My tweets

  • Wed, 11:42: RT @nickeardleybbc: Brutal for Change UK. Their top candidate in Scotland – David McDonald – is now backing the Lib Dems at the European el…

Posted in Uncategorised

Tuesday reading

Current
Feersum Endjinn, by Iain M Banks
The Ginger Man, by J. P. Donleavy
The Big Finish Companion, vol. 2, by Kenny Smith

Last books finished
The TARDIS Handbook, by Steve Tribe
The Calculating Stars, by Mary Robinette Kowal
Around the World in Eighty Days, by Jules Verne
Infomocracy, by Malka Older

Next books
Bland Ambition, by Steve Tally
Nebula Awards Showcase 2011, ed. Kevin J. Anderson

Posted in Uncategorised

My tweets

Posted in Uncategorised

Alarums and Excursions: Improvising Politics on the European Stage, by Luuk van Middelaar

Second paragraph of third chapter (on the migration crisis):

The demand for action had a different character from that which accompanied previous crises. The Ukraine crisis of 2014–15 was a matter of war and peace; the Union itself had hardly any resources or powers to bring the conflict under control, so active intervention by the member states jointly was an obvious necessity. Moreover, application of the magnetic forces provided by the Brussels diplomatic toolkit, the showpiece being the association agreement with Kiev, had worked out badly. No one at that point, therefore, disputed the primacy of events-politics. In the fields of asylum and migration, by contrast, the Union had quite a few competences and regulations. The situation became unmanageable because the regulatory framework collapsed under divergent strategic interests and because of the disruptive impact of the situation on public opinion. For a long time Brussels was blind to the gap between what was administratively possible and what, in this exceptional situation, was politically required. Engagement by the highest political authority needed for events-politics was even actively hindered by some institutions, reinforcing the impression of a loss of control, of powerlessness.

This book came out only last month in English translation (originally published two years ago in Dutch as De nieuwe politiek van Europa, but clearly updated as it includes many references to events of late 2017 and 2018). I vaguely know the author, and tidying up the house at the weekend found an invitation to a dinner we both attended several years ago. He was the speechwriter for the first full-time President of the European Council, Herman Van Rompuy, but apart from that is political scientist, a philosopher and a perceptive analyst of what is really going on – constructively critical of the stories that the EU tells itself. I drew very much on the book in preparing my own recent talk on Brexit. In March, the Irish Times published a nice précis of his views, especially as applied to Brexit.

Several years ago, a senior (and British) EU official quipped to me that the EU’s triumph is to convert difficult political issues into boring technical details. Van Middelaar dismantles this EU self-perception in forensic detail, first of all outlining several crucial recent cases where the politics was everything, and technical details held crucial political importance – the EU crisis, the Ukraine crisis, the refugee crisis, and the EU’s response to Trump and Brexit – and then delving deeper into the EU’s system of governance, showing that technocracy is not enough to satisfy the public’s requirements for accountability.

I found particularly useful his point that the EU system was not built to include internal constructive opposition. It was deliberately and politically constructed as a massive peace project, removing the incentives for future conflict in Europe through economic co-operation. The EU works by consensus, expertise, technocracy, and grand coalitions. Even though almost all decisions by member states in the Council of Ministers are theoretically taken by qualified majority, in fact there are very few votes; there is a strong incentive to find a consensus. The same is true in the European Parliament, where unlike in a national parliament there is no group of members representing a potential alternate government.

This is both a strength and a weakness. Van Middelaar looks at the failures of the European federalist model (Commission as sole executive, Parliament as sole legislature) and analyses where opposition actually does happen in the current system: among governments, from the European Parliament, from national parliaments, from groups of opposition parties and from maverick forces. The EU has not yet accommodated all of these voices in its own political order, and it will take a certain change of mind-set in its leadership for that to happen. Van Middelaar doesn’t say so directly, but it’s more likely than not that the EU will adapt to the reality it has created; that’s what has always happened before.

It’s a book which will be of more interest to those who support the EU project than to those who oppose it (and of very little interest to those who don’t much care one way or the other). Strongly recommended. You can get it here.

Posted in Uncategorised

Doctor Who: the Episode Guide, by Mark Campbell

Second paragraph of third section (as usual in these books, it's about The Edge of Destruction):

Observations: This unusual two-parter, featuring only the four regular cast members and the Tardis interior, was written to offset overspends on the previous stories, to introduce a 'sideways' narrative (instead of 'past' or 'future'), and to complete the series' probationary run of 13 episodes.

I picked this up in 2010 and did not get around to reading it until now. I didn't miss much. It's a Lofficier-style recounting of every Who story to date (so through the end of the first Matt Smith season), with a pretty bare-bones approach. The work of key designers is credited in the episode descriptions rather than in the rubric. TV and webcast spinoffs are listed at the end, in not much detail. This was behind the curve in 2010. If you want, you can get it here.

Posted in Uncategorised

My tweets

Posted in Uncategorised

My tweets

Posted in Uncategorised

My tweets

  • Thu, 12:07: RT @alexstubb: Never take things for granted. The EU exists for 3 reasons: 1. Peace. 2. Security. 3. Prosperity. Let’s keep working at it,…
  • Thu, 12:56: RT @DmitryOpines: Thinking you can have a “clean-break Brexit” is like believing you can divorce a spouse of 30 years with whom you share a…
  • Thu, 13:04: RT @fatbadger442: Ffs. I know we’re supposed to expect to have a universities minister who hasn’t got much of a clue about how academia wor…
  • Thu, 15:38: RT @AdamsonPaul: I do get the sentiment about the need for the EU to speak with one voice ‘on the world stage’ but there is a certain irony…
  • Thu, 16:05: But will they listen? https://t.co/W74qYdzSaB
  • Thu, 17:04: I get a couple of lines in a Foreign Policy article on Europe’s far right parties – or rather, countries where ther… https://t.co/ob1jFu0Uu0
  • Thu, 18:17: Arthur C. Clarke Award – Goodreads/LibraryThing stata https://t.co/bXH06G88nC
  • Thu, 19:23: RT @alanbeattie: Spitzenkandidaten process so self-evidently a bad idea you wonder which secret eurosceptic saboteur is behind it. Robert C…
  • Thu, 21:18: RT @CharleneWhite: To post a pic picturing a 3-day old baby of mixed heritage as a monkey, then claim it was a joke? That’s old-school prej…
  • Fri, 10:45: RT @TheNewsQuiz: Lots of people have asked if we can share the bit of @AngelaBarnes talking about proposals to ask victims of sexual assaul…
Posted in Uncategorised

Arthur C. Clarke Award – Goodreads/LibraryThing stats

Goodreads LibraryThing
owners av rating owners av rating
Rosewater, by Tade Thompson 22604 3.82 226 3.8
Frankenstein in Baghdad, by Ahmed Saadawi 13710 3.52 249 3.55
Semiosis, by Sue Burke 13517 3.95 179 3.86
Revenant Gun, by Yoon ha Lee 8018 4.2 171 4.08
The Electric State, by Simon Stålenhag 4169 4.41 74 4.3
The Loosening Skin, by Aliya Whiteley 328 3.91 5 3.5
Posted in Uncategorised

My tweets

  • Wed, 12:55: RT @BenLowry2: This ought to be self evident but apparently isn’t,eg a voter might dislike a party that has 3 candidates but not mind one o…
  • Wed, 12:56: RT @JoatStewart: Jack Cohen died peacefully on 6 May. He was a close friend and colleague for 30 years, and I will always remember him with…
  • Wed, 15:55: Well done @epc_eu for gender-balanced panel on Montenegro. https://t.co/lJmUMJtVXd
  • Wed, 16:35: RT @MelisssfMelissa: Should schools in the UK be forced to teac Arabic numerals as part of the curriculum?
  • Wed, 18:16: The Botany of Desire, by Michael Pollan https://t.co/tb0rkJ7g7r
  • Wed, 19:22: RT @jasonomahony: Only one person in this photo can never be head of state of either the United Kingdom or the United States, and the only…
  • Wed, 21:59: RT @WeyandSabine: Great read – fascinating reminder of the 1950s debate on „customs union vs FTA“ pitching UK against EEC6. And I’d forgott…
  • Thu, 10:45: Lyra McKee’s partner: Theresa May ‘derelict in her duties to Northern Ireland’ https://t.co/kYT5hnKsfw Hard to disagree with any of this.
Posted in Uncategorised

The Botany of Desire, by Michael Pollan

Second paragraph of third chapter:

Living things have always had to make their way in a wild garden of flowers and vines, of leaves and trees and fungi that hold out not only nourishing things to eat but deadly poisons, too. Nothing is more important to a creature's survival than knowing which is which, yet drawing a bright line through the middle of the garden, as the God of Genesis found, doesn't always work. The difficulty is that there are plants that do other, more curious things than simply sustain or extinguish life. Some heal; others rouse or calm or quiet the body's pain. But most remarkable of all, there are plants in the garden that manufacture molecules with the power to change the subjective experience of reality we call consciousness.

A great little book looking at four plants and how they have affected us humans as well as vice versa. The plants are the apple, the tulip, marijuana and the potato, and their respective desires a sweetness, beauty, intoxication and control. The best chapter is probably the third, on marijuana, which looks at how the War On Drugs has actually forced producers to innovate genetically and geographically, to the point that the marijuana now available is way stronger than you could get before the government started to crack down on its possession. But I found myself flicking to Wikipedia to check all kinds of other facts, such as the Kazakh origin of the apple tree, and the lack of genetic diversity among domesticated potatoes (which made the Irish population of the 1840s so vulnerable to a single fungus). Lots of tasty sweet stuff. Recommended. You can get it here.

This was my top unread book acquired last year (one of Anne's Christmas presents) and my top unread non-fiction book. Next on those lists respectively are The Paying Guests, by Sarah Waters, and Becoming, by Michelle Obama.

Posted in Uncategorised

My tweets

Posted in Uncategorised

Tuesday reading

Current
The Calculating Stars, by Mary Robinette Kowal
The TARDIS Handbook, by Steve Tribe
Feersum Endjinn, by Iain M Banks

Last books finished
The Cruel Prince, by Holly Black
A Sunless Sea by Anne Perry
Dark Lord of Derkholm, by Diana Wynne Jones
The Good Doctor, by Juno Dawson
Ursula K. Le Guin: Conversations on Writing, by Ursula K. Le Guin with David Naimon
Animate Europe Plus, by David Shaw, Marta Okrasko, Juliana Penkova, Bruno Cordoba and Paul Rietzl

Next books
The Ginger Man, by J. P. Donleavy
Bland Ambition, by Steve Tally

Posted in Uncategorised

My tweets

  • Mon, 12:56: RT @gerrylynch: So hope for a great sea-change On the far side of revenge. Believe that further shore Is reachable from here. Believe in mi…
  • Mon, 16:05: RT @ConorGallaghe_r: Every few years the NYT has an article marveling that Irish people don’t sleep on dirt floors and eat turf for dinner…
  • Mon, 16:56: RT @DPhinnemore: Not sure Raab was really listening to Barnier: Raab ‘We need to know how the backstop ends, it needs to be short, finite…
  • Mon, 17:11: Centre parties have captured a significant number of seats from both nationalists and unionists at the local electi… https://t.co/rtexFIPnFY
  • Mon, 18:34: The Day She Saved the Doctor, by Jacqueline Rayner, Jenny T. Colgan, Susan Calman, Dorothy Koomson https://t.co/KGNzRH1TiI
  • Mon, 19:04: RT @StevePeers: This is a seriously false claim. The UK has an opt out from the single currency, and the CJEU has confirmed that no Member…
  • Mon, 19:06: NI Council Results Map – salmonofdata https://t.co/G1wzaeQA0U Again from @peterdonaghy, this is truly gorgeous.
  • Mon, 20:09: Special thank you to my 197 new followers from UK., Ireland, USA, and more last week. https://t.co/KsKgiTjUtt
Posted in Uncategorised

The Day She Saved the Doctor, by Jacqueline Rayner, Jenny T. Colgan, Susan Calman, Dorothy Koomson

Second paragraph of third story (“Clara and the Maze of Cui Palta”, by Susan Calman):

Clara sighed heavily, turned to face him, placed her hands very deliberately on her hips and spoke in a tone that warned of impending annoyance. ‘What? Why do you keep staring at me? Have I grown a horn from the middle of my forehead?’

Four pretty good stories, two by established Who writers Jacqueline Rayner and Jenny T. Colgan (Colgan of course much better known for her other writing) and two by established writers who are new to the Whoniverse (Susan Calman and Dorothy Koomson), each featuring a companion (Sarah Jane, Rose, Clara, Bill) who makes a crucial difference to the plot. My favourite was the Twelve-and-Bill story, “Bill and the Three Jackets” by Dorothy Koomson, which had a neat bit of identity-swapping and body horror tying into Bill’s own back story; I’ll look out for more of her work. You can get them all here.

Posted in Uncategorised

My tweets

Posted in Uncategorised

De Terugkeer van de Wespendief (The Return of the Honey Buzzard), by Aimée de Jongh

Third page:


Second frame: "For God's sake, Laura!"
Third frame: "Why won't you listen to me?"

This won the Prix St-Michel for Best Dutch-language Album of 2015, and I hunted it down to broaden my knowledge. (Actually I've found it rather difficult to track down other winners, apart from Amoras vol 1 and De Maagd en de Neger.)

It's the story of Simon, a failing bookseller who witnesses a woman committing suicide on the train line in the Biesbosch near his storage cabin. The experience brings back his memories of the death of a childhood friend who had been bullied at school; he also gets entangled with a young student who is researching magical realism, while his wife Laura continues to press him to close the family store for good. The art is nicely done and well observed; the plot doesn't quite deliver, but it is an interesting journey. You can get the original here and the English translation here.

This was my top unread non-English language comic. Next on that list is De Amusement, by Brecht Evens.

Posted in Uncategorised

My tweets

Posted in Uncategorised

My tweets

Posted in Uncategorised

My tweets

Posted in Uncategorised

On the Waterfront, by Malcolm Johnson

Second paragraph of third chapter:

Whole truckloads of cargo disappear from the piers without a trace. Hijackers take their toll from shipments en route to and from the piers. Casual pilferage by individual thieves, awaiting only opportunity, sends the loss totals higher, but this form of theft is negligible compared with the highly organized stealing by the gangs. And here again the key to the business is thorough control of the union labor by the mobsters in power on the piers. They dictate the hiring of union members and see to it that the “right men” get the important jobs. The right men in most instances are members of the mob, usually ex-convicts.

Of all the material I’ve looked at which was adapted to Oscar-winning movies, this is the most altered in the adaptation. It’s not that surprising, really; the original material was a series of factual newspaper articles in the New York Sun in 1947 and 1948 about organised crime and the dock industry. In itself it is interesting enough. It’s a classic example of investigative journalism which does not hesitate to name names (though presumably some names are left out); it’s not a broad survey of social conditions on the docks, it’s a very specific investigation of how the shipping industry was being extorted by the leadership of the International Longshoremen’s Union, and the difficulties faced by the authorities in chasing them down. The cost of this extortion was, of course, passed on to the consumer, and the profits went directly to the union leadership, who forced the workers to compete for their small cut of the available labour.

The film of course must tell its own narrative, but I found it striking how little of the wider political context made it to the screen. Johnson’s journalism makes it clear how many of the criminal bosses got their start in the days of Prohibition (less distant in 1948 than Bill Clinton’s presidency is now), and the extent to which they were able to control local police forces. There is a particularly memorable chapter where leading mobster John Dunn got some mid-ranking army officers to intercede for him with the Parole Commission to insist on his early release from jail in 1943, only for Mayor LaGuardia to alert Henry Stimson, the Secretary of War, who put a stop to it. (It’s not in Johnson’s book, but it came out many years later that Dunn and his mobster colleagues had in fact been paid informants of the Office of Naval Intelligence, which was obviously interested in anything political going on in such a sensitive economic chokepoint.)

I also found it striking that Hoboken, where the film is so memorably set, was not the centre of the main action of the ILA up and down the West Side of Manhattan – though the Jersey side certainly doesn’t go unmentioned. From the film you would almost think that the docks were restricted to Hudson County. The book makes it clear what a big deal the docks were (and still are); New York Harbour was then the world’s busiest port, seeing about a quarter of all imports into the USA. (Nowadays it’s not even in the top 20 worldwide, and beaten by both South Louisiana and Houston in the USA, but there’s still a lot going on.)

Anyway, this is all something of a historical curiosity. The power of the ILA was broken in 1953, before the film came out, by the creation of the Waterfront Commission of New York Harbor, which has inevitably developed its own problems with corruption; New Jersey is attempting to extricate itself from it (though has not yet succeeded). Father Corridan, the model for Father Barry in the film, gets a lot of the good lines. The actual union members themselves who successfully went on strike against their own leadership don’t get quite so much coverage, which is perhaps rather telling.

Anyway, mainly of interest to people who want a microstudy of a particular moment of American crime and labour hitory, or to aspiring film buffs like myself. You can get it here.

1920s: Wings (1927-28) | The Broadway Melody (1928-29)
1930s: All Quiet on the Western Front (1929-30) | Cimarron (1930-31) | Grand Hotel (1931-32) | Cavalcade (1932-33) | It Happened One Night (1934) | Mutiny on the Bounty (1935, and books) | The Great Ziegfeld (1936) | The Life of Emile Zola (1937) | You Can’t Take It with You (1938) | Gone with the Wind (1939, and book)
1940s: Rebecca (1940) | How Green Was My Valley (1941) | Mrs. Miniver (1942) | Casablanca (1943) | Going My Way (1944) | The Lost Weekend (1945) | The Best Years of Our Lives (1946) | Gentleman’s Agreement (1947) | Hamlet (1948) | All the King’s Men (1949)
1950s: All About Eve (1950) | An American in Paris (1951) | The Greatest Show on Earth (1952) | From Here to Eternity (1953) | On The Waterfront (1954, and book) | Marty (1955) | Around the World in Eighty Days (1956) | The Bridge on the River Kwai (1957) | Gigi (1958) | Ben-Hur (1959)
1960s: The Apartment (1960) | West Side Story (1961) | Lawrence of Arabia (1962) | Tom Jones (1963) | My Fair Lady (1964) | The Sound of Music (1965) | A Man for All Seasons (1966) | In the Heat of the Night (1967) | Oliver! (1968) | Midnight Cowboy (1969)
1970s: Patton (1970) | The French Connection (1971) | The Godfather (1972) | The Sting (1973) | The Godfather, Part II (1974) | One Flew Over the Cuckoo’s Nest (1975) | Rocky (1976) | Annie Hall (1977) | The Deer Hunter (1978) | Kramer vs. Kramer (1979)
1980s: Ordinary People (1980) | Chariots of Fire (1981) | Gandhi (1982) | Terms of Endearment (1983) | Amadeus (1984) | Out of Africa (1985) | Platoon (1986) | The Last Emperor (1987) | Rain Man (1988) | Driving Miss Daisy (1989)
1990s: Dances With Wolves (1990) | The Silence of the Lambs (1991) | Unforgiven (1992) | Schindler’s List (1993) | Forrest Gump (1994) | Braveheart (1995) | The English Patient (1996) | Titanic (1997) | Shakespeare in Love (1998) | American Beauty (1999)
21st century: Gladiator (2000) | A Beautiful Mind (2001) | Chicago (2002) | The Lord of the Rings: The Return of the King (2003) | Million Dollar Baby (2004, and book) | Crash (2005) | The Departed (2006) | No Country for Old Men (2007) | Slumdog Millionaire (2008) | The Hurt Locker (2009)

My tweets

Posted in Uncategorised

Troll Bridge, by Neil Gaiman and Colleen Doran

Third page:

I've read at least two collections that include this story (Angels and Visitations and Smoke and Mirrors) but it hadn't particularly lingered in my memory. Now it definitely will, as Colleen Doran's intense and detailed illustrations bring it to life – a brief tale about growing up and how it's not all it's cracked up to be, combined with a monster under the bridge. (Ah, but who is really the monster?) She successfully catches the narrator as a boy, a teenager and a grown man, with the changes of time to the physical and personal landscape around him. It's a grim story rather than a happy one, and Colleen Doran makes it all the more vivid. You can get it here.

This was my top unread English-language comic. Next on that pile is Will Supervillains Be on the Final?: Liberty Vocational Volume 1, by Naomi Novik and Yishan Li.

Posted in Uncategorised

My tweets

Posted in Uncategorised