The Bacon numbers of Who

William Hartnell's Bacon number is 3
William Hartnell and Richard Attenborough appeared in Brighton Rock.
Richard Attenborough and Ariana Richards appeared in Jurassic Park.
Ariana Richards and Kevin Bacon appeared in Tremors.

Patrick Troughton's Bacon number is 3
Patrick Troughton and Christopher Lee appeared in Scars of Dracula.
Christopher Lee and Rose Byrne appeared in Star Wars Episode II: Attack of the Clones.
Rose Byrne and Kevin Bacon appeared in X-Men: First Class.

Jon Pertwee's Bacon number is 3
Jon Pertwee and Richard Wilson appeared in Carry On Columbus.
Richard Wilson and James McAvoy appeared in Gnomeo and Juliet.
James McAvoy and Kevin Bacon appeared in X-Men: First Class.

Tom Baker's Bacon number is 2
Tom Baker and Bruce Payne appeared in Dungeons & Dragons.
Bruce Payne and Kevin Bacon appeared in Pyrates.

Peter Davison's Bacon number is 2
Peter Davison and Matthew Macfadyen appeared in Wuthering Heights.
Matthew Macfadyen and Kevin Bacon appeared in Frost/Nixon.

Colin Baker's Bacon number is 3
Colin Baker and Sylvester McCoy appeared in The Airzone Solution.
Sylvester McCoy and Frank Langella appeared in Dracula.

Frank Langella and Kevin Bacon appeared in Frost/Nixon.

Sylvester McCoy's Bacon number is 2
Sylvester McCoy and Frank Langella appeared in Dracula.
Frank Langella and Kevin Bacon appeared in Frost/Nixon.

Paul McGann's Bacon number is 2
Paul McGann and Stuart Townsend appeared in Queen of the Damned.
Stuart Townsend and Kevin Bacon appeared in Trapped.

Christopher Eccleston's Bacon number is 2
Christopher Eccleston and Rose Byrne appeared in G-Force.
Rose Byrne and Kevin Bacon appeared in X-Men: First Class.

David Tennant's Bacon number is 2
David Tennant and James McAvoy appeared in Bright Young Things.
James McAvoy and Kevin Bacon appeared in X-Men: First Class.

Matt Smith's Bacon number is 2
Matt Smith and Toby Jones appeared in Christopher and His Kind.
Toby Jones and Kevin Bacon appeared in Frost/Nixon.

Note that X-Men: First Class and Frost/Nixon both appear four times; and that Sylvester McCoy is Colin Baker's link to Bacon, via a BBV video from 1993!

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Urgent – proof-reading / editing job

I have a 90-page, 30,000 word document which needs editing by a native English speaker and also if possible an Executive Summary by roughly yesterday. I know a few people reading this are in that line of work, though possibly had other plans for the day! If you are interested in taking this on please email me at work – nicholas.whyte@independentdiplomat.org – with a quote (or with any further questions).

Thanks for replies – solution has been found.

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September Books 10) The Solaris Book of New Science Fiction, edited by George Mann

I’m not quite sure why I got this, given my low opinion of the editor’s fiction and non-fiction; I certainly bought it before last year’s debate about the tainted Solaris brand, and without looking inside the front cover where the dismal gender ratio (one female author out of 18) might have put me off.

Anyway. There were a couple of stories I liked here – Stephen Baxter’s “Last Contact”, and Keith Brooke’s “The Accord” (which I note were also the two picked by Gardner Dozois for his annual collection) – many which didn’t especially grab me, and one awful attempt to channel Kurt Vonnegut by Mike Resnick and David Gerrold. Next time I should listen to my inner voice.

September Books 9) Ōoku: The Inner Chambers vol.5, by Fumi Yoshinaga

The fifth in the ongoing manga series set in a seventeenth-century Japan from which most men have been eliminated by disease, the pick of the remainder sequestered in the Ōoku, the shōgun’s harem. This volume collects four of the original parts of the story, and after the first three, I was beginning to wonder if I would continue with this series; the misgovernment of the shōgun Tsunayoshi is not all that exciting a story, apart from the dramatic death of the young heir. I also realised that I was not picking up Yoshinaga’s cues about her characters’ ages; presumably readers more accustomed to the genre can spot the markers showing that they are in their 40s or 50s, but they almost all look about 25 to me (with a few clear exceptions). I was feeling a bit adrift, and finding it hard to keep track of the characters’ multiple names (and wishing the publisher had provided a dramatis personæ).

But the last of the four parts re-engaged my interest; I don’t know much about Japanese history, but just knowing that this was a gender-rotated re-telling of a real historical event (the Ako Incident of the Forty-Seven Samurai) made it more interesting to read, particularly since it has dramatic political repercussions in Yoshinaga’s world (as I suppose in our own, though I know practically nothing about it). And at the end we meet the child who will become the shōgun Yoshimune, with whom this whole story started (we have been in extended flashback for a very long time now). So I will get the next volume, if with a slight feeling that it’s on probation.

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References update

Thanks, all, for earlier comments, which revealed some interesting variations in recruiting culture across organisations. Candidate A’s second referee just replied with a sufficiently positive write-up that I feel confident in making the offer. Checking the records I find that we had already asked Candidate B to help me reach their referees.

As it happens, Candidate A was marginally the front-runner after interviews, so I will tell Candidate B, perfectly truthfully, that unfortunately there was a better candidate on the day, and incidentally they need to re-check the coordinates and availability of their referees.

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References

Choosing between two differently but equally well qualified candidates for the internship vacancy coming up in my office. I emailed their four referees (two each) on Monday, and have had the following responses:

Candidate A:
First referee is an EU official who has changed job and email address, but was at least still hooked up to their old system, and replied with a positive testimonial.
Second referee is a university professor who has not replied to my email (which on inspection was sent to the general departmental address as given by Candidate A). I googled for other email addresses this morning and forwarded Monday’s email to them. I also called the department but he only works there on Tuesdays.

Candidate B:
First referee is an ambassador based in Geneva, who has not replied to my email (which on inspection was sent to the general embassy address, as given by Candidate B). I called the embassy this morning and they promised that the ambassador would call back today. My hopes are not high as it is a busy week in Geneva.
Second referee is a university professor who has not replied to my email (which on inspection was sent to a personal address as given by Candidate B). I googled for a university address and forwarded Monday’s email to it this morning. No telephone number on the university’s website.

I think it’s quite likely that I won’t hear back from any of the other three; this is a frenetic time of year for university professors and for ambassadors in Geneva to be asked to give testimonials for people who worked with them for a few months some time ago. In that case I will go for candidate A who at least had one person willing to speak to their abilities. But I feel I should let candidate B know that I was unable to contact their referees and consequently offered the position to another candidate. I will also advise candidate A to update their referee coordinates.

Any thoughts on how to do that tactfully?

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Links I found interesting for 13-09-2012

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September Books 8) The Firefly Gadroon, by Jonathan Gash

This is my sixth Lovejoy book in my current run, and the first of those which is set entirely in East Anglia. It is also one of the best; Lovejoy’s obsession with antiques and his particular code of personal loyalty lead him to a dramatic and waterlogged showdown, with cosmic vengeance delivered by a bereaved donkey because the state’s forces of law and order are too corrupt and compromised to do it. I think I’d recommend this one to people wondering if the Lovejoy novels are their kind of thing.

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September Books 7) Q, by Luther Blissett

This is a novel set between 1518 and 1555, mostly in Germany with excursions to surrounding countries, about a radical Anabaptist and the papal agent who pursues him through the sixteenth century’s wars of religion. It has had a lot of attention particularly in Italy (“Luther Blissett” is apparently a pseudonym for four Italian writers) and is seen by some as a metaphor for modern global politics, and/or in the Umberto Eco tradition of The Name of the Rose.

I wasn’t completely satisfied with it. I thought that the nameless hero’s story of shifting identity and conflict was quite well realised, with lots of grim and effective contemporary detail, even though it wasn’t really clear until close to the end that this was going anywhere, but Hilary Mantel pursued a similar idea rather better in Wolf Hall. The Q sub-plot, however, annoyed me; much of it is told in letters ostensibly written by Q to his patron in Rome which totally fail to get the contemporary idiom (and necessarily include much info-dumping); and the final revelation of Q’s identity was disappointing.

It was interesting to read this alongside Not of this World? with its rather different framing of Protestant/Catholic relations.

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September Books 6) Aldébaran 1: La Catastrophe, by Leo

A few months ago an old friend strongly recommended that I try the classic bandes dessinées series Les Mondes d’Aldébaran, a set of 15 albums by Paris-based Brazilian writer/artist Luiz Eduardo de Oliveira, Leo for short. I thought it would also be a good opportunity to hone my French (a language I use less often than you might think), so went and got the first of the fifteen in the original (though it has been translated into English if you are interested).

The first five albums are set in an isolated human planetary colony called Aldébaran, which (we are told on the first page) lost contact with Earth long ago. Our central characters, 17-year-old Marc and 13-year-old Kim, witness peculiar things happening in the ocean near their village, and then – as promised in the title – catastrophe destroys their homes, and the story switches to odyssey format as the two of them travel to, and beyond, the distant metropolis.

Although the setting is much the same as one might get in a traditional hard sf novel, the execution is very different; the bande dessinée tradition concentrates much more on character and dialogue than on technology and Being Smart. The tech we do have is almost but not quite streampunkish, with motor vehicles apparently made of wood and a mad professor type who turns out to be rather banal in his nastiness. The human and physical landscape clearly owes a lot to the author’s native country – Marc and Kim’s home village appears to be pretty multi-ethnic, though it’s less clear if that is true of the city; the jungle is a place of risk but not deadly danger; distances are vast but not unbridgeable.

I’ll certainly keep going with this series. The French, thank heavens, is manageable – a fair bit of subjunctive but I was able to cope, and the vocabulary is all pretty obvious. And basically I want to find out what happens next.

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September Books 5) Not of this World? by Glenn Jordan

This is a study of evangelical Protestants in Northern Ireland, published in 2001. It is a very interesting book, phrased as a series of conversations using extracts from dozens of interviews with self-described practising or former evangelicals; while some fit the stereotype of barnstorming bigots, there is a full spectrum of those whose faith leads them to ecumenism and cross-community outreach, in some cases even to support for Irish nationalism, or indeed to turn their backs on politics and get on with witnessing for a different kingdom.

Jordan himself is a semi-outsider; though a Belfast church-worker, he is from Bray, Co Wicklow, and has converted from Catholicism. He makes it fairly clear that his own sympathies are with those who choose to engage positively with politics and with their neighbours, but sensibly and compassionately resists moralising and allows all of his interviewees to give their testimony in their own terms.

2001 was a low point in the Northern Ireland peace process, and Jordan’s interviewees are split between those disappointed with the results of the 1998 agreement and those gleefully claiming that they told us so. Most of them must now be voting for the DUP, whose remarkable swing to support of implementing power-sharing coincided with their rise to political dominance among Protestants. It would be interesting to hear from his interviewees now.

But basically, the book shows that if we want to, we can learn much more about people who we disagree with by listening to what they have to say than by yelling about how wrong they are. I found it very useful.

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September Books 4) Independent People, by Halldór Laxness

I’ve read a couple of other books set in Iceland – an unusually dull one by the otherwise reliable Jane Smiley, and of course Njal’s Saga. Independent People, which more or less won Laxness his 1955 Nobel Prize, is halfway between them; a tale of an exceptionally stubborn farmer who attempts to maintain his self-respect through grinding poverty and family disasters, not caring in the least what his neighbours or relatives think about him. He’s not a particularly attractive character but the society and landscape of Iceland are brilliantly evoked. Given recent events, the fact that evil Icelandic banks pop up at the end of the story was interesting. Also note that for Iceland, the First World War was undoubtedly a Good Thing because wool prices went up causing an export boom. Lots of poignant passages too, of which the one about the calf sticks in my mind. A somewhat grim read but more interesting than some of the Nobel winners I have sampled.

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Links I found interesting for 11-09-2012

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Links I found interesting for 10-09-2012

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Links I found interesting for 09-09-2012

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The previous history of Mendax

For those interested in the earlier career of Julian Assange under his hacker identity of Mendax, over twenty years ago, I refer you to chapters 8 and 9 of Suelette Drefyus’ 1997 book Underground, available here in a variety of formats provided by my old mate Justin Mason. An interesting read.

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Links I found interesting for 08-09-2012

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Links I found interesting for 05-09-2012

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September Books 3) The Very Last Gambado, by Jonathan Gash

I’m beginning to get the hang of the Lovejoy books now: a richly described and usually mildly exotic setting; an utterly convoluted and insane plot (as in conspiracy); a moderately convoluted and insane plot (as in storyline); lots of antiques lore injected into the text with varying degrees of randomness; and many many women competing to get into our hero’s bed (though the sex is never very explicit). It’s quite a different Lovejoy from the TV series – younger, randier and frankly more criminal. It helps me get to sleep at night reading a few pages before lights out. (At least I think so; will continue the experiment for the five Lovejoy books still on the shelves.)

The Very Last Gambado is about a criminal raid on the British Museum, disguised as a movie about a raid on the British Museum (which is this book’s lovingly described exotic venue). It was written some way into Lovejoy’s TV appearances, and one wonders if the dissolute and past-it male lead was – no, never mind, that’s unfair. But there are a lot of interesting observations about the madness of a film set, particularly involving stunt men, and the thought experiment of trying to raid the British Museum is an intriguing one; anyone who knows that corner of London at all well will end up scratching their heads at the complexity of the problem.

Meanwhile we do also get a fair bit of Lovejoy on his home ground in East Anglia, fighting off amorous women with varying degrees of failure, and encountering a forger’s workshop located on a second-hand bus, which is an arresting image. And I’m glad to report that our hero has acquired two new budgies after the awful fate of the ones in Gold from Gemini.

This book also has a moment which makes the classification of the series as non-genre rather than fantasy very difficult. Lovejoy is a “divvy”; he has an astonishing ability to tell real antiques from fakes. One can usually handwave this away as well-honed observational skills and intuition – I can look at a tray of objects and guess how many there are to within 15-20%; I used to be able to date a medieval manuscript to the correct half-century at a glance; Lovejoy’s skill as an extension of that sort of thing seems OK. But here, Lovejoy actually detects a genuine antique within a sealed container, unable to see it, but it makes his heart beat faster just to be near it. It’s not all that important to the plot (well, it might be, but I had some difficulty following) so I will still classify The Very Last Gambado as non-genre in my end-of-month and end-of-year tallies. But I have a lingering doubt.

The internal chronology of the Lovejoy books must be pretty convoluted. This one was published between Jade Woman and The Great California Game, but cannot be set between them as one flows directly from the other via a trans-Pacific plane flight (which would not normally include East Anglia or the British Museum). It cannot even be immediately before Jade Woman, as Lovejoy’s sort-of primary partner here is Lydia, whereas at the start of Jade Woman it is Jane, and nor can it be immediately after The Great California Game which ends with Lovejoy still in America and still entangled with Jane. I suspect that The Very Last Gambado may be a jump back to an earlier point in the timeline. I will keep an open mind.

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September Books 2) Assassin’s Apprentice, by Robin Hobb

I’ve known for some time that Robin Hobb is to be one of the Guests of Honour at Loncon 3, the 2014 Worldcon; and was rather guiltily conscious of the fact that I had never read any of her books. Even apart from the Worldcon connection, she has been recommended to me several times by you guys.

Well, if you did recommend her to me, you can feel very smug, because I thoroughly enjoyed Assassin’s Apprentice, the tale of the bastard son of a prince whose natural and supernatural gifts turn out to be useful to his grandfather in the twisted paths of statecraft in a fantasy kingdom desperately seeking allies against attack from a barely human, possibly inhuman, foe. The description of intersecting court politics and personal loyalty was intricate, fascinating and even moving. (OK, she uses puppies shamelessly as a way of engaging the reader’s emotions; but I am a sucker for small furry creatures with large trusting eyes.) I will go out and get the sequel, and probably the third volume; and then consider how much further to take it.

I am trying to identify why Assassin’s Apprentice worked for me, when the very similar (and much shorter) Yearwood totally did not. It may partly be the puppies; it may be the well-handled theme of education from many sources. But in general I think Hobb has a better political sense, and also after killing off a significant character or two in the early chapters there is a much greater feeling of suspense.

One minor linguistic whinge: the words “flout” and “flaunt” are used the wrong way round!

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Links I found interesting for 04-09-2012

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2012 Hugo voting analysis

Statistics are here.

Was slow to notice this, but three out of four fiction winners had also won the Nebula earlier this year.

Best NovelAmong Others was 100 votes ahead on the first count, and final transfers from Deadline took it even further ahead of Embassytown, which came second. Leviathan Wakes, despite being last on first prefs, came third overall; then Deadline; then despite the HBO hype A Dance With Dragons came last. The Quantum Thief missed nomination here by one vote, and Rule 34 by two.

Best Novella: In the closest result for any of the awards, “The Man Who Bridged The Mist” finished 35 votes ahead of “Kiss Me Twice”, having led at every stage. 2nd “Kiss Me Twice”; 3rd Silently and Very Fast; 4th “The Man Who Ended History”; 5th Countdown; 6th “The Ice Owl”.

Best Novelette: “Six Months, Three Days” finished 116 votes ahead of “Ray of Light”, which came second, followed by “The Copenhagen Interpretation”, “What We Found”, and “Fields of Gold”. Jay Lake’s “A Long Walk Home” missed nomination by one vote.

Best Short Story: “The Paper Menagerie” led by 100 on the first count and won by 210. “The Cartographer Wasps and the Anarchist Bees” came a solid second, “The Homecoming” third, and “Movement” which came last in first preferences did at least manage to beat Scalzi’s spoof story for fourth place. (I am really puzzled that “Movement” did so badly; I know autism is a minority interest but I found it a good story on its own merits.)

Best Related Work: The Encyclopedia of Science Fiction was solidly ahead of Wicked Girls for first place; interestingly, its votes then very much transferred against Wicked Girls so that The Steampunk Bible picked up second place (I know I myself did not vote for Wicked Girls in this category). Wicked Girls did come third, and Writing Excuses, which had been last in every count, picked up enough transfers to beat Jar Jar Binks Must Die for fourth place.

The Anticipation Novelists of 1950s French Science Fiction: Stepchildren of Voltaire by Bradford Lyau actually got the most nominations in this category but was ruled ineligible due to 2010 publication. Whedonistas and Evaporating Genres missed nomination by two votes.

Best Graphic Story: Digger was 200 votes ahead on the first stage, a gap that narrowed only slightly to 138 at the end. Second place went to Fables, ahead of Schlock Mercenary; third place went to Locke and Key, also ahead of Schlock Mercenary, which did at least take fourth place ahead of The Unwritten. (I am baffled both by the relative popularity of Schlock Mercenary and the failure of The Unwritten to capture voters’ imagination. But the win for Digger is good for the award, which apparently we will now have in future years as well.)

Best Dramatic Presentation, Long FormGoT was more than 400 votes ahead of Hugo on the first count and crossed the 50% mark with both Hugo and Captain America still in the race, more than 500 votes ahead of either, the most one-sided result of the evening. The other places were fairly orderly: 2nd Hugo, 3rd Captain America, 4th Harry Potter 7B, 5th Source Code.

Best Dramatic Presentation, Short Form: nearly as one-sided, with The Doctor’s Wife 280 votes ahead at the start and 306 ahead at the end, Remedial Chaos Theory and  The Girl Who Waited still in the mix. Whovian transfers then secured second place for The Girl Who Waited and third for A Good Man Goes to War (which had actually been last on first preference); and Remedial Chaos Theory was comfortably ahead of the Drink Tank acceptance speech.

Three individual GoT episodes – Baelor, The Pointy End, and Fire and Blood – were ruled ineligible because the series as a whole was up for the Long Form award. The Fantastic Flying Books of Mr. Morris Lessmore, which I have not heard of, missed nomination by one vote. (Edited to add: it won the Oscar for Best Animated Short Film earlier this year.)

Best Editor, Short Form: Some very interesting transfers here. Stanley Schmidt lost the award to Sheila Williams by 138 votes; he lost second place to John Joseph Adams by 32 votes; he lost third place to Jonathan Strahan by 27 votes; and lost fourth place to Neil Clarke by 37 votes, before finally coming in fifth.

Best Editor, Long Form: Betsy Wollheim beat Patrick Nielsen Hayden by a hundred votes for the top spot; Liz Gorinsky third, Lou Anders fourth, Anne Lesley Groell fifth. Devi Pillai missed nomination by two votes, and Jeremy Lassen by three.

Best Pro Artist: John Picacio wins by 204 over Bob Eggleton; Eggleton loses second place to Stephan Martiniere by 8 votes, but then gets third by 9 votes over Don Dos Santos, who is substantially ahead of Michael Komarck at the end. 

Best Semiprozine: Locus 101 ahead of Apex for first place; Apex gets second place by 3 votes from Lightspeed, which is comfortably ahead of Interzone for third. Despite Interzone having been last in first preferences it picked up enough to overtake NYRSF for fourth place. Clarkesworld declined nomination; Beneath Ceaseless Skies was one vote short of nomination.

Best Fanzine: SF Signal 97 ahead of The Drink Tank for first place; The Drink Tank second, File 770 third, Banana Wings fourth, and Journey Planet (which got fewer first preferences than No Award) is fifth. Argentus missed nomination by one vote.

Best Fan Writer: Jim C Hines far ahead of the crowd, more than 200 votes ahead of both Steve Silver and Claire Brialey; Steve then takes second place from Claire by 2 votes, the closest result of the evening that I have spotted; Claire is third, Chris Garcia fourth, and James Bacon (who got fewer first prefs than No Award) fifth.

Best Fan Artist: Drama here as Randall Munroe (of xkcd) starts 70 votes ahead of Maurine Starkey but gradually sees his lead whittled away, until on the last count she gets massive transfers from Steve Stiles and wins by 40 votes. A similar story for second place where Stile lags Munroe until overtaking him on the last count. Munroe finally gets third place, 5 votes ahead of Spring Schoenhuth, who comes fourth. Brad Foster is fifth, Taral Wayne sixth.

Best Fancast: SF Squeecast is 129 ahead on the first count and 98 ahead on the last, SF Signal and StarShipSofa clearly taking second and third places. Coode Street takes fourth place from Galactic Suburbia by three votes; both had dipped below No Award at earlier stages. (I am sorry for Galactic Suburbia, and wonder if voters just found the Australian accents too unfamiliar?)

John W Campbell Award: Brad Torgersen was actually ahead by 19 votes here on the first count, but E. Lily Yu overtook him with transfers fro Mur Lafferty and consolidated with transfers from Karen Lord. Torgersen got second place 9 votes ahead of Lord, who got third place; Mur Lafferty beat Stina Leicht by four votes for fourth place.

Hugo Awards 2012

I got three out of four in the fiction categories, and also voted for the winners in both Dramatic Presentation categories, and Best Related and Best Graphic, so that's a good Hugo awards ceremony for me. And a much better evening for Jo Walton, John Cluite, Graham Sleight, and the Who crowd. Congratulations to all the winners.

Best Novel: Among Others by Jo Walton (Tor) – Good heavens! Amazing!

Best Novella: “The Man Who Bridged the Mist” by Kij Johnson (Asimov's, September/October 2011) – Yay again!

Best Novelette: “Six Months, Three Days” by Charlie Jane Anders (Tor.com) – Hooray! Another one I voted for.

Best Short Story: “The Paper Menagerie” by Ken Liu (The Magazine of Fantasy & Science Fiction, March/April 2011)

Best Related Work: The Encyclopedia of Science Fiction, Third Edition edited by John Clute, David Langford, Peter Nicholls, and Graham Sleight (Gollancz) – more hooray!

Best Graphic Story: Digger by Ursula Vernon (Sofawolf Press) – hooray!

Best Dramatic Presentation (Long Form): Game of Thrones (Season 1), created by David Benioff and D. B. Weiss; written by David Benioff, D. B. Weiss, Bryan Cogman, Jane Espenson, and George R. R. Martin; directed by Brian Kirk, Daniel Minahan, Tim van Patten, and Alan Taylor (HBO) – another one I voted for

Best Dramatic Presentation (Short Form): “The Doctor's Wife” (Doctor Who), written by Neil Gaiman; directed by Richard Clark (BBC Wales) – first one I voted for!

Best Editor – Short Form: Sheila Williams

Best Editor – Long Form: Betsy Wollheim

Best Professional Artist: John Picacio

Best Semiprozine: Locus edited by Liza Groen Trombi, Kirsten Gong-Wong, et al.

Best Fanzine: SF Signal edited by John DeNardo

Best Fan Writer: Jim C. Hines

Best Fan Artist: Maurine Starkey

Best Fancast: SF Squeecast, Lynne M. Thomas, Seanan McGuire, Paul Cornell, Elizabeth Bear, and Catherynne M. Valente

John W. Campbell Award for Best New Writer: E. Lily Yu

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