Face the Raven, by Sarah Groenewegen

Latest in the Black Archive sequence of monographs on Doctor Who stories, the first of a trilogy with the next two. I don’t seem to have written much about Face the Raven before, though I included it in my starters’ list of New Who five years ago. I actually saw the set for the story when I visited the Cardiff studio in 2015, and though I did not take pictures, I very much liked it. The producers did too, and kept it around for a bit longer than had been planned. This of course was many months before the episode was broadcast, and one of the marvels of TV is that what is actually quite a small and constrained space can be made to look much more expansive on screen, as if, to coin a phrase, it is bigger on the inside than the outside.

Rewatching it now, I felt that it somewhat pulls its punches. I had completely forgotten who Rigsy is, which slightly blunts the drama. For the high stakes of the story, I didn’t really think that Capaldi and Coleman quite rose to the emotions of the occasion. Stephen Moffat has a habit of killing off his main characters and then resurrecting them again, and that expectation also slightly deterred me from investing much in the drama (and indeed Clara comes back again two episodes later).

Having said that, I’m definitely not one of the Clara-haters who were so prevalent in the fandom at one point. I really like Jenna Coleman as an actress, the character was intriguing and had more of a real arc than most Who companions old or new, and the way that she is brought down by her own hubris, in a small alley off the real world, does work for me. And I’m also a fan of Maisie Williams, whose character Ashildr gets a good outing here. (But I’ve never had my picture taken with her.)

S.J. Groenewegen is a friend of mine anyway, and I’ve enjoyed her Who fiction. Here she brings a close analytical lens to the story, pulling up all kinds of things that I had not really thought of; the Black Archive at its best produces books that you like more than their subject episodes. This has a short introduction and four long chapters.

The first chapter looks in depth at the character of Clara. Groenewegen starts by pointing out that Clara was basically invented to satisfy the needs of the 50th anniversary in 2013, and Coleman actually appeared and got killed off twice before becoming established as Clara Oswald, twenty-first century schoolteacher. She looks at the role of companions and how this worked out in this particular case. Sometimes fans invest more in the emotional dynamics of a show than is really there, but I was convinced by the argument here.

The second chapter looks at Ashildr and Rigsy as returning characters, and reflects on how the show interrogates time and change, and the Doctor being held accountable for his actions. There’s a brief but fascinating exploration of the Ashildr/Clara relationship.

The second paragraph of the third chapter is:

Vivian Sobchack observed that contemporary American science fiction and horror movies also rely on making the familiar unusual1. The motif of Earth as home being ruptured by the alien is a common one in Doctor Who, especially during the late 1960s and 1970s. Indeed, one of the most effective Doctor Who scenes is the sight of dummies coming to life and bursting from their shop windows to terrorise the passers-by during Spearhead from Space (1970). As Jon Arnold observes, ‘They are the most logical choice from a gallery of Doctor Who’s gallery of monsters’ to bring back in Rose (2005) because they are ‘a place of domesticity suddenly rendered shockingly alien’2.
1 Sobchack, Vivian, ‘Child/Alien/Father: Patriarchal Crisis and Generic Exchange’ in Penley, Constance, Elizabeth Lyon, Lynn Spigel and Janet Bergstrom, eds, Close Encounters: Film, Feminism and Science Fiction. p16.
2 Arnold, Jon, The Black Archive #1: Rose, p30.

The chapter looks at geography, London and refuge, and the way in which Doctor Who interacts with the real universe (there is a real London; there was a real refugee crisis at the time the story was made). Lots of other writers are invoked, in particular Paul Cornell and Ben Aaronovitch.

The final chapter looks briefly at the symbolism of ravens, reminding us that they actually have something of a history in Doctor Who, and in more depth at the subject of death, which I think Face the Raven handles rather better than Dark Water / Death in Heaven.

It’s a rare case where I wished I had read the book first before rewatching the story; I would have got a bit more out of the latter. You can get it here.

The Black Archives
1st Doctor: The Daleks (82) | The Edge of Destruction (67) | Marco Polo (18) | The Aztecs (71) | The Dalek Invasion of Earth (30) | The Romans (32) | The Myth Makers (65) | The Massacre (2) | The Ark (81)
2nd Doctor: The Underwater Menace (40) | The Evil of the Daleks (11) | The Mind Robber (7)
3rd Doctor: Doctor Who and the Silurians (39) | The Ambassadors of Death (3) | The Dæmons (26) | Carnival of Monsters (16) | The Time Warrior (24) | Invasion of the Dinosaurs (55)
4th Doctor: Pyramids of Mars (12) | The Hand of Fear (53) | The Deadly Assassin (45) | The Face of Evil (27) | The Robots of Death (43) | Talons of Weng-Chiang (58) | Horror of Fang Rock (33) | Image of the Fendahl (5) | The Sun Makers (60) | The Stones of Blood (47) | Full Circle (15) | Warriors’ Gate (31) | Logopolis (76)
5th Doctor: Castrovalva (77) | Kinda (62) | Black Orchid (8) | Earthshock (51) | Mawdryn Undead (80) | The Awakening (46)
6th Doctor: Vengeance on Varos (41) | Timelash (35) | The Mysterious Planet (79) | The Ultimate Foe (14)
7th Doctor: Paradise Towers (61) | The Happiness Patrol (68) | Silver Nemesis (75) | The Greatest Show in the Galaxy (66) | Battlefield (34) | The Curse of Fenric (23) | Ghost Light (6)
8th Doctor: The Movie (25) | The Night of the Doctor (49)
Other Doctor: Scream of the Shalka (10)
9th Doctor: Rose (1) | Dalek (54)
10th Doctor: The Impossible Planet / The Satan Pit (17) | Love & Monsters (28) | Human Nature / The Family of Blood (13) | The Sound of Drums / Last of the Time Lords (38) | Silence in the Library / The Forest of the Dead (72) | Midnight (69)
11th Doctor: The Eleventh Hour (19) | Vincent and the Doctor (57) | The Pandorica Opens / The Big Bang (44) | A Christmas Carol (74) | The Impossible Astronaut / Day of the Moon (29) | The God Complex (9) | The Rings of Akhaten (42) | Day of the Doctor (50)
12th Doctor: Listen (36) | Kill the Moon (59) | Under the Lake / Before the Flood (73) | The Girl Who Died (64) | Dark Water / Death in Heaven (4) | Face the Raven (20) | Heaven Sent (21) | Hell Bent (22)
13th Doctor: Arachnids in the UK (48) | Kerblam! (37) | The Battle of Ranskoor av Kolos (52) | The Haunting of Villa Diodati (56) | Ascension of the Cybermen / The Timeless Children (70) | Flux (63)
15th Doctor: The Devil’s Chord (78)

Best Graphic Story or Comic Hugo, 2022

As before, just noting without specifying my preferences that I have read them all, including one ancillary volume in the Hugo Packet and a subsequent volume in another series. 

Die, vol.3: The Great Game, by Kieron Gillen, Stephanie Hans and Clayton Cowles. Second frame of third part:

DIE, vol. 4: Bleed, by Kieron Gillen, Stephanie Hans and Clayton Cowles. Second frame of third part:

Far Sector, by N.K. Jemisin and Jamal Campbell. Second frame of third part:

Lore Olympus, vol. 1, by Rachel Smythe. Second frame of third part (from original webcomic):

Monstress, vol. 6: The Vow, by Marjorie Liu and Sana Takeda. Second frame of third part:

Once & Future, vol. 3: The Parliament of Magpies, by Kieron Gillen, Dan Mora and Tamra Bonvillain. Second frame of third part:

Once & Future, vol. 4: Monarchies in the UK, by Kieron Gillen, Dan Mora and Tamra Bonvillain. Second frame of third part:

Strange Adventures, by Tom King, Mitch Gerads and Evan “Doc” Shaner. Second frame of third part:

No-Nonsense Guide to Global Media, by Peter Steven

Second paragraph of third chapter:

Now the BBC and CNN have a direct competitor and a news organisation clearly without a Western bias. It is available to viewers in most countries – though not in the US and Canada, where it is blocked by strong pro-Israel lobbies. Ironically, Al-Jazeera is one of the most popular networks in Israel and regularly features speeches from Israeli government officials – a first in the Arab media.

Originally published in 2004, revised in 2010, this small book from New Internationalist already seems very dated. It’s a look at the dominance of a few players in the global media market, in both news and entertainment, and the efforts of others to cut through to the wider audience (and vice versa). I learned a few snippets about the political economy of telenovelas, but not much else. The writer seemed to be more interested in banging the traditional lefty drum than in looking at the extent to which digitised information has empowered the spreading of fake news and propaganda. It’s incomplete, and not all that interesting. You can get it here.

This was my top unread book and also my shortest unread book acquired in 2015 (someone must have given it to me, I don’t think I would have bought it for myself). Next on those piles are Guy Erma and the Son of Empire, by Sally Ann Melia, and Alaska Sampler 2014, edited by Deb Vanasse and David Marusek.

The Happier Dead, by Ivo Stourton; Queen of the States, by Josephine Saxton

Two more from my swiftly dwindling pile of unread books acquired in 2015.

The second paragraph of the third chapter of The Happier Dead, by Ivo Stourton, is:

“Did the kids get off to school alright?”

Dystopian detective story of a not too distant future England where a rich minority have access to immortality treatments. Our policeman protagonist is called in to investigate a murder; it becomes clear that the mystery is intimately tied in with the whole political structure of society, which is anyway crumbling into riot and disorder, and he fights through to discover what is really going on. Interesting enough. You can get it here.

The second paragraph of the third chapter of Queen of the States, by Josephine Saxton, is:

She lay there thinking that she went in and out of states of consciousness as often as other people went through doors. This was not what she had intended for today … or yesterday? Time here was meaningless, she did not sense it passing. She had intended to drive away on an adventure, feeling her freedom, tesing herself out instead of existing in the judgement of others, who said she was unfit to manage her own life. She sat up, and the room had no corners. Everything had gone. Oh dear, a delusion.

This is on a different level, a finalist in 1987 for both the Clarke and BSFA Awards (beaten by The Handmaid’s Tale and The Ragged Astronauts). The protagonist travels between a failing marriage in today’s England and an alien society on another planet via a psychiatric ward. I thought it was funny as well as reflective. You can get it here.

The Happier Dead was the sf book that had lingered longest unread on my shelves; next on that pile is Guy Erma and the Son of Empire, by Sally Ann Melia. Queen of the States was my top unread book acquired in 2015; next on that pile was The No-Nonsense Guide to Global Media, by Peter Steven, which I have in fact read in the meantime.

June books

Non-fiction 9 (YTD 54)
Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985, eds. Andrew Nette and Iain McIntyre
The Right to Sex: Feminism in the Twenty-First Century, by Amia Srinivasan
True Believer: The Rise and Fall of Stan Lee, by Abraham Riesman
Directed by Douglas Camfield, by Michael Seely
Being Seen: One Deafblind Woman’s Fight to End Ableism, by Elsa Sjunneson
The Eleventh Hour, by Jon Arnold
Face the Raven, by Sarah Groenewegen
No-Nonsense Guide to Global Media, by Peter Steven
The King of Almayne: a 13th century Englishman in Europe, by T.W.E. Roche

Non-genre 2 (YTD 11)
Intimacy, by Jean Paul Sartre
Q&A, by Vikas Swarup

SF 7 (YTD 50)
Half Life, by Shelley Jackson
The Happier Dead, by Ivo Stourton
Queen of the States, by Josephine Saxton
End of the World Blues, by Jon Courtenay Grimwood
The Monk, by Matthew Lewis
Nova Swing, by M. John Harrison
Killdozer!, by Theodore Sturgeon

Doctor Who 1 (YTD 16)
The HAVOC Files, Volume 4, ed. Shaun Russell

Comics 9 (YTD 12)
Monstress, Volume 6: The Vow, by Marjorie Liu and Sana Takeda
Far Sector, by N.K. Jemisin and Jamal Campbell
Lore Olympus, by Rachael Smythe
Die, vol.3: The Great Game, by Kieron Gillen, Stephanie Hans and Clayton Cowles 
Die, vol 4: Bleed, by Kieron Gillen, Stephanie Hans and Clayton Cowles 
Once & Future, vol. 3: The Parliament of Magpies, by Kieron Gillen, Dan Mora and Tamra Bonvillain
Once & Future, vol. 4: Monarchies in the UK, by Kieron Gillen, Dan Mora and Tamra Bon-villain
Junker: een Pruisische blues, by Simon Spruyt
Strange Adventures, by Tom King, Mitch Gerads and Evan “Doc” Shane

7,100 pages (YTD 38,600), median 257 (YTD 254)
median LT ownership 45; YTD 63.5
12/28 (YTD 58/147) by non-male writers (Srinavasan, Sjunneson, Groenewegen, Jackson, Saxton, Liu/Takeda, Jemisin, Smythe, 2x Hans, 2x Bonvillain)
4/28 (YTD 20/147) by non-white writers (Srinavasan, Swarup, Liu/Takeda, Jemisin)

316 books currently tagged “unread”, 13 less than last month

Reading now
The Darwin Awards, by Wendy Northcutt
The Orphan’s Tales: In the Night Garden, by Catherynne M. Valente
A Short History of Kosovo, by Noel Malcolm 

Coming soon (perhaps)
Guy Erma and the Son of Empire, by Sally Ann Melia
Midnight’s Children, by Salman Rushdie
Make Your Brain Work, by Amy Brann
Lenin the Dictator, by Victor Sebestyen
Fugitive Telemetry, by Martha Wells
The Massacre of Mankind, by Stephen Baxter
Manifesto, by Bernardine Evaristo
Alaska Sampler 2014, ed. Deb Vanasse and David Marusek
Roger Zelazny’s Chaos and Amber, by John Betancourt
The Light Years, by Elizabeth Jane Howard
The Harp and the Blade, by John Myers Myers
The Revolution Trade, by Charles Stross
The Light Fantastic, by Terry Pratchett
“Tangents”, by Greg Bear
Mr Britling Sees it Through, by H. G. Wells
Voorbij de grenzen van de ernst, by Kamagurka
Death of a Naturalist, by Seamus Heaney
The Clockwise War, by Scott Gray
Secondhand Time: The Last of the Soviets, by Svetlana Alexievich
The Lost Child of Lychford, by Paul Cornell

The HAVOC Files, Volume 4, ed. Shaun Russell

Second paragraph of third story (“United in Blood”, by Mark Jones):

Lethbridge-Stewart approached the bar and held out a hand to his old friend. ‘Bill Cunningham! It’s good to see you too,’ he said, as he grasped the other’s hand in a firm handshake. ‘It’s been too many years. One of your finest malts would go down a treat on a night like this.’

I’m consistently impressed by the quality of the Candy Jar Books series of stories featuring Brigadier Alistair Lethbridge-Stewart, mostly in the narrative window between his first encounter with the Doctor in The Web of Fear and their reunion in The Invasion, though this anthology has a couple from the later TV continuity. These are all good; I guess the standouts for me were “All the King’s Men” by Alyson Leeds and “The Two Brigadiers” by Jonathan Macho, two authors who were both new to me (at least under those names). If you’re not already invested in the Brigadier continuity this won’t mean much to you, but if you are it’s a good addition. You can get it here.

Slumdog Millionaire; and Q&A, by Vikas Swarup

Slumdog Millionaire won the Oscar for Best Picture of 2008 and seven others, Best Director (Danny Boyle), Best Adapted Screenplay, Best Cinematography, Best Film Editing, Best Original Score and Best Sound Editing. The other films up for Best Picture were The Curious Case of Benjamin Button, Frost/Nixon, Milk and The Reader, none of which I have seen. The Hugo and Nebula that year both went to WALL-E.

Slumdog Millionaire is 4th on one IMDB ranking but only 26th on the other, with The Dark Knight, WALL-E and Iron Man ahead of it on both lists. Along with Hellboy II: The Golden Army, those were the Hugo nominees and I saw them all. Weirdly enough I watched Mamma Mia! for the first time also last weekend; apart from the, the only other 2008 film I have seen is The Duchess, based on half a chapter of Amanda Foreman’s book.

For the second time in a row (after No Country for Old Men), I found no credited actors in common with other Oscar-winning films, Hugo or Nebula winners, or Doctor Who; perhaps a bit less surprising in this case, as almost all of the cast are from India and have made their careers there, and the kids in the flashback scenes have in general not become actors now that they have grown up.

It’s a film about a boy from the slums who wins the Indian equivalent of Who Wants to Be a Millionaire? because his life experiences happen to mesh with the questions. As the film starts, he is arrested just before the final question is asked on suspicion of cheating, and explains his knowledge to a sceptical policeman, once they have finished torturing him, providing a series of flashbacks which tell the story of his life.

So, to start with the bits I didn’t like, as usual. I did not like the torture scenes. What can I say. I am squeamish. It’s weirdly out of tone with the rest of the film. They’re in the book as well, but there is a lot more violence in the original novel, so it’s less dissonant, and also you don’t have to watch it on paper.

It’s probably the least white film to have won an Oscar so far in my watching, but it’s very male. There is one female lead character, Latika, played as an adult by Freida Pinto. Again, the book is better on this – it memorably features a faded actress, a washed-up princess, a sex worker with a heart of gold, and crucially the framing narrative has the protagonist telling his story to a woman lawyer rather than a male police inspector.

It reduces Indian society to 1) the struggle of the poor and 2) the dynamic between the protagonist’s Muslim origins versus the forces of nationalism and/or the state, as specifically experienced in Mumbai. That’s an important story of course, but once again the book has a lot more diversity – it is set in New Delhi and Agra as well as Mumbai, and we encounter Indian Christianity, Sikhs, and quite a lot of stupid white people.

And I must say I twitched when the credits flashed up and there was only one Indian name (Loveleen Tandan) among a host of Brits in the senior production team. Somehow this mattered less for Gandhi, which was as much as anything about the relationship between India and the outside world, especially Britain. Slumdog Millionaire purports to be an Indian story about Indian people, but it isn’t.

Having said all that, I did generally enjoy the film. To be grim about it, the interrogation of poverty and social division is a crucial driver of the narrative, and is firm and not subtle. The story starts with the protagonist’s mother being killed in sectarian riots, and life in the slums is vividly depicted.

To be more positive, Dev Patel is great as Jamal, and all of the cast basically glow. I liked the comfortable bilingualism of the script (thanks to Loveleen Tandan apparently). I love quiz shows. I also love the interweaving of narratives where the past unexpectedly informs the present. It’s nice that a crucial plot point depends on The Three Musketeers, a novel which I like more than it really deserves. It looks fantastic and colourful in all the right ways. There is a happy ending. And the music is good.

I’m putting it just above the halfway point in my ranking of Oscar-winners, below It Happened One Night and above Gigi.

Next on my Oscar list is The Hurt Locker, which I have managed to maintain utter ignorance of since it came out (also in 2007, but it won a 2008 Oscar).

As noted above, I read the original book, Q&A, by Vikas Swarup. The second paragraph of the third chapter is:

I don’t read the Maharashtra Times. In fact, I don’t read any newspaper. But I occasionally pilfer a copy from Mr Barve’s rubbish bin. It is useful for stoking the fire in the kitchen, and sometimes, when I have nothing else to do, I flip through its pages as a time pass before they are reduced to ash.

Some repetition below because I’ll be posting this section of the blog post independently to Goodreads and LibraryThing, in due course.

The central concept is the same as the film: a boy from the slums who wins a quiz show because his life experiences happen to mesh with the questions. The book is more violent. It has more sex and more female characters – as noted above, it has a faded actress, a washed-up princess, a sex worker with a heart of gold, and crucially the framing narrative has the protagonist telling his story to a woman lawyer rather than a male police inspector.

It’s also a broader look at India and its interactions with the outside world. The protagonist, Ram Mohammed Thomas, can pass as Muslim or Hindu, or indeed Christian; there’s a memorable chapter where he works for an Australian diplomat (the author is himself an Indian diplomat) and another where he makes a living taking tourists around the Taj Mahal. He also looks at the darker side of Bollywood, and of war heroes.

And at the very end there are a couple of pleasing plot twists, which I might have found rather contrived if the rest of the book had not put me in a generally good mood. You can get it here.

Winners of the Oscar for Best Picture

1920s: Wings (1927-28) | The Broadway Melody (1928-29)
1930s: All Quiet on the Western Front (1929-30) | Cimarron (1930-31) | Grand Hotel (1931-32) | Cavalcade (1932-33) | It Happened One Night (1934) | Mutiny on the Bounty (1935, and books) | The Great Ziegfeld (1936) | The Life of Emile Zola (1937) | You Can’t Take It with You (1938) | Gone with the Wind (1939, and book)
1940s: Rebecca (1940) | How Green Was My Valley (1941) | Mrs. Miniver (1942) | Casablanca (1943) | Going My Way (1944) | The Lost Weekend (1945) | The Best Years of Our Lives (1946) | Gentleman’s Agreement (1947) | Hamlet (1948) | All the King’s Men (1949)
1950s: All About Eve (1950) | An American in Paris (1951) | The Greatest Show on Earth (1952) | From Here to Eternity (1953) | On The Waterfront (1954, and book) | Marty (1955) | Around the World in 80 Days (1956) | The Bridge on the River Kwai (1957) | Gigi (1958) | Ben-Hur (1959)
1960s: The Apartment (1960) | West Side Story (1961) | Lawrence of Arabia (1962) | Tom Jones (1963) | My Fair Lady (1964) | The Sound of Music (1965) | A Man for All Seasons (1966) | In the Heat of the Night (1967) | Oliver! (1968) | Midnight Cowboy (1969)
1970s: Patton (1970) | The French Connection (1971) | The Godfather (1972) | The Sting (1973) | The Godfather, Part II (1974) | One Flew Over the Cuckoo’s Nest (1975) | Rocky (1976) | Annie Hall (1977) | The Deer Hunter (1978) | Kramer vs. Kramer (1979)
1980s: Ordinary People (1980) | Chariots of Fire (1981) | Gandhi (1982) | Terms of Endearment (1983) | Amadeus (1984) | Out of Africa (1985) | Platoon (1986) | The Last Emperor (1987) | Rain Man (1988) | Driving Miss Daisy (1989)
1990s: Dances With Wolves (1990) | The Silence of the Lambs (1991) | Unforgiven (1992) | Schindler’s List (1993) | Forrest Gump (1994) | Braveheart (1995) | The English Patient (1996) | Titanic (1997) | Shakespeare in Love (1998) | American Beauty (1999)
21st century: Gladiator (2000) | A Beautiful Mind (2001) | Chicago (2002) | The Lord of the Rings: The Return of the King (2003) | Million Dollar Baby (2004, and book) | Crash (2005) | The Departed (2006) | No Country for Old Men (2007) | Slumdog Millionaire (2008) | The Hurt Locker (2009)
2010s: The King’s Speech (2010) | The Artist (2011) | Argo (2012) | 12 Years a Slave (2013) | Birdman (2014) | Spotlight (2015) | Moonlight (2016) | The Shape of Water (2017) | Green Book (2018) | Parasite (2019)
2020s: Nomadland (2020) | CODA (2021) | Everything Everywhere All at Once (2022) | Oppenheimer (2023)

The Right to Sex: Feminism in the Twenty-First Century, by Amia Srinivasan

Second paragraph of third chapter:

In the hours between murdering three men in his apartment and driving to Alpha Phi, Rodger went to Starbucks, ordered coffee, and uploaded a video, “Elliot Rodger’s Retribution,” to his YouTube channel. He also emailed a 107,000-word memoir-manifesto, “My Twisted World: The Story of Elliot Rodger,” to a group of people including his parents and his therapist. Together these two documents detail the massacre to come and Rodger’s motivations. “All I ever wanted was to fit in and live a happy life,” he explains at the beginning of “My Twisted World,” “but I was cast out and rejected, forced to endure an existence of loneliness and insignificance, all because the females of the human species were incapable of seeing the value in me.”

I can’t remember where I picked up this recommendation, but it is very good. It’s a collection of feminist essays on society in general and the legal system in particular, addressing the following topics:

  • the politics of rape allegations
  • pornography
  • incels and the “right to sex”, with a postscript based on student discussions
  • sexual relationships between university students and teachers, wherein she asks why there is so little discussion of the negative impact of such relationships on teaching and learning
  • prostitution, prison and the dangers of a blinkered legalistic approach.

These are punchy and difficult issues, and it’s often difficult reading. Srinivasan has more questions than answers, and they are generally very good questions to which I don’t have even the beginnings of an answer. Her fundamental points are that it is completely inadequate to reach for the legal system to deal with issues of gender justice, when what is needed is a complete revolution in society; and also that a lot of the proposed and implemented legal solutions demonstrably make things worse.

Of course the essays are largely directed to the situation in the United States, where as we’ve seen in recent years the “law enforcement” system is completely out of control. But we are far from perfect in Europe, and much of what Srinivasan writes can be directly applied to any society. It’s really worth reading, especially in the light of this morning’s news. You can get it here.

This was my top unread book by a non-white writer. Next on that pile is Manifesto, by Bernardine Evaristo.

Directed by Douglas Camfield, by Michael Seely

Second paragraph of third chapter:

They worked on the seventh floor of Lime Grove, assigned to different film editors. This was the same building where Alfred Hitchcock made The Thirty Nine Steps twenty years before when it was the Gaumont British Picture studios. Perhaps it was a portent for the future of the film industry when the BBC had bought tip and converted the studios in 1949. Situated in Shepherd’s bush, the building was on a cramped and enclosed site and the only way to expand was up. Lime Grove Studios became a multi-levelled rabbit warren of a building, easy to get lost in and was not much loved by those inside. Try as they might, the people who worked here in the 1950s find it very hard to describe the place as magical. Further down the road at Wood Lane, something magical had been postponed.

A couple of years ago, I read a biography of Robert Holmes, the greatest of Old Who’s writers; this book looks at the life of Douglas Camfield, one of the greatest of the Old Who directors (the top three must be him, David Maloney and Christopher Barry – and Camfield directed more episodes than either of the other two).

I found it a really fascinating read. Seely has hunted down as much information as he can about every single TV episode that Camfield ever directed. He knows his audience, so he has concentrated particularly on Doctor Who – the stories we now know as An Unearthly Child, Marco Polo, The Crusade, The Time Meddler, and most of all The Daleks’ Master Plan; and also The Web of Fear, The Invasion, Inferno, Terror of the Zygons and The Seeds of Doom. Those alone would be a fantastic legacy.

But Seely is very good at taking us into the world of the director, to the point that you can almost smell the static electricity in the studio gallery and the manure on location. Not every BBC director was as meticulous or professional as him; at the same time, he seems to have been genuinely charming, always bringing his guitar to finish the evening singing with those of the cast and crew that wanted to. (Though he also had his musical blind spots, and repeatedly refused to hire Dudley Simpson for incidental music.)

Camfield had a loyalty to a certain group of guest actors who tended to pop up in many of his productions, but in general they were good. This included his wife, Sheila Dunn, who got a small part in the Dalek’s Master Plan and a larger part in Inferno; though I remember her best as the daughter of Kessler, in the sequel to Secret Army, which had nothing to do with Camfield. Incidentally Bernard Hepton, the star of Secret Army, started his career as a director before turning to acting and was a peer of Camfield’s on the BBC training courses.

He did his best to move away from being typecast as a police and science fiction serial specialist, but did not quite success. He directed Duel, one of the great Blake’s 7 episodes, and the first episode of Shoestring and two others. His only close co-operation with the great Robert Holmes was not Doctor Who but the 1981 series The Nightmare Man, based on the novel Child of Vodyanoi by David Wiltshire; I have fond if scary memories of it forty years on, and would love to get hold of a copy.

Camfield’s health was always a problem, and he had to be taken off the Doctor Who story Inferno after a couple of episodes when he suffered a heart attack. Another heart attack killed him at the age of 52 in 1984. Unlike Robert Holmes, who had sadly run out of steam when he died a couple of years later, one feels that Camfield was still innovating and finding new things to do, though he would have refused to return to Doctor Who. We must be grateful for what we have. This is a good book, with occasional rough edges. You can get it here.

Mythos, by Stephen Fry

Second paragraph of third chapter:

Something else began too — what shall we call it? Personality? Drama? Individuality? Character, with all its flaws and failings, fashions and passions, schemes and dreams. Meaning began, you might say. The seeding of Gaia gave us meaning, a germination of thought into shape. Seminal semantic semiology from the semen of the sky. I will leave such speculation to those better qualified, but it was nevertheless a great moment. In the creation of and conjoining with Ouranos, her son and now her husband, Gaia unwound the ribbon of life that runs all the way to human history and our own very selves, yours and mine.

A run-through of Classical myths and legends by Stephen Fry, leaning on Ovid a lot, of course, but drawing in other writers too – apparently the first of three volumes, the other two dealing with heroes in general and the Trojan War in particular. It’s breezy and sometimes even funny, and Fry doesn’t gloss over the awkward castrations and incest. I found it especially helpful in locating the legends referred to by Jan Christian Hansche in his non-religious sculptures. You can get it here.

This was my top unread sf book. Next on that pile is Fugitive Telemetry, by Martha Wells.

A Modern Utopia, by H. G. Wells

Second paragraph of third chapter:

Now in the first place, a state so vast and complex as this world Utopia, and with so migratory a people, will need some handy symbol to check the distribution of services and commodities. Almost certainly they will need to have money. They will have money, and it is not inconceivable that, for all his sorrowful thoughts, our botanist, with his trained observation, his habit of looking at little things upon the ground, would be the one to see and pick up the coin that has fallen from some wayfarer’s pocket. (This, in our first hour or so before we reach the inn in the Urseren Thal.) You figure us upon the high Gotthard road, heads together over the little disk that contrives to tell us so much of this strange world.

I have to admit that I had not really heard of this Wells novel before. Of course, like the original Utopia, the fictional framework is not the point; the books is about the ideal way to run a society, and what it might look like if you were to be transported to that society while on holiday in Switzerland, to discover that everyone you know on Earth has a parallel equivalent in the Utopia, except that of course they are happier.

Utopia is preserved by a caste of self-dubbed samurai who are devoted to keeping society fair. Wells is clear about the evils of racism, and the importance of equality for women; somewhat less convincing on a utopian vision of marriage, and downright weird on animals (no meat-eating, but no household pets either). To be honest, I did not find the ideas awfully interesting, though Beveridge claimed that they had inspired his vision of the welfare state.

The bit that did grab me was where the narrator meets his equivalent on Utopia. Jorge Luis Borges’ story “The Other” has fascinated me for many years – it’s the one where he meets his younger self, but discovers that in fact they don’t have much to say to each other. The interaction between the narrator and his double in A Modern Utopia is similarly awkward. Basically, we need other people for mental stimulation – our own thought processes are not different enough to be interesting.

Anyway, not my favourite Wells novel, but you can get it here. Next up is Mr Britling Sees It Through.

Ender’s Game, by Orson Scott Card

Second paragraph of third chapter:

‘I know. She can undo it all, from the start. He won’t want to leave her.’

When I first read this in December 2001, I wrote:

Ender’s Game is a vivid and disturbing book. The most vivid part is its portrayal of the casual violence of childhood and the isolation of the gifted child. Much great sf literature appeals to readers who themselves were (or indeed are) gifted children, whose experience of childhood friendship was limited and whose attempts to strike out physically were often unsuccessful and almost always duly punished. (Card himself, in a lengthy introduction to the second, 1991 edition of the novel, spends more time on this topic than on any other.) The twist in Ender’s story is, first, that when he attacks other children physically, he is more or less rewarded rather than punished by the military elite who control his life; but second, it really doesn’t make him feel any better. Most child-genius-turned superhero stories at least let their hero feel good about what they have done at some point; Ender is denied even that luxury.

The most disturbing part is the military’s manipulation of Ender. On one level, given the universal perception that humanity is under threat of utter destruction, the use of Ender’s genius for winning battles, for, er, winning battles would have been portrayed as right and necessary by a lesser author. However, it becomes apparent that the manipulation of Ender began before his birth, and continues right up to the last chapter of the book. He has been genetically engineered to hold a middle point between the violence and manipulation of his brother and the empathy and compassion of his loving sister. (A weak area of the book is the rather extreme characterisation of the siblings, combined with the fact that their parents appear to be rather dull and yet produced not one but three genius offspring.) As a six-year-old Ender is taken to an asteroid along with other precocious children, in order to be taught how to fight and kill. In a series of war-games (described in somewhat excessive detail) of ever-increasing sophistication, where the odds have been stacked ever more against him, he finally passes what he thinks is the final exam – only to discover that (as the astute reader will have already suspected) in fact the last few battles have not been simulations, and he has utterly destroyed the alien threat.

Ender’s response to this revelation lifts the book beyond a well-told war story (à la Starship Troopers or The Forever War) and into a novel of redemption. He repents his genocide of an entire alien species, brought about essentially by a mistake in communications, and, in a hastily told last chapter which actually covers years of narrative time, resolves to atone for his crime on behalf of all humanity by telling the story of the aliens. Michael R. Collings has reflected on the parallels between Ender and Jesus Christ, and while he is wrong on some of the details he is clearly right on the big picture. (Unlike, I would add, the reviewer who became obsessed with the parallels between Ender Wiggin and Adolf Hitler – shades of Dave Barry’s suggestion that Moby Dick actually represents the Republic of Ireland – all the more so since I actually once read a Lit Crit paper attempting to prove the latter.)

One has to suspend one’s disbelief slightly to believe that not only Ender but his entire crew of prepubescent commanders are sophisticated enough to win a war. I don’t know what the statistics are correlating the brilliance of military commanders with their age, but I would be surprised if there is any real reason to think that children could be super-competent in this field. Similarly, the ease with which Peter and Valentine, Ender’s siblings, capture the political high ground through their skillful debating techniques, is simply not credible even within the parameters of the book. I look back on stuff I wrote when I am half my present age – I am now 34 – and cringe with embarrassment. (One such item, about Turkish opening strategy in the game of Diplomacy, is much more widespread than it deserves to be on the Web.) The gift of political argument matures slowly. My other big problem with the book is the portentous, mythic tone of the narrative, but there’s not much Card can do about that; it’s his natural voice, I think, and suits books like the Alvin Maker series perfectly, but sometimes irritated me here.

There are some great bits in Ender’s Game: the “fantasy game” which turns out to be a link with the alien minds, the difficulty of fighting in free fall, the character of Mazer Rackham, the delicate political situation of Earth, the way in which Peter and Valentine rapidly become experts simply through writing about stuff on bulletin boards under pseudonyms. The best single moment for me is when Ender is set up with his team of squadron leaders in the penultimate chapter, and discovers that they are all his friends from the earlier chapters of the book. There is a sense that all the collective suffering was worth something. I can understand why Card returned to that setting for the most recent of the sequels.

I still agree with most of that, but this time around, the things I didn’t like about the book annoyed me much more. Watching adults fighting desperately in Ukraine, as we have ben since February, it seems really tasteless to suggest that children might somehow do the job better. At the same time, watching how online political discussion has worked out in practice, the notion that people with good ideas and deep philosophical insights might consequently emerge as powerful political figures seems hilariously naïve. It’s also notable that almost all (though not quite all) of Ender’s classmates are white boys – this for a force that is supposed to represent the whole of humanity. It’s a quick read at least. You can get it here.

Ender’s Game won both the Hugo and Nebula for Best Novel presented in 1986 for works of 1985. The novel version of Blood Music, by Greg Bear, and The Postman, by David Brin, were on both ballots. Also on the Hugo ballot were Cuckoo’s Egg, by C. J. Cherryh and Footfall, by Larry Niven & Jerry Pournelle; I have read the latter but would not vote for it. Also on the Nebula ballot were Dinner at Deviant’s Palace, by Tim Powers, and Helliconia Winter, by Brian Aldiss, both of which I have read; and The Remaking of Sigmund Freud, by Barry N. Malzberg, and Schismatrix, by Bruce Sterling, which I haven’t. I think I’d have voted for Blood Music.

The other three fiction awards were split. The Hugo for Best Novella went to “24 Views of Mt. Fuji, by Hokusai”, by Roger Zelazny, and the Nebula to “Sailing to Byzantium”, by Robert Silverberg. Each was on both ballots, as were “Green Mars”, by Kim Stanley Robinson, and “The Only Neat Thing to Do”, by James Tiptree, Jr.

The Hugo for Best Novelette went to “Paladin of the Lost Hour”, by Harlan Ellison, and the Nebula to “Portraits of His Children”, by George R. R. Martin. Again, both were on both ballots, as were “Dogfight”, by Michael Swanwick & William Gibson; “The Fringe”, by Orson Scott Card; and “A Gift from the GrayLanders”, by Michael Bishop.

The Hugo for Best Short Story went to “Fermi and Frost”, by Frederik Pohl, and the Nebula to “Out of All Them Bright Stars”, by Nancy Kress. This time neither story was on the other ballot, but three stories were on both: “Flying Saucer Rock & Roll”, by Howard Waldrop, “Hong’s Bluff”, by William F. Wu, and “Snow”, by John Crowley.

There was no dramatic Nebula that year, but the Hugo went to Back to the Future.

Onwards to the following year’s joint winners, Greg Bear’s “Tangents” and Speaker for the Dead, the sequel to Ender’s Game.

Mort, by Terry Pratchett

Second paragraph of third section (as you know, Bob, very few of Pratchett’s Discworld novels are divided into chapters):

Mort was interested in lots of things. Why people’s teeth fitted together so neatly, for example. He’d given that one a lot of thought. Then there was the puzzle of why the sun came out during the day, instead of at night when the light would come in useful. He knew the standard explanation, which somehow didn’t seem satisfying.

When the BBC did its Big Read in 2003, this was the first of five Terry Pratchett novels to make the top 100 books beloved by the BBC-watching public. (The others were, in order, Good Omens – co-written by Neil Gaiman of course – Guards! Guards!, Night Watch and the one that started it all, The Colour of Magic.) I’ve got to it now as the top book on my shelves not yet reviewed on line; in fact the next few on that pile are all by Pratchett, so I’m going to split the pile in two, PTerry and non-PTerry; the next books on each pile respectively are The Light Fantastic, and Midnight’s Children, by Salman Rushdie.

It’s years since I last read this. It hasn’t lost its charm. Pratchett’s Death is one of his most memorable characters, from his first appearance in The Colour of Magic:

“I said I hope it is a good party,” said Galder, loudly.
AT THE MOMENT IT IS, said Death levelly. I THINK IT MIGHT GO DOWNHILL VERY QUICKLY AT MIDNIGHT.
“Why?”
THAT’S WHEN THEY THINK I’LL BE TAKING MY MASK OFF.

to the end:

https://twitter.com/terryandrob/status/576036726046646272

This was the fourth Discworld novel, after the original duology and Equal Rites, and Dave Langford’s comment at the time was “Pratchett has sussed the combination of hilarity with a tortuous plot, and the rest of us would-be humorists hate him for it.” I wouldn’t go so far as to call it a masterpiece, but a lot of the elements that make for a good Pratchett book – indeed for a good book in general – converge here.

You’ve read it too, so I won’t go on at length. It is as funny as I remembered. I was pleasantly surprised on re-reading by the breadth and depth of references to classic (and Classical) literature. The main driver of the Sto Lat subplot, the rewriting of history and destiny, is actually more of a science fiction trope, rarely found in fantasy (and the description of it is fairly sfnal). And Death’s slogan resonates still for me, 35 years on.

THERE’S NO JUSTICE. THERE’S JUST ME.

You can get it here, if you don’t already have it. My copy is the first Corgi paperback from 1987, with the Josh Kirby cover.

The Colour of Magic | The Light Fantastic | Equal Rites | Mort | Sourcery | Wyrd Sisters | Pyramids | Guards! Guards! | Eric | Moving Pictures | Reaper Man | Witches Abroad | Small Gods | Lords and Ladies | Men at Arms | Soul Music | Interesting Times | Maskerade | Feet of Clay | Hogfather | Jingo | The Last Continent | Carpe Jugulum | The Fifth Elephant | The Truth | Thief of Time | The Last Hero | The Amazing Maurice and His Educated Rodents | Night Watch | The Wee Free Men | Monstrous Regiment | A Hat Full of Sky | Going Postal | Thud! | Wintersmith | Making Money | Unseen Academicals | I Shall Wear Midnight | Snuff | Raising Steam | The Shepherd’s Crown

Demons and Dreams: Year’s Best Fantasy and Horror v. 1, eds. Ellen Datlow and Terri Windling

The third thing in the main text of the book is actually “DX”, a poem by Joe Haldeman. The second verse (or equivalent; it’s rather free-form in format) is:

You dig a hole
and cover it with
logs

I got hold of this because it includes the one and only published fantasy story by my distant cousin Elizabeth Helfman. It’s a compilation of 32 stories and four poems originally published in 1987, chosen by the good taste of Datlow and Windling, including classics like Ursula Le Guin’s “Buffalo Gals, Won’t You Come Out Tonight”, Jonathan Carroll’s “Friend’s Best Man”, George R.R. Martin’s “The Pear-Shaped Man”, and “Delta Sly Honey” by Lucius Shepard. In fact I think I was surprised by how many of the authors I already knew. The only other really obscure writer apart from Elizabeth Helfman is John Robert Bensink.

Anyway, it’s a good solid collection, though it reminded me from time to time why horror isn’t usually my thing. You can get it here.

Flicker, by Theodore Roszak

Second paragraph of third chapter:

Before long, I was asking myself how a tiny, hole-in-the-wall operation like The Classic could possibly require so much work. What with repairing, replacing, purchasing, cleaning) Polishing, picking up and delivering, my unpaid labor was soon snowballing into a full-time job, most of it menial drudgery. Each morning at breakfast, as strictly as a general marshaling her army of one, Clare would tick off the chores I was expected to discharge that day. Order more coffee for the espresso machine, buy more toilet paper, replace the burnt-out light bulbs, fix the broken seats, tack down the carpet in the lobby, chase to the printers, the distributors, the post office, the bank. There came a point when I began to wonder if our love affair was really a way for Clare to make up for years of neglect to her capital investment with the benefit of cheap labor. So I complained, if feebly, reminding her that I did after all have classes to attend and assignments to do.

I picked this up from the freebies table at Novacon, and eventually got around to it as the most popular book on my unread sf pile as of the end of last year. (Yes, it’s now June.) I’d previously read the author’s Tiptree-winning Memoirs of Elizabeth Frankenstein, so I was prepared for some fairly dense prose. I wasn’t expecting to be left until quite a late stage before being able to decide if this was really an sfnal book or not; in the end, I decided that it is – the plot is about an obscure religious cult with cinematic ambitions, and the author’s gradual entanglement therewith. The blurb suggests that it’s a cross between Sunset Boulevard and The Name of the Rose, and I think that is probably fair, though I have not seen Sunset Boulevard.

I’m not a film buff, and my Oscar-winners project has been in part a journey to try and get into the minds of those who are. There are lots of other areas of human endeavour that leave me cold – I cannot get excited about makes of car, for instance, and sports events outside the major championships don’t do all that much for me. Roszak did in fact manage to convey to me what it is to care about films. The book dates from 1991, still a time when films physically existed entirely on celluloid; it’s weird to reflect how thoroughly the practice of digital storage has affected our experience of the cinema.

Anyway, it’s a bit rambling, but I liked the sense of geography (mostly California but with a bit of Europe and elsewhere) and the cult itself was an interesting concept. You can get it here.

Next on the unread sf pile was Mythos by Stephen Fry, which I have in fact read in the meantime, so you’ll see it coming up here soon.

The Halls of Narrow Water: A family history, by Bill Hall

Second paragraph of third section of main narrative:

On arrival in Ireland, William Hall is believed to have been involved in mining at Red Bay near Carrickfergus  in Co. Antrim and to have died there in 1640.  There were other Halls in Antrim at that time.  However, they were no connection to William Hall and the subsequent Halls of Narrow Water.  William’s son Francis was born in 1620 and married Mary Lyndon daughter of Judge Lyndon of Galway.  We do not have any historical background on the Lyndon family of Galway, but given his status as a judge he would have been from a family of some influence.  There is a Francis Hall recorded as holding land in 1663 in the Barony of Glenarm, which is where Red Bay is located. Francis subsequently moved to Glassdrumman in County Armagh before buying the townland of Narrow Water and eight other townlands in 1680. Francis and Mary had four children, Roger, Edward, Alexander, Trevor and Frideswid.  The marriages of these children saw the beginning of a series of marriage alliances between the Halls and several influential and powerful families in Ireland.  Roger married Christine Poyntz, daughter of Sir Toby Poyntz; Edward married Anne Rowley and moved to Strangford, establishing another branch of the Hall family who were also to marry into a number of prominent families.  Frideswid married Colonel Chichester Fortescue of Drumiskin, the eldest son of Lieutenant-Colonel Sir Thomas Fortescue Governor of Carrickfergus Castle, continuing the link with the Chichester Family.

I have mentioned previously that one of my father’s best friends as a child was Roger Hall, of the Halls of Narrow Water Castle near Warrenpoint on the southern shore of County Down; and my aunt Ursula and Roger’s sister Moira Hall shared a house in London for many years. I renewed contact with the Halls last summer, for the first time in decades; here’s F with Roger’s son M, who now runs the castle and the estate, in the snooker room which carries many memories.

Growing up, I didn’t especially know Roger and Moira’s younger brother Bill (formally Sir William Hall), but we had a great lunch together with various other relatives last August, and I was subsequently sent his book about the Hall family, which is available by private circulation only.

It’s a breezy 250-page compilation of archival material and personal reflection. The Troubles and the wider political situation are inevitably part of the book. One of the worst atrocities of the whole period took place literally at the castle gate. But the focus is on the Hall family and on their role within the community, and I must admit that my personal interest was in the anecdotes about my own family in the book.

To be honest, for most of the the three and a half centuries that the Halls have been based in Narrow Water, they kept their heads down and were unremarkable County Down landlords. The picture becomes more interesting with Frank Hall (Bill, Moira and Roger’s great uncle), a UVF gunrunner and spy. To Frank’s disgust, his nephew married a Gibraltarian and their children were brought up as Catholics, the ultimate betrayal for a fervent Loyalist.

Bill, Moira and Roger’s father died when the boys were still quite young, which led to complications in the administration of the Narrow Water estate. The legal convolutions to prevent it falling into the hands of the Catholic church are apparently a case study in such things. Undaunted, all of the children of that generation (there were three more sisters, but I only knew Moira) had adventurous lives. I’m very glad that Bill took the time to compile it all into digestible form.

Marco Polo, by Dene October (and John Lucarotti)

Next in the sequence of Black Archive books about Doctor Who. In this case I had actually listened to the audio reconstruction again quite recently, so I didn’t repeat that for this blog post, just reading the novelisation again as well as the Black Archive analysis.

When I first listened to it in 2007, I wrote:

This is the fourth ever Doctor Who story, broadcast in 1964, and the earliest one to be lost conpletely from the archives. It was also the first purely historical Doctor Who story, telling simply of an encounter between the time travellers and Marco Polo (and eventually Kublai Khan) in the late thirteenth century.

I bought the soundtrack with linking narration from William Russell, who played Ian Chesterton in the original series. It’s generally pretty good though the fifth episode sound quality is rather lousy. I was also misled by one of the hidden extras – the first of the three CDs includes also all seven episodes as MP3s without narration, and since this is nowhere stated I ended up loading them by mistake.

Took me a while – first started this the week before last, and took a break from it while I was travelling. But it is in fact very good. Seven episodes is about right for a leisurely plot, with Susan bonding with the maiden Ping-Cho, and the others dealing with the treacherous warlord Tegana and with Marco Polo himself, who decides to seize the Tardis and offer it to the Khan as his ticket home to Venice. (Or, as Croatian lore would have it, Korcula.)

It builds to a satisfying conclusion with the Doctor playing the Great Khan at backgammon, with the Tardis as the stake. Marco Polo himself, weighing in the balance his honour, his liking and respect for Ian and the others, and his desire to get home, is an interesting character study.

A shame, but I guess understandable, that they stopped making stories like this one after a while.

When I returned to it for my Great Rewatch in 2009, I wrote:

Marco Polo is the only lost story in this run, but I was able to get hold of the reconstruction which tops and tails the original story with filmed pieces featuring Mark Eden as a much older Marco Polo reminiscing. The colour snaps illustrating the soundtrack make it look fantastic, and the visual cues give it a real sense of place as well, as the narrative shifts from the mountain passes to the court via the desert and staging towns. And it is rather bleak in places – the Doctor’s illness is not funny, the murderous plans of Tegana even less so. Susan gets a welcome bit of character development through her relationship with Ping-Cho. (Marco Polo, Tegana and the Great Khan are reunited in 1967 for an episode of The Prisoner, “It’s Your Funeral”, which gives another flavour of how this must have looked.) This is the first story that doesn’t lead directly into the next at the end of the last episode.

Coming back to the audio in 2020, I wrote:

Listening to it again – the 25-minute episodes are just right for timing a lunchtime walk under lockdown – I still found it enjoyable. The dynamic between Polo and the Tardis crew is a little odd – I thought that they gave in to Polo a bit too quickly, and also for someone who has not actually looked inside the Tardis he seems pretty sure that it will transform his relationship with the Khan. But that aside, it’s well written and well executed. And as I’ve said tbefore, the recons make it look gorgeous.

I did wonder, however, if anyone seriously thought that this was educational. The original remit for the show was supposedly that the historical stories would get kids interested in history. Well, I fear you’ll scan the history books in vain to find out any more about Ping-Cho, the warlord Tegana, or the very camp innkeeper at Sheng-Ting. But maybe it’s better to scan the history books for something that’s not there, than not to look into them at all.

You can easily google the Loose Cannon reconstruction of the story, and you can get the audio here.

The second paragraph of the third chapter of the novelisation is:

The journey to Lop, through the undulating farmland, was pleasant. Marco, Ian, Barbara and Tegana were on horseback which meant that the two wagons for the travellers had, in the first, the Doctor muttering irascibly to himself and, in the second, Susan with Ping-Cho giggling, gossiping and playing games. The tent, now without the furs to line it, was pitched in the evenings and Ping-Cho, with both Barbara and Susan helping, would prepare them a ‘proper’ meal as the Doctor described it. But, as they approached Lop, the landscape changed: the earth became dry and dusty, the outcrops of green fewer and farther between for Lop was built on the edge of the vast Gobi desert and, whereas Yarkand had been a town, Lop was little more than an oasis, a natural spring, surrounded by tents and wooden shacks. But the main building, the way-station or hotel, was well-appointed. The manager, Yeng, a dignified Chinese who never took his hands out of his jacket sleeves, greeted Marco courteously and gave orders for the horses to be stabled. The baggage train was put into a compound, but the Doctor insisted that the wagon with the TARDIS be placed in the main courtyard where he could keep an eye on it. Smiling, Marco agreed with him.

When I first read it in 2008, I wrote:

Doctor Who – Marco Polo is certainly the best of John Lucarotti’s three Who books (the other two being Doctor Who – The Aztecs and Doctor Who – The Massacre). Possibly the need to be fairly concise – cutting down from a seven episode story, rather than writing up from four – made a difference. It’s a cracking good story anyway, and the fact that we have only sound rather than video records of it makes Lucarotti’s presentation all the more valuable. He has a rather peculiar fascination with detailing the various different Chinese prawn dishes that the Tardis crew consume en route, but this of course just adds to the depth of the setting. Really rather a good one.

On re-reading, I still like it a lot; but I was a little unfair about the prawn dishes. For the record, these are the meals and drinks mentioned in the book:

  • Chapter 2: “Bean sprout and chicken broth”
  • Chapter 3: “two small Tan Chiao omelettes stuffed with minced fresh water shrimps and […] a bowl of tea”
  • Chapter 4: “a bowl of tea and two Tan Chiao omelettes stuffed with chopped water-chestnuts and pork”
  • Chapter 6: “sesame seed pings followed by soochow chiang, a delicious mixture of pork,
    mushrooms and bamboo shoots served with a succulent sauce and rice wine”
  • Chapter 11: “‘Chicken-fat braised carp”
  • Chapter 12: “a mellow white wine”
  • Chapter 15 (banquet scene): “There was a choice of, at least, fifteen soups, including one called a ‘water-melon pond’, and egg dishes in profusion followed by fresh-water as well as sea-water fishes and crustaceans. Then, of course, came the poultry dishes which reminded the Doctor of the old adage that the Chinese eat everything bar the feathers. Next on the menu were the meat and vegetable bowls served with a multitude of rices, after which the meal was rounded out with a variety of desserts. The wines were of every hue and taste and to the Doctor’s astonishment there were Italian and French ones as well as champagne. / ‘My father imports them,’ Marco said modestly.”
  • Chapter 15 (later): “a succulent slice of pineapple roast duck” … “a dried shrimp wanton” … “a Lan-Chow steamed dumpling” … “chicken chessmen”
  • Chapter 16: “Yang-Chow shrimp balls”

I think that is more discussion of food than you will find in any six other Doctor Who books, combined. And shrimps (not prawns) are in only about half of them. You can get the novelisation here.

Dene October’s Black Archive on Marco Polo is one of the longer ones in this series. He makes a very strong argument that this story, which most fans like without necessarily loving, should be considered as one of the peaks of Old Who. Sadly, those of us who did not see it will need to rely on his word. It is enhanced by the fact that October actually saw Marco Polo twice – when originally broadcast by the BBC, and then again a year after in Australia where his family had meantime moved. He therefore has a huge advantage over most of the rest of us who will probably never see any of the seven lost episodes; if they were findable, they would surely have been found by now.

(As I said in a previous entry, I used to have fantasies of some day opening a long-shut cupboard in the Green Zone in Cyprus to find a bunch of Doctor Who tapes that had been abandoned by some luckless TV technician in 1974, but in fact now that I’ve established that the Green Zone in Nicosia is still basically where it was when established in 1963, I accept that this is never going to happen, especially not to me.)

Like the original story, October’s book is divided into seven chapters. In a really interesting first chapter, October insists that the story should in fact be seen as educational, as a dramatisation of the original Travels of Marco Polo with a didactic agenda. My instinct is that this is over-analysis; the purpose of the drama is the drama. If this had not been Hugo season, I’d have read the Travels too to make up my own mind. In any case I have acquired it and will get to it sooner or later. October goes further into detail on both the Reithian missionof the BBC and the extent to which the original Travels can be regarded as fictional anyway. It’s one of the most interesting sections I have read of any of the books in this series.

The second chapter looks at the soundscape of the episode, the low visibility of the Doctor and the voice of Marco Polo as the central character and audience identification figure – very unusual for Old Who, rarely done in New Who.

The third chapter looks at the visuals of the story, especially the camerawork. The second paragraph is:

3.1 ‘Pray Attend Me While I Tell My Tale’: Staging History
Ping-Cho’s carefully planned dance makes for an unusual history lesson, something Ian picks up on immediately in quizzing Susan about the English derivation of the word ‘Hashashins’. Ian’s teacherly prompt is in many ways a remediation of the Chinese girl’s poem, one he perhaps feels remedies her version, and uses a more appropriate medium. In a sense, Ping-Cho and Ian are both educators using different media and reflecting the programme’s challenges in delivering historical content to a mixed family audience.

October insists that the lost visuals impact of the series was particularly good. This is frustratingly difficult to prove, as all we have are a few still shots and people’s memories, but it’s good to hear.

The fourth chapter has October reflecting on the fallibility of his own memory of having seen the show twice, and on the way in which viewers experience television. He then veers off into a fascinating sidetrack on the memory abilities of the historical Marco Polo, based on the identifiable mistakes in the Travels – he does not mention the Great Wall, for instance.

The fifth chapter looks at travel as a narrative device, and again invokes the Travels as a point of comparison for how we experience the Doctor Who story.

The sixth chapter looks at the character of the Khan, and the portrayal of rulership and of the Orient in the story.

The seventh chapter combines three important themes: Marco Polo‘s portrayal of gender, the reliability of the narrator, and how fans have worked to retain and reconstruct the lost story.

It’s one of the good ones in this series, and made me think a lot more about the story than I had expected. You can get it here.

The Black Archives
1st Doctor: The Daleks (82) | The Edge of Destruction (67) | Marco Polo (18) | The Aztecs (71) | The Dalek Invasion of Earth (30) | The Romans (32) | The Myth Makers (65) | The Massacre (2) | The Ark (81)
2nd Doctor: The Underwater Menace (40) | The Evil of the Daleks (11) | The Mind Robber (7)
3rd Doctor: Doctor Who and the Silurians (39) | The Ambassadors of Death (3) | The Dæmons (26) | Carnival of Monsters (16) | The Time Warrior (24) | Invasion of the Dinosaurs (55)
4th Doctor: Pyramids of Mars (12) | The Hand of Fear (53) | The Deadly Assassin (45) | The Face of Evil (27) | The Robots of Death (43) | Talons of Weng-Chiang (58) | Horror of Fang Rock (33) | Image of the Fendahl (5) | The Sun Makers (60) | The Stones of Blood (47) | Full Circle (15) | Warriors’ Gate (31) | Logopolis (76)
5th Doctor: Castrovalva (77) | Kinda (62) | Black Orchid (8) | Earthshock (51) | Mawdryn Undead (80) | The Awakening (46)
6th Doctor: Vengeance on Varos (41) | Timelash (35) | The Mysterious Planet (79) | The Ultimate Foe (14)
7th Doctor: Paradise Towers (61) | The Happiness Patrol (68) | Silver Nemesis (75) | The Greatest Show in the Galaxy (66) | Battlefield (34) | The Curse of Fenric (23) | Ghost Light (6)
8th Doctor: The Movie (25) | The Night of the Doctor (49)
Other Doctor: Scream of the Shalka (10)
9th Doctor: Rose (1) | Dalek (54)
10th Doctor: The Impossible Planet / The Satan Pit (17) | Love & Monsters (28) | Human Nature / The Family of Blood (13) | The Sound of Drums / Last of the Time Lords (38) | Silence in the Library / The Forest of the Dead (72) | Midnight (69)
11th Doctor: The Eleventh Hour (19) | Vincent and the Doctor (57) | The Pandorica Opens / The Big Bang (44) | A Christmas Carol (74) | The Impossible Astronaut / Day of the Moon (29) | The God Complex (9) | The Rings of Akhaten (42) | Day of the Doctor (50)
12th Doctor: Listen (36) | Kill the Moon (59) | Under the Lake / Before the Flood (73) | The Girl Who Died (64) | Dark Water / Death in Heaven (4) | Face the Raven (20) | Heaven Sent (21) | Hell Bent (22)
13th Doctor: Arachnids in the UK (48) | Kerblam! (37) | The Battle of Ranskoor av Kolos (52) | The Haunting of Villa Diodati (56) | Ascension of the Cybermen / The Timeless Children (70) | Flux (63)
15th Doctor: The Devil’s Chord (78)

Best Novel Hugo, 2022

As before, just noting that I have read them all, without specifying my preferences.

A Desolation Called Peace, by Arkady Martine

(Three months ago, even if she’d somehow reached this exalted position in the Ministry, complete with her own tiny office with a tiny window only one floor down from the Minister herself, Three Seagrass would have been asleep in her house, and missed the message entirely. There: she’d justified clinical-grade insomnia as a meritorious action, one which would enable her to deal with a problem before anyone else awoke; that was half her work done for the day, surely.)

The Galaxy, and the Ground Within, by Becky Chambers

Roveg sat in the middle of the tableau, his abdominal legs folded properly beneath him while his thoracic legs engaged with the serious business of finishing a lengthy breakfast. A variety of foods were spread across the table in front of him, all carefully selected from the stasie that morning. He’d arranged a somewhat Aandrisk-influenced spread: grain crackers with snapfruit preserves, spicy fermented fungus paste rolled in fresh saab tesh, and a few choice slices of hot smoked river eel (this was an Aeluon addition, but it complimented the other offerings well). A bowl of tea tied the arrangement together – a delicate Laru blend, as it happened – along with a small glass of seagrass juice. The latter beverage was the only part of the meal that originated with Roveg’s own species, and though he’d had many sorts of breakfasts on many different worlds, he still swore by that hard-shelled Quelin tradition of starting the morning with a cleansing shot of the stuff. Some habits, he could never break.

Light From Uncommon Stars, by Ryka Aoki

Once common in LA’s Eisenhower years, just a few of these giant donuts remained in greater Los Angeles. There were Kindle’s Donuts, Dale’s Donuts, and Randy’s Donuts, of course. Donut King II was in Gardena. In La Puente, there was the drive-through Donut Hole.

A Master of Djinn, by P. Djèlí Clark

As she rode, her mind cataloged the night’s events. It had taken days to follow up on Khalid’s tip. Identifying the bottle. Arranging the meetup and creating her undercover persona. She’d even gotten a new suit— to perfect the look of the eccentric socialite. Things hadn’t exactly gone as planned. Then again, did they ever? Who thought that kid had it in him to summon up a Marid djinn and then demand wishes?

Project Hail Mary, by Andy Weir

“Lightning round!” yelled my students.

She Who Became the Sun, by Shelley Parker-Chan

The sunshine was warm, and Xu Da had taken off his shirt and both robes to work half- naked in his trousers. At sixteen, the hard labor had already given him a man’s body. Zhu said a little tartly, “You’re asking to die, running around like that.” Prefect Fang never hesitated to wield his bamboo on novices who violated the rules of dignified monkly attire. Twelve- year- old Zhu, who felt an existential chill whenever she was forced to acknowledge the fact of her boyish but undeniably not- male body, appreciated Prefect Fang’s strictness more than anyone realized. “You think you’re that good- looking everyone wants to see you?”

Terrorism In Asymmetric Conflict: Ideological and Structural Aspects, by Ekaterina A. Stepanova

Second paragraph of third chapter:

Much has been written about the ‘sharp’ rise of ‘religious terrorism’ during the last decades of the 20th century and about its growing internationalization and international impact. However, to back this thesis most analysts choose not to look at the available data directly. The same few pieces of quantitative evidence are usually quoted, covering the same period of time (from the late 1960s until the mid-1990s) and derived from the same sources—most commonly from terrorism experts Bruce Hoffman and Magnus Ranstorp. For example, these experts’ reference to the fact that over the 30-year period until the mid-1990s the number of radical fundamentalist religious groups professing various confessions tripled has been reproduced in a number of analyses. These analyses also note that there was an increase in terrorist groups of an ‘explicitly religious’ character from virtually no such groups in 1968 to a quarter of all terrorist organiza-tions by the early 1990s (somewhat declining to 20 per cent of approximately 50 active terrorist groups in the mid-1990s).77
77 E.g. Hoffman, B., “‘Holy terror”: the implications of terrorism motivated by a religious imperative’, Studies in Conflict and Terrorism, vol. 18, no. 4 (Oct.–Dec. 1995), p. 272—for an earlier version see Hoffman, B., ‘Holy Terror’: The Implications of Terrorism Motivated by a Religious Imperative (RAND: Santa Monica, Calif, 1993), <https://www.rand.org/pubs/papers/P7834.html>, p. 2; Ranstorp, M., ‘Terrorism in the name of religion’, Journal of International Affairs, vol. 50, no. 1 (summer 1996), pp. 41-62; Hoffman, B., ‘Terrorism trends and prospects’, I. 0. Lesser et al., Countering the New Terrorism (RAND: Santa Monica, Calif, 1999), http://www.rand.org/pubs/monograph_reports/MR989/, pp. 16-17; and Hoffman, B., ‘Old madness, new methods: revival of religious terrorism begs for broader U.S. policy’, RAND Review, vol. 22, no. 2 (winter 1998/99), pp. 12-17.

I found this in my luggage while travelling the other weekend, a 2008 paper from the Swedish thinktank SIPRI by Ekaterina Stepanova. I owe her a bit of a public explanation, actually; she now works at IMEMO, one of the better Russian thinktanks, and asked me (and I agreed) several months ago to write a piece on unrecognised states for their journal. However, after February I felt that this is not really the time to be writing even for one of the better Russian thinktanks, and withdrew with apologies.

It’s a typically detailed paper, though it really made me realise just how much the discourse has changed in the last 14 years. The actual seizure of territory on a large scale by Islamist terror groups only really happened four to five years later, and that has totally changed the analytical framework. Stepanova can’t be blamed for not foreseeing that; few people did.

I think however she also missed the opportunity to look at domestic political terrorism, which is a rising problem in all Western countries, but which she excludes from her analysis. The American mass shootings and the Taliban’s summary justice are linked by a common thread of ideologically motivated brutality, and I wonder whether there’s some useful parallel to be drawn. I don’t know if there is, which is why I ask the question.

Anyway, despite the dense subject matter, I found it a quick read. You can get it here.

Signs and Symbols Around the World, by Elizabeth S. Helfman

Second paragraph of third chapter:

Hieroglyphic writing included many signs that can be called pictographs. They are simplified pictures of things, some of them quite recognizable. But hieroglyphic writing was not picture writing in the same sense as American Indian picture writing. It was more than that, and it was much more complex.

Elizabeth S. Helfman (1911-2001) was my second cousin once removed. Her maiden name was Seaver and her father, my grandmother’s first cousin, was a well-known architect in western Massachusetts. She was trained as a teacher, and married an artist; she wrote a load of non-fiction books for younger readers, and also published one fantasy short story in 1987, which got a couple of best-of anthology reprints.

This is her top book on LibraryThing, due no doubt to a reprint in 2000, and was easy enough to get hold of. It’s a breezy account of how signs and symbols have been used from ancient times to the present day (ie 1973), going through hieroglyphs, pictograms, trademarks, alchemy, and her own particular enthusiasm, Blissymbolics, a writing system designed for people with communication difficulties (simple enough, but alas too advanced for my own daughters). The book is endorsed by Margaret Mead, yes, the real one. You can get it here.

Probably nobody else will do this, so here is her complete bibliography as far as I can establish it from the Library of Congress.

  • Trudy, the motherly hen; illustrated by Grace Paull (New York: J. Messner [1954])
  • Patsy Pat, a duck’s story. Photographed by Grete Mannheim (New York: Dutton, 1958)
  • Get ready to read (New York: Platt & Munk [1960])
  • Words, words, words; picture stories, rhymes and word games to build vocabulary in the early school years (New York: Platt & Munk [1960])
  • Water for the world, illustrated by James MacDonald (New York: Longmans, Green, 1960)
  • Land, people, and history (New York: D. McKay Co., 1962)
  • Milkman Freddy, illustrated by Zhenya Gay (Chicago: Melmont Publishers [1964])
  • Rivers and watersheds in America’s future (New York: D. McKay Co., 1965)
  • Strings on your fingers; how to make string figures, by Harry and Elizabeth Helfman, illustrated by William Meyerriecks (New York: William Morrow, 1965)
  • Signs and symbols around the world (New York: Lothrop, Lee & Shepard Co. [1967])
  • Wheels, scoops, and buckets; how people lift water for their fields, illustrated by Eva Cellini (New York: Lothrop, Lee & Shepard [1968])
  • Celebrating nature; rites and ceremonies around the world, with drawings by Carolyn Cather (New York: Seabury Press [1969])
  • This hungry world (New York: Lothrop, Lee & Shepard [1970])
  • The Bushmen and their stories, with drawings by Richard Cuffari (New York: Seabury Press [1971])
  • Our fragile earth (New York: Lothrop, Lee & Shepard Co. [1972])
  • Maypoles and wood demons; the meaning of trees, with drawings by Richard Cuffari (New York: Seabury Press [1972])
  • Signs and symbols of the sun (New York: Seabury Press [1974])
  • Apples, apples, apples (Nashville: T. Nelson, ?1977)
  • Blissymbolics, speaking without speech (New York: Elsevier/Nelson Books, ?1980)
  • Memories and shadows (South Thomaston, Maine: Produced in association with the Conservatory of American Letters and Northwoods Press, ?1990)
  • On being Sarah; illustrated by Lino Saffioti (Morton Grove, Ill.: A. Whitman, 1993)

And her one fantasy story, “Voices in the Wind”, which can be found in the following anthologies:

  • Spaceships and Spells, eds. Martin H. Greenberg, Charles G. Waugh, Jane Yolen (1987)
  • Demons and Dreams: The Best Fantasy and Horror 1 aka The Year’s Best Fantasy: First Annual Collection, eds. Ellen Datlow and Terri Windling (1988)
  • Visions of Fantasy: Tales from the Masters, eds. Isaac Asimov and Martin H. Greenberg (1989)

I’m very grateful to her son Robert Helfman for pointing me to these.

The Impossible Planet / The Satan Pit, by Simon Bucher-Jones (and Matt Jones)

Next in the excellent Black Archive line of short books about individual Doctor Who stories, this looks at a two-parter from Series 2 of New Who, a story where the Tenth Doctor and Rose are stranded on a planet orbiting a black hole which imprisons, well, the Devil. The author, Simon Bucher-Jones, has written several Who novels, and also did the Black Archive book on Image of the Fendahl (and a more recent one on The Hand of Fear). He does not mention if he is related to the author of the TV story, Matt Jones, but their surname is the fourth most common in England and the most common surname in Wales, so chances are that they are not.

I don’t seem to have made a note about this story when it was first broadcast. When I first rewatched it in 2013, I wrote:

 I fear this is becoming a boring refrain, but I had forgotten how good The Impossible Planet/The Satan Pit actually is. I think it is our first proper base-under-siege story in New Who (perhaps arguments can be made for The End of the World or Dalek, but I won’t) and perhaps it’s a return to that comfort zone of Old Who, with the difference of a more diverse base crew than Old Who would have had (the black guy would never have been in command in the old days, and the smart woman would never have been chief scientist). The scarily different bit is not so much the monster – though it is well done, both the descent to the pit and the technical realisation of a superhuman incarnation of evil – but the Ood, who are very creepy indeed. Having a slave race never works out well in Who, but here the message is that by exploiting the Ood, humanity has opened a potential route for its own destruction. Terrific stuff.

Rewatching it now, I was again pleasantly surprised. David Tennant is always watchable, but here the chemistry between him and Billie Piper is at its peak. It also struck me that the plot element of the TARDIS being lost on a world where a more cosmic battle is playing out had been done before, and worse, in Frontios.

This is not one of the small (but growing) number of New Who stories to have been novelised, so I’ll jump straight into the Black Archive book, which is short and punchy.

The first chapter reflects on just how few New Who episodes are set on other planets, compared to most of Old Who (apart from the Pertwee era), the reasons for this, and how this shapes the sort of programme it becomes.

The second chapter, the longest in the book, goes in depth into the physics of black holes and how they are portrayed in fiction, notably in The Three Doctors in Old Who as well as the Disney film. I had not realised, or had forgotten, that the term “black hole” was coined as late as 1967, only a few years before The Three Doctors was shown.

The third chapter, almost as long, looks at the Devil as portrayed in Christianity, and satanic creatures as portrayed in science fiction (rather than fantasy) in general and Who in particular. Its second paragraph is (with footnotes):

As Sherlock Holmes – with whom the third Doctor has often been compared (as the Master has with Moriarty)119 – remarked, ‘The world is big enough for us. No ghosts need apply.’120 The Doctor might well have said in The Daemons, and almost will say in The Satan Pit, ‘The universe is big enough for us. No Devils from before it need apply.’
119 While the fourth Doctor dresses like him in The Talons of Weng-Chiang (1977), the third arguably does so all the time: while he doesn’t affect a deerstalker like the theatrical or televisual Holmes, he does have an inverness travelling cape.
120 Sir Arthur Conan Doyle, ‘The Adventure of The Sussex Vampire’, The Casebook of Sherlock Holmes p73.

The fourth chapter looks much more briefly at the Ood and the problematics of slavery.

The fifth and final chapter looks even more briefly at the Doctor’s fear of domestication, ie of settling down with Rose, even though he obviously loves her.

A first appendix apparently has a graph in the paper version, absent from the electronic publication, listing all of the alien planets to date in Doctor Who.

A second and final appendix very briefly goes back to the Beast, making the connection with Sutekh and with Abaddon in Torchwood, points that I felt could actually have been folded into the third chapter.

As usual with these books, recommended, even though there’s very little about the production process of the TV show in this case. You can get it here.

The Black Archives
1st Doctor: The Daleks (82) | The Edge of Destruction (67) | Marco Polo (18) | The Aztecs (71) | The Dalek Invasion of Earth (30) | The Romans (32) | The Myth Makers (65) | The Massacre (2) | The Ark (81)
2nd Doctor: The Underwater Menace (40) | The Evil of the Daleks (11) | The Mind Robber (7)
3rd Doctor: Doctor Who and the Silurians (39) | The Ambassadors of Death (3) | The Dæmons (26) | Carnival of Monsters (16) | The Time Warrior (24) | Invasion of the Dinosaurs (55)
4th Doctor: Pyramids of Mars (12) | The Hand of Fear (53) | The Deadly Assassin (45) | The Face of Evil (27) | The Robots of Death (43) | Talons of Weng-Chiang (58) | Horror of Fang Rock (33) | Image of the Fendahl (5) | The Sun Makers (60) | The Stones of Blood (47) | Full Circle (15) | Warriors’ Gate (31) | Logopolis (76)
5th Doctor: Castrovalva (77) | Kinda (62) | Black Orchid (8) | Earthshock (51) | Mawdryn Undead (80) | The Awakening (46)
6th Doctor: Vengeance on Varos (41) | Timelash (35) | The Mysterious Planet (79) | The Ultimate Foe (14)
7th Doctor: Paradise Towers (61) | The Happiness Patrol (68) | Silver Nemesis (75) | The Greatest Show in the Galaxy (66) | Battlefield (34) | The Curse of Fenric (23) | Ghost Light (6)
8th Doctor: The Movie (25) | The Night of the Doctor (49)
Other Doctor: Scream of the Shalka (10)
9th Doctor: Rose (1) | Dalek (54)
10th Doctor: The Impossible Planet / The Satan Pit (17) | Love & Monsters (28) | Human Nature / The Family of Blood (13) | The Sound of Drums / Last of the Time Lords (38) | Silence in the Library / The Forest of the Dead (72) | Midnight (69)
11th Doctor: The Eleventh Hour (19) | Vincent and the Doctor (57) | The Pandorica Opens / The Big Bang (44) | A Christmas Carol (74) | The Impossible Astronaut / Day of the Moon (29) | The God Complex (9) | The Rings of Akhaten (42) | Day of the Doctor (50)
12th Doctor: Listen (36) | Kill the Moon (59) | Under the Lake / Before the Flood (73) | The Girl Who Died (64) | Dark Water / Death in Heaven (4) | Face the Raven (20) | Heaven Sent (21) | Hell Bent (22)
13th Doctor: Arachnids in the UK (48) | Kerblam! (37) | The Battle of Ranskoor av Kolos (52) | The Haunting of Villa Diodati (56) | Ascension of the Cybermen / The Timeless Children (70) | Flux (63)
15th Doctor: The Devil’s Chord (78)

The Island of Missing Trees, by Elif Shafak; and a brief note on the Green Line in Nicosia

Second paragraph of third chapter:

The heat had started in the small hours of the morning, swiftly building up. Around ten o’clock, it had fully erupted into being, just after Turks and Greeks on each side of the Green Line had finished their morning coffees. Now it was past noon and the air was stiff, difficult to breathe. The roads were cracked in places, the tar melting in rivulets, the colour of charred wood. A car somewhere revved its engine, its rubber tyres struggling on the sticky asphalt. Then, silence.

A novel set in Cyprus and London, by well-known Turkish writer Elif Shafak, telling several parallel stories of forbidden love and tragic death from the points of view of the protagonists and also from the perspective of the fig tree in their garden, both on the smaller island and a shoot from it that is planted in the London garden. I confess that because I am already familiar with the history and current situation of Cyprus, I was not very surprised by any of it, and I found the imagery frankly a bit clunky (eg the parallel between the fig tree, buried for its own protection, and the corpses of civilians killed in 1974, thrown down a well to protect their killers). But if the novel brings the island’s story to a new generation of readers who aren’t as familiar with it, that’s fine by me. You can get it here.

Reading it did make me dig into the archives and find the original Green Line map of Nicosia as drawn by a British officer, Major-General Peter Young, in 1963, and compare it with the current situation (ie since 1974) on OpenStreetMaps. It’s striking that in the city centre, very little has changed at all, and there’s not a lot of difference in the nearer suburbs either. Further out, of course, is a different matter.

I used to have fantasies of some day opening a long-shut cupboard in the Green Zone to find a bunch of tapes of lost Doctor Who stories, abandoned by some luckless TV technician in 1974, but in fact now that I’ve established that the Green Zone in Nicosia is still basically where it was when established in 1963, I accept that this is never going to happen, especially not to me.

I am the Master, by Peter Anghelides et al

Second paragraph of third story (“Missy’s Magical Mystery Mission”, by Jacqueline Rayner):

And so Daphne (‘Mrs N’ to her clients, although she wasn’t married), scrubbed Tivone of Enfis’s bathroom, steam-cleaned his oubliette and de-crumbed his toaster, hoping all the while her cheerful chat, homemade oat and raisin cookies and occasional casual mentions of how every person was worthy of rights and respect would make his heart shine, just a little bit. In return, Tivone of Enfis gave Mrs N a Festival of Snowtide bonus and a personalised bolo-card, included her in Team Tivone awaydays, and had refrained from having any of her relatives killed (although admittedly she didn’t have many relatives and if they’d shown any signs of seditious behaviour they’d have been for the chop, however well their sister / aunt / second-cousin-once-removed dusted his ornaments).

Six short stories about different incarnations of the Master, by Peter Anghelides (Delgado!Master), Mark Wright (Pratt/Beevors!Master), Jac Rayner (Missy), Mike Tucker (Ainley!Master), Beverley Sanford (Simm!Master) and Matthew Sweet (Dhawan!Master). I thought they were all pretty good; I expect that Matthew Sweet’s Soviet-era riff on a well-known novel, “The Master and Margarita”, will sail over some people’s heads but I enjoyed it too. Recommended. You can get it here.

The Pilgrimage of Egeria

Books read:

The Pilgrimage of S. Silvia of Aquitania to the Holy Places (circa 385 A.D.), trans. John H. Bernard, with an appendix by Sir Charles William Wilson. Online here.
The Pilgrimage of Etheria, trans. M. L. McClure and C. L. Feltoe. Online here.
The Pilgrimage of Egeria: A New Translation, by Anne McGowan and Paul F. Bradshaw. You can get it here.

Second section of third chapter in the original Latin (as given here):

Hac sic ergo iubente Christo Deo nostro adiuta orationibus sanctorum, qui comitabantur, et sic cum grandi labore, quia pedibus me ascendere necesse erat (quia prorsus nec in sella ascendi poterat, tamen ipse labor non sentiebatur, ex ea parte autem non sentiebatur labor, quia desiderium, quod habebam, iubente Deo videbam compleri): hora ergo quarta pervenimus in summitatem illam montis Dei sancti Sina, ubi data est lex, in eo id est locum, ubi descendit maiestas Domini in ea die, qua mons fumigabat.

Second paragraph of third chapter, as given by McGowan and Bradshaw (who put footnote references at the start of the sections to which they refer, rather than the end):

2 So, by the will of Christ our God and helped by the prayers of the holy ones who were accompanying [us], and with great labor, it was necessary for me to ascend on foot because it was not possible to ascend in the saddle (however, the labor itself was not felt, but the labor was partly not felt because I saw the desire that I had being fulfilled by God’s will), at the fourth hour then we arrived at the summit of the holy mountain of God, Sinai, where the Law was given, that is, at the place where the glory of the Lord descended on that day when the mountain smoked.
2 The reference to the necessity to go on foot indicates that Egeria generally rode during her journeys, presumably on a donkey or mule, or possibly on a camel across desert regions; see also 7.7; 11.4; 14.1. For “the fourth hour,” see the Preface, p. vii, on the Roman divisions of the day. “When the mountain smoked” is a reference to Ex 19:18.

Same passage as given by McClure and Felton:

By this way, then, at the bidding of Christ our God, and helped by the prayers of the holy men who accompanied us, we arrived at the fourth hour, at the summit of Sinai, the holy mountain of God, where the law was given, that is, at the place where the Glory of the Lord descended on the day when the mountain smoked.1 Thus the toil was great, for I had to go up on foot, the ascent being impossible in the saddle, and yet I did not feel the toil, on the side of the ascent, I say, the toil, because I realized that the desire which I had was being fulfilled at God’s bidding.
1 Exod. xix. 18.

Same passage as given by Bernard:

And so, Christ our God commanding us, we were encouraged by the prayers of the holy men who accompanied us; and although the labour was great – for I had to ascend on foot, because the ascent could not be made in a chair – yet I did not feel it. To that extent the labour was not felt, because I saw that the desire which I had was being fulfilled by the command of God. At the fourth hour we arrived at that peak of Sinai, the holy Mount of God, where the law was given, i.e., at that place where the majesty of God descended on the day when the mountain smoked.18 
18 Exod. xix. 18.

Egeria is one of the really fascinating characters of late antiquity. She seems to have been an independent woman of means, from southern Gaul or possibly northern Spain, who went on a long journey to the Holy Land some time in the late fourth century – staying in Jerusalem for three years! – and wrote a detailed account to her lady friends back home, which survives in one eleventh-century manuscript (there are a couple of fragments elsewhere). The start and end of the document are lost, as are a couple of bits in the middle, but basically it’s in two halves: her journeys around Egypt, Palestine and Anatolia, and her description of Christian rituals in and around Jerusalem.

I mean, this is just extraordinary, isn’t it? Here we are in the not-quite-yet-fallen Roman Empire, and a single woman (if rich enough) can safely travel (well, with the occasional military escort) from one end of the Mediterranean to the other, to practice a religion which was actually illegal only a few decades earlier. It’s a fairly dry travelogue – no banter or hassle, just going from holy place to holy place to talk to the holy men and sometimes holy women – but the mind boggles that it was possible at all. There is only one other named living person, an old friend who she meets at the shrine of Thecla:

Nam inveni ibi aliquam amicissimam mihi, et cui omnes in oriente testimonium ferebant vitae ipsius, sancta diaconissa nomine Marthana, quam ego apud Ierusolimam noveram, ubi illa gratia orationis ascenderat; haec autem monasteria apotactitum seu virginum regebat. Quae me cum vidisset, quod gaudium illius vel meum esse potuerit, nunquid vel scribere possum?

For I found there someone very dear to me, and to whose way of life everyone in the east bore witness, a holy deaconess by the name of Marthana, whom I had known at Jerusalem, where she had gone up for the sake of prayer; she was governing cells of apotactitae or virgins. When she had seen me, surely I cannot write down what her joy and mine could have been? (McGowan and Bradshaw)

I was also fascinated by the second part, about the rituals of Jerusalem – and again, bear in mind that Christianity had only emerged a few decades previously as an official and powerful cult; this is all pretty new stuff, rather than ritual hallowed by millennia of tradition. The birth of Christ is celebrated on the Epiphany. Lent is a period of fasting which ends before Easter. Different churches in the Greater Jerusalem area all get their turn during the eight day period of the major feasts. I found the language arrangements particularly interesting:

Et quoniam in ea prouincia pars populi et grece et siriste nouit, pars etiam alia per se grece, aliqua etiam pars tantum siriste, itaque quoniam episcopus, licet siriste nouerit, tamen semper grece loquitur et nunquam siriste: itaque ergo stat semper presbyter, qui episcopo grece dicente siriste interpretatur, ut omnes audiant [ut omnes audiant] quae exponuntur.

Lectiones etiam, quecumque in ecclesia leguntur, quia necesse est grece legi, semper stat, qui siriste interpretatur propter populum, ut semper discant. Sane quicumque hic latini sunt, id est qui nec siriste nec grece nouerunt, ne contristentur, et ipsis exponitur eis, quia sunt alii fratres et sorores grecolatini, qui latine exponunt eis.

And because in that province some of the people know both Greek and Syriac, others Greek alone, and others only Syriac, and because the bishop, though he may know Syriac, however always speaks Greek and never Syriac, therefore a presbyter always stands by, who, when the bishop is speaking in Greek, translates into Syriac so that everyone may hear what is being explained.

The readings also that are read in church, because they must be read in Greek, someone always stands there to translate into Syriac for the sake of the people, so that they may always learn. Indeed, those who are Latin here, that is, who know neither Syriac nor Greek, lest they be disheartened, also have things explained to them, because there are other brothers and sisters who are bilingual who explain to them in Latin. (McGowan and Bradshaw)

Egeria herself would have been a Latin speaker; I wonder what the real balance of Syriac/Aramaic to Greek as native language was among the worshippers, beziehungsweise the inhabitants, of Jerusalem at the time.

I probably didn’t get as much out of this as someone who was really into the subject of early Christianity would do. I still found the narrative a breath of fresh air. We tend to think of early Christianity as being the dry-as-dust Church Fathers arguing with each other. This is a genteel lady wandering around the countryside and taking notes for her friends back home. It’s a wholly different perspective.

All three translations are worth looking at, but I think the most recent (McGowan and Bradshaw) is the best, and also has the most up-to-date speculation about the author. John Bernard’s St Silvia appears to have been someone else entirely, and McClure adn Feltoe have gone for a less documented spelling of her name.

I latched onto Egeria following a totally different train of thought. John Bernard, her early translator into English, also had a minor role in Irish history as leader of the Southern Unionists at the moment when their cause became utterly lost; he was Protestant Archbishop of Dublin and then Provost of Trinity College. While doing my PhD I went through his papers searching in vain for insights into his attitude to science. His notes on the fourth-century pilgrim would have been a more entertaining read.

May books

Non-fiction 16 (YTD 45)
Carnival of Monsters, by Ian Potter
Thursday’s Child, by Maralyn Rittenour
Pigs Might Fly: The Inside Story of Pink Floyd, by Mark Blake
Queens of the Crusades, by Alison Weir
A Norman Legacy, by Sally Harpur O’Dowd
Tower, by Nigel Jones
The Pilgrimage of S. Silvia of Aquitania to the Holy Places (circa 385 A.D.), trans. John H. Bernard, with an appendix by Sir Charles William Wilson.
The Pilgrimage of Etheria, trans. M. L. McClure and C. L. Feltoe
Signs and Symbols Around the World, by Elizabeth S. Helfman
The Impossible Planet / The Satan Pit, by Simon Bucher-Jones
The Pilgrimage of Egeria: A New Translation, by Anne McGowan and Paul F. Bradshaw
Terrorism In Asymmetric Conflict: Ideological and Structural Aspects, by Ekaterina A. Stepanova
Marco Polo, by Dene October
The Halls of Narrow Water, by Bill Hall
Never Say You Can’t Survive, by Charlie Jane Anders
CBT Workbook, by Stephanie Fitzgerald

Poetry 1
The Sun is Open, by Gail McConnell

Non-genre 1 (YTD 9)
The Island of Missing Trees, by Elif Shafak

SF 11 (YTD 43)
The Galaxy, and the Ground Within, by Becky Chambers
Light from Uncommon Stars, by Ryka Aoki
A Master of Djinn, by P. Djélì Clark
Flicker, by Theodore Roszak
Stardust, by Neil Gaiman
Demons and Dreams: Year’s Best Fantasy and Horror v. 1, eds. Ellen Datlow and Terri Windling
She Who Became the Sun, by Shelly Parker-Chan
Mort, by Terry Pratchett
Ender’s Game, by Orson Scott Card
A Modern Utopia, by H. G. Wells
Mythos, by Stephen Fry

Doctor Who 3 (YTD 18)
Unofficial Doctor Who Annual 1987, ed. Mark Worgan
I am the Master, by Peter Anghelides et al
Doctor Who – Marco Polo, by John Lucarotti

9,700 pages (YTD 31,500), median 322 (YTD 205)
median LT ownership 83 (Queens of the Crusades / Never Say You Can’t Survive); YTD 72.5
15/32 (YTD 47/120) by non-male writers (Rittenour, Weir, Harpur O’Dowd, 3x Egeria and commentators, Helfman, Stepanova, Anders, Fitzgerald, Shafak, Aoki, Datlow/Windling, Parker-Chan)
4/32 (YTD 16/120) by non-white writers (Shafak, Aoki, Clark, Parker-Chan)

329 books currently tagged “unread”, 3 less than last month

Reading now
The Monk, by Matthew Lewis (a chapter a week)
The Right to Sex: Feminism in the Twenty-First Century, by Amia Srinivasan
Half Life, by Shelley Jackson

Coming soon (perhaps)
The Happier Dead, by Ivo Stourton
Queen of the States, by Josephine Saxton
Monstress, Volume 6: The Vow, by Marjorie Liu and Sana Takeda
No-Nonsense Guide to Global Media, by Peter Steven
Junker: een Pruisische blues, by Simon Spruyt
Killdozer!, by Theodore Sturgeon
Intimacy, by Jean Paul Sartre
The Darwin Awards, by Wendy Northcutt
Midnight’s Children, by Salman Rushdie
Make Your Brain Work, by Amy Brann
Lenin the Dictator, by Victor Sebestyen
Fugitive Telemetry, by Martha Wells (2021)
The Massacre of Mankind, by Stephen Baxter
Roger Zelazny’s Chaos and Amber, by John Betancourt
The Harp and the Blade, by John Myers Myers
The Revolution Trade, by Charles Stross
The Light Fantastic, by Terry Pratchett
“Tangents”, by Greg Bear
Mr Britling Sees it Through, by H. G. Wells
End of the World Blues, by Jon Courtenay Grimwood
Manifesto, by Bernardine Evaristo

Stardust: film and novel

Stardust won the 2008 Hugo for Best Dramatic Presentation, Long Form, beating the first season of Heroes, Harry Potter and the Order of the Phoenix, Enchanted and The Golden Compass. It was way ahead at nominations stage and while it had a closer run on the final ballot, it was ahead on every count. I have seen none of the other finalists; from the long list, I have seen the Zemeckis Beowulf and Vadim Jean’s Hogfather, and would confidently put Stardust way above both.

It rates 6th on one IMDB ranking but only 28th on the other. Pirates of the Caribbean: At World’s End and Transformers are both ranked ahead of it by IMDB users but were way down the Hugo ballot. No Country for Old Men won that year’s Oscar.

Lots and lots of crossovers with Doctor Who and with previous Oscar and Hugo winners. The one actor who ticks all three boxes is however invisible here: Ian McKellen is the narrator, having previously been Gandalf in the Lord of the Rings films; he would go on to be the voice of the Great Intelligence in the 2012 Eleventh Doctor story, The Snowmen.

Here after appearing in two Oscar winners is Peter O’Toole as the dying King, having previously been the tutor of The Last Emperor in 1987 and Lawrence of Arabia in 1962.

The bishop is played by Struan Rodger, who had been the voice of the Face of Boe in the Tenth Doctor stories Gridlock (2006) and New Earth (2007), went on to be the voice of Kasaavin in the Thirteenth Doctor story Spyfall (2020) and appeared on screen as Ashildr’s butler Clayton in the Twelfth Doctor story The Woman Who Lived (2015); but many years before was also Sandy McGrath in Chariots of Fire.

Rupert Everett, who plays Secundus, the first prince to be bumped off, was Marlowe in Shakespeare in Love.

David Walliams, who is Quintus, another dead prince, here, played the cringing alien Gibbis in the Eleventh Doctor story The God Complex.

Mark Williams is the man-who-is-really-a-goat here, was in both Shakespeare in Love as Nol and in several Eleventh Doctor stories as Rory’s father.

Spencer Wilding, one of the pirates, has played several roles in Doctor Who but is heavily masked in all of them.

Last but definitely not least, Robert de Niro is Captain Shakespeare here; we have previously seen him in two other Oscar winners, Mike in The Deer Hunter and the young Don in The Godfather II.

For once, I had actually seen this in the cinema when it first came out. It is great fun, even if all of the speaking characters are white and almost all of them are slim and beautiful. Claire Danes and Michelle Pfeiffer do convincing English accents. The cinematography is lovely, the acting spot-on, and the script sufficiently funny that we almost accept the skeeviness of much of the plot – that our hero forcibly abducts our heroine in order to trade her, as property, to buy his way into a relationship with the woman he thinks he wants; and how come Una can’t rule Stormhold in her own right as the only surviving child of the old King?

Robert de Niro completely steals the show as the cross-dressing pirate airship captain, making us wonder why we care about these young folks, just about managing to rise above the stereotypes. I really enjoyed watching it again.

The second paragraph of the third chapter of the original novel is:

The eighty-first Lord of Stormhold lay dying in his chamber, which was carved from the highest peak like a hole in a rotten tooth. There is still death in the lands beyond the fields we know.

When I first read it in 2007, I wrote:

A very enjoyable fairy tale by Gaiman. As ever I find myself spotting similarities with Sandman (in this case, the supernatural siblings, and the half-human heir), but I felt he had rung the changes here rather effectively, and the story combines lovely incidental detail with a good sound (if traditional) plot. Great fun.

I had forgotten just how different it is from the film. It’s darker and sexier, as you would expect from Gaiman; the fallen star breaks her leg as she lands at the start of the story, and is disabled for the rest of the book; there are many more diversionary adventures and no big fight scenes; the pirates play a much smaller role; and of course it feels more English than you get from the Scottish and Icelandic filming. I still enjoyed it though. You can get it here.

Next up is WALL-E, followed by Slumdog Millionaire.

Tower, by Nigel Jones

Second paragraph of third chapter:

Blatantly ignoring the sacred rule of holy sanctuary, Henry [II] had Hubert [de Burgh] dragged from a chapel in Brentwood, Essex, where he had taken refuge. The fallen nobleman was placed on a ‘miserable jade’ with his legs tied under the nag’s belly and ‘ignominiously conveyed to the Tower’. Here, where the constable had so recently commanded, Hubert was clapped in chains and thrown into a dungeon. The old man — he was in his sixties — stayed until pressure from the Church made Henry change tactics. He returned Hubert to the chapel, but placed guards around the building to ensure no food was brought in. Hubert was literally starved out, and a blacksmith summoned to clamp the old warrior back in irons.

I bought this when we actually visited the Tower in 2017, partly out of general interest but mainly because I wanted to get a little more on the gruesome death of my ancestor and namesake, Sir Nicholas White, while a prisoner in the Tower of London in 1592 (or possibly 1593).

It’s a rollicking good book on British political history between the construction of the Tower in the eleventh century, and its transformation from security asset to tourism spot in the nineteenth century, and how that affected the building – most often of course as a prison and place of execution for those who had fallen out with the state, but also as a centre of administration, in particular as the location of the Mint.

But the gore is the point. Two kings of England were murdered there in the late fifteenth century (Henry VI and Edward V). Two of Henry VIII’s queens were executed there (Anne Boleyn and Katherine Howard). Thomas More ends up there. So does Samuel Pepys, for a while. Unfortunately Jones doesn’t mention either Sir John Perrot or my ancestor who was brought down in his wake.

I’d hoped for a little more. A book about the exercise of state coercive power and government-sanctioned violence could surely have interrogated these concepts a bit. There’s also a whole city outside the gates which underwent its own transformations – there are a couple of moments when the two intersect (the Peasants’ Revolt; the Great Fire) but otherwise thebook treats them rather separately. So it’s a good starting point, but I’m going to have to dig further.

You can get it here.

This was my top unread book acquired in 2017. Next on that pile is The Revolution Trade, by Charles Stross.

A Norman Legacy, by Sally Harpur O’Dowd

Second paragraph of third chapter:

There is a record of King John of England staying with Balthazar [Whyte] at Ballymorran Castle, one of the homes of the Whyte family, in July 1210 on his second expedition to Ireland.

Sally is my fourth cousin once removed; her mother was from the de Burgh Whyte branch of the family (like Lady de la Beche, Amy Dillwyn and Gladys Sandes) and her first cousin once removed works in Brussels (C, sister of K and mother of F2). This is a slim book (160pages) which pulls together the basics of the Whyte family history, which theoretically goes back to the Norman invasion of Ireland, and goes through our common ancestors to the present day.

It’s a labour of love, and while I disagree with some of the statements (there is, in fact, a Kingsmeadow House in Waterford; also, rather than dating from 1752, the “de Burgh Whyte” surname doesn’t seem to have been used before the 1840s), I found some new material too. There’s not a lot to say about the more obscure ancestors, but Sally bulks it out well with information about the genealogies of the women they married, which in most cases is as firm (or as nebulous) as what we have on the Whytes.

The most interesting suggestion is that my 8xgreat-grandfather Andrew Whyte/White, son of the Elizabethan Sir Nicholas White and father of the seventeenth century Sir Nicholas White, died in the service of the Crown in 1599, despite having previously fallen under suspicion for papistry. I need to dig into this more, but there seems to me to be an indication that he was spying on Irish exiles in, wait for it, Leuven. His father had died a prisoner in the Tower of London just a few years earlier.

Probably the most famous person directly mentioned here is Keith Kyle, a fairly prominent lefty British journalist of the later twentieth century, who married Sally’s older sister; here he is reporting from Brussels sixty years ago this month on the UK’s first bid to join the EEC.

As I said, a labour of love. You can get it here.

The Sun is Open (and Type Face), by Gail McConnell

Third page:

our house was on a street that 
slanted at the bottom a 
carriageway you didn't cross 
four lanes all going fifty to 
a roundabout nearby the dog 
next door was Honey 
a lab as old as me who loved 
to lie on the just 
cut lawn and sniff her tail 
going in the afternoon sun

I like to track the winners of the Christopher Ewart-Biggs Memorial Prize because of my own past association with it, and was really interested to see that earlier this month it went to a book of poetry, The Sun is Open, by QUB-based writer Gail McConnell. In fact the 119 pages of text are one long poem broken into chunks, playing with text and with font colour, processing the writer’s reaction to going through a box of her father’s things, long after he died in 1984 at 35, shot dead by the IRA while checking under his car for bombs, in front of his wife and his then three-year-old daughter.

Gail McConnell barely remembers her father and has no memory of that awful day, but of course it has affected her whole life, and the poetry captures that disruption and the effect of engaging with her father through a box of personal souvenirs, most notably a diary and a Students Union handbook from his own time at QUB. There is some incredible playing with structure – quotations from the box are in grey text, documents are quoted in fragments to let us fill in the blanks, at one point the page fills with vertical bars to symbolise the prison where her father worked. It’s provocative and unsettling, and meant to be. You can get it here.

This moved me to seek out an earlier poem by Gail McConnell, Type Face, which you can read here. It’s funnier, though the humour is rather dark; the theme is that it explains her reaction to reading the Historical Enquiries Team report into her father’s murder, and discovering that it was written in Comic Sans. The third verse is:

‘Nothing can separate me from the Love of God
in Christ Jesus Our Lord’. Nothing can, indeed.
I am guided by Google, my mother by Christ.
Awake most nights, I click and swipe.
I search and find Bill McConnell Paint and Body.
Under new management!!!!! Northeast Tennessee.
Where is God in a Messed-up World? Inside the Maze.
(My phone flashes up a message like a muse.)
Straight & Ready: A History of the 10th Belfast
Scout Group. (35) (PO) (IRA)
– for more and a photograph, push this link>>
the maroon death icon on CAIN.ulst.ac.uk
You visited this page on 06/02/15.
And here I am again.
And in The Violence of Incarceration
(Routledge, 2009), eds. Phil Scraton
and Jude McCulloch (page thirty-three), he
‘oversaw, but later denied in court, the brutality
of prison guards, [and] was executed by the IRA
on the 8 March 1984.’ (He’d been dead two days
by then.) Execute. Late Middle English:
from Latin exsequi ‘follow up, punish’.
There’s a listing on victims.org.uk,
‘an [sic] non-sectarian, non-political’ nook
complete with Union Jack and Ulster flag
campaigning pics, the Twitter feeds and tags,
a calendar and videos. Powered by WordPress.
And then there’s Voices from The Grave (and this
one’s hard to bear, though can I say so? I don’t know.
I don’t know. I don’t know. I don’t know.)
I won’t write down the page. But something in me,
seeing that crazed portrait – something’s relieved.

Really good stuff, and very different in presentation from The Sun is Open. Both are recommended.

Ewart-Biggs Prize winners: Observe the Sons of Ulster Marching Towards the Somme, by Frank McGuinness | From A Clear Blue Sky: Surviving the Mountbatten Bomb, by Timothy Knatchbull | Setting the Truth Free: The Inside Story of the Bloody Sunday Campaign, by Julieann Campbell | The Republic: The Fight for Irish Independence, 1918-1923, by Charles Townshend | The Whole and Rain-Domed Universe, by Colette Bryce | The Sun is Open, by Gail McConnell

Queens of the Crusades, by Alison Weir

Second paragraph of third chapter:

His [Henry II’s] father, Geoffrey, Count of Anjou, was a vassal of the King of France and had been nicknamed ‘Plantagenet’ after the sprig of broom — Planta genista — that he wore in his hat (the name was not adopted as a royal surname until the fifteenth century). Henry II and his sons founded the Angevin royal dynasty, but the county of Anjou was lost to England in the thirteenth century, so modern historians have come to use the surname Plantagenet for them and their descendants, who ruled England until 1485.

A good chunky book about the queens of England from Eleanor of Aquitaine (Henry II) to Eleanor of Castile (Edward I), including therefore also Berengaria of Navarre (Richard I), Isabella of Angouleme (John) and Eleanor (here Alienor) or Provence (Henry III). Weir has already published entire books about two of these (the first of the Eleanors and Isabella) and they rather dominate the narrative; in particular, the first queen, Eleanor of Aquitaine, who is everyone’s favourite of course, dies on page 186 of a 400-page book.

As narrative history it feels fairly complete. I am much more familiar with Eleanor and her children than with the second half of the story, and it filled in some gaps in my knowledge; in particular, I had no idea that Berengaria of Navarre had quite an interesting career as dowager queen, living another 30 years after Richard I was killed. The details of Henry III’s hapless reign were also largely new to me.

However, it would have been interesting also to interrogate the role of women in medieval politics. All of these queens were sometimes able to exercise legal authority and issue their own decisions; at other times they were not. What was the difference? What were the expectations of women in public life at that time? Weir does describe how the queens are portrayed in art, but without a lot of context for us to see how this compares with the portrayal of other women, or indeed men.

So, a slightly old-fashioned book, but full of interesting stuff. You can get it here.