Doctor Who Rewatch: 25

Once again I’m behind with writing these up, mainly because I found some of these stories rather difficult to watch or to care about writing them up once I had watched them. But things had got better by the end.

I started watching the Trial of a Time Lord season in a rather foul mood. But in fact, rather to my surprise, I found myself warming to The Mysterious Planet – in relative terms, of course; it’s definitely in the lower third of Robert Holmes’ stories, and has a number of plot elements recycled from his previous scripts when he did them better. But there is a sense that the show might be finding its feet again: back to the 25-minute format, and also embedding the season in a narrative arc (which was successful last time it was tried) in which Time Lords up to no good; the basics are actually there, and I think it is the production values that let it down as much as anything. (Though I should admit that the plot is also a bit confusing and over-filled.) The Mysterious Planet is a little dull but it’s not actively bad, unlike most of the previous season.

I hold the unfashionable view that Mindwarp is much the best Sixth Doctor story. Unlike The Mysterious Planet, it is perhaps a little padded rather than crammed, but the performances make up for it – particularly Nabil Shaban and Chris Ryan, with Brian Blessed doing some excellent shouting. Also the framing narrative comes into its own here, with the Doctor as puzzled as we viewers are in some cases.

I was able to forgive many of the flaws of Earthshock because of the killing off of Adric. The destruction of Peri’s brain is a great shock moment which lifts Mindwarp from merely being good to being classic. We are building up to something shocking throughout the story, and it actually delivers; dramatically, this is not just the high point of the season, it’s the high point of the Colin Baker era.

So farewell to poor Peri. Having been listening to her excellent extended adventures courtesy of Big Finish over the last few years (where Nicola Bryant has now started directing stories as well as appearing in them), it’s rather a shock to return to how poorly she was served in the original scripts. The Peri/Six dynamic never comes quite right, and she bears all the hallmarks of being trapped in an abusive bullying relationship. Nicola Bryant is very pleasant to watch, but the same cannot be said for what is done to her character. (Apart, as stated above, from her dramatic demise. Up until the start of this year, my personal fanon was that Peri actually does die, and the story with King Hyrcanos is made up to make the Doctor feel better; but Big Finish’s Peri and the Piscon Paradox has persuaded me that there is more than one satisfactory way to answer that question.)

Apart from the Vervoids themselves, Terror of the Vervoids isn’t all that bad. There are good guest appearances (Honor Blackman being the most remarkable), Mel is a welcome change of tone if somewhat abruptly added to the show, and the plot is a decent claustrophobia / paranoia / base under siege combination. The Vervoids are unfortunately dull, obviously zipped into their suits and not very plant-like, but again they are not the worst of the monsters of Who. Where the story goes off the rails is the framing narrative, where it simply becomes confusing as to how the Doctor has access to future adventures, why he should be on trial now for something he hasn’t done yet, and why we should be particularly outraged if the Matrix has been hacked.

And then The Ultimate Foe is a poor farewell to a misused Doctor. There is little good to be said of it – Eric Saward’s original script for the second episode makes more sense than Pip and Jane Baker’s version as broadcast, but that is not saying much. The Valeyard’s role does become clear, and actually interesting, but the back-story of Time Lord politics simply becomes confusing and the means and motivation of the Master, crucial to what passes for a plot, are even less comprehensible than usual. (And we have the cop-out of Peri’s faked death, which kills the drama of the only interesting development of the entire season.)

When I started this rewatch, Colin Baker was firmly at the bottom of my list of favourite Doctors; I’m afraid he is still there, at least as far as his TV performance goes. The character is simply an unattractive one, and Baker is not able to invest him with sufficient heroism to overcome this (cf Pertwee, who for similar reasons is second last in my ranking, but was able to turn on the charm a bit more often). It’s far from being all Baker’s fault; the decision to have him assault Peri in his very first episode is a disastrous one which taints that story and most subsequent ones for me; the bizarre way in which the camera habitually zooms in on him pulling a funny face as the closing music rolls becomes very tedious very fast; and even what we thought we knew about the Doctor’s background in Time Lord continuity is undermined for no terribly good reason (I think Six has proportionally more stories with fellow time lords than any other Doctor, including One and Four who actually had Gallifreyan companions). Part of this is the mis-writing of the Peri/Doctor dynamic, but then things actually deteriorate in terms of production values and coherence once she has been killed off.

Having said that, Baker does rather well in the Big Finish audios – it’s a cliche, I know, but I do recommend Peri and the Piscon Paradox, Bloodtide, The Doomwood Curse, Brotherhood of the Daleks, Paper Cuts, Jubilee, and The Wormery. I also recommend, if you can find it, Colin Baker’s continuation of Peri’s story, The Age of Chaos.

And suddenly we have a new Doctor, as well as a new companion. Time and the Rani is widely excoriated as the worst of the Seventh Doctor era (coming bottom of the poll I ran a few years back and third last in the DWM Mighty 200 poll) but I don’t quite see that (granted, I have a couple of other heterodox views on this period of the programme). It’s a bit unexciting – the Rani’s evil plan consists more of exposition than action, and the Tetraps are not well executed – but at least one can understand what is going on, and most of the cast seem to want to do it well.

And McCoy’s Doctor is rather a breath of fresh air – once again I find I am watching the show because I want to see what he will do or say next, a feeling I haven’t really had since Tom Baker’s departure. I still don’t think that Time and the Rani is terribly good, but it seems to me unfarily underrated.

And suddenly we seem to have a complete step change with Paradise Towers, a glorious story which merges comedy and horror – Richard Briers dressed up as a Hitler-like bureaucrat; girl gangs with extraordinary slogans; cannibalistic little old ladies; a hero who isn’t terribly heroic; an evil architect and a swimming pool. I don’t know what it is, but there is a sudden injection of energy and confidence into the show at this point that, in my view, lasts for most of the rest of Old Who’s run. The Doctor may not have much of a clue as to what is going on, but we are urging him to work it out and we get there at much the same time as he does. My daily watching of the old episodes has become a pleasure again, rather than a chore.

So, farewell to Six, but ending on a more optimistic note than I have done for a while. Also feeling slightly elegiac in that I know there will be only two more of these posts.

< An Unearthly Child – The Aztecs | The Sensorites – The Romans | The Web Planet – Galaxy 4 | Mission To The Unknown – The Gunfighters | The Savages – The Highlanders | The Underwater Menace – Tomb of the Cybermen | The Abominable Snowmen – The Wheel In Space | The Dominators – The Space Pirates | The War Games – Terror of the Autons | The Mind of Evil – The Curse of Peladon | The Sea Devils – Frontier in Space | Planet of the Daleks – The Monster of Peladon | Planet of the Spiders – Revenge of the Cybermen | Terror of the Zygons – The Seeds of Doom | The Masque of Mandragora – The Talons of Weng-Chiang | Horror of Fang Rock – The Invasion of Time | The Ribos Operation – The Armageddon Factor | Destiny of the Daleks – Shada | The Leisure Hive – The Keeper of Traken | Logopolis – The Visitation | Black Orchid – Mawdryn Undead | Terminus – The Awakening | Frontios – Attack of the Cybermen | Vengeance on Varos – In A Fix With Sontarans | The Mysterious Planet – Paradise Towers | Delta and the Bannermen – The Greatest Show in the Galaxy | Battlefield – The TV Movie >

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Elections website update

I spent (some of) the day off on Thursday and more time today updating the elections site, which is now up to date for all 18 Northern Ireland constituencies (East Belfast, North Belfast, South Belfast, West Belfast, East Antrim, North Antrim, South Antrim, North Down, South Down, Fermanagh and South Tyrone, Foyle, Lagan Valley, East Londonderry, Mid Ulster, Newry and Armagh, Strangford, West Tyrone, and Upper Bann).

OK, that just leaves the 101 local government electoral areas, and then projecting those results onto the parliamentary/Assembly seats; and then the whole thing will start again when the new constituency boundaries are announced…

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My Hugo ballot

Consolidated:

Best Novel

1) The Dervish House by Ian McDonald
2) Cryoburn by Lois McMaster Bujold
3) Feed by Mira Grant
4) The Hundred Thousand Kingdoms by N.K. Jemisin
5) No Award
6) Blackout/All Clear by Connie Willis

Best Novella

1) The Lifecycle of Software Objects by Ted Chiang
2) "The Sultan of the Clouds" by Geoffrey A. Landis
3) "The Lady Who Plucked Red Flowers beneath the Queen’s Window" by Rachel Swirsky
4) "Troika" by Alastair Reynolds
5) "The Maiden Flight of McCauley’s Bellerophon" by Elizabeth Hand
6) No Award

Best Novelette

1) "Eight Miles" by Sean McMullen
2) "The Emperor of Mars" by Allen M. Steele
3) No Award
4) "Plus or Minus" by James Patrick Kelly
5) "The Jaguar House, in Shadow" by Aliette de Bodard
6) "That Leviathan, Whom Thou Hast Made" by Eric James Stone

Best Short Story

1) "For Want of a Nail" by Mary Robinette Kowal
2) "The Things" by Peter Watts
3) "Ponies" by Kij Johnson
4) "Amaryllis" by Carrie Vaughn
5) No Award

Best Related Work

1) Chicks Dig Time Lords: A Celebration of Doctor Who by the Women Who Love It, edited by Lynne M. Thomas and Tara O’Shea
2) The Business of Science Fiction: Two Insiders Discuss Writing and Publishing, by Mike Resnick and Barry N. Malzberg
3) No Award
4) Robert A. Heinlein: In Dialogue with His Century, Volume 1: (1907–1948): Learning Curve, by William H. Patterson, Jr.
Bearings: Reviews 1997-2001, by Gary K. Wolfe
Writing Excuses, Season 4, by Brandon Sanderson, Jordan Sanderson, Howard Tayler, Dan Wells

Best Graphic Story

1) The Unwritten, Volume 2: Inside Man, written by Mike Carey
2) Fables: Witches, written by Bill Willingham
3) Grandville Mon Amour, by Bryan Talbot
4) No Award
5) Girl Genius, Volume 10: Agatha Heterodyne and the Guardian Muse, written by Phil and Kaja Foglio
6) Schlock Mercenary: Massively Parallel, written and illustrated by Howard Tayler

Best Dramatic Presentation, Long Form

1) Inception
2) Scott Pilgrim vs. the World
3) No Award
4) How to Train Your Dragon
5) Harry Potter and the Deathly Hallows: Part 1
6) Toy Story 3

Best Dramatic Presentation, Short Form

1) Doctor Who: Vincent and the Doctor 
2) The Lost Thing
3) Doctor Who: The Pandorica Opens/The Big Bang 
4) Doctor Who: A Christmas Carol 
5) Fuck Me, Ray Bradbury
6) No Award

[…other categories…]

John W. Campbell Award for Best New Writer

1) Lauren Beukes
2) Saladin Ahmed
3) Lev Grossman
4) Dan Wells
5) No Award
6) Larry Correia

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July Books 18) Agatha Heterodyne and the Guardian Muse, by Phil and Kaja Foglio

I haven’t actually finished this, but I’ve simply lost interest; despite having read the two previous volumes in the series (this is the tenth) I can’t remember why I was supposed to care about any of the characters, and I’m going to do something else with my time.

Which concludes my reading for the Best Graphic Story category of this year’s Hugo Awards. My votes will be as follows:

6) Schlock Mercenary: Massively Parallel, written and illustrated by Howard Tayler
5) Girl Genius, Volume 10: Agatha Heterodyne and the Guardian Muse, written by Phil and Kaja Foglio
4) No Award
3) Grandville Mon Amour, by Bryan Talbot
2) Fables: Witches, written by Bill Willingham
1) The Unwritten, Volume 2: Inside Man, written by Mike Carey

Previous Hugo category write-ups (though the Campbell Award is Not A Hugo): Best Novel, Best Novella, Best Novelette, Best Short Story, Best Related Work, Best Dramatic Presentation – Long Form, Best Dramatic Presentation – Short Form, John W. Campbell Award for Best New Writer 2011 (Not A Hugo)

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Hackgate

Delighted though I am to see the ongoing humiliation of Rupert Murdoch, I fear that the story is not going to end well.

There are two big issues: the disgusting journalistic techniques of the tabloid press, and Murdoch’s stifling control of the media (analysed with gloom by none other than Charles Moore in his piece this morning, “I’m starting to think that the Left might actually be right“).

The closure of the News of the World solves neither problem. It deprives Murdoch of some of his share of the overall media scene, but he remains dominant; and while of course it is good that he has been prevented from expanding his satellite TV holdings further, that actually is not a defeat, it is a potential victory which may have been only deferred rather than thwarted. Any response short of dismantling Murdoch’s control of the media is a failure.

As for the hacking itself, the NotW was unfortunate in that they got caught, but they were certainly not the only guilty newspaper and equally certainly not the worst – it’s pretty obvious from any reasonable analysis of the UK media scene that the NotW is far exceeded in malevolence and gutter journalism by the Daily Mail. Any fix to this situation that does not have the Daily Mail (and the others) screaming is a failure.

One part of the answer became clear to me in the fuss over superinjunctions a few months ago. As a non-UK resident I had no qualms whatever about researching the details of some of the superinjunctions. And I came away thinking that in fact all the ones I could find details on were entirely reasonable; the injustice was that these measures were available only to the rich, and not also to the average person subjected to tabloid abuse. There is no public interest in revealing anyone’s sex life, rich or poor, as far as I can see. Any response which does not give privacy rights to all citizens is a failure.

What chance of success? You tell me.

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Delicious LiveJournal Links for 7-23-2011

  • CONTENTS
    Editors' Introduction ; References and AbbreviationsPart I: The Major Intertexts
    – Jane Austen, Pride and Prejudice
    – Charlotte Bronte, Jane Eyre
    – Georgette Heyer, A Civil Contract
    – Dorothy L. Sayers, Gaudy Night
    – William Shakespeare
    Part II: 'A comedy of biology and manners'
    Part III: Annotations, by chapter
    Afterword: LMB's continuing romance with romance

    (Hope this is better than the Bujold Companion which came out a few years back.)

    (tags: sf)
  • Why Christopher Eccestone left: "My face didn’t fit and I’m sure they were glad to see the back of me. The important thing is that I succeeded. It was a great part. I loved playing him. I loved connecting with that audience. "
    (tags: doctorwho)
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Delicious LiveJournal Links for 7-22-2011

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July Books 17) Conundrum, by Steve Lyons

Steve Lyons is always interesting if not always completely successful, and this Seventh Doctor novel is a great idea which is not perfectly executed. The Tardis, with Benny and Ace, lands in an English village where mysterious things are afoot, but what appears at first to be a murder mystery turns out to be a return to a situation from the Doctor’s past. This was Lyons’ first Who novel (indeed, I think his first published work), and his prose style is still a tad unpolished in places with too many characters jostling for attention. But the core idea is audacious enough to make this one well worth reading.

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EU birth statistics

I extracted these stats from the Eurostat site:

(the numbers are births registered in each month of 2009, taken as a percentage of all births in 2009, divided by the number of days in the month)

September is just ahead of July as the top month for average daily birthrate in the EU, though July is top in more member states (16 to 8). November is just below December for the EU as a whole, though there is a lot more variation. Fascinating that most countries show a dip in August as compared to the two neighbouring months. The outliers are not surprisingly those with low birth rates combined with unusual climates (for the EU); Cyprus in light blue goes up and down more than any other, Malta the light orange which dips below the others in August and above the others in November, and Latvia is high in March and June.

Just idle curiosity really.

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John W. Campbell Award for Best New Writer 2011

The Hugo Voter Package includes five novels and five short stories by this year’s nominees for the John W. Campbell Award for Best New Writer. I don’t think I had ever cast a vote for this award before, so I found this tremendously helpful. I am a little uneasy that there is not a really equal basis of comparison – two novels, vs a novel and a short story, vs a novel, vs another novel, vs four short stories – but it’s difficult to imagine another way of doing it. I’m therefore listing the works on which I base my judgement along with, indeed before, the writers who are getting my votes (as usual, in reverse order).

6) Monster Hunter International, by Larry Correia. I do have little hesitation in putting Monster Hunter International last. It is relentlessly single-tone, derivative and predictable, and I can’t see how anyone could rank it above any of the other works included in the package. To an extent the John W. Campbell Award is about the future of the genre; books like this take us way back to the past, with the incidentals slightly jazzed up for the twenty-first century, and I think it would be embarrassing for the genre if Correia won on the basis of this.

5) No Award. I wavered about putting it higher, but there is enough originality in all the other four nominees to make me feel that, while I might be surprised, I would not be embarrassed if any of them won.

4) I Am Not A Serial Killer, by Dan Wells. Of the novels supplied, this is the furthest out of the mainstream of the genre, a YA novel about a boy obsessed with serial killers who discovers that the mild-mannered next door neighbour is in fact a man-eating demon. There is some unevenness in the execution, but I can see that there is a vibrant and suitably weird imagination behind it.

3) The Magicians and “Endgame” by Lev Grossman. A very ambitious project, picking up on the various wizard school stories and series (most obviously Rowling) and parallel world (most obviously Lewis) but with older and hornier students. Some readers complained that the protagonists were rather depressing characters; I don’t object to that myself, but I did think there were sufficient structural problems with The Magicians to keep it off either of my top two spots.

2) “Doctor Diablo Goes Through The Motions”, “Hooves and the Hovel of Abdel Jameela”, “Mister Hadji’s Sunset Ride” and “The Faithful Soldier Prompted”, by Saladin Ahmed. If this were a prize for the best title, Ahmed would walk away with it. The four stories supplied are very interesting, lucid short tales which bring the perspective of a culturally Islamic background to the wider genre. (I was a bit annoyed by the gratuitously variable fonts of the fourth story, but I don’t hold it against the author.) Ahmed may well be a better and more promising writer than my top choice, and certainly I found his writing much better than Correia or Wells. In the end, though, I don’t quite have enough to go on; at novel length, he might not be quite as good as Grossman, or he might turn out to be better than Beukes. Somewhat hesitantly, I put him between the two.

1) Zoo City by Lauren Beukes. (Moxyland is also included in the Hugo Voter Package, but I doubt that I will read it in time.) Zoo City is the only one of these books I had already read, thanks to its BSFA shortlisting. I thought it an assured and accomplished piece of work then, and I think the same now; none of the other nominees convince me that they are more deserving of the award, so my top vote goes to Beukes.

Previous Hugo category write-ups (though the Campbell Award is Not A Hugo): Best Novel, Best Novella, Best Novelette, Best Short Story, Best Related Work, Best Dramatic Presentation – Long Form, Best Dramatic Presentation – Short Form.

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July Books 16) The Lion, The Witch And The Wardrobe, by C.S. Lewis

It’s a very long time since last I read this, though I had seen the most recent cinema adaptation – which was more faithful to the book than I remembered, at least as regards the lengthy period of time spent with the Beavers. It really takes a long time to get going, with much exposition from the Beavers and Mr Tumnus before we get to the main plot. As a seven-year-old I remember being baffled and also upset by Aslan’s death; now I perceive the heaviness of the allegory, but I am also impressed that Lewis makes the young reader care about a character whose first appearance is more than two thirds of the way into the book. And the style is good and clear: I just started reading Tolkien’s The Lost Road, and gosh, it’s clunky in comparison. Sure, the gender roles are rather traditional, and the Christianity rather blatant to the adult reader; but there is also a great sense of magic and of a deeper layer of lore and history to the Narnia universe, and you can see why it has lasted.

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July Books 15) The Dalek Book, by David Whitaker and Terry Nation

This book, published in June 1964, actually predates the first Doctor Who annuals and books, so I guess may be the very first Who spinoff literature evar. It is really not bad at all; alternating formats between comic strip and illustrated prose, and even a photonovel featuring the Doctor’s grand-daughter Susan, it tells the story of the Daleks’ attempt to invade and occupy Earth’s Solar System (a diagram showing Skaro swooshing past the orbits of the Sun’s other planets), opposed by the heroic efforts of Jeff, Andy and Mary Stone, good swash-buckling square-jawed heroes all three. Mary at one point is captured by the Daleks and persuades them to start taking better care of their prisoners, a story-line later used by Big finish for their character Susan Mendes in the Dalek Empire audios. On the one hand it’s very much related to the adventure comics of the day; on the other I liked the coherent narrative thread, which takes the format in a slightly different direction, and appreciated the expansion of Daleks-as-Nazis to Daleks-as-totalitarians, rewriting history at their convenience. This one is worth hunting down.

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July Books 14) State of Change, by Christopher Bulis

I can recommend this Sixth Doctor novel to my Whovian classicist friends: it is set in a world where Antony and Cleopatra discovered alien technology and won the Battle of Actium, and a generation later, their twins and Cleopatra’s son by Julius Cæsar together are ruling the known world as an uneasy triumvirate. Of course, all is not as it seems, but Bulis has produced quite a good story with some quite subtle underlying themes of change and transformation, and in particular gives Peri a rather better story than she usually gets. The characterisation of the Sixth Doctor is a bit off-kilter, but actually in rather a good way. Good fun.

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July Books 13) The Guernsey Literary and Potato Peel Pie Society, by Mary Anne Shaffer and Annie Bar

This is a lovely heartwarming novel, set in 1946 and told in epistolary form, about a young woman who uncovers the story of a small group of people in Guernsey who held together through the German occupation by setting up a book club. It had me captivated in the first few pages, which economically portray a traumatised small society coming to terms with the present and the future, and then develops into a more conventional but entirely pleasing love story. Strongly recommended.

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Delicious LiveJournal Links for 7-18-2011

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July Books 12) Terre des Hommes, by Antoine de Saint-Exupéry

For many years the phrase terre des hommes had a somewhat unusual connotation for me. My family visited Montreal in two successive summers, 1972 and 1973, when I was five and then six; and the place where we stayed was within walking distance of the decaying remains of the 1967 Expo, which had taken as its theme de Saint-Exupéry’s title. So the phrase “terre des hommes” evoked memories of desolate and derelict pavilions and disintegrating plastic sculptures. I haven’t been to Montreal in thirty-eight years, and I guess they have tidied it up by now.

But a few months ago I was discussing desert literature with my friend Mohamed Beissat, who actually comes from the Sahara, and he strongly recommended that I read Terre Des Hommes – and if possible in the original French, rather than in the English translation (Wind, Sand and Stars). I accepted his challenge, realising only later that it’s a very long time since I read a novel in French – it was L’Étranger, urged upon me by my then girlfriend, probably a quarter of a century ago. And though I did also read a graphic novel in French a few weeks ago, that’s not really the same challenge. I found it really tough going, and managed about a dozen pages a day, which is why it has taken me two weeks to get to the end.

It is a rather charming book. De Saint-Exupéry was there in the very early days of scheduled flights, across the Sahara and the Andes, an undertaking which was both constantly life-threatening and also gave the thoughtful pilot plenty of time to ponder the deep questions of continued existence. He reminded me, in a positive way, of the early Desert Fathers, though he is more fixed on the specifics of personal survival. The best and most famous passage his the story of his crash in and rescue from the Libyan desert; encounters with imminent death have a way of concentrating the mind.

I felt that it was not without flaws. Although de Saint-Exupéry constantly stresses our shared humanity, and indeed himself befriends, buys and releases a Moroccan slave; but the people he meets from other cultures (not only non-Europeans, but also the Polish workers who he meets on a train in the last chapter) are rather comprehensively othered, and his professions of equality seemed to me to include a taint of condescension. (Though maybe I would feel differently if I had read it in English rather than French.) Also there are very few women in the book at all, and we do not hear their voices.

Having said that, it must be one of the key books that inspired European intellectuals and peacemakers to seek a better way after the Second World War. I quoted one of his sentences in a post shortly after starting to read the book, and of course it is tragically ironic that the writer decribes how a character – whose name is Lécrivain! – disappears in mid-flight, never to land anywhere again; he must have been well aware of the likelihood of his own fate.

Top unread non-fiction:
Peleponnesian War | Innocents Abroad | Terre des Hommes | The Hero with a Thousand Faces | Race of a Lifetime / Game Change | Proust and the Squid | The Tipping Point | Incidents in the Life of a Slave Girl | Elementary Forms of Religious Life | Autobiography of an Ex-Colored Man | History of Christianity | History of the World in 100 Objects | A Room of One’s Own | Why Be Happy When You Could Be Normal? | The Last Mughal | Reading the Oxford English Dictionary | Jane Austen | Homage to Catalonia | The Road to Middle Earth | Essence of Christianity | The Strangest Man

Excursions on a Sunday

I set off a bit earlier than usual this morning to take B out for lunch; she does love the occasional chicken curry sandwich, eaten at a picnic bench in the park. Meandering back through the streets of the town where she lives I was astonished to come across a ruined church which I had never seen before, and we stopped to explore it. She was in an unusually good mood, which was very nice to see:

It’s not clear in the last one, but she is actually jumping with joy. I did wonder if B was fascinated, as people like her often are, by the peculiar and slightly pleasing geometry of the ruined buildings.

The church turns out to have a rather sad history. It was at the centre of the old béguinage / begijnhof of the town, but most of the historic buildings were flattened in an Allied bombing raid in 1944 (I checked the official records of the RAF’s 537 Squadron, and all that is noted is that the raid, whose target was an airfield some distance away, was considered successful) and the church itself, parts of which dated from 1250 was then burnt out in a fire in the mid-1970s. The ruins were restored as a public park in 1997.

The rest of us went out for a different excursion in the afternoon. Our province is holding a ‘hidden heritage’ day today and F, given the catalogue to browse from, chose a windmill near Aarschot as a thing he would like to see. (Most of the other options were churches.) I’m very pleased with this first picture taken from the carpark:

but it doesn’t quite capture the impressive speed with which the sails were turning. The effects on my family’s hair are more visible here:

Inside we were able to see the machinery, the huge wheels spinning with fearsome momentum:

and the corn disappearing down to be ground by the millstones:

The mill was actually built in 1667 in Mechelen, and then moved to its current base near Aarschot in 1833. So it has been in its second location slightly longer than in its first location, 178 years rather than 166.

Good choice, F!

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Answer to Doctor Who Trivia Question

The answer to yesterday’s question, which Doctor Who companion features in this story…

…may surprise you:

As several people speculated, it is a story called “A Message of Mystery” from one of the spinoff Dalek books, the original Dalek Book of 1964, and must be the very first example of a published adventure in the Whoniverse featuring a canonical companion but with no Doctor in sight.

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Gibbon Chapter LVI: Italy and the Normans

In this chapter, the Byzantines, Saracens and Franks battle over Italy, and the Normans arrive and take over the south of the peninsula and Sicily, as well as further adventures in the vicinity. Also my reflections on Italy as a concept, learning and toleration, and a strange story about attempted castration which somehow appropriately ends up with Tristram Shandy.

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“A Game of Thrones”; and July Books 11) A Feast For Crows, by George R.R. Martin

Just to start with a few lines on the brilliant TV adaptation of the first book of George R.R. Martin’s A Song of Ice and Fire series. I thoroughly enjoyed it; the acting and staging were superb, and while I wouldn’t go as far as Abigail Nussbaum in extolling its superiority to the original book, I certainly agree that it builds very effectively on what I felt was anyway an effective novel.

It is going to be very difficult to select a single episode to nominate for next year’s Hugos for Best Dramatic Presentation – Short Form, though I suppose either or both of the last two might be appropriate; to be honest I’d rather nominate the entire series in the Long Form category even though it will then be doomed to defeat by this year’s cinematic releases.

Changing the subject back to the books, back in 2006/2007 I started rereading the whole series, in the hope that A Dance With Dragons would come out neatly in time to fit my pacing. But after I had reread A Game of Thrones, A Clash of Kings and the two parts of A Storm of Swords, the new book seemed no closer to coming out and I left A Feast for Crows on the shelf – I had read it for the first time shortly after it came out in 2005, which was a lot more recent then. Now, of course, I have been caught out by A Dance With Dragons finally appearing, so felt a sudden need to catch up.

I don’t have a lot to add to what I wrote about it, getting on for six years ago. I had forgotten the details of the Dornish links with the Targaryens, the encounter between Samwell and Arya in the streets of Braavos, and the promise of queenship made by Petyr Littlefinger to Sansa Stark, the first and third of which presumably will get more play in the coming book (the three queens presumabl being Cersei, Daenerys and Sansa; or Myrcella if Cersei is done for by the religious zealots she has unleashed). I still think that the abandoning of the Greyjoy plotline is a bit of a weakness in the structure. But the Dornish bits made more sense to me now, partly because it’s a contrast with Cersei’s mishandling of her own situation, but mainly because I don’t resent the introduction of yet more viewpoint characters as I did on first reading. Brienne’s story is in a similar way a contrast to Jaime’s, as well as a means of grounding the narrative in the sufferings of the smallfolk.

Anyway, I found it an easy and very pleasurable (if long) read, and am very much looking forward to starting the next volume.

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