by Kemp Powers, produced by Dana Murray

In case you were worrying, I liked all the others, including this. Soul is a fun story of a man whose soul is separated from his body just before he was going to get his big musical break, and then becomes incarnated as a cat. Features Graham Norton in a supporting role.

3) Palm Springs, written by Andy Siara, directed by Max Barbakow

A reshaping of the concept of Groundhog Day where the repeated day is someone else’s wedding. I thought this was sweet and funny and kept up the pacing well, but then realised when I came to write this post that I couldn’t remember all that much about it.

2) Eurovision Song Contest: The Story of Fire Saga, written by Will Ferrell, Andrew Steele, directed by David Dobkin

We had some complaints after the final Hugo ballot was published from people who thought that this film anout the Icelandic entry for the Eurovision Song Contest was not sfnal. I’m tired of explaining that the subject criteria for the Dramatic Presentation categories are not as restrictive as they are for other categories, but anyway this film features several appearances by the ghost of a character who is killed early on, and one of the other characters is killed by invisible elves, which seems pretty sfnal to me. It also features Graham Norton (whose life goals probably did not include appearing in two Hugo finalist films in the same year). As my regular reader knows, I love Eurovision, and I really liked this film, including Pierce Brosnan as the protagonist’s grumpy father. My one quibble is that Will Ferrell is a little too old to credibly be in the central part (though this is lampshaded in the script). There’s a particularly glorious scene where Ferrell and Rachel McAdams participate in a singalong of Eurovision classics with some of the previous winners and contestants.

1) Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), written by Christina Hodson, directed by Cathy Yan

I know, totally inconsistent of me to mark down Tenet and The Old Guard for the cartoonish violence and then give my top vote to a movie that is all about cartoonish violence. But, even for someone like me who has almost no familiarity with the Harley Quinn comics and did not always enjoy previous DC movies, this has an internal integrity and an amazing level of energy that lifts it above the other contenders this year for me. We know exactly who our protagonists are, and why they are doing what they are doing, because the film tells us; and yet it also has a cleverly fragmented timeline (like Tenet and Palm Springs) which of course echoes the fragmented nature of Harley Quinn’s mind. It’s funny and witty, and beautifully put together, and it gets my top vote. Rock on, Margot Robbie.

2021 Hugos: Best Novel | Best Novella | Best Novelette | Best Short Story | Best Series | Best Related Work | Best Graphic Story or Comic | Best Dramatic Presentation, Long Form | Best Dramatic Presentation, Short Form | Best Professional Artist and Best Fan Artist | Lodestar | Astounding

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