Lodestar Award 2025

2025 Hugos: Goodreads / Librarything stats | Novel | Novella | Novelette | Short Story | Graphic Story or Comic | Related Work | Dramatic Presentation, Long and Short | Fancast | Poem | Lodestar | Astounding

Moonstorm, by Yoon Ha Lee. Second paragraph of third chapter:

Most of her classmates zeroed their rifles only when Instructor Kim reminded them. Hwa Young took the training more seriously because of her ambitions. The rest of them could coast on their family connections. She didn’t have that option.

Withdrawn by the author after it became known that this year’s Worldcon had been using ChatGPT to vet programme participants, a revelation that had certain other consequences too. It’s a shame because I rather enjoyed it, a narrative of a young soldier with decidedly mixed loyalties in an interplanetary conflict. You can get it here.

5) The Feast Makers by H.A. Clarke. Second paragraph of third chapter:

Dead ahead the Delacroix House exploded upwards and outwards in intricate gingerbread frills. Old snow clung to it, and icicles long as my femurs. Colored lights bled through the windows. Irises clawed through grey slush on the lawn below. It was ostensibly closed for business today, but the look of it said otherwise—people teemed on the long porch in long fur coats and cowboy boots, smoking and bickering and embracing one another. It felt like a music festival or an artist’s funeral. Even from this distance I could hear acrid laughter, drunken singing, weeping, and blunt edged threats. Jing pulled into the lot, cut the music, and eased into one of the last available spots in a sea of variously glossy dark or rust-fucked cars.

A sequel to a book I have not read, and I could not understand what was going on. You can get it here.

4) Heavenly Tyrant by Xiran Jay Zhao.

Second paragraph of third chapter:

When I land, the impact shatters me to pieces. I am a wreckage of garbled limbs and protruding bones. My heart and lungs struggle behind fractured, exposed ribs.

I am one of the three people in fandom for whom this series hasn’t really gelled, which is a shame as the author comes across as a committed and engaging personality both online and in person. You can get it here.

3) So Let Them Burn, by Kamilah Cole. Second paragraph of third chapter:

Dinner had been served. Usually, her parents would wait for the whole family to be home before even setting the table, but not when she was here. When Aveline Renard Castell, the gods-blessed ruler of San Irie, arrived in Deadegg to visit the Vincent family, they brought out the good plates and their best manners. Which was annoying, because she was, well, the absolute worst.

Story of magically gifted teenage girl military leaders, which interestingly is a sequel to an unpublished adventure but works regardless. Lots of high politics and dragons. You can get it here.

2) Sheine Lende, by Darcie Little Badger. Second paragraph of third chapter:

Then, one chilly winter morning, Grandpa Louis wasn’t present anymore.

Prequel to the author’s Elatsoe, which most people loved, but I had reservations. Sheine Lende however is a different matter, nicely and tenderly done story of a girl and a ghost dog, and the forces of evil (both human and supernatural) in 1970s America. You can get it here.

1) The Maid and the Crocodile, by Jordan Ifueko. Second paragraph of third chapter:

Cold leeched from their windowless plaster walls, even in the blazing Oluwan heat. On each front door hung a single adornment: the head of a crocodile, glossily preserved in resin.

Set in the same world as Raybearer, but I felt that the world-building kinks that bothered me about the previous book had been ironed out here; a great tale of gods and (human) monsters, bad parenting and disability, and political liberation – a story for our times, perhaps. You can get it here.

This collage of covers was constructed by hand using PowerPoint and Paint, without use of AI.

The best known books set in each country: Nepal

See here for methodology. Books are disqualified if less than 50% of them is set in Nepal.

These numbers are crunched by hand, not by AI.

TitleAuthorGoodreads
raters
LibraryThing
owners
Into Thin Air: A Personal Account of the Mt. Everest DisasterJon Krakauer 543,63814,827
The Snow Leopard
Peter Matthiessen19,5442,844
Little Princes: One Man’s Promise to Bring Home the Lost Children of NepalConor Grennan 23,1341,102
The Climb: Tragic Ambitions on EverestAnatoli Boukreev 17,7181,189
BreathlessAmy McCulloch 25,286563
Annapurna, First Conquest of an 8000-Meter Peak: (26,493 Feet)Maurice Herzog 10,2031,078
Touching My Father’s Soul: A Sherpa’s Journey to the Top of EverestJamling Tenzing Norgay 2,703372
Annapurna: A Woman’s PlaceArlene Blum 2,941256

Into Thin Air is the most popular book on either LT or GR on any of these individual national lists since Night by Elie Wiesel, thirteen countries ago.

Only two of these eight books are fiction. I have not been tracking systematically, but that seems low.

Despite that fact that it has a population of over 30 million, there is only one activity in Nepal that is of interest to most writers. Three of these eight books are about Everest (including the only one by an actual Nepalese writer), two about Annapurna, and one (Breathless) about a fictional mountain peak.

I wasn’t completely sure about We Measure the Earth with Our Bodies, which begins in Tibet and ends in Canada, but as far as I can tell the sections about being a Tibetan refugee in Nepal amount to more than half of the book. (Just to make it crystal clear: Tibet is an “Autonomous Region” of the People’s Republic of China, but Nepal is an independent state.)

I excluded nine books for being insufficiently Nepalese in setting, and in most cases they are very firmly set elsewhere, but close enough for readers to get confused. The Inheritance of Loss, by Kiran Desai, is mostly set in India. So is Sold, by Patricia McCormick. The protagonist of Peak, by Roland Smith, climbs Everest from the Tibetan side. Tintin in Tibet, by Hergé, speaks for itself. Himalaya, by Michael Palin, Leaving Microsoft to Change the World, by John Wood, and Video Night in Kathmandu and Other Reports from the Not-So-Far East, by Pico Iyer, all cover numerous countries including Nepal. Colin Thubron starts in Nepal but leaves just before the half-way point of To a Mountain in Tibet.

Coming next: Venezuela, Niger, Australia and North Korea.

Asia: India | China | Indonesia | Pakistan | Bangladesh (revised) | Russia | Japan | Philippines (revised) | Vietnam | Iran | Türkiye | Thailand | Myanmar | South Korea | Iraq | Afghanistan | Yemen | Uzbekistan | Malaysia | Saudi Arabia | Nepal | North Korea | Syria | Sri Lanka | Taiwan | Kazakhstan | Cambodia | Jordan | UAE | Tajikistan | Israel
Americas: USA | Brazil (revised) | Mexico | Colombia | Argentina | Canada | Peru | Venezuela | Chile | Guatemala | Ecuador | Bolivia | Haiti | Dominican Republic | Honduras | Cuba
Africa: Nigeria | Ethiopia (revised) | Egypt | DR Congo | Tanzania | South Africa | Kenya | Sudan | Uganda | Algeria | Morocco | Angola | Mozambique | Ghana | Madagascar | Côte d’Ivoire | Cameroon | Niger | Mali | Burkina Faso | Malawi | Zambia | Chad | Somalia | Senegal | Zimbabwe | Guinea | Benin | Rwanda | Burundi | Tunisia | South Sudan | Togo | Sierra Leone
Europe: Russia | Türkiye | Germany | France | UK | Italy | Spain | Poland | Ukraine | Romania | Netherlands | Belgium | Sweden | Czechia | Azerbaijan | Portugal | Greece | Hungary | Austria | Switzerland | Belarus
Oceania: Australia | Papua New Guinea

The WSFS Consultative Votes: the Retro Hugos and the Artist categories

Now that I’m no longer involved with the WSFS process this year, I can tell you what I think about the two consultative votes that are running on proposed changes to the WSFS Constitution. The votes are open to all WSFS members of this year’s Worldcon, and run until today week, 31 May. We ran the equivalent exercise much later in the summer last year, so in part this is an experiment to see how big a difference the timing could make.

The votes themselves are purely consultative, of course; the Business Meeting alone has the power to decide the fate of the proposals. The point of the exercise is to see how a consultative vote actually works before anyone starts hardwiring it into the Constitution.

Last year’s Business Meeting passed a total of nine constitutional amendments which must now be ratified by this year’s to take effect. Some of these are minor and/or technical. The two that were felt to be most interesting for the public were the proposed abolition of the Retro Hugos, and language to tighten up the definitions of the Professional Artist and Fan Artist categories. I do have views on all the others, and will come back to them in due course.

I do not love the Retro Hugos. I wrote in Uncanny Magazine earlier this year:

I used to really like this idea [the Retro Hugos], but I went off it after running the Retro Hugos in 2019 and 2020 when it became clear that winners and finalists did not really reflect the spirit of Worldcon as it has become, that voters were voting on the future reputations of the nominees rather than their work in the year in question, that the heirs of the winners were difficult to track down to send the awards to, and that participation was declining.

I don’t strongly feel that it’s of vital importance to ban future Worldcons from running them, but since my opinion is being solicited, I will vote to abolish them.

The other proposal causes me more reflection, not least because I have been calling for these two categories to be reformed for years, and I think that some of the current proposed wording is actually mine, emerging from the Hugo Awards Study Committee in 2022.

I have come to realise that I mistakenly accepted the logic proposed by some of the louder voices on the Hugo Awards Study Committee that we should define all genre-related activity as either Fan or Pro, and then define the awards accordingly. In fact Pro Art and Fan Art have been historically very different things, and what we should be talking about is how to change the definitions of both to reflect how the production and consumption of art has changed over the years.

The definition now proposed makes the mistake of concentrating purely on the economics of the transaction – if the art is paid for, it would be considered professional art; if not, it would be considered fan art. It’s my mistake and I have to admit it. It’s the wrong line. The Hugo for Best Professional Artist recognises, and should recognise, art created as part of the professional enterprise of science fiction and fantasy, and the Hugo for Best Fan Artist recognises, and should recognise, art that is created as fannish activity.

The current definitions are much closer to the spirit of the awards and to the expectations of voters than are the proposed new definitions. They do need to be updated to include the new means of publication of Professional and Fan Art, but the fact is that a lot of Fan Art is paid for, and the point about Professional Art isn’t that it’s paid for but that it’s created in relation to the wider industry.

So I don’t think the current proposal is the right answer, and I’m voting against it.

More on the other proposals at a later date.

The Eleventh Doctor Archives vol 3, ed. Andrew James

Second frame of third story (Convention Special):

I had planned to read the Eleventh Doctor album Dead Man’s Hand next in my sequence of DW comics, but discovered that as such, it was not in fact in the Humble Bundle that I purchased some years back. However three compilations of compilations were, and the third includes the stories Sky Jacks!, which I read last month, Dead Man’s Hand, two shorts for the 50th anniversary, and also Paul Cornell’s lovely The Girl Who Loved Doctor Who.

Dead Man’s Hand, which is the one I was looking for, is a rather fun Wild West story where the Doctor and Clara team up with Calamity Jane and the visiting Oscar Wilde to fight off alien invaders, with due attention to setting and character. Great fun.

Convention Special is a rather cliched story of aliens invading San Diego Comic Con; it has been done before.

Birthday Boy has a flimsy plot excuse for the Doctor to encounter many of his past companions. Unfortunately they are not drawn very well, which weakens the impact.

But it’s worth it for the three longer pieces. You can get it here.

Hugo Graphic Story or Comic 2025

2025 Hugos: Goodreads / Librarything stats | Novel | Novella | Novelette | Short Story | Graphic Story or Comic | Related Work | Dramatic Presentation, Long and Short | Fancast | Poem | Lodestar | Astounding

Very clear winner for me.

6) Monstress, Vol. 9: The Possessed

Second frame of Chapter 51 (the third in this compilation):

…Goddess.

I’ve totally lost track of what’s going on with the plot of this series.

You can get it here.

5) My Favorite Thing is Monsters, Book 2

Second frame of what looks like it might be the third section:

Superlative graphic novel, but I am not at all convinced that it is sff.

You can get it here.

4) We Called Them Giants

Only frame of third page:

And then I woke up and found everyone really had [left me].
HELLO?!

Mysterious dark story of the disappearance of most of humanity, and the giants that come instead.

You can get it here.

3) The Hunger and the Dusk: Vol. 1

Second frame of third part:

The poets say, “Call them not dead who lay down their lives for their people.”

Orcs and humans have made peace; but something worse is coming.

You can get it here.

2) The Deep Dark by Molly Knox Ostertag

Not sure if there are sections, but this is the second frame of the third page.

Lovely LGBTQ+ coming-of-age story, with a monster in the basement.

You can get it here.

1) Star Trek: Lower Decks: Warp Your Own Way

Second frame of third page:

LIGHTS ARE NOW OFF
Mariner: Spock Clock, cancel all alarms for the day.
Clock: Acknowledged. Sleep long and prosper, Lieutenant Junior Grade Mariner.

Just a total joy. Beautifully consistent with the TV series, yet warping the format of a choose-your-own-adventure story to challenge the reader.

You can get it here.

This collage of covers was constructed by hand using PowerPoint and Paint, without use of AI.

thirteen fourteen fifteen o’clock, by David Gerrold

Second paragraph of third chapter:

light squeals in red and white flashes

Intense story of a gay man who serves in Vietnam and becomes a biker. Graphic and lyrical language; mercifully short. Not really sure what more to say. You can get it here.

I thought that this was the sf book that had lingered longest on my unread shelves, but it turns out to be non-genre. Next on the unread SF pile is Knowledgeable Creatures, by Christopher Rowe.

Wednesday reading

Current
Footnotes in Gaza, by Joe Sacco
Free: Coming of Age at the End of History, by Lea Ypi
Sunbringer, by Hannah Kaner

Last books finished
These Burning Stars, by Bethany Jacobs (excerpt only)
Knowledgeable Creatures, by Christopher Rowe
On Vicious Worlds, by Bethany Jacobs (excerpt only)
Doctor Who: Warrior’s Gate and beyond, by Stephen Gallagher
Doctor Who: Logopolis, by Christopher H. Bidmead
The West Passage, by Jared Pechaček
Logopolis, by Jonathan Hay
The Politics and Culture of Honour in Britain and Ireland, 1541-1641, by Brendan Kane

Next books
A Labyrinth of Scions and Sorcery, by Curtis Craddock
The Water Outlaws, by S.L. Huang
A Restless Truth, by Freya Marske

The Peladon audio plays

For reasons that I may or may not divulge, I have been listening to the Big Finish plays set on the planet Peladon. There are six of these: The Bride of Peladon, a main sequence Fifth Doctor story from 2008; The Prisoner of Peladon, a 2009 Companion Chronicles story starring David Troughton as King Peladon again; and a four-story box-set from 2022, set at different points in Peladon’s history and with a largely different cast for each play.

The first of these is more than two hours long, and all the rest are over an hour, for a total listening time of the guts of nine hours. I found them very rewarding, especially (shout-out in advance) The Death of Peladon by Mark Wright, the third of the four-fold sequence. Robert Valentine, as script editor for the 2022 stories, drew up a timeline for Peladon’s history, so you can experience the stories in historical order if you like (though I’m writing them up here in release order):

Valentine explained on Twitter/X that the events of the Gary Russell novel Legacy got eaten in the Time War, so the audio sequence should not be understood to be in the same continuity as the book.

In 2009, I wrote:

I loved The Bride of Peladon: OK, a substantial amount of it is a retread of The Curse of Peladon, but that is probably my favourite Third Doctor story so it’s not a bad start; and then we have the Osirans as in Pyramids of Mars, as well as Ice Warriors, Alpha Centauri, Aggedor, Arcturans and all. Erimem’s departure is as you would expect (though we have some good misdirection) and Peri promises that she will not leave the Doctor to marry an alien king. I laughed so loud at that line that passers-by were very startled. But you also have Phyllida Law as the royal grandmother, and Jenny Agutter as the baddie, and it’s generally excellent.

Sixteen years later, I agree with myself. It’s a tremendous ensemble piece, one of my favourite Big Finishes. I should have said that Caroline Morris as Erimem, the Egyptian princess who is a companion for the Fifth Doctor in a dozen Big Finish plays, and Nicola Bryant as Peri, both put in great performances and have very sparkly chemistry in their last appearance together. It’s a bit odd that the dodgy McGuffin can tell who has royal descent by sniffing their blood though. You can get it here.

Also in 2009, I wrote:

The Prisoner of Peladon, by Mark Wright and Cavan Scott, is the latest in the Big Finish series of Companion Chronicles, although this time the story is told by a non-companion who appeared in only one story in 1972, King Peladon of the eponymous planet (played by David Troughton, son of Patrick, who has also of course appeared in other Who stories both Old and New and recently took on the cloak and dead bird of the Black Guardian for Big Finish). Troughton is, as ever, great, and Nicholas Briggs is, as ever, good as the monsters (Ice Warriors this time, of course). The concept is very interesting – Peladon has taken in large numbers of Ice Warrior refugees after an internal conflict, with the result that Ice Warrior politics spills catastrophically over to the host planet; the Third Doctor arrives to sort things out, of course, but – and this is the bit I really liked – the King gets a brilliant rant about how badly Three behaves to people, to which the Doctor has no answer. Scott and Wright would not have got away with it if Pertwee was still alive, but it gladdened my heart. (This was directed by Nicola Bryant who herself visited Peladon as Peri in a Fifth Doctor audio last year.)

I should make it clear that this was a format of Big Finish plays where there were only two actors, Troughton (jr) and Briggs with Troughton doing the narration and most of the voices. Listening to it again, I stand by all of the above, and it is really remarkable how prescient the refugees plotline turned out to be – this was in 2009 when the flows from Iraq and Afghanistan had slowed to a trickle, the Syria war had not yet begun, and the wave of economic migrants from sub-Saharan Africa was also yet to become a thing. You can get it here.

The four-volume box set from 2022 features Jane Goddard as Alpha Centauri in three of the four episodes, but different rulers of Peladon in each. (And unseen growling Aggedors throughout.) This brief promotional video name-checks the other big stars, but also showcases Howard Carter’s tremendous moody interpretation of “God Rest Ye Merry, Gentlemen” (aka “Klokkleda, Partha Mennin Klatch”) which is a unifying theme tune for all four plays.

The first of the four stories is The Ordeal of Peladon, by Jonathan Barnes and series script editor Robert Valentine. This brings back David Troughton as King Peladon in old age, dealing with a wandering prophet and a cosmic inspection by the Federation. The plot takes us on a journey across Peladon for the first time – up to now we have only seen the citadel itself and the Ice Warrior refugee camps – and gives a strong sense of a world with gross inequality and structural stress, setting the scene for the next three plays. Both the prophet and his acolyte are played by Black actors (Ashley Zhangazha and Moyo Akandé), which of course has further resonances. There is a well-judged cameo from Qnivq Graanag nf gur Sbhegrragu Qbpgbe at the end.

The Poison of Peladon, by the normally reliable Lizzie Hopley, was probably the one of the four that worked least well for me. River Song is posing as a high priestess at the court of Queen Thalira (played here by Deborah Findley); Ribble the Arcturan (Justin Salinger) is posing as a friend but actually fomenting revolution; Chancellor Gobran (Aaron Neil) is spreading literal poison; there is a villainous Earth priest played by Ariyon Bakare (recently the evil Barber in The Story and the Engine). A lot of moving plot parts that didn’t gel as much as I’d have liked. (Also, for me there is only one Ribble.)

On the other hand, the Death of Peladon by Mark Wright is a taut and well-structured political drama, with an all-female guest cast. A hundred years on from The Poison of Peladon and fifty years on from The Bride of Peladon, Queen Minaris (Sara Powell) and her disaffected daughter Isabelda (Remmie Milner) face both a dissatisfied population led by insurgent Helais (Liz White) and environmental disaster from the (now exhausted) trisilicate mines. The Sixth Doctor and Mel tumble into this but it’s mainly up to the Pels to sort themselves out.

Finally, The Truth of Peladon is more or less a two-hander between Paul McGann and Meera Syal, the latter playing expert seamstress Arla Decanto, who the Doctor persuades to become a rebel by showing her the dark side of Peladon’s society, rather like the Three Ghosts and Scrooge. Jason Watkins gets a look in as evil Chancellor Barok, and Nicholas Briggs turns up again too. Syal is always great, but I did not quite understand why the Royal Seamstress in particular needed to have her eyes opened.

I thought this was a very decent box set. As I said, the third episode was exceptional, and even the second is far from dreadful. You can get it here.

Hugo Novels 2025

2025 Hugos: Goodreads / Librarything stats | Novel | Novella | Novelette | Short Story | Graphic Story or Comic | Related Work | Dramatic Presentation, Long and Short | Fancast | Poem | Lodestar | Astounding

Now that I am just another punter, I can reveal my votes in this (and other) categories. I found this a much easier ranking than in some years.

6) Service Model, by Adrian Tchaikovsky. Second paragraph of third chapter:

Some past interaction had resulted in the inspector’s cheek and the side of his neck being torn open, revealing plastic bones and the ducts of his hydraulics. For a moment Charles’ proprietary centers prompted him to deny access to Master on the basis that the inspector was improperly dressed, and to ask him to return when his face had been repaired. Police authority overrode him, though. Now that the inspector had arrived, Charles could not impede the investigation. Which was only fair, given that he was the murderer.

I’m sorry, I just don’t like the travails of anthropomorphic robots and their makers as a storyline, and that’s what this book is about. Shortlisted for the Clarke Award. Locus Top Ten (SF).

You can get it here.

I like all the rest though.

5) Alien Clay by Adrian Tchaikovsky. Second paragraph of third chapter:

‘What did I do?’ I demand, and by the second time it’s more pleading and begging. There aren’t many good reasons to be hauled off to see the big man. And I can’t see why they’d need to make an example of someone right now, given all the varied examples that our delivery method provided us with, but that’s the only thing I can think of. They’re going to dangle me from the scaffolding just to make sure everyone else is sufficiently educated as to the way things are run around here. A final irony, the career academic ending his life as a lesson.

Well imagined, plot-twisty take on exploration of an alien planet, where the scientists themselves are under the control of a brutal autocratic regime and the planet’s environment is horrifyingly hostile. Shortlisted for the BSFA Award but withdrawn. Locus Top Ten (SF).

You can get it here.

4) Someone You Can Build a Nest In by John Wiswell. Second paragraph of third chapter:

And they never once thanked her for it.

Fantasy novel told from the point of view of the anthropophagous monster, which falls in love with a human girl whose family are horrendously abusive. Lots here about disability. Shortlisted for the Nebula Award. Locus Top Ten (First Novel).

You can get it here.

3) A Sorceress Comes to Call by T. Kingfisher. Second paragraph of third chapter:

At first her sleep-fogged brain thought that it might have been a sound. Had there been rain? Had she woken because the drumming on the roof had stopped? No, there wasn’t any rain last night, was there? It was clear as a bell and chilly from it.

Another fantasy story with a protagonist whose best friend betrays her early in the book and whose abusive mother has evil plans which need to be thwarted. Shortlisted for the Nebula Award. Locus Top Ten (Fantasy).

You can get it here.

2) The Tainted Cup by Robert Jackson Bennett. Second paragraph of third chapter:

This meant the Empire always had better soldiers than most other fighting forces, certainly. But the beating heart of the Empire were the Sublimes: the cerebrally suffused and augmented set who planned, managed, and coordinated everything the many Iyalets of the Empire did.

Murder investigation in a richly imagined fantasy empire which is beset by adversaries without and within. Locus Top Ten (Fantasy).

You can get it here.

1) The Ministry of Time by Kaliane Bradley. Second paragraph of first part of third chapter:

Debility, Stanley had said. Well, they all knew what that meant. Scurvy. Men ruptured by melancholy, bleeding from their hairlines. Teeth loose in the head as a blown rose’s petals. Weeping for home— more so than usual. Aching at the joints. The smell of an orange, it’s said, could drive a debilitated man to derangement. The word “Mother” is like a lance to the ribs. Old wounds reopen.

The narrator is assigned to help a member of the Franklin expedition, rescued from 1847, integrate into contemporary British society (where the government has secretly discovered limited time travel). But the project turns out to be much more than she could have anticipated, in several ways. Ticked a lot of my boxes and gets my vote. Shortlisted for the Clarke Award. Locus Top Ten (First Novel).

You can get it here.

This collage of covers was constructed by hand using PowerPoint and Paint, without use of AI.

The best known books set in each country: Cameroon

See here for methodology. Books are disqualified if less than 50% of them is set in Cameroon.

These numbers are crunched by hand, not by AI.

TitleAuthorGoodreads
raters
LibraryThing
owners
How Beautiful We WereImbolo Mbue18,281726
The Informationist Taylor Stevens 11,303950
A Zoo in My LuggageGerald Durrell 5,281959
The Innocent Anthropologist: Notes from a Mud HutNigel Barley3,375623
The Bafut BeaglesGerald Durrell 2,022709
Les impatientesDjaïli Amadou Amal 8,714105
HouseboyFerdinand Oyono 2,295372
The Overloaded ArkGerald Durrell1,418472

This was one of the easiest runs I have had for a while. Gerald Durrell does well, and I remember reading those books when I was 13 and loving them; and I also remember really enjoying The Innocent Anthropologist when I was a bit older. But I’m glad that the top spot goes to a Cameroonian woman writer, and I’m interested that a novel by another Cameroonian woman writer, that hasn’t even been translated into English, also makes the top eight. I must add also that The Informationist sounds like great fun.

I’m used to a certain fluctuation between the popularity of books on both systems, but the relative LibraryThing invisibility of Les impatientes by Djaïli Amadou Amal is remarkable. It’s the third most widely owned of these books on Goodreads, and not even in the top fifteen on LT.

I disqualified two books, neither of which was a difficult decision. Behold the Dreamers, also by Imbolo Mbue, is about Cameroonian immigrants in New York, and seems to be set entirely in the USA. The Marco Effect, by Jussi Adler-Olsen, is a Danish crime novel with a subplot set in Cameroon, but it’s much less than half of the book as far as I can tell.

Other countries where I only disqualified two books: China, Indonesia, Mexico, South Africa.
Countries where I only disqualified one book: India, the USA, Nigeria, Russia, Iran, the UK, Spain, Iraq.
Countries where I have not disqualified any books: Japan, Egypt, DRC, Vietnam, Colombia.

Coming next: Nepal, Venezuela, Niger and then Australia.

Asia: India | China | Indonesia | Pakistan | Bangladesh (revised) | Russia | Japan | Philippines (revised) | Vietnam | Iran | Türkiye | Thailand | Myanmar | South Korea | Iraq | Afghanistan | Yemen | Uzbekistan | Malaysia | Saudi Arabia | Nepal | North Korea | Syria | Sri Lanka | Taiwan | Kazakhstan | Cambodia | Jordan | UAE | Tajikistan | Israel
Americas: USA | Brazil (revised) | Mexico | Colombia | Argentina | Canada | Peru | Venezuela | Chile | Guatemala | Ecuador | Bolivia | Haiti | Dominican Republic | Honduras | Cuba
Africa: Nigeria | Ethiopia (revised) | Egypt | DR Congo | Tanzania | South Africa | Kenya | Sudan | Uganda | Algeria | Morocco | Angola | Mozambique | Ghana | Madagascar | Côte d’Ivoire | Cameroon | Niger | Mali | Burkina Faso | Malawi | Zambia | Chad | Somalia | Senegal | Zimbabwe | Guinea | Benin | Rwanda | Burundi | Tunisia | South Sudan | Togo | Sierra Leone
Europe: Russia | Türkiye | Germany | France | UK | Italy | Spain | Poland | Ukraine | Romania | Netherlands | Belgium | Sweden | Czechia | Azerbaijan | Portugal | Greece | Hungary | Austria | Switzerland | Belarus
Oceania: Australia | Papua New Guinea

My great-great-grandfather’s non-appointment as Assistant Secretary of War of the United States

I have been digging a bit more into a letter from my great-great-grandfather, Samuel Morris Wickersham (1819-1894), to his wife Fanny, dated 25 October 1866, so a year and a half after the end of the Civil War. The letter says, simply,

I have just been tendered the appointment of Asst. Secretary of War & asked for my acceptance. What say you? Mr. Stanton retires & Gen. Sherman takes the position of Secretary of War & ’tis under the new Secty that the offer is made to me.

History records, however, that Edwin Stanton, appointed Secretary of War by Abraham Lincoln in 1862, continued in that position under Andrew Johnson after Lincoln’s assassination until 1868; and the Assistant Secretary of War, Thomas Eckert, who had been appointed only a few months earlier in July 1866, continued to serve until February 1867 and was not replaced when he resigned, and the post of Assistant Secretary was then abolished for over 20 years.

In fact, there was a major clash between President Johnson and Secretary Stanton, with Johnson taking a more accommodating attitude to the defeated South and Stanton taking a harder line on Reconstruction. July 1866 saw temperatures rising, with 46 African-Americans massacred in Memphis, Tennessee, at the start of the month, three of Johnson’s cabinet resigning, and then another massacre of dozens of African-Americans demonstrating for their rights in New Orleans on 30 July.

Congress was dominated by Radical Republicans who supported Stanton as Secretary of War and suspected Johnson (correctly) of being too soft on the Southerners. Johnson fought back by holding a National Union Convention in August, trying to forge a new political movement which would support his presidency, and then mounting a campaign tour, the “Swing Around the Circle“, from late August to mid-September, which took in most of the industrialised North (except, I note, New England).

My attempt to draw the “Swing Around the Circle”, though of course Johnson would have travelled by train and these are the modern roads.

The Swing Around the Circle backfired. Johnson’s stump speeches were portrayed in a hostile media as undignified and irrational; his well-known problem with alcohol fed the image of a President who had lost the plot and needed to be restrained and constrained by Congress. It must have looked different to Johnson himself; he enjoyed public speaking, he was normally good at it and he was surrounded by sympathisers. As the mid term elections of 1866 drew near, he anticipated a groundswell of public opinion in his favour which would weaken the Radical Republicans and enable him to get rid of Stanton.

Election Day was staggered across the states in those days, and in the early returns it was not obvious that Johnson’s position was going to be weakened. Five states went to the polls on 9 October, and while Johnson lost three of his supporters to the Republicans in Pennsylvania, he actually picked up a seat in Indiana. Twelve more states were to vote on 6 November, and to us psephologists looking at the early trends, the result looks pretty obvious in advance, but the phenomenon of wishful thinking by a doomed leader is not unique to that particular time and place.

So, the idea that Johnson might have hoped to get rid of Stanton and replace him with General William T. Sherman is not at all surprising – indeed it is part of the standard narrative of the period, which culminated in Congress passing a law forbidding Johnson to fire cabinet members without its approval, Johnson going ahead and firing Stanton anyway, his impeachment by the House of Representatives and survival of the trial by the Senate by a single vote.

But the idea that he would also have wanted to replace Stanton’s Assistant secretary, the super-competent telegraph expert Thomas Eckert, with Samuel Morris Wickersham, an iron broker from Philadelphia whose military service during the war consisted of chasing the defeated rebels back south from Gettysburg, is a bit more surprising. However, I have one important piece of evidence that supports this narrative.

As it happens, the last stop on Johnson’s Swing Around the Circle was Harrisburg, Pennsylvania, which is remarkable for only one thing: it is the state capital. The governor since 1860 was Andrew Gregg Curtin, who was term-limited as governor and was campaigning for the U.S. Senate (in those days, senators were elected by the legislature). Samuel Morris Wickersham was friendly with Curtin, but also not a fan of the radical Republicans; I wonder if it was Curtin who put a word in the president’s ear about a potential Assistant Secretary? Or indeed if the entire affair was in Curtin’s own head, and he mentioned it to Wickersham without Johnson’s knowledge?

In any case, it didn’t matter; when the election results came through the following week, Johnson’s authority was dealt a fatal blow by the voters, who gave the Radical Republicans two-thirds majorities in both houses of Congress, and left him in office but not in power until he was replaced by Ulysses S Grant in 1869. This was probably a Good Thing, and although Reconstruction was brought to a halt in 1877, if Johnson had prevailed it never have got started. So on the whole I am glad that my great-great-grandfather avoided being on the wrong side of history in 1866.

Four decades later, his son became Attorney-General of the USA under President Taft, but that’s another story.

Silver Nemesis, by James Cooray Smith (and Kevin Clarke)

I am getting to the end of the Black Archives! At the time of writing, there is only one more to go after Silver Nemesis, though I expect that there will be another in June.

I missed this story on first broadcast in 1988. When I finally saw it for the first time, twenty years later, I was unimpressed.

People had warned me that Silver Nemesis was pretty rubbish, and I’m afraid it is. One of my frequent complaints about bad Who, and indeed bad sf, is that all too often the means and motivation of the bad guys make no sense. In Silver Nemesis, the means and motivation of the hero make no sense: how and why did the Doctor launch the rocket into space in 1638??? The basic plot of three different sets of baddies (Cybermen, Nazis and Lady Peinforte) trying to get the McGuffin is comprehensible, but little else is. Am I unusual in finding Fiona Walker’s performance as Lady Peinforte rather poor? She was way better in CLAVDIVS. And the bit with the Queen is pretty silly.

I was a bit more positive on my rewatch three years on:

I can’t quite be as positive about Silver Nemesis [as I was about The Happiness Patrol], though again I liked it more than I had expected to. It is the first time we have had a contemporary English setting since, errr, the last Cybermen story three years ago, but it doesn’t really make enough of the normality such a set-up offers, setting us up with real (Courtney Pine) and fake (the Queen) celebrities and then bringing in Lady Peinforte and De Flores through literal and metaphorical timewarps, with added Cybermen. A lot of the bits work well, including the increasing sense of the Doctor as someone with a number of devious plans which we don’t know about (and Fiona Walker’s delightfully psychotic Lady Peinforte) but it doesn’t quite add up together.

Watching it again for this post, I felt a bit more negative. The unrealistic firefights between the Nazis and the Cybermen (often a problem with Who, see also here) are symptomatic of the problems of directing the story, which James Cooray Smith goes into in depth, as discussed below. I did not realise until I read the Black Archive after rewatching it that there are several different versions of the story which have been released on video. Eventually I will shell out for the Blu-Ray and discern between them all.

The second paragraph of the third chapter of Kevin Clarke’s novelisation of his own story is:

Such was the visitors’ interest that the materialization of the TARDIS a few yards away passed unnoticed. The Doctor and Ace stepped out. Ace sniffed the damp air as she looked around.

I wrote in 2008 that:

Clarke used the opportunity of adapting the script for novelisation to put back some of the material which apparently ended up on the cutting-room floor, but the result is if anything even more confusing. Where the TV series can just about get away with characters being darkly mysterious, the written word demands a bit more clarity (thinking especially of the portrait of Ace in Windsor Castle, never explained). Fails the Bechdel test, unless the cook who Mrs Hackensack’s ancestor bribed away from Lady Peinforte was a woman. (Hackensack is a much less likely name than the TV series’ Remington for a 17th century English aristocrat; but then, so is Peinforte.)

Not much to add to that. You can get it here.

So, the previous Black Archives that I have read by James Cooray Smith were cases where either I agreed with him that the story is good (The Massacre, The Night of the Doctor) or less good (The Ultimate Foe, The Underwater Menace). In this case, I don’t have a very high opinion of Silver Nemesis, but Cooray Smith mounts a bravura defence of the story as a major classic of the Cartmel / Nathan-Turner era. I’m still not at all convinced, but I admire the passion that he brings to it, as well as the forensic detail in his research.

The first chapter, “‘Meteor Approaches England'”, looks at the context from within DW of Andrew Cartmel’s arrival as script editor in 1987, after the great cancellation crisis of 1986, and his work to assemble a team of writers who could deliver the necessary scripts. He makes the interesting point that in 1987 there were very few experienced Doctor Who writers available; Robert Holmes had recently died, and most of the other veterans were busy with other projects, or had fallen out with John Nathan-Turner, or both.

The second chapter, “The Arrow”, looks at Kevin Clarke’s career – of the newly recruited writers, he was the most experienced on paper, but that is not saying much (and the details say even less). It then looks at how the concepts of Silver Nemesis came together; the Cybermen were there from an early stage, and the weird bit with the Queen was originally intended to be the real Prince Edward, who was active in TV drama at the time; but he said no.

The third chapter, “The Statue”, looks at the difficulties of recording, mainly at the physicakl challenges of getting everything filmed combined with the problem that the two stars, Sylvester McCoy and Sophie Aldred, were very under-rehearsed due to their busy schedule working on other stories. It starts by noting that most of the guest actors were third or fourth choices for their roles. The second paragraph is:

De Flores was turned down by Charles Gray, while Anna Massey and Sarah Badel declined the opportunity to play Lady Peinforte, as did Penelope Wilton. Even the single-scene role of the mathematician was turned down by Geoffrey Bayldon, Richard Vernon and others before being accepted by Leslie French. It would be tempting to conclude that these refusals reflected Doctor Who’s declining prestige in 1988, but they are in fact common throughout the programme’s history. It’s an example of one of the usual compromises of programme-making.

The fourth chapter, “The Bow”, looks at some of the subtle allusions in the script – the fate of the muggers is a reference to the tarot, Lady Peinforte’s reference to The Winter’s Tale rewards closer analysis, and there’s a lot to say about jazz (I had not realised that Courtney Pine composed new music specially for the story).

The fifth chapter, “Critical Mass”, is the defence that I mentioned previously. Cooray Smith loves this story and is surprised that other people don’t. “Frankly, this writer genuinely struggles to understand what is not ‘explained’ in Silver Nemesis, except that which is left ambiguous for dramatic effect”. As will be apparent, I am not in agreement with Cooray Smith here, but I admire the passion of his argument.

The sixth and final chapter, “‘Re-Form'”, defends the legacy of elements from Silver Nemesis extending into New Who, and also goes into the (fairly substantial) differences between the different commercial releases of the story, including the novelisation.

An appendix lists the known script drafts for each episode, and another the scene breakdown for the first episode.

At 188 pages, this is rather a long Black Archive, but Cooray Smith has a lot to say, and says it well. You can get it here.

Incidentally, as I said last time, the Seventh Doctor has been very well served by the Black Archives; fully two thirds of his stories, and more than 70% of his episodes, are now covered by the series. Leaving aside the special cases of Withnail and I, the closest competitors are the Fourth Doctor, for whom the newly published BA on Logopolis takes his story count to over 30%, and the Thirteenth, 46% of whose episodes have been covered (though only 25% of her stories).

The Black Archives
1st Doctor: The Daleks (82) | The Edge of Destruction (67) | Marco Polo (18) | The Aztecs (71) | The Dalek Invasion of Earth (30) | The Romans (32) | The Myth Makers (65) | The Massacre (2) | The Ark (81)
2nd Doctor: The Underwater Menace (40) | The Evil of the Daleks (11) | The Mind Robber (7)
3rd Doctor: Doctor Who and the Silurians (39) | The Ambassadors of Death (3) | The Dæmons (26) | Carnival of Monsters (16) | The Time Warrior (24) | Invasion of the Dinosaurs (55)
4th Doctor: Pyramids of Mars (12) | The Hand of Fear (53) | The Deadly Assassin (45) | The Face of Evil (27) | The Robots of Death (43) | Talons of Weng-Chiang (58) | Horror of Fang Rock (33) | Image of the Fendahl (5) | The Sun Makers (60) | The Stones of Blood (47) | Full Circle (15) | Warriors’ Gate (31) | Logopolis (76)
5th Doctor: Castrovalva (77) | Kinda (62) | Black Orchid (8) | Earthshock (51) | Mawdryn Undead (80) | The Awakening (46)
6th Doctor: Vengeance on Varos (41) | Timelash (35) | The Mysterious Planet (79) | The Ultimate Foe (14)
7th Doctor: Paradise Towers (61) | The Happiness Patrol (68) | Silver Nemesis (75) | The Greatest Show in the Galaxy (66) | Battlefield (34) | The Curse of Fenric (23) | Ghost Light (6)
8th Doctor: The Movie (25) | The Night of the Doctor (49)
Other Doctor: Scream of the Shalka (10)
9th Doctor: Rose (1) | Dalek (54)
10th Doctor: The Impossible Planet / The Satan Pit (17) | Love & Monsters (28) | Human Nature / The Family of Blood (13) | The Sound of Drums / Last of the Time Lords (38) | Silence in the Library / The Forest of the Dead (72) | Midnight (69)
11th Doctor: The Eleventh Hour (19) | Vincent and the Doctor (57) | The Pandorica Opens / The Big Bang (44) | A Christmas Carol (74) | The Impossible Astronaut / Day of the Moon (29) | The God Complex (9) | The Rings of Akhaten (42) | Day of the Doctor (50)
12th Doctor: Listen (36) | Kill the Moon (59) | Under the Lake / Before the Flood (73) | The Girl Who Died (64) | Dark Water / Death in Heaven (4) | Face the Raven (20) | Heaven Sent (21) | Hell Bent (22)
13th Doctor: Arachnids in the UK (48) | Kerblam! (37) | The Battle of Ranskoor av Kolos (52) | The Haunting of Villa Diodati (56) | Ascension of the Cybermen / The Timeless Children (70) | Flux (63)
15th Doctor: The Devil’s Chord (78)

Jean Dubuffet: Jardin d’Email, by Roos van der Lint

Second paragraph of third chapter (which is presented bilingually in the original text):

Hoe bijzonder het precies is dat Jardin d’émail als monumentale tuin gerealiseerd is, is moeilijk te bevatten. Natuurlijk, het was Dubuffet die het kunstwerk schiep, eerst als een Édifice van twee bij drie meter met de titel Jardin d’émail. Maar het is museumdirecteur Oxenaar die zorgt voor de ‘vergroting’ van het idee, zoals Dubuffet dat in een brief verwoordt. Binnen het oeuvre van Dubuffet wordt Jardin d’émail gerekend tot de belangrijkste voorbeelden van zijn L’Hourloupe-architectuur samen met Closerie Falbala en de Groupe de quatres arbres, een groep van vier bomen voor een bankgebouw in New York en gemaakt in opdracht van de Amerikaanse bankier Rockefeller. (afb. pp. 38-39)It is difficult to comprehend how amazing it is that Jardin d’émail has been realized as a monumental garden. Of course, it was Dubuffet who created the artwork, initially as an Édifice measuring two by three metres and with the title Jardin d’émail. But it is the museum director Oxenaar who enables the ‘enlargement’ of the idea, as Dubuffet puts it in a letter. Within Dubuffet’s oeuvre, Jardin d’émail is considered one of the most important examples of his L’Hourloupe architecture, together with Closerie Falbala and the Groupe de quatres arbres, a group of four trees for a bank building in New York, commissioned by the American banker Rockefeller. (image pp. 38-39)

The Jardin d’émail (Enamel Garden) is one of the most striking sculptures in the Kröller-Müller Museum near Otterlo, in the Netherlands. It’s twenty metres by thirty, a stylised garden made not of enamel but of concrete, epoxy resin, polyurethane and paint. It’s probably the biggest single artwork in the whole museum.

We went to see it in 2005 and again in 2022. Here’s my attempt to recreate the same scene twice.

And here’s me beside the central butterfly:

This short book about it by art historian Roos van der Lint describes it as “deeply embedded” in the Dutch national consciousness, and goes into the story of Jean Dubuffet’s career (originally in the family wine shipping trade, but became an artist during the second world war) and how museum director Rudi Oxenaar was impressed by a smaller version, two metres by three, and commissioned the larger one for the Kröller-Müller Museum, built between 1968 and 1973. It also explains the extensive process of restoration in 2020 – it certainly seemed in much better shape the second time we went.

It’s possibly the single most interesting object in the entire Dutch province of Gelderland, and if you ever have a chance to see it, you should take it. Otherwise you can get this little book here, for only €12,50 plus postage, which I think is a real snip.

Wednesday reading

Current
Doctor Who: Warrior’s Gate and beyond, by Stephen Gallagher
Footnotes in Gaza, by Joe Sacco
These Burning Stars, by Bethany Jacobs

Last books finished
The Eleventh Doctor Archives vol 3, ed. Andrew James
So Let Them Burn, by Kamilah Cole
Beyond the Sun, by Matthew Jones
City of Last Chances, by Adrian Tchaikovsky
Coming of Age: The Sexual Awakening of Margaret Mead, by Deborah Blum
Amnesty, by Lara Elena Donnelly (did not finish)

Next books
Doctor Who: Logopolis, by Christopher H. Bidmead
Knowledgeable Creatures, by Christopher Rowe
Free: Coming of Age at the End of History, by Lea Ypi

Clarke shortlist, Goodreads/LibraryThing stats

The Clarke shortlist has been out for a couple of days, but I’ve been quite busy so am posting the ownership stats for the six lucky books only today. I’m also noting the ranking of each book in the equivalent table for the long list.

These numbers are crunched by hand, not by AI.

GoodreadsLibraryThing
ratersratingownersrating
(1)The Ministry of TimeKaliane Bradley139,5553.591,9763.71
(5)Annie BotSierra Greer52,5553.835293.74
(13)Service ModelAdrian Tchaikovsky11,5054.043503.83
(21)Private RitesJulia Armfield8,6323.682133.81
(60)Thirteen Ways to Kill Lulabelle RockMaud Woolf6423.69273.75
(79)ExtremophileIan Green1393.9016

None of these was in the top quintiles of reader ratings from the long list. The last two seem to have made a big impression on judges despite low print runs.

I’m planning to be at the ceremony on 25 June – see you there perhaps.

Nine Lives: In Search of the Sacred in Modern India, by William Dalrymple

Second paragraph of third chapter:

She paused for a moment, looking out over the lake, smiling to herself. Then her face clouded over. ‘But mostly it is horrible. The farmers here, they are not like the boys of Bombay.’

One of William Dalrymple’s lyrical explorations of India, this tells the stories of nine people with roles in Indian religion – mostly Hinduism, though the point is well made both by Dalrymple and by several of his interlocutors that it’s all a bit syncretic, and drawing strict boundaries between different faiths is not a good path to understanding.

People who think that all religion is bollocks won’t find much to like in this book. But if you are interested in the belief and faith systems of the largest country in the world by population, this is a very enlightening guide to what nine of the 1.4 billion think, at least as reported by one observer. (No doubt, like any good writer, he has combined material from a number of sources to create nine good stories.)

There’s the Jain nun. There’s the prison warder who becomes a dancing god for two months a year. There’s the singer of epic poems which take five days to recite. There’s the woman Sufi mystic. There’s the maker of bronze idols. There’s the tantric guardian of the cremation grounds. There’s the blind bard of Bengal. Dalrymple respectfully gives them all their voices

And saddest of all is the Devadasi, the temple prostitute who has been servicing worshippers sexually since she was a young girl. Supposedly this practice was made illegal by both the British and by independent India, but it has simply gone underground, with even less protection for the women and girls who get involved. In general my instincts are for the legalisation of sex work where all involved are consenting adults, but that’s not what is going on here, and the story of Rani Bai is heart-rending.

Anyway, well worth getting, and you can get it here. This was the top unread non-fiction book on my shelves; next is the English translation of The Burgundians, by Bart van Loo.

Hugo Novellas 2025

2025 Hugos: Goodreads / Librarything stats | Novel | Novella | Novelette | Short Story | Graphic Story or Comic | Related Work | Dramatic Presentation, Long and Short | Fancast | Poem | Lodestar | Astounding

Now that I have been unexpectedly liberated to discuss my Hugo votes, here they are in the first category that I completed. These are all good, by the way, and I found it quite difficult to rank them. (This is not the case for every category.)

6) The Practice, the Horizon, and the Chain by Sofia Samatar. Second paragraph of third chapter:

“Okay,” said Dr. Marjorie. “That’s it. You’re on your own.”

Generation starship where slaves v masters plays into a brutal take on academia. Get it here.

5) The Tusks of Extinction by Ray Nayler. Second paragraph of third chapter:

“People report different things. Some say they feel nothing at all. Others say the scan brings up memories. That it somehow brushes up against them and brings them back to consciousness. They see their lives. Memory by memory, before them.”

Mammoth researchers upload the mind of a long-dead mammoth expert into the brain of a resurrected mammoth. Get it here.

4) What Feasts at Night by T. Kingfisher. Second paragraph of third chapter:

It occurs to me that you may think that I am making a great deal of nothing about traveling, granted that I had spent much of my youth gallivanting across Europe, sometimes while being shot at. Possibly you’re right. All I can say in my defense is that while I was in the army, no matter where we went, we had a routine. We got up, we ate bad food, we complained, we tended the horses, we were extremely bored, we ate again, we went to sleep. Occasionally we would go somewhere else and be bored there. Once in a very great while, we would spend an absolutely nerve-wracking few hours, and afterward we would be shaky and bored, but in general, the routine reigned supreme.

Haunted holiday cottage in fictional but richly realised European country. Get it here.

3) The Brides of High Hill by Nghi Vo. Second paragraph of third chapter:

“Oh, get up, get up, please,” Nhung begged.

Something sinister is up with the arranged wedding that Cleric Chih gets involved with. Get it here.

2) The Butcher of the Forest by Premee Mohamed. Second paragraph of third chapter:

“No,” Veris said, glancing back at the handful of guards waiting silently in the front garden. A few had also crept to the back, she knew, to guard the door in case she still, unthinkably, tried to escape.

Only the heroine can rescue two children who have been kidnapped by a monster. Get it here.

1) Navigational Entanglements by Aliette de Bodard. Second paragraph of third chapter:

As to the others… Bảo Duy was endearing but reckless, and Lành was extremely difficult to deal with or protect, which added to the annoyance.

A lovely dark story about four young women thrown together to ward off the unspeakable. In space. Get it here.

I intend to do these collages of covers for each of the relevant Hugo categories. I do them by hand using PowerPoint and Paint, without use of AI.






The best known books set in each country: Côte d’Ivoire

See here for methodology. Books are disqualified if less than 50% of them is set in Côte d’Ivoire, also known in English as Ivory Coast (personally I take the position that you call people and countries by the names they wish to be known by).

I have not been to Côte d’Ivoire myself, though I have advised its government on a couple of occasions.

TitleAuthorGoodreads
raters
LibraryThing
owners
AyaMarguerite Abouet 6,986664
The Bitter Side of SweetTara Sullivan3,646277
Aya of Yop CityMarguerite Abouet 2,421260
Too Small to Ignore: Why Children Are the Next Big ThingWess Stafford1,142505
Nine Hills to Nambonkaha: Two Years in the Heart of an African VillageSarah Erdman1,784312
Aya: Life in Yop City (Aya #1-3)Marguerite Abouet 1,683166
Aya: The Secrets Come OutMarguerite Abouet 1,331154
Aya: Love in Yop City (Aya #4-6)Marguerite Abouet 885127

So, I confess I had not heard of the popular graphic novel sequence by Marguerite Abouet about her heroine Aya, set in Côte d’Ivoire in the 1970s, but I’ll have to look out for them now. It’s also nice to see a success for the bande dessinée genre.

If I count correctly, this is the sixth country where seven of the top eight books are by women, joining Canada, South KoreaKenya, the United Kingdom and Iran.

I disqualified eleven books. For about half of them, this was because they were set in or about a number of countries including Côte d’Ivoire, but much less than half set there. This knocked out Empire of Cotton by Sven Beckert, The Fortunes of Africa by Martin Meredith, Dictatorland by Paul Kenyon, Ebola: The Natural and Human History of a Deadly Virus by David Quammen, and Africa Is Not a Country by Margy Burns Knight.

I really hesitated with The Suns of Independence by Ahmadou Kourouma, which is set between two fictional countries, the Socialist Republic of Nikinai and Ebony Coast. Kourouma himself was firmly Ivoirian, but in the end I feel he deliberately set the book in a fictional place which is as closely related to Côte d’Ivoire as, say, the Shire is to England.

There were a couple with very little Ivoirian material, and I fear that people tagging them on LT / GR get mixed up between West African countries. Tété-Michel Kpomassie, author of An African in Greenland, is from Togo. Allah Is Not Obliged, by Ahmadou Kourouma, does start in Côte d’Ivoire but is mostly set in Liberia. The Dragons, the Giant, the Women by Wayétu Moore is set in Liberia and the USA. Standing Heavy, by Gauz, is set among Ivoirians in Paris. Arab Jazz, by Karim Miské, is set among Arabs in Paris; Miské was born in Côte d’Ivoire, but identifies as Mauritanian-French.

Next up are Cameroon, Nepal, Venezuela and Niger.

Asia: India | China | Indonesia | Pakistan | Bangladesh (revised) | Russia | Japan | Philippines (revised) | Vietnam | Iran | Türkiye | Thailand | Myanmar | South Korea | Iraq | Afghanistan | Yemen | Uzbekistan | Malaysia | Saudi Arabia | Nepal | North Korea | Syria | Sri Lanka | Taiwan | Kazakhstan | Cambodia | Jordan | UAE | Tajikistan | Israel
Americas: USA | Brazil (revised) | Mexico | Colombia | Argentina | Canada | Peru | Venezuela | Chile | Guatemala | Ecuador | Bolivia | Haiti | Dominican Republic | Honduras | Cuba
Africa: Nigeria | Ethiopia (revised) | Egypt | DR Congo | Tanzania | South Africa | Kenya | Sudan | Uganda | Algeria | Morocco | Angola | Mozambique | Ghana | Madagascar | Côte d’Ivoire | Cameroon | Niger | Mali | Burkina Faso | Malawi | Zambia | Chad | Somalia | Senegal | Zimbabwe | Guinea | Benin | Rwanda | Burundi | Tunisia | South Sudan | Togo | Sierra Leone
Europe: Russia | Türkiye | Germany | France | UK | Italy | Spain | Poland | Ukraine | Romania | Netherlands | Belgium | Sweden | Czechia | Azerbaijan | Portugal | Greece | Hungary | Austria | Switzerland | Belarus
Oceania: Australia | Papua New Guinea

Rosemary Sutcliff’s ‘Indian’ uncle

Content warnings: racism, spousal abuse, child marriage

Rosemary Sutcliff notes that her aunt Edith married

…Archie, weak-willed and amiable, who did not tell her beforehand that he was a quarter Indian — his mother being the product of an Indian Army colonel and a rajah’s daughter — what would have happened if he had told Aunt Edith before it was too late, there’s no knowing. Maybe she would still have married him, but I very much doubt it. As it was, finding out afterwards, she refused to have children — I very much doubt if she even allowed him into her bed! — and set out to make his life a cold hell to his dying day. I have been there at some family gathering myself, puzzled as a dog may be by stresses in the air, the electric discharge of things I did not understand, when he came into the room…

For many years, the family were quite seriously prepared for Uncle Archie to murder her one day, and prepared, if he did, to go into the witness-box on his behalf and swear that he did it under unendurable provocation.

This is an uncomfortable passage about the racism of her aunt, and the readiness of the rest of the family to turn a blind eye to both the aunt’s racism and the potential for her to be murdered by her husband. Sutcliff attempts to play both for laughs, but I doubt if it went down well in the 1980s when the book was published and it certainly doesn’t work for today’s reader.

‘Race’ is a social construct anyway, but NB that if Uncle Archie’s grandmother was a rajah’s daughter, but had a European mother (as is implied), Archie himself would have been an eighth of Indian heritage rather than a quarter.

I decided to check up on the details of the story, and found some interesting data. “Aunt Edith” is Edith Fanny Sutcliff (1871-1960), who in 1897 married “Uncle Archie”, Archibald Gordon Selwood Langley (1872-1943), son of Charles Archibald Langley (1841-1877) and Sarah Elizabeth Hewett (born 1850, married Charles on her 20th birthday, lived to at least 1901). Sarah is reported as being the daughter of Colonel William Selwood Hewett (1824-1889) and Frances Elizabeth Hall (1835-1865). All were born in India. Sarah’s birthdate is recorded as 5 December 1850, and her parents’ wedding as 30 October 1849. Frances’ birthdate is recorded as 14 September 1835, so she was married six weeks after her 14th birthday and gave birth to Sarah a couple of months after her fifteenth birthday. Errm…

Frances herself was the daughter of James Frederick Hall (1809–1837) and Ann Clifford (1816–1865). She was the third of her parents’ four children, born between 1832 and 1837, and her mother then had another seven children with her second husband. James and Ann married in 1831, when Ann was still 14, so errm once more. Again, this is all happening in (British) India. But this doesn’t fit Sutcliff’s story, which is that Archie’s maternal grandmother (Frances) was a rajah’s daughter; unless the suggestion is that Ann had an extramarital relationship with a rajah in her late teens, a couple of years after her marriage to James.

But maybe the story got confused down the generations. James Fredrick Hall’s parents were born in England, but I note that the records of Ann Clifford’s parents are sparse; her father John Clifford is known to have died in 1830, a year before her early marriage, and the only information we have about Ann’s mother, Archie’s great-grandmother, is her first name, Elizabeth. It could have been Elizabeth who was begotten by an Indian father in the closing years of the eighteenth century. This would have made Uncle Archie technically only a sixteenth Indian rather than a quarter or an eighth, but prejudice is rarely interested in the facts. (Or indeed Elizabeth herself might have been the daughter of two Indian parents, and then become known by an English name.)

And Aunt Edith still sounds horrifying, no matter what her husband’s ancestry was.

Pope and church thoughts

I am at home today, and gave a lecture on global politics at the Irish College in Leuven this morning. I do that kind of thing fairly often, but today I had to change my usual script to take account of yesterday’s events.

Pope Leo XIV comes to power at a moment when the right wing of the Catholic church in the USA is being instrumentalised as part of the Trump MAGA movement, and some are choosing to interpret the papal election in that light. Cardinal Prevost was probably the least American of the American cardinals, and his social media record is one of clapping back at J.D. Vance and Donald Trump. But that really isn’t the place to start, and it probably isn’t even the important part.

What struck me, the moment that the new Pope opened his mouth, is that his Italian is fluent and (as far as I could tell) without an American accent. A little digging and I found that his paternal grandfather, Jean/John Prevost (1876-1960) was born in Turin, Italy, and ran a language school in Chicago; his grandson was only four when he died, but the Pope’s father Louis Marius Prevost (1920-1997) was also a teacher and school administrator. Perhaps in the multicultural neighbourhood of Denton, there was an opportunity for a bright kid to pick up on languages.

The Pope’s paternal grandmother Suzanne Louise Marie Fontaine (1894-1979) was from Le Havre in France. She and Jean were already married at the point that Suzanne moved to the United States in 1917, and moved to Chicago before the Pope’s father was born in 1920. Some sources suggest that Suzanne’s mother’s maiden name was also Prevost, which suggests that she and her husband Jean/John were related (and the fact that he was known as “Jean” suggests close French ties) but the evidence is circumstantial and ambiguous.

The Pope’s mother, Mildred Agnes Martinez (1911-1990) is described in press reports as of Spanish descent. This is not the whole truth. Her father, Joseph Norval Martinez (1864–1926), was born in Haiti shortly before his family moved to New Orleans, and her mother Louise Baquie (1868–1945) was a Seventh Ward Creole; both are recorded as “mulatto” along with the rest of their families in the 1870 census, but as “white” in the 1880 census, which demonstrates the social construction of race. “Martinez” is obviously a Spanish name, so describing Mildred’s ancestry as Spanish is convenient shorthand.

So although the Pope’s parents were both born in Chicago, his four grandparents were born in four different countries. That in itself doesn’t guarantee anything of course (Donald Trump’s mother was born in Scotland, and his father’s family were all first or second generation German immigrants) but it’s an interesting start.

(Also I wonder who the last Pope with a degree in mathematics was.)

But even before the new Pope opened his mouth to speak fluent Italian (and Spanish), an important signal came from his choice of name. People have been having a lot of fun with the more dubious historical popes who took the name Leo, notably Leo IX who is generally regarded as responsible for the Great Schism of 1054, and Leo X whose sale of indulgences for the construction of St Peter’s was one of the triggers of the Reformation. (Add also Leo VIII, who was Pope twice, though is officially regarded as having been an antipope first time round.)

The new chap is too smart not to be aware of these, but for today’s Vatican the most recent Leo is the most important. Leo XIII became Pope just before his 68th birthday in 1878, and ruled for 25 years. Leo XIV is 69 and looks in good shape, and one message from his choice of name is that he expects to be around for a good while. I myself just turned 58; it’s weird to think that the next Pope will probably be younger than me. (And the one after certainly will be.)

Leo XIII pulled the church past the traumas of the unsuccessful conservatism of Pius IX, who had catastrophically lost the Papal States to the new Kingdom of Italy. He reopened the Vatican observatory and insisted that science and religion should coexist. But he is particularly remembered for Rerum novarum, the 1891 encyclical which commits the church to the amelioration of “the misery and wretchedness pressing so unjustly on the majority of the working class.”

Leo XIII was not a socialist – indeed Rerum novarum was very much an anti-socialist document. But it was a conscious effort to position the church on the progressive side of political discourse, and it’s the intellectual basis for the more centrist European tradition of Christian Democracy (which has been rather weaker of late). I think it’s fair to describe Leo XIII as the least right-wing Pope since the term “right-wing” acquired political meaning. The new guy’s choice of the same name is a strong indicator that he’s heading in a similar political direction.

These things are relative of course. Leo XIII criticised Irish Nationalism, which certainly puts him on the wrong side of history. Leo XIV is, to put it politely, on a personal journey with regard to LGBTQ+ issues; though better informed observers than me find the initial signs encouraging.

Incidentally the speed of the election shows that the media narrative of the strength of the hard-line right-wing factions among the College of Cardinals was overblown. There is no way that Leo XIV can be regarded as anything other than the continuity candidate for Francis, breaking the traditional cycle of alternation between moderates and conservatives. The cardinals would have been very aware that voting for the man who selected Francis’s bishops was not going to turn the clock back, and it took them roughly 24 hours of actual voting time to get there.

One other thing to mention is that a couple of years ago I connected with my second cousin once removed Christopher Lamb, whose great-grandmother was my grandfather’s sister. He is now CNN’s Vatican correspondent, so he’s had three of the most significant weeks of his career since Easter Monday.

For myself, having been brought up Catholic, I have very much drifted away from the church in recent years. However I did attend the 1 May service at our local chapel last week. This place of ancient devotion celebrates just four masses a year, on 2 February, 1 May, 15 August, 1 November and 25 December; the ancient quarter days (Lammas shifted by a fortnight) and Christmas. The May ritual is dedicated to the Mother of Christ, whose statue miraculously appeared on the site in the late middle ages (and was stolen in 1974). Its replacement presides over the open air Mass (in good weather, which we had last week). Devotional hymns are sung.

The chapel is located right beside a holy well, and across the valley from two once-grand Bronze Age burial mounds. 1 May is Beltane in the old Celtic calendar, or Walpurgis Night here, when fires were lit to ward off evil and greet the turning of the seasons. So the candles lit by the congregation last week, and the procession around the Zoete Waters (sadly drained dry for maintenance at the moment), were part of a cycle of annual commemoration on or near that spot that probably goes back well before Christianity. I enjoyed the feeling of connection to the history of this place and this time of year.

Unexpectedly the service was a moment of geographical as well as historical connection. Under the late Pope Francis, the People’s Republic of China and the Church negotiated a reset of relations, though the process of appointing bishops is still a matter of dispute. (Hmm, and remind me who was staffing the Vatican side of that dispute until yesterday?) I know I keep saying this, but the rise of China is the central geopolitical fact in today’s world. Leuven has a long connection with China going back to Ferdinand Verbiest, and twenty visiting Chinese priests were in the congregation along with us locals. During the procession they belted out Chinese hymns.

The church’s central problems remain the same – falling numbers of worshippers, decreasing relevance, appalling failure to come to terms with the abuses of the past. I tend to think that if the answers can be found, it will be by looking forward and outward rather than backward and inward; and I am pleasantly surprised to find that the College of Cardinals (or at least two thirds of it) takes the same view.

Zeitgeber, by Greg Egan

Second paragraph of third chapter:

Sam’s eyes snapped open, and half the class burst into laughter. “Very funny,” he said. “But you’ve only got ten minutes left, so you should probably save the jokes until then.”

Another of the short works that I have been saving up from the 2020 Hugo packet, this is about a contemporary world where people start to live on different sleeping schedules from each other, and how we can cope; and whether this is in fact something that needs to be corrected, or whether society needs to make accommodations for those who are different. You can get it here.

This was the shortest unread book on my shelves acquired in 2020. Next on that pile is Knowledgeable Creatures, by Christopher Rowe.

Wednesday reading

Current
City of Last Chances, by Adrian Tchaikovsky
The Eleventh Doctor Archives vol 3, ed. Andrew James

Last books finished
Jean Dubuffet: Jardin d’Email, by Roos van der Lint
Silver Nemesis, by James Cooray Smith
The Ministry of Time, by Kaliane Bradley
thirteen fourteen fifteen o’clock, by David Gerrold
My Favorite Thing is Monsters, by Emil Ferris

Next books
Beyond the Sun
, by Matthew Jones
Coming of Age: The Sexual Awakening of Margaret Mead, by Deborah Blum
Footnotes in Gaza, by Joe Sacco

Blue Remembered Hills, by Rosemary Sutcliff

Second paragraph of third chapter:

In the vile weather and the unaccustomed seaways, the White Russian prince mislaid Marseilles altogether, and finally, answering calls for professional help from the bridge, my father brought the Lublyana into harbour himself.

As a child and teenager, I enjoyed a lot of Rosemary Sutcliff’s historical novels – I particularly remember the Eagle of the Ninth trilogy, The Hound of Ulster, and Warrior Scarlet. I picked up this autobiography a few Eastercons ago without really looking at it, and plucked it off the shelves at random the other day, interested to get to know more about a much-loved writer. (She lived from 1920 to 1993.)

My first surprise, once I actually looked at the front cover, was to see that it has an introduction by Tom Shakespeare. I knew Tom vaguely when we were students at Cambridge, and he once managed to get a front page photograph in the Guardian by eating fire on King’s Parade in protest at the government’s student loans proposals. We’ve exchanged the odd note over the last few years. He has achondroplasia, the most visible symptom of which is dwarfism, and is one of the world’s leading experts on the politics of disability.

Why, I wondered, would he write a foreword to Rosemary Sutcliff’s autobiography? I supposed that he might have shared my youthful enthusiasm for her writing, possibly even more so (he started Cambridge with the Anglo-Saxon, Norse and Celtic course, before switching to Social and Political Sciences). My copy of the book, which features a head-and-neck photograph of Sutcliff, failed to give me the vital clue that the two earlier editions would have done as soon as I looked at them.

Rosemary Sutcliff had Still’s Disease, systemic-onset juvenile idiopathic arthritis, and suffered various medical treatments and operations which were deemed necessary by the doctors advising her parents. (Tom Shakespeare points out that “orthopaedics” literally means “putting children right”.) She spent long periods in hospitals, isolated from her family and her few friends. (She was an only child; a sister had died before she was born.) As an adult, she used a wheelchair (after the death of her mother, who refused to allow her to have one). Writing cannot have been comfortable for her; but at her peak, she wrote 1800 words a day, by hand.

Once you know all this, a lot about her writing makes more sense. Tom Shakespeare lists nineteen of her novels where a major character has either a congenital or an acquired physical disability, and comments, “I cannot think of another writer who has done more or better.” And her disabled characters are not defined by their disabilities. They are simply people getting along as best they can in challenging circumstances. And it makes sense to choose Tom Shakespeare as the writer of the introduction to the book.

Sutcliff’s father was in the Navy, her mother was difficult (possibly bipolar) and her childhood was one of bouncing around between different ports, including Sheerness, Chatham and more exotically Malta. She was very slow to learn to read and write, left school at fourteen and worked as an artist until she rather suddenly became a full-time writer at the age of twenty-nine.

Having said all of that, it’s not a sad book. We live the life we get to live, and Sutcliffe makes the most of it, with occasional shafts of real humour. “I have always been sorry for children born more than two hundred years ago, and therefore denied the pleasure of popping fuchsia buds.” (This got some extraordinary responses when I posted it to Facebook.) She has a great eye for the countryside, and depicts friends and pets with love and candour. It’s a portrait of a particular time from a particular viewpoint, but it’s very nicely done.

In the last couple of chapters, she tells of her romantic relationship with Rupert King, a year younger than her but already separated from his first wife and the father of two sons. Eventually he decided to marry someone else, and she decided that she could not bear to be the third person in that relationship. It’s an intense and ultimately unhappy story, but she clearly feels that this thwarted romance was good for her in the end. I did a bit of my own delving on Rupert, using the online genealogy resources; he was married four times in all, with three more children on top of the two from his first marriage, and ended up in Australia. I don’t think he’d have made Rosemary happy in the medium to long term.

Anyway, brief, punchy, evocative, well worth it; you can get it here.

The All American Boys, An Insider’s Look at the U.S. Space Program, by Walter Cunningham

Second paragraph of third chapter:

There were many models for us to choose from: John Glenn, with his sense of obligation and higher purpose. Tough, intense, cocky Gus Grissom, the kind of guy who didn’t care if the sun came out or not. Scott Carpenter and Gordon Cooper were independent and adventuresome and seemed willing to pay the price. They both did.

This was the third of three astronaut memoirs that I got in 2020 after reading this article, the first two being Michael Collins’ superb Carrying the Fire and Al Worden’s entertaining Falling to Earth. I would rank All American Boys between the other two. There are some very good parts. The books starts with the Apollo 1 fire, in which three of Cunningham’s friends and colleagues died horribly; and then it backtracks to become more of a social history of the US space programme, looking very much at the human side of the astronauts of the time, warts, sex, and all. Cunningham himself flew only one flight, Apollo 7, the first after the Apollo 1 disaster, but shares his pride in everything that the Apollo programme (and before it the Mercury and Gemini programmes) achieved, and reflects a bit on what being an astronaut meant at the peak of his career.

The last section of the book, added in 2003 after the original publication in 1977, is about what has Gone Wrong with NASA since the glory days, and is rather relentlessly Grumpy Old Man, railing against various targets such as political correctness in hiring, and Washington’s obsession with keeping the Russian space programme afloat. Even this has some fascinating moments – I had forgotten about the horrifying near-disaster of Soyuz 5, for instance. But Cunningham slightly loses the run of himself and vents personal grievances without much supporting evidence.

Anyway, most of it is well worth reading. You can get it here.

This was both the non-fiction book that had lingered longest on my unread shelves, and my top unread book acquired in 2020. Next on those piles respectively are Coming of Age: The Sexual Awakening of Margaret Mead by Deborah Blum, and Amnesty by Lara Elena Donnelly.

The best known books set in each country: Madagascar

See here for methodology. Books are disqualified if less than 50% of them is set in Madagascar.

These numbers are crunched by hand, not by AI.

TitleAuthorGoodreads
raters
LibraryThing
owners
Hot IceNora Roberts17,3041,468
Pirate Enlightenment, or the Real LibertaliaDavid Graeber2,145297
Red Island HouseAndrea Lee2,894206
Ghost of ChanceWilliam S. Burroughs 1,168357
The Aye-Aye and IGerald Durrell1,286284
Return to the Enchanted IslandJohary Ravaloson 830131
Thea Stilton and the Madagascar MadnessThea Stilton [Elisabetta Dami]723146
The Pirate’s SonGeraldine McCaughrean247240

There are a couple of authors I didn’t expect to see here, including in particular Nora Roberts; I checked, and yes, more than half of Hot ice is actually set on Madagascar, so it qualifies for my top spot this week. It sounds like rather a laugh; even diehard Nora Roberts fans seem to be a bit embarrassed by it. I am not 100% sure about Return to the Enchanted Island, a substantial part of which is set in France, but it was the only book by a Malagasy author that scored at all well.

The Pirate Enlightenment book sounds really interesting too, about the intersection of Enlightenment ideology with the real life Malagasy pirates of the eighteenth century.

I disqualified seven books. Six of them are set in various countries with Madagascar occupying less than 50% of the text, sometimes much less; those were Guns, Germs, and Steel, by Jared Diamond; Last Chance to See, by Douglas Adams and Mark Carwardine; Lost Empire, by Clive Cussler; Flashman’s Lady, by George MacDonald Fraser (this surprised me; all the memorable bits of the book are set on Madagascar, but Flashman doesn’t actually get there until almost two thirds of the way through); A Fish Caught in Time: The Search for the Coelacanth, by Samantha Weinberg (also surprised me, but the author ranges all over the Western Indian Ocean); and In Bibi’s Kitchen: The Recipes and Stories of Grandmothers from the Eight African Countries That Touch the Indian Ocean, by Hawa Hassan. I also disqualified The Flanders Route, by Claude Simon, which has nothing to do with Madagascar except that the author was born there.

Next up: Côte d’Ivoire, Cameroon, Nepal and Venezuela.

Asia: India | China | Indonesia | Pakistan | Bangladesh (revised) | Russia | Japan | Philippines (revised) | Vietnam | Iran | Türkiye | Thailand | Myanmar | South Korea | Iraq | Afghanistan | Yemen | Uzbekistan | Malaysia | Saudi Arabia | Nepal | North Korea | Syria | Sri Lanka | Taiwan | Kazakhstan | Cambodia | Jordan | UAE | Tajikistan | Israel
Americas: USA | Brazil (revised) | Mexico | Colombia | Argentina | Canada | Peru | Venezuela | Chile | Guatemala | Ecuador | Bolivia | Haiti | Dominican Republic | Honduras | Cuba
Africa: Nigeria | Ethiopia (revised) | Egypt | DR Congo | Tanzania | South Africa | Kenya | Sudan | Uganda | Algeria | Morocco | Angola | Mozambique | Ghana | Madagascar | Côte d’Ivoire | Cameroon | Niger | Mali | Burkina Faso | Malawi | Zambia | Chad | Somalia | Senegal | Zimbabwe | Guinea | Benin | Rwanda | Burundi | Tunisia | South Sudan | Togo | Sierra Leone
Europe: Russia | Türkiye | Germany | France | UK | Italy | Spain | Poland | Ukraine | Romania | Netherlands | Belgium | Sweden | Czechia | Azerbaijan | Portugal | Greece | Hungary | Austria | Switzerland | Belarus
Oceania: Australia | Papua New Guinea

Clarke submissions list, Goodreads / LibraryThing stats

The Arthur C. Clarke Award submissions list is out! So, as usual, I am looking at the total number of users who have rated the book on Goodreads, the total number who say that they own it on LibraryThing, and the average ratings on both systems. The top quintile in each column is in bold. Again, this is of course no more than a reflection of the tastes of the user base on both systems, and certainly not a good guide to the Clarke judges’ tastes; it may (or may not) be useful to assess how far each of the books has penetrated the market.

NB these numbers were hand-crunched, without the use of AI.

GoodreadsLibraryThing
ratersratingownersrating
The Ministry of TimeKaliane Bradley135,1373.591,9183.72
The Life ImpossibleMatt Haig98,8453.499403.54
The HusbandsHolly Gramazio103,6903.528033.76
Real AmericansRachel Khong71,3503.976003.78
Annie BotSierra Greer51,5723.835333.72
Creation LakeRachel Kushner23,9333.47303.54
The Mercy of GodsJames S.A. Corey26,4754.185703.98
The Last Murder at the End of the WorldStuart Turton14,8573.678063.77
The Other ValleyScott Alexander Howard17,2503.883553.8
The Family ExperimentJohn Marrs38,7834.061313.58
Heavenly TyrantXiran Jay Zhao8,5743.884624.05
The Book of ElsewhereReeves and Miéville6,7333.335653.3
Service ModelAdrian Tchaikovsky11,1974.043383.87
The Book of LoveKelly Link8,2523.484493.73
You Dreamed of EmpiresÁlvaro Enrigue9,8633.783543.8
Alien ClayAdrian Tchaikovsky9,4834.033123.89
AbsolutionJeff VanderMeer6,7793.634023.75
The Cautious Traveller’s Guide to the WastelandsSarah Brooks6,9133.633343.68
HumHelen Phillips8,2363.512623.49
The Stardust GrailYume Kitasei6,0843.682923.86
Private RitesJulia Armfield8,3783.682083.79
I’m Starting to Worry About this Black Box of DoomJason Pargin9,0033.991914.23
A Letter to the Luminous DeepSylvie Cathrall4,9253.672703.74
PolostanNeal Stephenson4,2423.882993.58
It Lasts Forever and Then It’s OverAnne de Marcken7,1153.711593.6
WilliamMason Coile9,1593.541183.5
The Mars HouseNatasha Pulley3,2154.011934.14
GliffAli Smith3,7643.981573.81
Machine VendettaAlastair Reynolds3,2834.311433.97
The Great WhenAlan Moore1,7363.632343.71
JuiceTim Winton4,3033.99924.13
Echo of WorldsM.R. Carey3,2734.32914.31
The Principle of MomentsEsmie Jikiemi-Pearson1,2863.622233.94
Hammajang Luck Makana Yamamoto1,8723.611473.13
Crypt of the Moon SpiderNathan Ballingrud2,5113.941003.96
Mal Goes to WarEdward Ashton2,31541063.64
Jonathan Abernathy You Are KindMolly McGhee2,4333.47973.73
A Better WorldSarah Langan2,5623.61833.82
Toward EternityAnton Hur1,6663.821023.43
The Last Gifts of the UniverseRiley August2,0733.81703.54
Apostles of MercyLinday Ellis1,8654.15773.68
The MarkFríða Ísberg3,0593.66443.15
HagstoneSinéad Gleeson2,4013.55533.58
The Bound WorldsMegan E. O’Keefe1,7124.15673.71
GogmagogJeff Noon & Steve Beard8503.64913.55
Deep BlackMiles Cameron1,5294.31444
In UniversesEmet North9403.83643.63
Lady Eve’s Last ConRebecca Fraimow7443.87773.82
JumpnautsHao Jingfang7533.29562.82
Revenant-XDavid Wellington8824.06383.29
Hey, ZoeySarah Crossan1,2493.29262.7
On Vicious WorldsBethany Jacobs9094.34334.14
CalypsoOliver K. Langmead5263.64563.56
High VaultageJen & Chris Sugden5554.16534.4
The Doomed Earth: In Our StarsJack Campbell5533.8483.57
World WalkersNeal Asher5954.13344.25
The Siege of Burning GrassPremee Mohamed3643.81513.77
Beyond the Light HorizonKen MacLeod4754374
Key Lime SkyAl Hess4453.74383.07
Thirteen Ways to Kill Lulabelle RockMaud Woolf6373.69263.75
Lake of DarknessAdam Roberts3513.69423.65
Past CrimesJason Pinter6413.61193.93
Out of the Drowning DeepA.C. Wise2953.71393.95
Three Eight OneAliya Whiteley2583.33393.33
Interstellar MegaChefLavanya Lakshminarayan4013.57213.33
The Collapsing WaveDoug Johnstone4304.23183.58
Briefly Very BeautifulRoz Dineen3153.81244.17
The Glass WomanAlice McIlroy4943.3815
Welcome to ForeverNathan Tavares2703.74274.5
Blacklight BornAlexander Darwin5033.92133.67
Tomorrow’s ChildrenDaniel Polansky3393.63193.63
Ghost of the Neon GodT.R. Napper2634.02184.25
This Is How You Remember ItCatherine Prasifka9034.045
The Knife and the SerpentTim Pratt1483.75273.3
The Escher ManT.R. Napper2143.99154
DarkomeHannu Rajaniemi1983.69143.5
The Unrelenting EarthKritika H. Rao1973.6214
The WatermarkSam Mills1413.51184
ExtremophileIan Green1333.915
BondingMariel Franklin2143.2393.5
Fortress SolStephen Baxter1913.35103.5
Any Human PowerManda Scott1743.8910
Ninth LifeStark Holborn1264.44134.33
ToxxicJane Hennigan2394.075
Fight MeAustin Grossman1143.7593.25
SpiralCameron Ward1704.0962
We Are All Ghosts in the ForestLorraine Wilson1213.8383.75
Ardent Violet and the Infinite EyeAlex White1024.3285
The WildingIan McDonald403.72184.33
The Seventh SpellDavis Bunn623.3164.5
JubileeStephen K. Stanford493.766
The Book LoversSteve Aylett203.8102.74
The Dream Traveller: Dark RisingJohn Nassari494.453
The Edge of SolitudeKatie Hale733.72
The Final OrchardCJ Rivera1194.011
VigilanceAllen Stroud194.053
No/Mad/LandFrancesco Verso103.94
The Consciousness CompanyM.N. Rosen334.3612
Her Gilded VoiceK.C. Aegis244.3315
Heat: “Beyond Mindslip”Tony Harmsworth104.32
IdolatryAditya Sudarshan183.51
Dark ShepherdFred Gambino33.675
The HeadlandAbi Curtis1341
Indigo StarlingDundas Glass64.832
LacunaErin Hosfield124.921
The Past MasterPatience Agbabi94.221
Birdwatching at the End of the WorldG.W. Dexter244
A Truth Beyond FullRosie Oliver251
The Cosmic CaretakerAnge Anderson151
Worlds Aligned : Worlds Apart 2Terry Jackman151
Dakini AtollNikhil Singh141
New Adventures of a Chinese Time MachineIan Watson03

Well, there’s a rather clear leader there… On the other hand, I’m astonished to see a book by Ian Watson, who is hardly an obscure writer, which has no owners on Goodreads at all.

Heroes and Monsters Collection, by Justin Richards et al

Second paragraph of third story (“Mission to Galacton”, by Justin Richards):

A constant stream of freight ships carried resources plundered from worlds the Daleks had conquered. As the empire continued to expand, so the need for supplies grew ever greater, and Dalek task forces ventured further and further into neutral and hostile space in search of planets to ransack. In the centuries before the Great Time War, nothing could stop the Daleks…

A collection of 26 short stories, 16 of them by Justin Richards, previously published in the Doctor Who annuals and other spinoff material. Eleven Tenth Doctor Stories, six Eleventh Doctor, two Twelfth, one with the War Doctor, and also a half-dozen Doctor-lite stories exploring a bit more of the Whoniverse. A couple of weak ones, but several corkers; having been mean to him in my last review, I particularly liked the pair of stories where Amy and Rory have the same adventure from opposite directions without either realising that the other is involved. Decent internal art. No artist or editor is credited. You can get it here.

The Vindication of Lady Hadfield: how I got a hospital in Sheffield to acknowledge my great-great-aunt

My great-grandmother’s sister, born Frances Belt Wickersham (1862-1949), married the Sheffield steel man Sir Robert Hadfield (1858-1940) in 1894. The Hadfields had no children, but informally adopted my grandmother (after her own mother’s early death).

Sir Robert and Lady Hadfield on a cruise on the Nile in 1909.

Frances, known as Bunnie to the family, was very active in wartime nursing. In the first world war, she established the Anglo-American Hospital, also called No.5 British Red Cross Hospital or just “Lady Hadfield’s Hospital”, at Wimereux in northern France in December 1914. It provided 100 beds, and closed on 10th of January 1919 having treated over 16,000 patients. She was appointed a CBE in the 1919 Birthday Honours.

Bunnie Hadfield in nursing uniform.

In the second world war, she again established the Hadfield-Spears Ambulance Unit, which started work in France in 1940 but ended up travelling with Free French forces in the Middle East, North Africa, Italy and finally France again in the course of the war. In both cases, Sir Robert put up the money but Lady Hadfield did the actual setting up, and she was reputedly fairly hands-on in running the Wimereux hospital.

Portrait of Bunnie Hadfield by Jan Juta, an artist friend of my grandmother’s; and photograph of Juta actually painting it, from the collection of Christopher Scholz. We do not know where the portrait currently is, or who took the photograph.

Lady Frances is buried together with her husband Sir Robert, her sister, her mother and her niece (my grandmother) in Brookwood Cemetery near Woking. I found them in 2022.

In April last year I visited Sheffield for David and Fred’s belated wedding celebration, and went in search of the Hadfield legacy. The Department of Metallurgy and related bits of Sheffield University are housed in a building which is named after Sir Robert, which is fair enough given that he invented manganese steel and so on. There’s a portrait and a rather striking bust in the Sir Robert Hadfield Meetings Room.

With Jennifer M of the School of Chemical, Materials and Biological Engineering, in the Sir Robert Hadfield Meetings Room of the Hadfield Building

I noticed also that there is a Hadfield Wing at the Northern General Hospital in Sheffield, so I ventured out to look at it. I was really quite shocked to see that only Sir Robert was commemorated in the building; there was no mention whatsoever of his wife.

There are in fact nine distinct buildings of the Northern General Hospital, all of them named after men, of whom I find precisely one whose professional career had any connection with medicine (Bev Stokes, a former Chairman of the hospital’s Board). I find no record of Sir Robert Hadfield ever taking a direct interest in medicine, other than his own health and supporting his wife (their marriage was rocky, but he was ready to help here).

So I wrote directly to the Chair and the Chief Executive of the Sheffield Teaching Hospitals NHS Foundation Trust, which runs the Northern General Hospital, and requested that they consider renaming the building, or at least acknowledging Lady Frances’ work. (Incidentally, both the Chair and the Chief Executive are women.) This eventually got me into courteous correspondence with the Chief Nurse, Professor Morley, who politely pointed out that renaming a building cannot be done casually or quickly, but added that they would look into the options.

In the last few days, I have heard that the Sheffield Teaching Hospitals NHS Foundation Trust will install a permanent display about Lady Frances Hadfield in the atrium of the Hadfield Wing. So at least there will be one woman commemorated across the various buildings of the Northern General Hospital, and my great-great-aunt’s efforts will be recognised in her husband’s home city. It’s always worth raising your voice.

Cutting for Stone, by Abraham Verghese

Second paragraph of third chapter:

As a schoolgirl studying geography in Madras, India, Hema had to mark where coal and wool were produced on a map of the British Isles. Africa figured in the curriculum as a playground for Portugal, Britain, and France, and a place for Livingstone to find the spectacular falls he named after Queen Victoria, and for Stanley to find Livingstone. In future years, as my brother, Shiva, and I made the journey with Hema, she would teach us the practical geography she had taught herself. She’d point down to the Red Sea and say, “Imagine that ribbon of water running up like a slit in a skirt, separating Saudi Arabia from Sudan, then farther up keeping Jordan away from Egypt. I think God meant to snap the Arabian Peninsula free of Africa. And why not? What do the people on this side have in common with the people on the other side?”

Another long book which I was reading alongside Paladin of Souls, this came to my attention as the best-known book set in Ethiopia , a country that I know mainly because I once spent two days in Addis Ababa by accident (my flight to Juba was delayed) in April 2010. It’s a fascinating country, with 135 million inhabitants, more than any other African country except Nigeria and more than any European country except Russia (if that counts). At present it is suffering a lot of internal instability, but when Ethiopia has its act together the rest of us will need to pay attention. Dervla Murphy visited it in more innocent times.

Most of Cutting for Stone is set in Addis, the protagonist being the son of an Indian mother and American father, brought up in a hospital with his twin brother; both of them train to be doctors, like their parents, and live through the tumultuous years of the third quarter of the twentieth century (the protagonist is born in 1954, and flees to the USA in 1979). It’s told from a place of love and sympathy for Ethiopia and its people; I actually felt it went slightly off track when we eventually reach America and the search for the protagonist’s long-lost father, and the climax of the book, involving sexually transmitted hepatitis and a liver transplant, was a bit too neat (and not very empowering for the women in the story). The faint-hearted will also be deterred by surgical details throughout the book, especially the graphic gynæcological descriptions at the beginning.

Still, I very much enjoyed it. The author himself was born and brought up in a medical environment in Addis Ababa, so he clearly knows whereof he writes. He is a year younger than the central character of the book, he left Ethiopia in 1974 rather than 1979, and both his parents are Indian rather than just one, so it’s not completely autobiographical, but must include a lot of life experience (there is nonetheless an impressive bibliography). You can get it here.

This was my top unread non-genre fiction book. Next on that list is Prophet Song, by Paul Lynch.

Wednesday reading and April 2025 books

Read in the last week
Heroes and Monsters Collection, by Justin Richards et al
Service Model, by Adrian Tchaikovsky (did not finish)
What Feasts at Night, by T. Kingfisher
Monstress, Vol. 9: The Possessed, by Marjorie Liu and Sana Takeda (did not finish)
Doctor Who: Silver Nemesis, by Kevin Clarke
All American Boys, An Insider’s Look at the U.S. Space Program, by Walter Cunningham
Blue Remembered Hills, by Rosemary Sutcliff
Zeitgeber, by Greg Egan
The Maid and the Crocodile, by Jordan Ifueko
Nine Lives: In Search of the Sacred in Modern India, by William Dalrymple

(ten in total for the week, thanks to some short and unfinished books, and a relaxed birthday weekend)

April 2025 totals

Non-fiction 4 (YTD 22)
A Short History of Brexit, by Kevin O’Rourke
All American Boys, An Insider’s Look at the U.S. Space Program, by Walter Cunningham
Blue Remembered Hills, by Rosemary Sutcliff
Nine Lives: In Search of the Sacred in Modern India, by William Dalrymple

Non-genre 4 (YTD 17)
The Vegetarian, by Kang Han
Joan and Peter, by H.G. Wells
How Many Miles to Babylon, by Jennifer Johnston
Cutting for Stone, by Abraham Verghese

SF 16 (YTD 44)
The Mysterious Island, by Jules Verne
Sheine Lende, by Darcie Little Badger
The Vetting, by Michael Cassutt
The Birds, and other stories, by Daphne du Maurier
Ganny Knits a Spaceship, by David Gerrold
Alien Clay, by Adrian Tchaikovsky
The Tusks of Extinction, by Ray Naylor
The Feast Makers, by H.A. Clarke (did not finish)
Someone You Can Build a Nest In, by John Wiswell 
The Brides of High Hill, by Nghi Vo
Paladin of Souls, by Lois McMaster Bujold
Moonstorm, by Yoon Ha Lee
Service Model, by Adrian Tchaikovsky (did not finish)
What Feasts at Night, by T. Kingfisher
Zeitgeber, by Greg Egan
The Maid and the Crocodile, by Jordan Ifueko 

Doctor Who 3 (YTD 10)
Dragon’s Wrath, by Justin Richards 
Heroes and Monsters Collection, by Justin Richards et al
Doctor Who: Silver Nemesis, by Kevin Clarke

Comics 4 (YTD 12 )
It Came from Outer Space, by Tony Lee et al
The Hunger and the Dusk vol. 1, by G. Willow Wilson, Chris Wildgoose and Msassyk
The Deep Dark, by Molly Knox Ostertag 
Monstress, Vol. 9: The Possessed, by Marjorie Liu and Sana Takeda (did not finish)

8,700 pages (YTD 28,100)
13/31 (YTD 39/107) by non-male writers (Sutcliff, Kang, Johnston, Little Badger, du Maurier, Clarke, Vo, Bujold, “Kingfisher”, Ifueko, Wilson, Ostertag, Liu/Takeda)
7/31 (YTD 18/107) by non-white writers (Kang, Verghese, Little Badger, Vo, Lee, Ifueko, Liu/Takeda)
3/31 rereads (Paladin of Souls, Dragon’s Wrath, Doctor Who: Silver Nemesis)

251 books currently tagged unread, up 19 from last month (thanks to the Hugo packet), down 63 from April 2024

Reading now
Silver Nemesis, by James Cooray Smith
The Ministry of Time, by Kaliane Bradley
thirteen fourteen fifteen o’clock, by David Gerrold

Coming soon (perhaps)

Dead Man’s Hand, by Tony Lee et al 
Beyond the Sun, by Matthew Jones 
Doctor Who: Warrior’s Gate and beyond, by Stephen Gallagher 
Doctor Who: Logopolis, by Christopher H. Bidmead 
Logopolis, by Jonathan Hay

Coming of Age: The Sexual Awakening of Margaret Mead, by Deborah Blum 
Amnesty, by Lara Elena Donnelly 
Knowledgeable Creatures, by Christopher Rowe

City of Last Chances, by Adrian Tchaikovsky
Footnotes in Gaza, by Joe Sacco
Free: Coming of Age at the End of History, by Lea Ypi
The Water Outlaws, by S.L. Huang
A Restless Truth, by Freya Marske
The Burgundians: A Vanished Empire, by Bart van Loo
Ancient Paths, by Graham Robb
“The Faery Handbag”, by Kelly Link
Métal Hurlant Vol. 1: Le Futur c’est déjà demain, by Mathieu Bablet et al
Voyage to Venus, by C.S. Lewis
Feet of Clay, by Terry Pratchett
False Value, by Ben Aaronovitch
Prophet Song, by Paul Lynch
‘Salem’s Lot, by Stephen King