This is one of the BBC’s original audio Doctor Who stories, which I only recently discovered and am gradually working through. In this one, released last year, the Seventh Doctor and Ace investigate the mysterious appearance of a plastic processing centre which turns out to be a front for the next Auton invasion. The story is very nicely set up with the viewpoint character a retiree from the local senior citizens’ home, and the concept that the Autons would want to take advantage of the microplastics is a neat update of Auton lore. Terry Molloy is a good reader, with the rather grievous exception that his Scottish accent for the Seventh Doctor is poor. Nothing extraordinary, but solid. You can get House of Plastic here.
[I] found that now I had seen so many more Brigadier stories, and indeed listened to numerous audios featuring him, I enjoyed his resurrection in Mawdryn Undead much more than first time round when he was a vague childhood memory and a figure from the Target books. There are essentially two plots here, the Mawdryn plot which is good sf stuff, teleports, spaceships, time shifts and all, and the Turlough/Black Guardian stuff which seems to me as superfluous as Turlough himself. Really, if the Black Guardian wanted to kill the Doctor off, there might be better ways to do it than hiring an unreliable alien posing as a schoolboy! Nyssa and Tegan are good here though, and I really loved the Brigadier flashback which actually incorporates a clip of Hartnell as well as the other three.
In fact, before we go any further, let’s just revisit that superb flashback, and re-experience how it made us feel moored in 19 years of tradition.
I got back to this story in my Great Rewatch in 2011, shortly after the death of Nicholas Courtney, and wrote:
Watching Mawdryn Undead is a slightly wistful experience so soon after the loss of Nicholas Courtney; but it is a real delight to see him back again, playing two slightly different Brigadiers, and again we have the flashbacks which always gratify the heart of us old school fans. The other returning character is the Black Guardian, who for some reason is unable to manifest physically, even to equip his chosen agent with anything other than a prop crystal, but again it is nice to feel a re-connection with the Tom Baker era.
I was a little startled on rewatching it to realise that the plot only starts towards the end of the second episode, but until then we have had quite a lot of decent groundwork, and the actual explanation for what is going on is one of the better sfnal ideas in the whole of Who. Presumably the Doctor is exaggerating when he says that a millisecond either way would have been critical. And perhaps he has some comprehensible but private reason, never explained, for inviting Turlough along as a companion rather than just behaving like an idiot who opens the Tardis up to all comers. (I know that there are fanfic writers who have an answer to that.) Apart from that, it’s another reasonably satisfying tale.
Watching it again now, I appreciated slightly more the performance of David Collings, unrecognisable as Mawdryn, after his previous appearances as the anguished Poul and the treacherous Vorus. He also pops up in the final episode of Blake’s Seven as Blake’s new collaborator on Gauda Prime. On the other hand, the Black Guardian’s constraints feel even more handwavium than on my previous three watches. And speaking of hands, there are a couple too many scenes where the actors’ arms hang limply by their sides, showing a lack of rehearsal or direction or both.
The second paragraph of the third chapter of Peter Grimwade’s novelisation of his own story is:
Tegan didn’t trust Turlough an inch. As if anyone from Earth would just walk into a transmat capsule! Though Nyssa was quick to point out that that was exactly what she had done when she walked into the Doctor’s police box on the Barnet By-pass.
I was bracing myself for another terrible book after the awfulness of Doctor Who – Time Flight. But in fact I was pleasantly surprised; I think it is a better story in the first place, but Grimwade is able to bring in a bit more characterisation to new companion Turlough and the Brigadier, and a bit more background to the public school. Not bad at all.
Nothing much to add to that, on re-reading; it does take me back to the days when the novelisation was the only way you could reliably expect to re-experience the story. I would also say that the cover is probably the least imaginative cover of any Doctor Who book of any era, simply a photograph of the Fifth Doctor in the TARDIS. You can get it here.
Kara Dennison’s monograph on Mawdryn Undead is quite a short Black Archive, at only 93 pages, but it’s good and meaty.
It starts with a personal introduction by Dennison, reflecting on becoming a editor of the series as well as a contributor.
I hope this Archive, like the ones before and the ones to come, helps you find new ways to love this show we all adore.
The first chapter, “The Turlough Dilemma”, looks at the problematic concept of Turlough as a companion, from beginning to end, which certanily tickedsome of my oxes about the story.
The second chapter, “‘Some Shocking Experience'”, looks at the Brigadier’s experience of PTSD, referencing also the 1980-81 BBC series To Serve Them All My Days and the Twelfth Doctor story In The Forest of the Night.
The third chapter, “Regeneration Crisis”, looks at the difficulties that regeneration brings for the faithful viewer. Its second paragraph is:
In an interaction that quickly went viral, Capaldi met with the young fan (who was wearing a Dalek costume at the time) to reassure her that, while his Doctor would be different, things would be all right. ‘[Matt Smith and Jenna Coleman] say it’s okay for me to be the Doctor. I hope you think it would be okay for me to be the Doctor, too.’2 2 McCarthy, Tyler, ‘Peter Capaldi Comforts Young Doctor Who Fan With Autism’.
The fourth chapter, “‘Our Endless Voyage'”, compares the travels of Mawdryn with The Flying Dutchman (which Grimwade himself cites as inspiration, quoting it at the start of the novelisation), and also the Marie Celeste and Prometheus.
The fifth chapter, “‘Life Without End or Form'”, looks at immortality in Doctor Who, Swift, Tolkien and manga.
The sixth chapter, “‘Very Much in the Present'”, looks at time paradoxes in Doctor Who with a reflection also on Robert A. Heinlein.
The brief conclusion, “The First Question”, asks “why does this serial feel so much more ‘modern’ than others of its time?” and gives a few answers arising from the topics of the previous chapters.
As I said, it’s a short Black Archive but it’s full of quality thought-provoking analysis. You can get it here.
