Tag Archives: writer: justin richards

Time Zero, by Justin Richards

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Second paragraph of Chapter 51 (which is the third chapter after the prologues; they are numbered going backwards from 53):

The leather cover is scuffed and worn. The binding is slightly loose and several of the pages have pulled almost free. Others are torn or stained or missing entirely.

Going back to the sequence of Doctor Who novels that I read but did not get around to reviewing in 2014-2015, this is the seventieth of the BBC Eighth Doctor series, and also a bit of a turning point in the sequence. The Doctor and faithful companions Fitz and Anji head off in three different directions for what seem at first to be three different adventures, Fitz in 1893 and the others in 2002, but it becomes clear that their stories are intertwined. Some great circumstantial detail, with the image of the TARDIS in a glacier particularly memorable, and we also pick up a good deal about what makes the companions tick. I was a bit confused by the end, though, as it is a while since I read this series and I had forgotten the exact significance of recurring characters Sabbath and Trix. Little mercy is shown to new readers here. But Justin Richards is usually a reliably entertaining writer, and here he was also the overall editor of the series: he gave himself the task of twisting it in a slightly different direction, and succeeded.

You can get Time Zero here. Next up is The Infinity Race, by Simon Messingham.

Dragon’s Wrath, by Justin Richards

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Second paragraph of third chapter:

‘So, what do you think?’ Benny asked for about the fifth time in as many minutes.

Justin Richards is the most prolific of living Doctor Who authors – I am not completely sure if he has overtaken Terrance Dicks by now, but if not, I am sure that he will. Usually his writing is accessible and enjoyable, so I’m sorry to report that I somewhat bounced off this, the second of the independent Bernice Summerfield novels. It’s a story about a historical artefact which appears to exist in several duplicate forms, but the format kept shifting from strange dig to heist to detective novel to courtroom drama, and I felt too much was being put in without enough explanation of what was going on. A rare miss for me, for both author and series. You can get it here, at a price.

When I listened to the audio version first time round, in 2007, I wrote:

Dragon’s Wrath, like Oh, No It Isn’t!, is detached from the narrative of the other four stories. It is, frankly, not as good; plot too obvious, guest star (Richard Franklin) not sufficiently engaged, sound recording rather poor in places, basically rather skippable.

Re-listening confirmed my impressions from the first time around, and I will add that the end is very rushed. It’s interesting the Big Finish slipped it in at the end of their first Bernice Summerfield season, getting the other (and in my view better) stories out the door first. You can get it here.

Grave Matter, by Justin Richards

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Second paragraph of third chapter”

‘I think you could do with a good stiff lemonade,’ the Doctor told Peri gently.

My rereading of Who books which I failed to blog on first reading them a decade ago has thrown up some interesting finds, and this is one of them: the Sixth Doctor and Peri land on a Scottish island where something is up, specifically the islanders are turning into mind-controlled zombies; Doctor Who meets The Wicker Man meets Night of the Living Dead. The setting is very vividly evoked, and the solution to the mystery gradually revealed; but it’s the portrayal of a small isolated community under siege from ‘orrible forces that really sits with me. A good ‘un. You can get it here, at a price.

Next up: Burning Heart, by Dave Stone.

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Blake’s 7: The Way Forward, and The Classic Adventures Series 01

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Housekeeping point: I spent the last two weeks mainly commuting to work by car rather than by train, so my blogging has caught up with my reading backlog. This week I’m going to write up my recent audio listening instead of bookblogging. Normal service will resume at some point.

Absolutely ages back I listened to a few of the Big Finish Blake’s 7 audios (here, here and here). Around the start of this year I got a couple of full cast stories: the 40th anniversary The Way Forward, from 2018, and the first series in BF’s sequence of Classic Adventures of B7, released in 2014.

I probably listened to them in the wrong order: the absence of Gareth Thomas, who died in 2016, from the first half of the 2018 The Way Ahead is palpable. It’s a two parter centring around the character Avalon (from the episode Project: Avalon), the first part set during Series A and the second during Series C. Avalon herself and Dayna have been recast (Olivia Poulet and Yasmin Bannerman), and Glynis Barber plays Soolin’s daughter rather than Soolin for rights-related reasons, but everyone else is there – Paul Darrow as Avon, Michael Keating as Vila Restal, Sally Knyvette as Jenna, Jan Chappell as Cally, Steven Pacey as Tarrant, Jacqueline Pearce as Servalan and Stephen Greif as Travis. It’s a cracking script by Mark Wright and a great nostalgia fest. You can get it here.

Series One of the Classic Adventures certainly gave me the appetite for more. It starts with an excellent psychodrama, Fractures by the ever reliable Justin Richards (who has written more Doctor Who books and stories than anyone else alive, I think); and then goes into a sequence of five tightly linked stories by different writers, Andres Smith, Mark Platt, Peter Anghelides and the last two by Cavan Scott and Mark Wright. Gareth Thomas was still alive in 2014 and gives his best here, along with the aforementioned Paul Darrow, Michael Keating (who gets a particularly good Vila plotline), Jan Chappell and Sally Knyvette, with Brian Croucher as Travis this time, and Hugh Fraser coming in at the end as the tremendously nasty President of the Federation. This is six hours of top-notch drama for (in my country) €25, incredible value. You can get it here.