My tweets

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630 days of plague, and COVID 20 days on

Well, I’m basically better. I woke up on Saturday feeling a lot more like myself, had a normal weekend (writiing blog posts, cooking the family dinner twice) and worked the whole day yesterday and today, mainly catching up on a thousand emails but with a fair number of meetings too. Still working from home, and not being very adventurous as yet. On Thursday I will go and work in the office in Brussels, and we have our work Christmas dinner downtown in the evening. Everyone will be tested before dinner; my system must be swarming with antibodies right now, so I am not apprehensive.

Thanks to everyone who commented for their sympathy and support. It does help one’s morale.

B is fine, and had a much milder case. We finally got U tested and she turned out negative (she may well have had it asymptomatically at the same time as me and Anne, and recovered), and she will go back to school and then to the care home in Tienen tomorrow. A bit farther afield, my friend R in Antwerp got out of intensive care and is convalescing at home. More widely, the Belgian numbers are finally turning around – the weekly average rate of infection registered a decrease this morning for the first time since 9 October. Then it was 1898; now it’s 17146, almost exactly nine times higher.

I had a nasty dose of the bug, basically lasting fifteen and a half days from midday Thursday 18th, when I realised I could no longer ignore the symptoms that I’d had since the previous day and went to bed for two weeks, until waking up feeling better on Saturday 3rd. But it could have been a lot worse, and likely would have been a lot worse if I had not been doubly vaccinated. More importantly, perhaps, because I was vaccinated I was much less infectious, and despite close contact with a number of colleagues on the 15th and 16th in London, I don’t appear to have passed it on to anyone apart from Anne. (So our household R number is 0.5, 0.3 if you count F having had it in October without anyone else catching it from him.)

I will continue to be careful – I know enough people who have had COVID twice to make me very cautious, and my blood oxidation level remains lower than I’d like it to be. (Having said which, I wasn’t measuring it before I got COVID, so possibly I’m normally a bit onn the low side.) We only get booster shots here six months after our original second shot, which for me would be Christmas Day; but I’ll be in the queue as soon as it’s available.

It’s weird to look at the subject line of this post – 630 days, 90 weeks. Certainly when I first started this sequence of ten-day posts in March 2020, it seemed unlikely that I’d still be writiing them in the summer (and indeed there was a gap of a couple of months during that first deceptive lull). I dare not predict now when I’ll feel that I can stop updating, except that it certainly won’t be before next year.

See you soon. Get vaccinated, if you haven’t been; get boosted as soon as you can; and try not to get the damn bug.

Waste Tide, by Qiufan Chen

Second paragraph of third chapter in original (NB that in the English translation by Ken Liu, this passage is about a quarter of the way into the third chapter, rather than near the beginning):

她不知道自己跑了多久,也不知自己身在何方,紧迫感缓慢地拉扯她的神经,让她无法遏制逃跑的欲望。可是并没有人在追她。没有任何有形的威胁,更像是一种无形的未知,从遥远海平面般的边界袭来。她的眼角似乎瞥见,那是无法形容的光芒,带着金属镀膜或晶体折射般的繁复虹彩,又仿佛流云或者海浪般变幻莫测,吞噬着她背后原本黯淡黑白的空间。 She [Mi Mi, the protagonist] didn't know how long she had been running, nor where she was. A sense of urgency tugged at her nerves, making it impossible for her to give up the desire to run, but there was no one after her. There was no concrete threat, only a formless, unnamed foreboding that swept over the sea at her from the distant horizon. Out of the corners of her eyes, she seemed to glimpse some indescribable glow, a complex iridescence found in the sheen of metal coating or the luster of crystals, fluctuating in the manner of waves or racing clouds, devouring the dim, black-and-white space behind her.

Another of the Chinese contemporary SF works that is being widely recommended – I picked this one up from Vector in the spring. It's a grim contemporary tale of pollution off the Chinese coast, in a community that has grown up from migrant workers who have come to process waste, and something non-human that has also emerged in the meantime. The metaphor of monsters living in the rubbish dump goes at least as far back as ancient human societies, but I felt this pulled that old story together with the contemporary structural problems of China, both managing its own growing and demanding society and dealing with America. Ken Liu's translation has its quirks – I don't really need to know about the precise tonal pronunciation of words that are used only a couple of times – but it's fluent and seems to catch a time and place, fictional but closely related to today's China. Recommended. You can get it here.

This was the top unread book by a writer of colour on my pile. Next is the other Chinese sf novel recommended by Vector, An Excess Male, by Maggie Shen King.

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The Lay of Aotrou and Itroun, by J R R Tolkien, ed. Verlyn Flieger

Second paragraph of third chapter:

The fragment has no title, though it obviously presages Tolkien's much longer and more elaborate tratments of both the fair-copy manuscript and the typrescript of ‘Aotrou and Itroun’, as well as the final version published in The Welsh Review. The verse is alliterative and unrhymed, though the line is metrical, in iambic tetrameter. The story breaks off at the moment of the lord’s approach ‘with lagging feet’ to the cave of the fay.

This is minor Tolkieniana, to be honest. It's a poem published in 1930 about a Breton lord who buys a magic potion for his wife; and it all goes horribly wrong. Verlyn Flieger, who is one of the most prolific and interesting Tolkien scholars out there, has done a great job of presenting the poem itself and three earlier goes (a draft and two other poems on closely related themes). But even the completist can rest easy without this on their shelves. You can get it here.

This was my top unread book acquired in 2017. Next on that pile is Tower [of London], by Nigel Jones.

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March 2014 books

This is the latest post in a series I started in late 2019, anticipating the twentieth anniversary of my bookblogging which will fall in 2023. Every six-ish days, I've been revisiting a month from my recent past, noting work and family developments as well as the books I read in that month. I've found it a pleasantly cathartic process, especially in recent circumstances. If you want to look back at previous entries, they are all tagged under bookblog nostalgia.

I started the month at a Worldcon planning meeting in London, dealing with the fallout of the Jonathan Ross affair. That was my only trip away that month; work continued to be grim, but I established initial contact with my current employers about coming to work for them instead.

Here's B with an emu.

I read 27 books that month. Crucially, this was also the month that, inspired by H, I started to try and include the second paragraph of the third chapter of every book I read in my write-ups here. I've found that a useful addition to my routine; a sort of intake of breath and nod to the original text before saying whatever I have to say about it. I dropped it at the end of March 2014, but soon picked it up again.

Non-fiction 4 (YTD 13)
The Assassination of the Prime Minister: John Bellingham and the Murder of Spencer Perceval, by David Hanrahan
The Big Finish Companion v1, by Richard Dinnick
Essays on Time-based Linguistic Analysis, by Charles-James N. Bailey
Companions: 50 Years of Doctor Who Assistants, by Andy Frankham-Allen

Fiction (non-sf) 2 (YTD 8)
The Other Hand, by Chris Cleave
Brick Lane, by Monica Ali

SF (non-Who) 10 (YTD 22)
Ancillary Justice, by Anne Leckie
Dominion, by C.J. Sansom
Animal Farm, by George Orwell
Sigrid and Gudrun, by J.R.R. Tolkien
The Amber Spyglass, by Philip Pullman
Unearthed, eds. John J. Johnston and Jared Shurin
Spin, by Nina Allan
Anthem, by Ayn Rand
Best Served Cold, by Joe Abercrombie
Tarzan and the Forbidden City, by Edgar Rice Burroughs

Doctor Who 11 (YTD 22)
Doctor Who – The Paradise of Death, by Barry Letts
Christmas on a Rational Planet, by Lawrence Miles
Mad Dogs and Englishmen, by Paul Magrs
Tales of Trenzalore, by Justin Richards, George Mann, Paul Finch and Mark Morris
Salt of the Earth, by Trudi Canavan
Search for the Doctor, by David Martin
Crisis in Space, by Michael Holt
The Garden of Evil, by David Martin
Mission to Venus, by William Emms
Invasion of the OrmazoIds, by Philip Martin
Race Against Time, by Pip and Jane Baker

~7,200 pages (YTD ~20,000)
6/25 (YTD 19/65) by women (Ali, Leckie, Allan, Rand, Canavan, J Baker)
1/25 (YTD 2/656) by PoC (Ali)

I hugely enjoyed returning to Animal Farm, which you can get here, and reading for the first time Ann Leckie's Ancillary Justice, which you can get here, and Nina Allan's Spin, which you can get here. On the other hand the 1986 Doctor Who Make-Your-Own-Adventure books were generally pretty awful, with the worst being William Emms' Mission to Venusyou can get it here.

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My tweets

  • Sun, 12:56: RT @BakerLuke: A sharp column, and perhaps one that could only be written by someone ending their assignment . A cracking job well done @d
  • Sun, 14:48: RT @MartinGenier: selon @SylvieBermann ancienne ambassadrice à Londres dans une tribune au @guardian Paris estime « qu’il est impos…
  • Sun, 15:49: RT @SirJJQC: That’s quite a startling statement from the Lord Chancellor
  • Sun, 18:41: The Story of Sex: From Apes to Robots, by Philippe Brenot and Laetitia Coryn https://t.co/hZ9ZsJ0nph
  • Mon, 10:06: RT @Si_Hart: Maybe it’s a symptom of my mental state right now but I actually don’t care what anyone else thought about Doctor Who. All tha…
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The Story of Sex: From Apes to Robots, by Philippe Brenot and Laetitia Coryn

Second frame of third chapter (on Egypt):

This is actually a lot less exciting than it sounds, a brisk history of white people's sexuality (a follow-up volume looks at Asia and Africa) looking also at historical understandings of marriage and other sexual arrangements. Philippe Brenot is a veteran French sexologist who has written two dozen other books on the subject, and artist Laetitia Coryn is a well-known bandes dessinées writer who is also an actor and voiceover artist. It's not especially erotic, though it's certainly descriptive. In general the points landed fairly and not too didactically; but the scope is not particularly broad. Here's one nice frame about religion, sex and St Paul:

You can get it here.

This was my top unread comic in English (though originally in French). Next on that pile is the second volume of Kieron Gillen's Once and Future.

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Mortal Engines, by Philip Reeve

Second paragraph of third chapter:

Glancing over the scavengers’ heads, Tom glimpsed a dark silhouette against the distant glare of furnaces. The girl was at the far end of the catwalk, climbing nimbly up a ladder to a higher level. He ran after her and snatched at her ankle as she reached the top. He missed by a few inches, and at the same moment a dart hissed past him, striking sparks from the rungs. He looked back. Two more policemen were thrusting through the crowd with cross-bows raised. Beyond them he could see Katherine and her father watching him. “Don’t shoot!” he shouted. “I can catch her!”

Philip Reeve and I are both going to be Guests of Honour at next year's Eastercon, but I confess that I had not read any of his books. Mortal Engines was a huge hit when it first came out, and has been (unsuccessfully) filmed. The plot is fairly standard YA (girl meets boy, they are separated, struggle and are eventually reunited) but what really makes it is the setting: a post-apocalyptic steampunk Eurasia where cities have become mobile and eat other cities in a struggle for survival, "municipal Darwinism". It does take quite a special talent to invent a grotesque, fantastic world and also get us to sympathise with the characters who gradually learn just how awful their world really is. He also gives his heroine a particularly memorable back-story to uncover. Recommended. You can get it here.

This was my top unread book acquired this year, and also my top unread sf book. Next on those piles are Animal Dreams, by Barbara Kingsolver, and Staring at the Sun, by Julian Barnes.

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Ghost Light, by Jonathan Dennis (and Marc Platt)

When I first watched it in 2007, I wrote:

Ghost Light is an entirely different matter [from Battlefield]. I approached it with some suspicion, in that I had found several of Marc Platt’s other offerings (Downtime, Auld Mortality, Lungbarrow) tough going. And indeed, Ghost Light is tough going too, but I very much felt it was worth the effort: intricately constructed, well acted, beautifully shot; certainly the best story I’ve seen that was broadcast between Caves of Androzani and Rose.

One of my big complaints of Who of this era is that so little effort seems to have been put into getting the settings right: Ghost Light does not suffer from this problem – from the beginning, and indeed all the way through, you feel convinced that this is a Victorian mansion, even when it turns out that the butler is a living Neanderthal and there is a spaceship in the basement.

Also the Doctor’s bringing Ace back to the scene of her childhood crimes is, if I’m not mistaken, practically the first attempt ever to link a companion to his or her back story.

It is, however, a story very far removed from the normal territory of Doctor Who – surrealist play meets Agatha Christie, perhaps – and despite the quality of the drama it must have further created doubt about what Doctor Who was actually for. Still, apparently this was the last story of the old series actually filmed (although the third last to be broadcast) and it’s nice to feel that that the cast and team must have felt they were going out on a high.

Returning to it in 2011, on the last leg of my Great Old Who Rewatch, I wrote:

I was amazed, rewatching Ghost Light, by just how good it is. Densely packed with literary and cultural and scientific references, transformations, and bizarre imagery, it is a real feast for the viewer. Even if I am still not totally certain I know what it was all about, I find it utterly fascinating; the cast seem to be reasonably surefooted in the peculiarity of what is going on, and the music and sets all add up as well. Having had my view of the worst Seventh Doctor story confounded on this rewatch, I felt confirmed in my view that Ghost Light is the best; and as it was the last story actually filmed, we can say that Old Who ended on a real high.

In the years since I wrote that, Marc Platt has continued writing Who scripts – I think that of the Old Who writers he is actually the only one still really active (Rona Munro has done one TV episode, but that’s it). You cannot accuse him of not keeping the faith. I recently much enjoyed his Fourth Doctor two-parter, The Skin of the Sleek / The Thief Who Stole Time, though I don’t know if I will ever get around to writing it up.

However, on the third time of viewing, but the first time watching it out of context with the rest of the final season of Old Who, I have to say that Ghost Light did not work for me as well as before. There are massive holes in the plot, which are only just covered by the energy and bombast of the leads, especially McCoy. If you are in the mood, you don’t worry about it not really making sense; this time round, I just wasn’t in the mood.

And there are a couple of scenes where actors are standing around with their hands by their sides, waiting for their next line, which is never a good sign.

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The second paragraph of the third chapter of Marc Platt’s novelisation is:

The ponderous clock reached its third stroke. In the darkened study, white gloved hands touched the shoulder of a girl who sat motionless, staring into the fire.

When I first read it in 2008, I wrote:

After enjoying most of Marc Platt’s other work, including his novelisation of Battlefield, I was looking forward to reading this. I’m afraid I was disappointed. Once again, I realise just how vital the direction and acting of the TV version can be; and the intensely visual and subtle original just loses most of its vitality and mystery on the printed page. In particular, we lose the striking visual appearance of Nimrod the Neanderthal and of Light himself, who comes across as just some random and rather dull megalomaniac with super powers.

Scrapes through the Bechdel test: in most of the Ace/Gwendolen scenes they are talking about Josias and/or the Doctor, and the one exception is when they fight, and are then interrupted by Control. A fight is barely a conversation, but I suppose it will have to do. (Mrs/Lady Pritchard appears to communicate with the maidservants by telepathy.)

I have been very inconsistent in my application of the Bechdel test; maybe I’ll start being systematic in 2022. Anyway, It was originally intended for films, not books. Apart from that, nothing to add to my previous assessment. You can get the book here.

The second paragraph of the third chapter of Jonathan Dennis’ Black Archive monograph on Ghost Light is:

[Referring to the ghost story] It’s a popular story genre of course. Myths and stories of haunted places date back to tribal times; there’s a haunted house story in the 1,001 Nights53. As I mentioned before, one of the characters in Ghost Light, Mrs Grose, is taken directly from one of the most popular haunted house stories in literature, The Turn of the Screw (1898). Scarcely a year goes by that there isn’t a movie released about a haunted house, usually more than one. Last year (2015) has seen a remake of Poltergeist (1982), and Guillermo del Toro’s Crimson Peak, which isn’t just a haunted house story, it’s a Gothic haunted house story in the same vein as those Ghost Light was pastiching.
53 ‘Ali the Cairene and the Haunted House in Baghdad’.

As with my rewatch of the story, unfortunately I didn’t get much out of this. It’s a bit of a grab-bag of source material and script analysis, without looking at the actual staging of the TV story as much as the others have done, or indeed at its reception and subsequent reputation. So it’s the first miss of the first six Black Archives for me; which after all is not such a bad strike rate.

(On a positive note, the footnotes work fine, unlike in the Image of the Fendahl volume.)

The chapters are:

  • telling us firmly how unusual Ghost Light is;
  • arguing (unconvincingly) that it uses other literary and film sources more than other stories (though with an amusing coda on similarities with The Rocky Horror Picture Showpointing out that it is a haunted house story, and the Steven Moffat likes these too;
  • a cursory look at hypnosis and mind control;
  • even shorter on “Java” as a euphemism; and
  • a long and confused chapter on evolution and class.

The completist will want this, but I think there’s more interesting commentary to be found elsewhere. Anyway, you can get it here.

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The Black Archives
1st Doctor: The Daleks (82) | The Edge of Destruction (67) | Marco Polo (18) | The Aztecs (71) | The Dalek Invasion of Earth (30) | The Romans (32) | The Myth Makers (65) | The Massacre (2) | The Ark (81)
2nd Doctor: The Underwater Menace (40) | The Evil of the Daleks (11) | The Mind Robber (7)
3rd Doctor: Doctor Who and the Silurians (39) | The Ambassadors of Death (3) | The Dæmons (26) | Carnival of Monsters (16) | The Time Warrior (24) | Invasion of the Dinosaurs (55)
4th Doctor: Pyramids of Mars (12) | The Hand of Fear (53) | The Deadly Assassin (45) | The Face of Evil (27) | The Robots of Death (43) | Talons of Weng-Chiang (58) | Horror of Fang Rock (33) | Image of the Fendahl (5) | The Sun Makers (60) | The Stones of Blood (47) | Full Circle (15) | Warriors’ Gate (31) | Logopolis (76)
5th Doctor: Castrovalva (77) | Kinda (62) | Black Orchid (8) | Earthshock (51) | Mawdryn Undead (80) | The Awakening (46)
6th Doctor: Vengeance on Varos (41) | Timelash (35) | The Mysterious Planet (79) | The Ultimate Foe (14)
7th Doctor: Paradise Towers (61) | The Happiness Patrol (68) | Silver Nemesis (75) | The Greatest Show in the Galaxy (66) | Battlefield (34) | The Curse of Fenric (23) | Ghost Light (6)
8th Doctor: The Movie (25) | The Night of the Doctor (49)
Other Doctor: Scream of the Shalka (10)
9th Doctor: Rose (1) | Dalek (54)
10th Doctor: The Impossible Planet / The Satan Pit (17) | Love & Monsters (28) | Human Nature / The Family of Blood (13) | The Sound of Drums / Last of the Time Lords (38) | Silence in the Library / The Forest of the Dead (72) | Midnight (69)
11th Doctor: The Eleventh Hour (19) | Vincent and the Doctor (57) | The Pandorica Opens / The Big Bang (44) | A Christmas Carol (74) | The Impossible Astronaut / Day of the Moon (29) | The God Complex (9) | The Rings of Akhaten (42) | Day of the Doctor (50)
12th Doctor: Listen (36) | Kill the Moon (59) | Under the Lake / Before the Flood (73) | The Girl Who Died (64) | Dark Water / Death in Heaven (4) | Face the Raven (20) | Heaven Sent (21) | Hell Bent (22)
13th Doctor: Arachnids in the UK (48) | Kerblam! (37) | The Battle of Ranskoor av Kolos (52) | The Haunting of Villa Diodati (56) | Ascension of the Cybermen / The Timeless Children (70) | Flux (63)
15th Doctor: The Devil’s Chord (78)

Friday reading

Current
The Lord of the Rings, by J.R.R. Tolkien
Lying Under the Apple Tree, by Alice Munro
This Town Will Never Let Us Go, by Lawrence Miles
The Republic: The Fight for Irish Independence, 1918-1923, by Charles Townshend

Last books finished
The Last Defender of Camelot, by Roger Zelazny (2002) – did not finish
Shanghai Sparrow, by Gaie Sebold
Beautiful World, Where Are You, by Sally Rooney
Le dernier Atlas, Tome 3, by Fabien Vehlmann
A Desolation Called Peace, by Arkady Martine
Staring At The Sun, by Julian Barnes
Ann Veronica, by H. G. Wells
The Secret, by Eva Hoffman

Next books
"Blood Music", by Greg Bear
An Introduction to the Gospel of John, by Raymond E. Brown

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Exploding School to Pieces: Growing Up With Pop Culture In the 1970s, by Mick Deal

Second paragraph of third chapter:

Another mindless new experience was the school assembly, which was held every morning in the main hall that passed also as a gymnasium. Mr Hall would address the pupils and then the music teacher, Mrs Hicks, would play some classical music on some beat-up old mono record player. I became very familiar with Ravel’s Bolero and Greig’s Peir Guint suite [sic] as a result. The most painful part of assembly though was the singing of hymns. We had all just been issued with new, plastic-covered hymn books, very tasty to nibble on, and it was from these that I’d learn the Christian hits of the day, such as ‘Morning Has Broken’ and ‘Onward Christian Soldiers’. It was all pretty painful stuff, not least because, before and after the hymns, we had to sit on the floor, crammed in like sardines. I would always suffer from pins and needles sat on that floor. Needless to say, it was actually a relief to stand up and complete the morning assembly by mumbling the Lord’s Prayer. Now that was a thing. The only part that ever made any sense to me was the bit about giving me my daily bread. Other than that I was lost. The bit about forgiving us our trespasses had me really confused — I had trespassed on other people’s property before, but I had never thought to ask for the Lord’s forgiveness. Was that what it meant?

I made the mistake of getting this in the middle of my Double Deckers fixation a few years back, because Google indicated that it does have a couple of references to the show, and I thought it might be some kind of academic analysis of the pop culture of the day. No such luck; it’s the autobiography of a not very interesting chap, who has not done even the most basic research on the things he is writing about (“ Greig’s Peir Guint ” !!!!) and really would not even be much use as a primary source for what is anyway a well-researched and well-archived period. I read the first couple of chapters and gave up. You can get it here.

This was the non-fiction book that had lingered longest unread on my (virtual) shelf. Next on that list is The Republic: The Fight for Irish Independence, 1918-1923, by Charles Townshend.

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My tweets

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COVID, day 15

I stopped my daily updates at the weekend, but no harm in a five-day check-in. I’m still not completely well; I am less dependent on paracetamol and my hot water bottle that I was last week, and in general I’m up almost as much as I am in bed, but I’m really not back to full fitness as yet. I had hoped to do a biggish work meeting this afternoon, but realised when I woke up this morning that I simply was not up to it, and pulled out apologetically.

Despite my very imperfect state of health, now that it’s more than 10 days after my positive diagnosis, the Belgian health authority has issued me with a Certificate of Recovery which I can brandish at anybody who asks. (Nobody will. The double vaccination certificate has more weight.)

A couple of people have asked whether I may have caught the omicron variant. The first case in Belgium was not detected until 26 November, and I was diagnosed on the 17th, so it seems unlikely. Anyway I don’t particularly care; I just happen to been unlucky in how hard I have been hit, and there’s not much point in speculating further.

Other people have been much less lucky. A lot of you knew E in Belfast who died suddenly on Tuesday. She and her husband I had both had COVID last month, which for E came on top of a series of other long-term health problems. Much sympathy to I at this devastating loss; she was only a couple of years older than me.

Stay well, you guys. Get vaccinated, if you haven’t been; get boosted as soon as you can; and try not to get the damn bug.

Image of the Fendahl, by Simon Bucher-Jones (and Terrance Dicks)

I have vivid memories of watching Image of the Fendahl when it first came out in 1977 – in retrospect, the last really satisfactory story of Season 15 of Doctor Who, though as a ten-year-old I was generally forgiving. When I rewatched it after thirty years in 2008, I wrote:

I remember being a bit underwhelmed by Image of the Fendahl when it was first broadcast [am no longer sure that is true!], but I really liked it this time round. Having mourned the disruption of the Doctor/Leela partnership by K9’s arrival in my write-up of The Invisible Enemy, actually we’re back to business as before here as the tin dog is out of action for plot purposes. Odd to think that this was the first story with a contemporary setting since The Hand of Fear a year previously (they averaged about one a season in those days). Yet again I find reinforcement for my view that the Leela/Four pairing is the Best Evar, with the contrast between the two quirky regulars sharpened by the crazy Earthlings they are dealing with; Louise Jameson is so expressive even without saying anything. Also my memories of first time round are tempered by the attempt to do much the same thing again a few years later but far less successfully in K9 and Company. Having said that, there are some surprising lapses of direction: the prolonged scenes of the Fendahl manifesting in the cellar lack a certain something, and there is a peculiar shot in episode 3 where we are treated to a prolonged close-up of the Tardis console. But in general it was rather good fun.

Watching it in sequence with the whole of Old Who a couple of years later, I wrote:

This is, so far, a season of re-trying tested formats. After the base-under-siege story and the space opera story, we have a new take on the Hinchcliffe-era horror story in Image of the Fendahl. It mostly works, and if it weren’t for the fact that it comes so soon after the even more successful horror stories done in the Hinchcliffe era this would have a better rep among fans. But I think it does a lot of things better than, say, The Masque of Mandragora or the Pertwee stories which used similar themes, and the Fendahleen themselves are memorably icky. The tension between and among the scientists and the Tyler family keeps us guessing as well.

It’s also yet another brilliant story for Leela, by her creator Chris Boucher, who wrote three of the six stories featuring her and the Doctor without K9. She is great at challenging and teasing the Doctor, efficiently violent but also pragmatic, also just a little vain about her new dress. More on this later, but Jameson’s performance is tremendously enjoyable here as elsewhere.

Rewatching it now, I thoroughly enjoyed it, even with its flaws. For all that the Holmes/Hinchcliffe era of Who is generally described as “Gothic”, this is the one story that really does tick all the Gothic boxes, and Hinchcliffe has already left and it’s Holmes’ last story as script editor. I think also the Doctor and Leela as viewpoint yet alien characters work very well to shed some light on our world as others might see it.

The guest cast are all fully integrated. This was Wanda Ventham’s first acting job after returning to work from the birth of her son Benedict:

And Daphne Heard is just fantastic as Granny Tyler; within a year she would go on to be Peter Bowles’ mother in To The Manor Born.

And the script has some great lines.

DOCTOR: Yes, Fendelman. Tell me about him.
MOSS: Well, he’s foreign, isn’t he. Calls hisself a scientist. They do say he’s one of the richest men in the world. You wouldn’t think so to look at him, scruffy devil. They say he made his money out of electronics, but that don’t seem likely ‘cos he ain’t Japanese.
DOCTOR: Japanese?
MOSS: No. His people dig up bodies.
DOCTOR: They do? Splendid.
LEELA: Grave robbers.
DOCTOR: Or archaeologists.

The second paragraph of the third chapter of the Terrance Dicks novelisation is:

‘Earth?’ asked Leela cautiously.

When I first reread the book in 2008, I was not forgiving:

Doctor Who and the Image of the Fendahl is again a stick-closely-to-the-script effort, which makes the holes in the story a bit less easy to ignore.

I should concede that Dicks does (as he often did) give most of the incidental characters an introductory paragraph explaining their background and motivations, which is in fact a nice set of additions to the narrative. You can get it here.

Anyway, the reason I’m revisiting all of this is that the Black Archive series of Doctor Who monographs chose to ask Simon Bucher-Jones to write up Image of the Fendahl as the series’ fifth volume. The second paragraph of the third chapter is:

Image of the Fendahl begins with a blond young man talking to a skull. But this isn’t Hamlet and the Skull isn’t, at least to begin with, a reminder of all humanity’s mortality. Adam Colby jokes about it and calls it ‘Eustace’, and as an archaeologist he doesn’t find it in any way sinister, merely puzzling. Expository dialogue between Colby and his colleague Thea Ransome explains that the skull is anomalously 12 million years old, although still that of ‘modern’ Homo sapiens.

I generally enjoyed this, but I am going to start with a serious imperfection in the .epub version which I bought: endnotes and references to them are wrongly joined up, with individual endnote references sometimes taking you to the start of that chapter’s notes section, rather than to the specific note, and sometimes instead to the start of the bibliography for the book as a whole; meanwhile if you do find your endnote, read it, and then want to return to the main text, clicking on the reference instead brings you to the start of the chapter you were in, rather than to the place where you left off. Other books in the Black Archive series have got this right, as most ebooks do, and you would have thought it a fairly straightforward technical tweak, even with 180 notes to a text with rather fewer pages. This may seem like petty whining, but in a book like this where there is a lot of good stuff in the endnotes, the publisher’s failure to hyperlink them correctly is a real barrier to reading pleasure.

Which is a shame, because otherwise more than any other book in the series so far, this gave new depths to my enjoyment of something I already really liked. As usual, it is neatly divided into thematic chapters, and as usual, I’ll quickly summarise them in order.

  • Looking at the context framed as “audience expectations”, both from the Hinchcliffe era of Who and from wider concerns about TV horror;
  • a deep dive into the Gothic, especially the 1965 film The Skull
  • the origins of humanity and evolution, as depicted in fiction;
  • H.P. Lovecraft, the missing fifth planet and the devastation of Mars;
  • ten problems with the script (eg who lets the Doctor out of the cupboard?) and six great things about the story;
  • an appendix looking at the novelisation, and at other appearances of the Fendahl;
  • another appendix with a carefully argued continuity theory that the destroyed Fifth Planet is actually Minyos from Underworld, the story after next.

This is meaty stuff, all done in tremendous, affectionate and often convincing detail. Recommended. You can get it here.

A few years ago I read The Taking of Planet Five, co-written by Bucher-Jones, an Eighth Doctor novel which picks up on the Fendahl and a couple of the other things mentioned above, but I did not rate it all that highly. However, I very much enjoyed the Fendahl’s appearance in the Kaldor City audios, set in the same continuity as both Robots of Death and Blake’s 7, and starring, among others, Scott Fredericks in his B7 role as Carnell, though he is also Max Stael in Image of the Fendahl. Kaldor City is also recommended, though more difficult to get these days I think.

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The Black Archives
1st Doctor: The Daleks (82) | The Edge of Destruction (67) | Marco Polo (18) | The Aztecs (71) | The Dalek Invasion of Earth (30) | The Romans (32) | The Myth Makers (65) | The Massacre (2) | The Ark (81)
2nd Doctor: The Underwater Menace (40) | The Evil of the Daleks (11) | The Mind Robber (7)
3rd Doctor: Doctor Who and the Silurians (39) | The Ambassadors of Death (3) | The Dæmons (26) | Carnival of Monsters (16) | The Time Warrior (24) | Invasion of the Dinosaurs (55)
4th Doctor: Pyramids of Mars (12) | The Hand of Fear (53) | The Deadly Assassin (45) | The Face of Evil (27) | The Robots of Death (43) | Talons of Weng-Chiang (58) | Horror of Fang Rock (33) | Image of the Fendahl (5) | The Sun Makers (60) | The Stones of Blood (47) | Full Circle (15) | Warriors’ Gate (31) | Logopolis (76)
5th Doctor: Castrovalva (77) | Kinda (62) | Black Orchid (8) | Earthshock (51) | Mawdryn Undead (80) | The Awakening (46)
6th Doctor: Vengeance on Varos (41) | Timelash (35) | The Mysterious Planet (79) | The Ultimate Foe (14)
7th Doctor: Paradise Towers (61) | The Happiness Patrol (68) | Silver Nemesis (75) | The Greatest Show in the Galaxy (66) | Battlefield (34) | The Curse of Fenric (23) | Ghost Light (6)
8th Doctor: The Movie (25) | The Night of the Doctor (49)
Other Doctor: Scream of the Shalka (10)
9th Doctor: Rose (1) | Dalek (54)
10th Doctor: The Impossible Planet / The Satan Pit (17) | Love & Monsters (28) | Human Nature / The Family of Blood (13) | The Sound of Drums / Last of the Time Lords (38) | Silence in the Library / The Forest of the Dead (72) | Midnight (69)
11th Doctor: The Eleventh Hour (19) | Vincent and the Doctor (57) | The Pandorica Opens / The Big Bang (44) | A Christmas Carol (74) | The Impossible Astronaut / Day of the Moon (29) | The God Complex (9) | The Rings of Akhaten (42) | Day of the Doctor (50)
12th Doctor: Listen (36) | Kill the Moon (59) | Under the Lake / Before the Flood (73) | The Girl Who Died (64) | Dark Water / Death in Heaven (4) | Face the Raven (20) | Heaven Sent (21) | Hell Bent (22)
13th Doctor: Arachnids in the UK (48) | Kerblam! (37) | The Battle of Ranskoor av Kolos (52) | The Haunting of Villa Diodati (56) | Ascension of the Cybermen / The Timeless Children (70) | Flux (63)
15th Doctor: The Devil’s Chord (78)

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Summer, by Ali Smith

Second paragraph of third part:

She’s the filmmaker whose images I described earlier, the image of the men who can’t speak or hear crossing the rubble conversing with each other and the image of the man with the two suitcases at the edge of the high building.

This is the fourth in a quartet of novels by Smith (whose How to be Both I also enjoyed). I haven't read the other three; I don't think it is essential to have done so in order to enjoy Summer, though I am sure it would help. It's a story of a dysfunctional London family in 2020, with pandemic and Black Lives Matter protests, comobined with flashbacks to the Second World War and an internment camp on the Isle of Man. It's possibly the first novel set in the pandemic that I have read, and I guess that means quite a lot – a clear reflection of these turbulent times, with also some invocation of the filmmaker Lorenza Mazzetti who I should find out more about. In a period where we've perforce had to live very much in the present, I felt the book both supported that feeling and helped give some historical perspective. Recommended. You can get it here.

This was my top book acquired last year, and my top un-read non-genre book. Next on those piles, respectively, are Calvin, by F. Bruce Gordon, and Beautiful World, Where Are You, by Sally Rooney.

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Gladys Maud Sandes (1897-1968), my fourth cousin

Idly filling in spaces in the family tree, which is about all I’ve had energy for of late, I discovered another celebrity relative, pioneering London gynæcologist Gladys Maud Sandes, my fourth cousin. Although she was born seventy years before me, in 1897, we are the same generation; her father John Sandes was born in 1868, sixty years before my father, his third cousin; Gladys’ grandmother, Anna Whyte, was born in 1835, forty-five years before my grandfather, her second cousin; Gladys’ great-grandfather, Charles John Whyte, was born in 1804, twenty-two years before my great-grandfather, his first cousin; and Gladys’ great-great-grandfather, another Charles John Whyte, was born in 1777, seven years before his younger brother, my own great-great-grandfather. She is from the same branch of the family tree as the unfortunate Letitia de la Beche, the Welsh lesbian campaigner and novelist Amy Dillwyn, and my cousins C, F and K.

The BMJ ran a great obituary of Gladys, which makes her sound like a true force of nature:

GLADYS M. SANDES, M.B., B.S., F.R.C.S.

Miss G. M. Sandes, former consultant surgeon to Queen Mary's Hospital, Carshalton, and to the Mothers' Hospital, London, died suddenly on 17 January. She was 70.

Gladys Maud Sandes was born in Dublin on 5 November 1897. She received her early education at Wimbledon High School. When her interest in medicine was aroused as a child she was taken by her headmistress to meet Elizabeth Garrett Anderson, then a very distinguished old lady. This memorable meeting remained a life-long inspiration to her. For her medical training she went to the London School of Medicine for Women (since 1947 the Royal Free Hospital School of Medicine), qualifying with the Conjoint diploma in 1922, and graduating MB., B.S. the same year. She look the F.R.C.S. in 1930. Among her appointments was that of first assistant to the urological department at the Royal Free Hospital. She had been a consultant at Queen Mary's Hospital, Carshalton, and at the Mothers' Hospital, London. At the time of her death she was a member of the House Committee at Queen Mary's Hospital for the East End. She was at one time consultant surgeon to the London Lock and Marie Curie Hospitals, appointments which she prized and to which she gave devoted service. Her own interests and those of her husband, Dr. Maxwell Alston, and her capacity for hard work, took her to the wider contexts of medicine in the community. Both were active supporters of the Royal Society of Medicine and of the Faculty of the History of Medicine.

Miss Sandes was chairman of the Marylebone Division of the British Medical Association from 1955 to 1957, and was for many years their representative at the Annual Representative Meetings of the Association. She served on the Women's Advisory Committee of the British Standards Institution, was on the executive of the Fellowship for Freedom in Medicine, and chairman of the editorial committee of Mother and Child. She rendered a great but unobtrusive service in the area of patients with venereal diseases, and in particular to children who were the victims of sexual assaults. She served London University as a member of the Standing Committee of Convocation, and was an ardent supporter and one time chairman of the Old Students' Association of the Royal Free Hospital.

She retained an active and passionate interest in her training school, and countless students, member of staff, and their families were her patients. She was a part-time teacher in the anatomy department for 40 years, having joined the staff in 1927. With Dr. Evelyn Hewer she wrote a book for which many students have been profoundly grateful : An Introduction to the Study of the Nervous System, published in 1929. The first edition was so successful that a second one was called for in 1933. Throughout her association with the anatomy department, and after official retirement, she took endless trouble to enrich the material for teaching and research from her own resources and those of others who responded to her powers of persuasion. She would help struggling juniors with generous invitations to assist at private operations. Postgraduate students from abroad were received in her own home, and correspondence continued long after their return. Her vigour of mind and spirit took many forms and wss matched by an unremitting loyalty and service to people, institutions, and causes. These qualities were manifested in practical kindliness to friends and colleagues, by effective service on many committees, and, most of all, in her holistic view of medical practice. Her patients were not cases, but people seen in the content of their family, home, and work. There are many grateful for her professional care who were amazed to find that, in addition to having arranged for their admission to hospital, everything from preoperative dental appointments and additional help for their families to suitable convalescence had been organised for them by Miss Sandes. All this was accomplished at high speed in a firm and kindly manner that brooked neither delay not denial by her colleagues and assistants. Like many generously built people, she was a quick, a shrewd, and sometimes a devastating critic. Her innate and enormous kindliness did not prevent her from giving short shrift to fools.

She was an enthusiastic traveller in many countries in Europe, and she visited Canada, the United Slates of America, Russia, and South Africa. She was always adding to her well-stored mind, catholicity of interests, and to her circle of friends and acquaintances. The interest and efforts of the latter were often enlisted to help those whom she supported. Her gratitude to Wimbledon High School, where she had been an all-round success, was shown in many ways, including membership of the Committee of Friends of the Girls' Public Day Schools Trust.

Born a Dubliner, she was an active member of the Irish Genealogical Society, With this background, it is not surprising that she was witty, a telling debater, and a very bonny fighter, whether against seemingly over-whelming illnesses or against powers and principalities. Few can have been as indefatigable as Miss Sondes. Despite fatigue she had returned to work after influenza, and she died in harness to the end, as she and all who cared for her would have wished. Her generous, responsive, and energetic presence will be missed in many circles, and the sympathy of her numerous friend. is extended to her husband, and to their daughter, Lilac.—M. F. L. K. and R. E. M. B.

Sir Alexander HADDOW writes: To the above tribute and appreciation may I append a few lines. The name of Gladys Sondes will ever stand in the history and tradition of medical women in this country. Yet her interests ranged immensely deeper. Everything flowed from a personality of unique vigour and power. To her professional work she brought knowledge and decision, to such an extent as (for the unknowing) on occasion obscured far profounder qualities of perception and of compassion. Not only in the medical sphere but in others also she brought succour to countless numbers when succour was most needed, and often did it by stealth.

Her wider sympathies and intermits ranged from Irish genealogy to courageous support—quite outside the line of ordinary duty—of many public and liberal causes in the spheres of social morality and scientific responsibility —causes which seem, and to a large extent still remain, scarcely popular. Above all we shall keep Gladys Sondes in remembrance as the ideal and steadfast friend, ever helpful in her wisdom and ever kind in one's difficulties, although not uncritical. It was the quality of friendship which mattered most—a quality expressed through that unique mien and through those unforgettable eyes. Friendship we assume all too easily in early years and only realize fully as we grow older—at the very time when death removes our friends. This is the nexus of medicine and indeed of all science. As yet we cannot understand it, but must labour so to do. Although the body is gone, in a strange way Gladys Sondes is still present. We loved her dearly and always shall.

N.M. writes: Mrs. Alston, known to all as Miss Sondes, joined the staff of the Mothers' Hospital and was consultant in charge of the V.D. and vaginal discharge clinics. We all at the "Mothers' "—medical staff, nursing staff, and patients—had the highest regard for her. She had great personal charm, a delightful sense of humour, and an amazing capacity for work. She always found time to take a keen interest is the hospital as a whole, and she remained a member of the House Committee after retirement. Her clear thinking, wit, and worldly experience were always such a help, and she will be missed by all of us.

I hope it will be some time before it happens to me, but it would be nice to be the subject of such fulsome tributes from one’s colleagues!

Not mentioned here, but discussed in her Wikipedia article: the London Lock Hospital, to which she devoted her early career, was the first London specialist hospital devoted to sexually transmitted diseases. It was closed as part of the process of introducing the NHS, because it was believed that antibiotics would eradicate all STDs in the short term, so specialist hospital treatment would no longer be needed. Marginalised women, of course, were the big losers of this policy decision.

Gladys and her husband had one child, a daughter born when Gladys was 44. She was a cover girl for Country Life in 1963:

As far as I can tell, she is still alive and has two living children; her husband died exactly a year ago today, after 49 years of marriage. I have no contact with them, but hope this post will comfort and amuse them if they come across it.

Edited to add: Fellow Balkanologists will be interested to know that Gladys was also the fourth cousin of Flora Sandes, the famous Englishwoman who joined the Serbian army in WWI, both 3x great-granddaughters of John Sandes of Kerry (1640-1733) and his wife Mary Blennerhassett. They probably did not know each other well – Flora was more than twenty years older, they were not closely related and they never lived near each other. But given Gladys’ interest in genealogy, she must at least have been well aware of the connection.

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November 2021 books

Non-fiction 6 (YTD 44)
Paul: A Biography, by Tom Wright
Building Healthy Boundaries: An Over-giver’s Guide to Knowing When to Say ‘Yes’ and How to Say ‘No’ in Relationships, by Helen Snape
Image of the Fendahl, by Simon Bucher-Jones
Ghost Light, by Jonathan Dennis
A Beautiful Mind, by Sylvia Nasar
Exploding School to Pieces: Growing Up With Pop Culture In the 1970s, by Mick Deal – did not finish

Non-genre 3 (YTD 27)
The Ice Cream Army, by Jessica Gregson
Summer, by Ali Smith
Beautiful World, Where Are You, by Sally Rooney

Poetry 1 (YTD 5)
The Lay of Aotrou and Itroun, by J R R Tolkien, ed. Verlyn Flieger

SF 13 (YTD 122)
Not Before Sundown, by Johanna Sinisalo
The Empire of Gold, by S.A. Chakraborty – did not finish
The Eyre Affair, by Jasper Fforde
The Burning God, by R.F. Kuang
Camouflage, by Joe Haldeman
Mortal Engines, by Philip Reeve
River of Gods, by Ian McDonald
Waste Tide, by Qiufan Chen
Iron Council, by China Miéville – did not finish
One Bright Star to Guide Them, by John C. Wright
The Last Witness, by K.J. Parker [Tom Holt]
The Last Defender of Camelot, by Roger Zelazny (2002) – did not finish
Shanghai Sparrow, by Gaie Sebold

Doctor Who 5 (YTD 23, 31 inc comics and non-fiction)
The Book of the War, ed. Lawrence Miles
The HAVOC Files 3, ed. Andy Frankham-Allen
The Witchfinders, by Joy Wilkinson
Doctor Who and the Image of the Fendahl, by Terrance Dicks
Doctor Who – Ghost Light, by Marc Platt

Comics 3 (YTD 37)
Sweeney Todd & Other Stories, by Neil Gaiman
The Story of Sex: From Apes to Robots, by Philippe Brenot and Laetitia Coryn
Le dernier Atlas, Tome 3, by Fabien Vehlmann and Gwen de Bonneval

7,300 pages (YTD 67,900)
12/31 (YTD 111/262) by non-male writers (Snape, Nasar, Gregson, Smith, Rooney, Flieger, Sinisalo, Chakraborty, Kuang, Sebold, Wilkinson, Coryn; Gwen de Bonneval is male)
4/31 (YTD 41/262) by PoC (Nasar, Chakraborty, Kuang, Chen)
5/31 rereads (YTD 31/262) – Camouflage, River of Gods, Iron Council, Doctor Who and the Image of the Fendahl, Doctor Who – Ghost Light

Current
The Lord of the Rings, by J.R.R. Tolkien
A Desolation Called Peace, by Arkady Martine
Ann Veronica, by H. G. Wells
Lying Under the Apple Tree, by Alice Munro

Coming soon (perhaps)
The Republic: The Fight for Irish Independence, 1918-1923, by Charles Townshend
"Blood Music", by Greg Bear
An Introduction to the Gospel of John, by Raymond E. Brown
An Excess Male, by Maggie Shen King
The Idiot Brain: A Neuroscientist Explains What Your Head is Really Up To, by Dean Burnett
Seven Deadly Sins, by Neil Gaiman
The 48 Laws Of Power, by Robert Greene
A Little Gold Book of Ghastly Stuff, by Neil Gaiman
The Martian Chronicles, by Ray Bradbury
Jani and the Greater Game, by Eric Brown
Animal Dreams, by Barbara Kingsolver
Calvin, by F. Bruce Gordon
Staring At The Sun, by Julian Barnes
Once & Future Vol. 2, by Kieron Gillen et al
Tower, by Nigel Jones
Air, by Geoff Ryman
Scherven, by Erik De Graaf
The Space Machine, by Christopher Priest
A Darker Shade, ed. John-Henri Holmberg
The War in the Air, by H. G. Wells

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February 2014 books

This is the latest post in a series I started in late 2019, anticipating the twentieth anniversary of my bookblogging which will fall in 2023. Every six-ish days, I've been revisiting a month from my recent past, noting work and family developments as well as the books I read in that month. I've found it a pleasantly cathartic process, especially in recent circumstances. If you want to look back at previous entries, they are all tagged under bookblog nostalgia.

At work, my Swedish intern L left and was replaced by another L, this time English. Swedish L has gone on to a career in international affairs, and announced her first pregnancy a couple of weeks ago. Work otherwise continued to be grim. My only trip that month was to London for a Worldcon planning meeting, with the evening of the 28th seeing the start of the Jonathan Ross debacle, probably the worst media storm any Worldcon has ever had to face.

Here's B at the ruined church that she loves in Tienen:

I read 19 books that month:

Non-fiction 5 (YTD 9)

Double Down, by Mark Halperin and John Heileman
Science Fiction: The 101 Best Novels, by Damien Broderick and Paul di Filippo
Jane Austen, by Claire Tomalin
The Kindness of Strangers, by Kate Adie
The Unfolding Of Language, by Guy Deutscher

Fiction (non-sf) 2 (YTD 6)
Empire of the Sun, by J.G. Ballard
The Snowman, by Jo Nesbø

SF (non-Who) 6 (YTD 12)
Crowe's Requiem, by Mike McCormack
God's War, by Kameron Hurley
The Shining, by Stephen King
Evening's Empires, by Paul McAuley
Ack-Ack Macaque, by Gareth L. Powell
The Adjacent, by Christopher Priest

Doctor Who 6 (YTD 11)
Speed of Flight, by Paul Leonard
GodEngine, by Craig Hinton
The Adventuress of Henrietta Street, by Lawrence Miles
The Forever Trap, by Dan Abnett
Into the Nowhere, by Jenny Colgan
Keeping Up With the Joneses, by Nick Harkaway

6,300 pages (YTD 12,800)
4/19 (YTD 13/40) by women (Tomalin, Adie, Hurley, Colgan)
0/19 (YTD 1/40) by PoC

The best of these were J.G. Ballard's Empire of the Sun, which you can get here, and Claire Tomalin's Jane Austen, which you can get here. None particularly awful. 

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Doctor Who: The Witchfinders, by Joy Wilkinson

Second paragraph of third chapter:

Right now, it was hurtling on a course towards Westminster Abbey on the bright, frost-flowered morning of 15 January 1559. After their tangle with sinister robots and exploding bubble-wrap at Kerblam!, the whole fam favoured a trip into a tech-free era, far enough back to not jeopardise the existence of any close relatives, but somewhere civilised enough to have decent grub and no cesspits to mess up Ryan's new trainers. Graham suggested the coronation of Elizabeth I, as the feast and flooring were bound to be top notch, and also because his recording of Cate Blanchett's film Elizabeth had clashed with his series-linked Bake Off repeats, so it seemed easier to hop back and watch the real deal rather than hunt down a DVD.

This is actually the first novelisation of any Thirteenth Doctor story to be published. I was one of the relatively few who really did not appreciate the televised story it is based on, writing:

This one also fell very flat for me, my personal low point of the series, though a lot of people seem to have loved it; it simply had too many egregious historical errors for me to enjoy it. I was reminded of my similarly hostile reaction to The Plotters, a Who spinoff novel set in the same historical period. Alan Cumming is clearly having great fun as King James; perhaps a bit too much.

I'm glad to say that I liked the novelisation a bit more. As is often the case when bulking out a 50-minute script to 178 pages of novel, Wilkinson has used the extra latitude to give a lot more depth to her setting and characters – particularly the villainous Becka Savage, whose means and motivation are made a lot clearer. She also has the Doctor discovering that being treated as a woman isn't much fun. And the ending is changed, tying in to wider Who continuity. Definitely worth getting hold of, for a Who fan. Not really sure I could recommend to others! You can get it here.

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The Ice Cream Army, by Jessica Gregson

Second paragraph of third chapter:

Irfan had been quieter than usual for a couple of weeks. As the ship ploughed on, southbound and unstoppable, he’d seemed paler, too, and while Irfan had always coughed for as long as Halim could remember, a dry-throated tickle that flared up when he was nervous or embarrassed, the racking, shuddering cough that he had picked up on the ship was new, a cough that seemed to rattle his membranes and tear him up from the inside out. Irfan had assured him that he was perfectly fine, it was just a bit of a cough, it was the change of environment and the dusty, thick-aired dormitory, and Halim had believed him because he’d wanted to believe him, despite his friend’s uncharacteristic lethargy, his increasing reluctance to explore the ports when the ship docked, with the unconvincing excuse that he wanted to stay on the boat and study the English primer he’d filched off one of the Arab boys when his back was turned. That morning, when they had docked in Ceylon, it had been Halim urging Irfan to come and investigate the docks, instead of the other way round. Irfan, sitting, sweating, on the over-bright deck, had just shaken his head, and when Halim insisted, increasingly concerned, Irfan had just grinned wearily and told Halim to tell him all about it later, and when Halim did return, hours later, having swarmed around the port with a haphazard collection of Italian and Egyptian boys, resolutely refusing to worry, he had found Irfan in the exact same position that he’d left him in the English primer, tellingly propped open at the same page Halim and Irfan had been poring over the night before. In all his life; Halim had never known Irfan to sit still for minutes at a time, let alone hours, and he finally collected his courage and demanded to know what was wrong.

Jess is about to publish her third novel, so it’s just as well that I’ve finally caught up with her second. This is an intensely told tale of two Turkish ice-cream sellers and the young Irish woman who befriends them in the Australian outback during the first world war. Things go downhill very rapidly after Gallipoli – even the Turks’ fellow Muslims, mostly Arabs from other parts of the Ottoman Empire, start to shun them – and the situation accelerates to a dramatic ending based on a real historical incident. A grim story told with a very human touch. You can get it here.

I’m sorry to say that this was the non-genre fiction book that had lingered longest unread on my shelves. Next on that pile is Lying Under the Apple Tree, by Alice Munro.

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COVID, day 10 and 620 days of plague

Not a lot better today in fact, and I’ve been out of bed less than yesterday. I am coughing a bit more but I’ll take that as a good sign as my lungs start to clear themselves. My oxidation level is as good as it’s been, usually around 94%. But I think the story from here is going to be one of dull slow recovery, so I don’t propose to keep up my daily updates after today.

Meanwhile poor B has had a positive diagnosis. It is impressive that her care home has managed to hold the line as long as they did in such a high risk environment. But it cannot be pleasant for her.

As expected, the Belgian infection rates are the worst they have ever been and still climbing, but the other key numbers – deaths, hospitalisations, ICU occupancy – are still some way below previous peaks. I have not really enjoyed becoming part of the statistics.

My kind work colleagues have sent me A Desolation Called Peace to read. I expect I will finish it fairly quickly. Thank you, chaps.

Chicago (2002)

Chicago won the Oscar for Best Picture of 2002, and five others: Best Supporting Actress (Catherine Zeta-Jones, beating fellow cast member Queen Latifah), Best Art Direction, Best Costume Design, Best Film Editing and Best Sound. It lost in another six categories, two of them to Roman Polanski’s The Pianist. That year’s Hugo and Nebula winner, The Lord of the Rings: The Two Towers, also won two Oscars that year.

The other four Oscar nominees were The Lord of the Rings: The Two Towers, which I have of course seen, and Gangs of New York, The Hours and The Pianist, which I haven’t. This was a year when I was settling into a new job and preparing for our third child’s arrival; the only other 2002 films I have seen are Harry Potter and the Chamber of Secrets, Minority Report, Die Another Day, Men in Black II, Austin Powers in Goldmember and Scooby Doo. Naming no names, I know someone who watched Scooby Doo in late pregnancy and laughed so much that she went into labour. I think they are all entertaining enough but none stands out for me. IMDB users rank Chicago 25th on one ranking and 28th on the other, behind most films mentioned above. Here’s a trailer.

Slightly surprisingly, none of the cast had been in previous Oscar-winning or Hugo/Nebula-winning films, or (less surprisingly) in Doctor Who.

It is a story about murderesses awaiting trial in 1920s Chicago. In some ways it is a blast from the past. Four of the eight winners from 1961 to 1968 were musicals; this is the first one since then. Seven of the eight from 1967 to 1974 were about crime and law enforcement; the only other one since then was The Silence of the Lambs.

I have a bad case of COVID, so I’m not going to go into my usual depth. I did enjoy Chicago. However the erotic and sexualised dancing was somewhat lost on me last week; I think my libido has not been lower since I hit puberty. I was really struck at how well the old classics All That Jazz and Razzle-Dazzle were integrated into the script, and then discovered that both songs actually originated with the 1975 stage show of Chicago. They must have penetrated popular culture really quickly; I am sure I remember Morecambe and Wise doing a routine to at least one of them, which must have been very soon after. The West End show ran from 1979 to 1980.

The other song that really made me sit up was the Cell Block Tango:

Renee Zellweger as the main character gets only one really good song, with Catherine Zeta-Jones:

Also shoutout to Queen Latifa, Lucy Liu and John C. Reilly for their roles.

Sure, Toronto doesn’t look much like Chicago, and one may object that in real life, no woman was executed by the state of Illinois between 1845 and 1962. But that’s beside the point. The film is not at all subtle in calling out the celebrification of criminals and the flaws of a justice system driven by showmanship. Watching it in the week of the Kyle Rittenhouse verdict, I felt the point just as relevant today as in 2002, or when the musical came out in 1975, or when the original play was written in 1926.

I’m putting it about a third of the way down my ranking, just below that other Chicago-set film, The Sting, and ahead of The English Patient.

Next up is the only film to win Oscar, Hugo and Nebula. (But first, The Two Towers.)

Winners of the Oscar for Best Picture

1920s: Wings (1927-28) | The Broadway Melody (1928-29)
1930s: All Quiet on the Western Front (1929-30) | Cimarron (1930-31) | Grand Hotel (1931-32) | Cavalcade (1932-33) | It Happened One Night (1934) | Mutiny on the Bounty (1935, and books) | The Great Ziegfeld (1936) | The Life of Emile Zola (1937) | You Can’t Take It with You (1938) | Gone with the Wind (1939, and book)
1940s: Rebecca (1940) | How Green Was My Valley (1941) | Mrs. Miniver (1942) | Casablanca (1943) | Going My Way (1944) | The Lost Weekend (1945) | The Best Years of Our Lives (1946) | Gentleman’s Agreement (1947) | Hamlet (1948) | All the King’s Men (1949)
1950s: All About Eve (1950) | An American in Paris (1951) | The Greatest Show on Earth (1952) | From Here to Eternity (1953) | On The Waterfront (1954, and book) | Marty (1955) | Around the World in 80 Days (1956) | The Bridge on the River Kwai (1957) | Gigi (1958) | Ben-Hur (1959)
1960s: The Apartment (1960) | West Side Story (1961) | Lawrence of Arabia (1962) | Tom Jones (1963) | My Fair Lady (1964) | The Sound of Music (1965) | A Man for All Seasons (1966) | In the Heat of the Night (1967) | Oliver! (1968) | Midnight Cowboy (1969)
1970s: Patton (1970) | The French Connection (1971) | The Godfather (1972) | The Sting (1973) | The Godfather, Part II (1974) | One Flew Over the Cuckoo’s Nest (1975) | Rocky (1976) | Annie Hall (1977) | The Deer Hunter (1978) | Kramer vs. Kramer (1979)
1980s: Ordinary People (1980) | Chariots of Fire (1981) | Gandhi (1982) | Terms of Endearment (1983) | Amadeus (1984) | Out of Africa (1985) | Platoon (1986) | The Last Emperor (1987) | Rain Man (1988) | Driving Miss Daisy (1989)
1990s: Dances With Wolves (1990) | The Silence of the Lambs (1991) | Unforgiven (1992) | Schindler’s List (1993) | Forrest Gump (1994) | Braveheart (1995) | The English Patient (1996) | Titanic (1997) | Shakespeare in Love (1998) | American Beauty (1999)
21st century: Gladiator (2000) | A Beautiful Mind (2001) | Chicago (2002) | The Lord of the Rings: The Return of the King (2003) | Million Dollar Baby (2004, and book) | Crash (2005) | The Departed (2006) | No Country for Old Men (2007) | Slumdog Millionaire (2008) | The Hurt Locker (2009)
2010s: The King’s Speech (2010) | The Artist (2011) | Argo (2012) | 12 Years a Slave (2013) | Birdman (2014) | Spotlight (2015) | Moonlight (2016) | The Shape of Water (2017) | Green Book (2018) | Parasite (2019)
2020s: Nomadland (2020) | CODA (2021) | Everything Everywhere All at Once (2022) | Oppenheimer (2023)