Second frame of third section:

I met Gani Jakupi at, of all things, a mutual friend’s standup comedy gig in Brussels a few months ago, and he kindly gave me two of his books; he is a comics writer based between Paris and Barcelona, and this was originally published in French as Retour au Kosovo. It’s a tremendous first person account of being in exile and seeing your home country on the news, not knowing if family are surviving; and then going back after the war is over to see what remains, and what can be reconstructed. It was published in 2014, but obviously has contemporary resonances at the human level with the Gaza war, even if there are significant differences in the geopolitics.

Jakupi’s take is humane and sane; he finds space for his traumatised relatives (several of his cousins were killed in a massacre) but also for the surviving Serbs; he has a wary approach to the internationals and to Kosovo’s new leaders. Jorge González has produced a tremendous artistic accompaniment to Jakupi’s script, with pastels conveying the shades of uncertainty in the situation, and some slippage into darker areas. Jakupi himself is a recognisable protagonist on every page, and I was pretty sure that I recognised a couple of other people who I know personally in the story.

This is one of the most remarkable graphic stories I have read this year. The French original is available here, but I don’t know how the average punter could get hold of the English translation; it was commissioned and published by the ProArte Institute in Kosovo, but that doesn’t even seem to have a website.