Liberation: The Unoffical and Unauthorised Guide to Blake’s 7, by Alan Stevens and Fiona Moore

Second paragraph of chapter on third episode (“Cygnus Alpha”):

“Cygnus Alpha” gives us our third iteration of a totalitarian society (in this case, a theocratic one), demonstrating that, even on the outskirts of civilisation, oppression persists. We have surveillance, both human and divine; we have social control which is as much by the individual as by the state the prisoners are not being held against their will and, when offered freedom by Blake, most choose to stay, simply because it seems the easier option); we have state-sanctioned torture and abuse (and, upon seeing Blake’s condition after torture, Arco blames the victim, telling Blake that he should have stayed out of trouble); we have control using drugs (in the form of Vargas’s Big Lie, that the drugs consumed in the religious ceremonies keep them alive; we have guards who attack Blake in a scene reminiscent of the flashbacks in “The Way Back”. Sexual abuse is not mentioned, but we do have sex as an agent of social control: while Kara is visibly attracted to Gan, her kissing him seems to be as much a way of getting the most powerful man in the new group on her side as anything.

A comprehensive episode-by-episode guide to Blake’s 7, with each season introduced with notes on the overall production context, and clear opinions about which are the best and worst stories. Originally published in 2003, so before Big Finish started to produce audios featuring the surviving members of the original crew (and then their replacements), but an appendix covers the spinoff novels, plays and audios up to that point. I don’t agree with all the judgements – I have a sneaking affection, for instance, for “City at the Edge of the World”, while on the other hand I found the skeevy gender politics of the three episodes by Ben Steed unredeemable. However it’s good to have a chunky reference volume to pore over.

You can get Liberation here (for a price).

This was the non-fiction book that had lingered longest on my unread shelves. Next on that pile is Mantel Pieces, by Hilary Mantel.

Blake’s 7: The Way Forward, and The Classic Adventures Series 01

Housekeeping point: I spent the last two weeks mainly commuting to work by car rather than by train, so my blogging has caught up with my reading backlog. This week I’m going to write up my recent audio listening instead of bookblogging. Normal service will resume at some point.

Absolutely ages back I listened to a few of the Big Finish Blake’s 7 audios (here, here and here). Around the start of this year I got a couple of full cast stories: the 40th anniversary The Way Forward, from 2018, and the first series in BF’s sequence of Classic Adventures of B7, released in 2014.

I probably listened to them in the wrong order: the absence of Gareth Thomas, who died in 2016, from the first half of the 2018 The Way Ahead is palpable. It’s a two parter centring around the character Avalon (from the episode Project: Avalon), the first part set during Series A and the second during Series C. Avalon herself and Dayna have been recast (Olivia Poulet and Yasmin Bannerman), and Glynis Barber plays Soolin’s daughter rather than Soolin for rights-related reasons, but everyone else is there – Paul Darrow as Avon, Michael Keating as Vila Restal, Sally Knyvette as Jenna, Jan Chappell as Cally, Steven Pacey as Tarrant, Jacqueline Pearce as Servalan and Stephen Greif as Travis. It’s a cracking script by Mark Wright and a great nostalgia fest. You can get it here.

Series One of the Classic Adventures certainly gave me the appetite for more. It starts with an excellent psychodrama, Fractures by the ever reliable Justin Richards (who has written more Doctor Who books and stories than anyone else alive, I think); and then goes into a sequence of five tightly linked stories by different writers, Andres Smith, Mark Platt, Peter Anghelides and the last two by Cavan Scott and Mark Wright. Gareth Thomas was still alive in 2014 and gives his best here, along with the aforementioned Paul Darrow, Michael Keating (who gets a particularly good Vila plotline), Jan Chappell and Sally Knyvette, with Brian Croucher as Travis this time, and Hugh Fraser coming in at the end as the tremendously nasty President of the Federation. This is six hours of top-notch drama for (in my country) €25, incredible value. You can get it here.