540 days of plague

So, the good news is that the Belgian numbers are pretty stable, with today showing hospitalisations, ICU cases and reported infections down since yesterday, and infections also down from last week. Of course, kids have gone back to school in the last few days, which will cause an uptick; but it feels like it’s all under control.

The Brussels rentrée is under way, with the Liberals hosting a reception a week ago at the Grand Central – you can see me talking to a Bulgarian MEP at a couple of points in this video.

And there’s another reception this evening, hosted by POLITICO; setting this entry to post just before I arrive at it.

Also very glad to say that last weekend our village held its annual zomerfeest, cancelled last year, but arranged at short notice last week. All the traditional elements were there, the nature walk on Saturday:

With some wildlife as well:

And on Sunday there was an exhibition of local artists, including in the church:

IMG_1339.JPG

While in the beer garden behind the parochial hall, a trio sang Yves Montand’s La Bicyclette and other chansons:

Quand on partait de bon matin
Quand on partait sur les chemins
À bicyclette

 

Nous étions quelques bons copains
Y avait Fernand, y avait Firmin
Y avait Francis et Sébastien
Et puis Paulette

On était tous amoureux d’elle
On se sentait pousser des ailes
À bicyclette

Sur les petits chemins de terre
On a souvent vécu l’enfer
Pour ne pas mettre pied à terre
Devant Paulette

Faut dire qu’elle y mettait du cœur
C’était la fille du facteur
À bicyclette

Et depuis qu’elle avait huit ans
Elle avait fait en le suivant
Tous les chemins environnants
À bicyclette

Quand on approchait la rivière
On déposait dans les fougères
Nos bicyclettes

Puis on se roulait dans les champs
Faisant naître un bouquet changeant
De sauterelles, de papillons
Et de rainettes

Quand le soleil à l’horizon
Profilait sur tous les buissons
Nos silhouettes

On revenait fourbus, contents
Le cœur un peu vague pourtant
De n’être pas seul un instant
Avec Paulette

Prendre furtivement sa main
Oublier un peu les copains
La bicyclette

On se disait c’est pour demain
J’oserai, j’oserai demain
Quand on ira sur les chemins
À bicyclette

If you leave early in the morning
If you go on these roads
By bicycle

 

We were a bunch of good friends
There were Fernand and Firmin
There were Francis and Sébastian
And then there was Paulette

We were all in love with her
We were all growing wings
On our bicycle

On these small dirt roads
We often went through hell
To not make our feet touch the ground
In front of Paulette

One has to say that she really put her heart into it
She was the daughter of the postman
On a bicycle

And ever since she turned eight
She followed him around
On all the ways in the neighbourhood
By bicycle

When we came close to the river
We threw into the bracken
Our bikes

Then we rolled around in the fields
Making a changing bouquet come to life
Of grasshoppers, butterflies and
Tree frogs

When the sun at the horizon
Began to cast our shadows
Over the shrubs

We returned exhausted and content
Yet the heart a bit vague
Because I never had a moment all alone
With Paulette

To take her hand all furtively
To forget a few of the friends
The bicycle

I told myself I’d leave that for tomorrow
I will dare to, I will dare to tomorrow
When we will be on the roads
By bicycle

We’re not back to normal yet, but the trajectory is clear, and the weekend celebrations of the turn of the seasons in our village helped to reinforce that feeling.

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The Wonder, by Emma Donoghue

Second paragraph of third chapter:

A shake of the coif-covered head.

Set in mid-19th century Ireland, an English nurse is sent to investigate the mystery of a child who apparently survives without food, in the immediate aftermath of the Famine. It's pretty obvious to the attentive reader what is really going on from an early stage, but it's a well-told story and the ending was unexpected. (However, I really doubt that a 19th-century Englishwoman would be unaware of the Biblical story of manna!) You can get it here.

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A Hero Born, by Jin Yong

Second paragraph of third chapter (goes to four paragraphs in English translation):

忽聽得巨鐘下的銅缸內噹噹噹響聲不絕,不知裏面是何怪物,眾僧面面相覷,手足無措,當下齊聲口誦﹁高王經﹂,豈知﹁救苦救難﹂、﹁阿彌陀佛﹂聲中,缸內響音始終不停,最後終於大了膽子,十多個和尚合力用粗索吊起大鐘,剛將銅缸掀起少許,裏面滾出來一個巨大的肉團。眾僧大驚,四散逃開。只見那肉團一躍站起,呼呼喘氣,卻是韓寶駒。他被罩在銅缸之中,不知後半段的戰局,眼見焦木圓寂,義兄弟個個重傷,急得哇哇大叫。提起金龍鞭便欲向丘處機頭頂擊落。全金發叫道:﹁三哥,不可!﹂韓寶駒怒道:﹁為甚麼?﹂全金發腰間劇痛,只道:﹁千 …… 千萬不可。﹂ A knocking from inside the bell in the hall suddenly interrupted their work. The monks looked at each other: was it a monster? They began chanting “The King’s Sutra”, accompanied by the mysterious banging. Eventually some among them pulled the bell aside and together lifted the censer. To their horror, out rolled a ball of flesh. The monks jumped back in fright. The ball then slowly uncurled and stood up; it was Ryder Han. He was unaware of how the fight had ended, but immediately spotted that Scorched Wood was at eternal rest and his martial family gravely injured. Taking up his Golden Dragon whip he marched towards where Qiu Chuji was lying and raised it above the Taoist’s head.
“Third Brother, no!” Gilden Quan cried.
“Why not?”
“You mustn’t,” was all his brother could manage through the pulsing pain in his stomach.

Back at Eastercon, I attended a panel on Chinese sf and fantasy, and this was one of several books strongly recommended. The author is described by Wikipedia as Hong Kong's greatest writer, and also one of the key renewers of the subgenre of wuxia, heroic martial arts fantasy set in what we would call the Middle Ages. A Hero Born is the first of four volumes comprising the translation of Jin Yong's most famous book, The Legend of the Condor Heroes, originally published in 1957.

It is a lot of fun. intersecting plot lines include children with a hidden heritage growing up, the Seven Freaks of Jiangnan (a group of virtuous martial artists each with his or her own skill) and Genghis Khan. Unlike a lot of Chinese literature that I have previously tried, I never got lost with the characters or the geography. I don't think I will persevere with the series, but this was a great start. You can get it here.

One always has to wonder what the linkage is between literature and politics here. Deng Xiaoping was a big fan, and the author (real name Louis Cha Leung-yung) was the first non-Communist who he met in Hong Kong. I think that the core message of the desirability of a united China dealing collectively with external and internal threats is pretty clear, but it's not shoved down your throat. (And most countries would want the same for themselves.)

This was my top unread book by a non-white writer. Next on that list is Dominion: An Anthology of Speculative Fiction from Africa and the African Diaspora, eds. Zelda Knight & Ekpeki Oghenechovwe Donald.

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December 2012 books and 2012 books roundup

This is the latest post in a series I started in late 2019, anticipating the twentieth anniversary of my bookblogging which will fall in 2023. Every six-ish days, I’ve been revisiting a month from my recent past, noting work and family developments as well as the books I read in that month. I’ve found it a pleasantly cathartic process, especially in recent circumstances. If you want to look back at previous entries, they are all tagged under bookblog nostalgia.

The BBC commissioned a piece from me that I am really proud of – outside my usual area of commentary, but a topic close to my heart: the nineteenth-century Irish politician Arthur McMurrough Kavanagh, who was born without arms or legs.

At work, it was a bit quieter after the excitement of my November trip. I went to Geneva with intern MG for two days. Very sadly, a Serbian friend took his own life in dramatic circumstances. In the outside world, Patrick Moore died.

At home, after a failed effort in November, I managed to get a good picture of all three kids at the Paterskerk in Tienen for our Christmas letter:

Anne’s brother R and his wife V came for New Year, and we had oysters:

Also the glorious Belgian state issued us with a tandem bike for little U, which was tried out by everyone:

 

I read 17 books that month.

Non-fiction: 4 (2012 total 52)
The Stations of the Sun: A History of the Ritual Year in Britain, by Ronald Hutton
My Old Man: A Personal History of Music Hall, by John Major
The Bible
The Comic Strip Companion: the Unofficial and Unauthorised Guide to Doctor Who in Comics: 1964-1979, by Paul Scoones

Fiction (not sf): 3 (2012 total 45)
The Ten Word Game, by Jonathan Gash
Bleeding Hearts, by Ian Rankin
War and Peace, by Leo Tolstoy

SF (not Who): 2 (2012 total 62)
Non-Stop, by Brian Aldiss
The Year’s Best Science Fiction, 25th Annual Edition, ed. Gardner Dozois

Who: 6 (2012 total 75)

The Colony of Lies, by Colin Brake
Sanctuary, by David McIntee
The Burning, by Justin Richards
Scream of the Shalka, by Paul Cornell
Devil in the Smoke, by Justin Richards
Doctor Who Annual 2006, ed. Clayton Hickman

Comics: 2 (2012 total 21)
Ōoku: the Inner Chambers, vol 6, by Fumi Yoshinaga
Aldébaran 2: La Blonde, by Leo

~7,200 pages (2012 total 77,800)
1/17 (2012 total 65/259) by women (Yoshinaga)
1/17 (2012 total 12/259) by PoC (also Yoshinaga)

Tes best of these were the completion of my two big reading projects for 2012 – War and Peace, at a chapter a day, and The Bible. But I liked most of the books I read that month; I’m going to single out John Major’s history of music hall, and the companion to Doctor Who comics, as especially noteworthy. I did not expecially enjoy the Who novel Colony of Lies, or Rankin’s Bleeding Hearts, both from authors whose other work I have enjoyed.

I failed to do a 2012 books roundup at the time, so this is a reconstruction.

Total books: 259 – ninth highest of the 17 years I have been keeping track, so firmly in the middle.
Total page count: ~77,800 – seventh highest of the last 17 years, so a bit above average.

Diversity:
65 (25%) by women – higher than any previous year, lower than any subsequent year, augmented by 10 Agatha Christie novels.
12 (5%) by PoC – more than any year before 2009, less than any year since 2015.

Most books by a single author:
2012: Jonathan Gash (11), Ursula Vernon (6), Ian Rankin (5), Alison Plowden and Justin Richards (4 each); though the Ursula Vernon and Alison Plowden books could be considered as component parts of a single work in each case.

Doctor Who fiction

Novels, collections of shorter fiction, etc excluding comics
2020/ 2019/ 2018/ 2017/ 2016/ 2015/ 2014/ 2013/ 2012/ 2011/ 2010/ 2009/ 2008/ 2007/ 2006/ 2005/ 2004/
18 32 32 51 39 43 59 72 75 80 71 71 179 27 28 5 1
7% 14% 12% 21% 18% 15% 20% 30% 29% 27% 26% 21% 48% 11% 14% 3% 1%
All Who books including comics and non-fiction
2020/ 2019/ 2018/ 2017/ 2016/ 2015/ 2014/ 2013/ 2012/ 2011/ 2010/ 2009/ 2008/ 2007/ 2006/ 2005/ 2004/
25 43 42 55 42 54 68 81 76 87 78 81 180 49 32 5 1
9% 18% 16% 23% 20% 19% 23% 34% 29% 29% 28% 23% 49% 21% 15% 3% 1%

Third highest tally and pecentage ever.

Top Doctor Who book of the year:
Shada, the long awaited novelisation by Gareth Roberts from Douglas Adams’ script. Shame that Roberts turned out to be a bigot. (Review; get it here.)

Honourable mentions:
All-Consuming Fire
, by Andy Lane (review; get it here)
Doctor Who: The Brilliant Book 2012, ed. Clayton Hickman (review; get it here)

The one you haven’t heard of:
The above-mentioned Comic Strip Companion, by Paul Scoones (review ; get it here)

The one to avoid:
Torchwood: Into the Silence, by Sarah Pinborough; disposable autistic character (review; get it here

 

Non-Whovian sff

2020/2019/2018/2017/2016/2015/2014/2013/2012/2011/2010/2009/2008/2007/2006/2005/2004/
11477108688013012465627873785475687976
43%33%41%29%38%45%43%27%24%26%26%23%15%32%33%55%51%

Second lowest tally and third lowest percentage ever.

Top SF book of the year:
Among Others, by Jo Walton – like most of the Hugo and Nebula voters, I found that the author had somehow got inside my head and shared my memories. (Review</a>; get it here.)

Honourable mentions:
Assassin’s Apprentice, by Robin Hobb (review; get it here
The Testament of Jessie Lamb, by Jane Rogers (review; get it here)

The one you haven’t heard of:

Revise the World, by Brenda W. Clough (review; get it here)

The one to avoid:
Dagger Magic, by Katherine Kurtz (review; get it here)

 

Non-fiction

2020/2019/2018/2017/2016/2015/2014/2013/2012/2011/2010/2009/2008/2007/2006/2005/2004/
5049505737474846536966947078704242
19%21%19%24%17%16%16%19%20%23%24%27%19%33%34%29%28%

Eighth highest tally of 17 years, firmly in the middle; tenth highest percentage, also fairly average.

Top non-fiction book of the year:
The Hare With Amber Eyes: A Hidden Inheritance, by Edmund de Waal – brilliant story of heirlooms, Proust, the Holocaust and Japan. (Review</a>; get it here.)

Honourable mentions to:

Incidents in the Life of a Slave Girl Written by Herself, by Harriet Ann Jacobs (review; get it here)
A History of Christianity: The First Three Thousand Years, by Diarmaid MacCulloch (review; get it here)

The one you haven’t heard of:

Pawns of peace: evaluation of Norwegian peace efforts in Sri Lanka, 1997-2009, from NORAD, the Norwegian Agency for Development Cooperation (review; get it here for free)

The one to avoid:

The Elementary Forms of Religious Life, by Emile Durkheim (review; get it here)

 

Non-sfnal fiction

2020/ 2019/ 2018/ 2017/ 2016/ 2015/ 2014/ 2013/ 2012/ 2011/ 2010/ 2009/ 2008/ 2007/ 2006/ 2005/ 2004/
40 45 36 26 28 42 41 44 48 48 50 59 24 33 35 9 19
15% 19% 14% 11% 13% 14% 14% 19% 19% 16% 18% 17% 6% 14% 17% 6% 13%

Third highest tally and joint highest percentage ever.

Top non-genre fiction of the year:
The Tenant of Wildfell Hall, by Anne Brontë – I came to it late, but much my favourite Brontë novel – seems somehow a bit more in balance than her sisters’ books. (Review; get it here.)

Honourable mentions:
The Portrait of a Lady, by Henry James (review; get it here)
Goodnight Mister Tom, by Michelle Magorian (review; get it here)

The one you haven’t heard of:

Lust, Caution: And Other Stories, by Eileen Chang (review; get it here)

The one to avoid:
The Vatican Rip, by Jonathan Gash (review; get it here)

 

Comics

2020/ 2019/ 2018/ 2017/ 2016/ 2015/ 2014/ 2013/ 2012/ 2011/ 2010/ 2009/ 2008/ 2007/ 2006/ 2005/ 2004/
45 31 28 29 27 18 19 30 21 27 18 28 6 20 6 8 8
17% 13% 11% 12% 13% 6% 7% 13% 8% 9% 6% 8% 2% 8% 3% 6% 5%

Eigtht highest tally and eighth highest percentage, firmly in the middle.

Top comic of the year:
Digger, by Ursula Vernon, a deserving winner of the Hugo. (Review</a>; get it here.)

Honourable mention:
The Unwritten Vol 3: Dead Man’s Knock, by Mike Carey (review</a>; get it here)

The one you haven’t heard of:
The Countdown Annual 1972 (review</a>; get it here)

The one to avoid:
Bounced off vols 5 and 6 of Ōoku: the Inner Chambers, by Fumi Yoshinaga (review v5, review v6</a>; get v5 here, get v6 here)

 

Making up the numbers: Walt Whitman and Sophocles.

My Book of the Year

The Tenant of Wildfell Hall, by Anne Brontë: Helen is an early feminist heroine, rushing into what rapidly turns out to be an unsuitable marriage and then making the tough choices facing any woman attempting to navigate their own course in a small-minded, small-town society. It’s interesting that New England is her preferred haven of liberty. I was captivated by it.

Other Books of the Year:

2003 (2 months): The Separation, by Christopher Priest.
2004: The Lord of the Rings, by J.R.R. Tolkien (reread).
– Best new read: Samuel Pepys: The Unequalled Self, by Claire Tomalin
2005: The Island at the Centre of the World, by Russell Shorto
2006: Lost Lives: The stories of the men, women and children who died as a result of the Northern Ireland troubles, by David McKittrick, Seamus Kelters, Brian Feeney, Chris Thornton and David McVea
2007: Fun Home, by Alison Bechdel
2008: The Diary of a Young Girl: The Definitive Edition, by Anne Frank (reread)
– Best new read: Vanity Fair: A Novel without a Hero, by William Makepeace Thackeray
2009: Hamlet, by William Shakespeare (had seen it on stage previously)
– Best new read: Persepolis 2: the Story of a Return, by Marjane Satrapi (first volume just pipped by Samuel Pepys in 2004)
2010: The Bloody Sunday Report, by Lord Savile et al.
2011: The Decline and Fall of the Roman Empire, by Edward Gibbon (started in 2009!)
2012: see above
2013: A Room of One’s Own, by Virginia Woolf
2014: Homage to Catalonia, by George Orwell
2015: collectively, the Arthur C. Clarke Award shortlist, in particular the winner, Station Eleven, by Emily St John Mandel. However I did not actually blog about these, being one of the judges at the time.
– Best book I actually blogged about: The Life and Death of Mary Wollstonecraft, by Claire Tomalin
2016: Alice in Sunderland, by Bryan Talbot
2017: Common People: The History of an English Family, by Alison Light
2018: Factfulness, by Hans Rosling
2019: Girl, Woman, Other, by Bernardine Evaristo
2020: From A Clear Blue Sky: Surviving the Mountbatten Bomb, by Timothy Knatchbull

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Shakespeare in Love

Shakespeare in Love won the Oscar for Best Picture of 1998, and six others – Best Actress (Gwyneth Paltrow), Best Supporting Actress (Judi Dench, who is only on screen for 8 minutes), Best Screenplay, Best Art Direction, Best Costume Design and Best Original Musical or Comedy Score. The Hugo that year went to The Truman Show.

I have not seen any of the other four Oscar nominees, which were Elizabeth, Life Is Beautiful, Saving Private Ryan and The Thin Red Line. That was the year I lived in Bosnia and then Croatia, so I have seen very few films from 1998; apart from the Oscar and Hugo winners, I have watched There’s Something About Mary, Sliding Doors, Primary Colors, Bulworth, Playing by Heart and that’s it. I like all of these, Bulworth least and, I’ll be honest, Shakespeare in Love most.

IMDB users, as so often, take a different view, ranking it only 15th on one ranking and an incredibly low 44th on the other, which is a worse aggregate ranking than any Oscar winner since Cavalcade (slightly worse than Tom Jones). The Big Lebowski and Saving Private Ryan top the two counts. Among the allegations about Harvey Weinstein is the story that he lobbied mercilessly to get Shakespeare in Love its nomination and win ahead of Saving Private Ryan, but to be honest it’s entirely in character for Oscar voters to go for the big warm-hearted romantic tale ahead of a gritty reality-based war film. (I admit that they have sometimes made the other choice.)

Here’s a trailer.

Because this is a film made with mainly British actors in 1999, loads and loads of the cast have also been in Doctor Who, one of whom was also in an Oscar-winning film. That one is Simon Callow, here the randy Master of the Revels, previously impresario Emanuel Schikaneder in Amadeus, and also of course Charles Dickens in The Unquiet Dead, the third episode of New Who.

The only representative of Old Who is Martin Clunes, here Richard Burbage, previously the spoiled aristocratic Lon in an early appearance in the Fifth Doctor story Snakedance.

Mark Williams, the stuttering tailor Wabash here, went on to be Rory Williams’ father in several Eleventh Doctor stories.

Barnaby Kay is Nol here and went on to be the Viking Heidi in The Girl Who Died:

And Nicholas Boulton is the actor Condell here and the Businessman in the Tenth Doctor story Gridlock.

I love Imelda Staunton, the nurse here and the invisible voice of the computer in The Girl Who Waited.

As noted above, this film is far from most people’s top ten films of 1999, and you may not have seen it. It’s a romantic comedy – the first comedy to win Best Picture since Annie Hall, more than twenty years before – set in Merrie England, which was the setting of a spate of Oscar-winners in the 1960s but has since been visited only for parts of Chariots of Fire (which is perhaps too late to be Merrie). The plot is that beautiful (and completely fictional) Viola de Lesseps is in love with young playwright William Shakespeare, disguises herself as a man in order to join his theatre company, and the two of them end up playing the lead roles in the first ever performance of Romeo and Juliet. This is surely the first Oscar-winning film about the writer of a previous Oscar-winning film. The two leads, played by Gwyneth Paltrow and Joseph Fiennes, are tremendously watchable, and I think there’s more sex in this film than in all the previous 70 Oscar-winning films combined.

(I’m going to pause to recommend the Arkangel audio of Romeo and Juliet. Romeo is Joseph Fiennes (who plays Shakespeare himself in Shakespeare in Love) and Juliet is Maria Miles (Elfine in Cold Comfort Farm). But both are somewhat overshadowed by three excellent supporting performances: Clive Swift (who has been in Doctor Who three times over the years) doubling up as both Friar Laurence and the Chorus; Elizabeth Spriggs (who was, among other things, one of the cannibalistic old ladies in Paradise Towers) as Juliet’s Nurse, and best of all, Mercutio is played, in his native Scottish accent, by David Tennant. You can get it here.)

I guess I should try and do my usual thing of going from the bits I didn’t like to the bits I did, but really, there’s very little to dislike here. Historical purists will complain that it’s hugely inaccurate in terms of what people wore, said and did in England in the 1590s, and I would add (as I must) that there actually were non-white people in London then and had been for centuries. Fine. It’s entertainment, not education. It’s very funny and the music is great.

As mentioned, Judi Dench is only in it for 8 minutes, but my god does she dominate those 8 minutes.

I think one has to admit that Paltrow and Dench somewhat overshadow Fiennes and the other male actors, good as they are. Again, fine. Too many romances portray the woman as lacking agency; Viola here challenges convention and while she is not ultimately completely successful, the point has been made.

I’m surprised by how far up my ranking I’m putting this – just outside the top ten, below Rain Man but above Terms of Endearment.

Next up is American Beauty, which I actually saw in the cinema when it came out.

Winners of the Oscar for Best Picture

1920s: Wings (1927-28) | The Broadway Melody (1928-29)
1930s: All Quiet on the Western Front (1929-30) | Cimarron (1930-31) | Grand Hotel (1931-32) | Cavalcade (1932-33) | It Happened One Night (1934) | Mutiny on the Bounty (1935, and books) | The Great Ziegfeld (1936) | The Life of Emile Zola (1937) | You Can’t Take It with You (1938) | Gone with the Wind (1939, and book)
1940s: Rebecca (1940) | How Green Was My Valley (1941) | Mrs. Miniver (1942) | Casablanca (1943) | Going My Way (1944) | The Lost Weekend (1945) | The Best Years of Our Lives (1946) | Gentleman’s Agreement (1947) | Hamlet (1948) | All the King’s Men (1949)
1950s: All About Eve (1950) | An American in Paris (1951) | The Greatest Show on Earth (1952) | From Here to Eternity (1953) | On The Waterfront (1954, and book) | Marty (1955) | Around the World in 80 Days (1956) | The Bridge on the River Kwai (1957) | Gigi (1958) | Ben-Hur (1959)
1960s: The Apartment (1960) | West Side Story (1961) | Lawrence of Arabia (1962) | Tom Jones (1963) | My Fair Lady (1964) | The Sound of Music (1965) | A Man for All Seasons (1966) | In the Heat of the Night (1967) | Oliver! (1968) | Midnight Cowboy (1969)
1970s: Patton (1970) | The French Connection (1971) | The Godfather (1972) | The Sting (1973) | The Godfather, Part II (1974) | One Flew Over the Cuckoo’s Nest (1975) | Rocky (1976) | Annie Hall (1977) | The Deer Hunter (1978) | Kramer vs. Kramer (1979)
1980s: Ordinary People (1980) | Chariots of Fire (1981) | Gandhi (1982) | Terms of Endearment (1983) | Amadeus (1984) | Out of Africa (1985) | Platoon (1986) | The Last Emperor (1987) | Rain Man (1988) | Driving Miss Daisy (1989)
1990s: Dances With Wolves (1990) | The Silence of the Lambs (1991) | Unforgiven (1992) | Schindler’s List (1993) | Forrest Gump (1994) | Braveheart (1995) | The English Patient (1996) | Titanic (1997) | Shakespeare in Love (1998) | American Beauty (1999)
21st century: Gladiator (2000) | A Beautiful Mind (2001) | Chicago (2002) | The Lord of the Rings: The Return of the King (2003) | Million Dollar Baby (2004, and book) | Crash (2005) | The Departed (2006) | No Country for Old Men (2007) | Slumdog Millionaire (2008) | The Hurt Locker (2009)
2010s: The King’s Speech (2010) | The Artist (2011) | Argo (2012) | 12 Years a Slave (2013) | Birdman (2014) | Spotlight (2015) | Moonlight (2016) | The Shape of Water (2017) | Green Book (2018) | Parasite (2019)
2020s: Nomadland (2020) | CODA (2021) | Everything Everywhere All at Once (2022) | Oppenheimer (2023)

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The Texas abortion law

Surfacing after the usual intense week at work to catch up on news from outside my professional area of concern. And good heavens, the new Texas law on abortion, which the U.S. Supreme Court has declined to annul, is a truly horrible development.

My own position on the overall issue is that pregnant people should be trusted to make their own healthcare decisions, and the legitimate role of the state in intervening is very little indeed. I set out my thoughts in some detail before the Irish referendum in 2017:

However, even if you describe yourself as pro-life, surely you cannot support the Texas law that criminalises victims of rape and incest, and people whose medical situation requires that the pregnancy cannot go to full term. Rachel Cunliffe writes about the biology of this in the New Statesman.

And in particular, surely you cannot support the vigilantism of the Texas law, where anyone is entitled to sue anyone else who they suspect of being involved with an abortion. As Sue Halpin points out in the New Yorker, it will (as usual) be non-white people who bear the brunt of it, just as they are penalised by the new voting laws in Texas.

David Frum in the Atlantic thinks that Republicans have over-reached, and will pay the price for it, drawing a historical parallel with Prohibition. I do hope so, but I certainly feel for those who will be and are already being directly affected by the new law in Texas, and in the other red states that are rushing to follow where Texas has led.

Not much I can do from here other than write about it, so that’s what I have done.

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A Woman in Berlin

CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT

Second paragraph of third chapter (Sunday 22 April 1945):

Halsbrecherischer Treppenabstieg. Ich blieb einmal mit dem Absatz an einer Stufenkante hängen. Todesschreck, konnte mich eben noch am Geländer fangen. Weiter, mit weichen Knien. Ich suchte und tastete lange und herzklopfend in dem stockfinsteren Gang herum, bis ich die Hebel der Kellertür fand. A breakneck rush down the stairs. I was scared to death when my heel got caught on the edge of a step. I barely managed to grab hold of the railing in time. My knees went weak, but I went on, heart pounding, slowly groping my way through the pitch-dark passage. Finally I found the lever to the basement door.

A Woman in Berlin is the diary of an anonymous resident of Berlin during and after the final defeat of the Third Reich, from 20 April to 22 June. It's an intense, closely observed account of how an entire society and system of government collapses, and then the first steps to restoring it to a state of order, though under foreign occupation and with a new ideology being imposed on the disempowered inhabitants.

If that were all, it would still be a really valuable account of catastrophic endings and stumbling beginnings at a truly historical moment for Europe. But that is not all. From 27 April to 7 May, the writer, and pretty much every woman in Berlin who did not manage to hide, was raped repeatedly by Russian soldiers (strictly, Soviet soldiers; she mentions some from other parts of the USSR). I guess I've always known that this was an integral part of the collapse of the Eastern Front, but it's quite another matter to read a first person account. The details are calmly recounted, as the Russians arrive and take what they want, using German homes and bodies with no need for restraint and encountering little resistance (but no consent). It's a collective experience for the women of Berlin, and to an extent their few remaining men who are unable to intervene; but also an intensely personal and individual one for every woman affected. This grim situation is not unique to Germany in 1945, but it can rarely have been better described.

And yet those 11 days of constant rape are less than a fifth of the time period covered by the diary. On 8 May, VE Day, Berliners, women and men, wake up to the abrupt disappearance of the Russians and then the gradual restoration of civil authority after total catastrophe. The writer, aged 34 in 1945, later moved to Switzerland, and after the brutal reception of her diary when published in Germany in 1959, decided that it would not see light again in her lifetime. She died in 2001, and her identity is now pretty well established

This is a really gripping book, if a very tough read. You can get it here.

This was my top unread book bought this year, and my top unread book by a woman. Next on both of those piles is Jack, by Marilynne Robinson.