Castrovalva, by Andrew Orton (and Christopher H. Bidmead); and some reflections on Escher

I was again glued to the TV in January 1982 as Peter Davison took on the role of the Fifth Doctor in Castrovalva, and I really enjoyed the look and feel of the story, even if the plot was a little confusing. I was fourteen. When I came back to it in 2007, I wrote:

This was the first Peter Davison story and is one of the better ones, but a bit atypical in that the Doctor spends much of the time trying to reconstruct his own personality. Lots of lovely nods to earlier Doctors, most of which were rather lost on me in 1981. The companions are still rather feeling their way, with Nyssa being the clever one who explains everything, coming across as rather cold despite her warm and fuzzy fairy costume, while Tegan gets to be the one who everything has to be explained to. Adric seems to have rather enjoyed being tied up by the Master… The plot doesn’t really make a lot of sense, but the depictions of two magical places – Castrovalva itself and the Tardis interior – are both rather wonderful, and the music and general sense of goodwill makes it still good viewing.

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